Month: June 2020
The NBA’s Board of Governors approved a return to play plan that will send 22 teams to Orlando for a restart to the season, playing eight games each to seed the playoffs, which will be played in full with seven-game series throughout. The run-time for the season and playoffs will be July 31 to October 12 under the league’s plan, but most notably they offered a rough outline of the key dates for the offseason and next season.
The NBA Draft would commence on October 15, followed by free agency on October 18, but the real eye-opener was the idea to start training camp on November 10 and the regular season on December 1, which would leave teams that played in the Finals with under a month of rest before camp began. Given that most expected a start date around Christmas — or possibly in January — it was fairly stunning to see those dates floated out there.
Fans and media weren’t the only ones surprised by those dates, as NBPA president Michele Roberts was also taken aback and, per ESPN’s Adrian Wojnarowski, it’s expected that the 2020-21 season start dates may be the focus of the most negotiation in the league’s plan.
NBA’s tentative Nov. 10 training camp/Dec. 1 season opener targets for 2020-21 season surfaced as a quick-turnaround to many, including NBPA executive director Michele Roberts: “I was surprised to see it,” she tells ESPN. Those dates are likely to require negotiation with union.
— Adrian Wojnarowski (@wojespn) June 4, 2020
Woj noted that all dates set in the league’s proposal were considered tentative, and it is important to remember that the union has to approve any return to play plan, which meant any victory laps taken today were premature. A call is expected to happen tomorrow involving the players’ association to discuss the proposal, and the very short offseason is likely to be heavily discussed. Whether the workaround is a shortened season next year — 70 games from Dec. 1 could put them with a late April finish to the regular season — extending next season deeper into the year and/or pushing the start date back to create a longer offseason this year, something seems likely to change before a plan is officially ratified.
When HBO Max launched last week, it was perhaps assumed the biggest draws would be Friends, its many DC movies, Rick and Morty or the many great HBO shows like The Sopranos and Game of Thrones. But one week in, there’s been a surprise winner: Looney Tunes and other kids shows are the most popular things on there, according to Bloomberg News.
This comes from a report by Parrot Analytics, which revealed that Looney Tunes Cartoons, the new incarnation of the classic IP, has proven the streamer’s top draw thus far. Second place went to The Not-Too-Late Show with Elmo, hosted by everyone’s favorite high-pitched-voiced Sesame Street staple.
Does this mean kids are doing the bulk of the watching? Not necessarily. Looney Tunes has always skewed broadly, appealing to children as well as adults (and not just to adults who watched them as kids). But it does suggest HBO Max — which was criticized by some for, if anything, having too much stuff from too many places, lacking a clear brand — may give Disney+ a run for its money as far as family friendly streamers go. Or perhaps, by having stuff for everyone, they’ll simply attract more subscribers.
Looney Tunes Cartoons is the umpteenth update of the brand, which has existed since in some form or another since 1930. About 200 of the classic era shorts, which played in front of movies up until the mid-1960s, are also available on the service, including such classics as Duck Amuck, The Rabbit of Seville, and One Froggy Evening. This newest iteration is divided into 10 episodes, each running about 12 minutes and featuring two shorts and a couple interstitials. They are also, perhaps surprisingly, quite good.
(Via Bloomberg News)
“The images depicted here are very disturbing and are not in line with the high standards we hold our officers accountable for,” Long Beach Police Chief Robert Luna said.
Motivated by the Black Lives Matter protests sweeping the country, Terry Crews took to Twitter on Thursday to further apologize to Gabrielle Union for not having her back when she was fired from America’s Got Talent.
“If we are to move forward as a people we must do the work required to heal the relationships in our community first,” Crews wrote in a five-part thread as he sought to make amends after he denied seeing racism on the set of the NBC talent show. In fact, Crews said it was the most “it was the most diverse place I have ever been in my 20 years of entertainment,” according to Entertainment Weekly. After facing a backlash for not backing Union after she was the first to support his sexual harassment claims, Crews apologized although without saying Union’s name.
That incident occurred back in January, and it seems to have been weighing on Crews because, this time, he made it a point to specifically apologize to Union by her name while acknowledging his privilege in a “society that has sexism built in.”
It is in this light I want to make further amends with Black women, and in particular @itsgabrielleu,” Crews tweeted, “for not recognizing the privilege I have – especially in the workplace- and adding this fact to my earlier apology.”
You can read Crews’ full apology below:
The murder of George Floyd has forced me to search my heart to find out what more I can do, as a human being, as a citizen, and more specifically as a Black man, to ensure our community can not only survive but thrive in this new world.
— terry crews (@terrycrews) June 4, 2020
But I also see that I am privileged as man, in a society that also has sexism built in. This privilege carries over into my community as a Black man in relationship with Black women.
— terry crews (@terrycrews) June 4, 2020
If we are to move forward as a people we must do the work required to heal the relationships in our community first. To whom much is given, much is required. I have a huge responsibility —and I vow to honor it.
— terry crews (@terrycrews) June 4, 2020
Crews’ apology arrives on the heel of his continued championing for Black causes. The actor joined his Brooklyn Nine-Nine costars in donating $100,000 to the National Bail Fund, which has stepped up its work as protesters are being rounded up by police. Crews also stopped by CNN on Wednesday night where he spoke with Don Lemon about the murder of George Floyd.
“We cannot let his death just be meaningless. It has to matter.”
CNN’s @DonLemon speaks with actor @TerryCrews about the social unrest over the death of George Floyd, an unarmed black man, at the hands of a police officer in Minneapolis, Minnesota. https://t.co/tYfoOSzJmo pic.twitter.com/0tf8JCCpk0
— CNN Tonight (@CNNTonight) June 3, 2020
During the quarantine, Crews has stayed busy helping causes like Guy Fieri’s Restaurant Employee Relief Fund, but as he told us last month, he looks forward to getting back to work on Brooklyn Nine-Nine, which could address the pandemic in its upcoming season.
The best new hip-hop albums coming out this week include albums from rising stars, like Iann Dior and Sleepy Hallow, and established vets, like Flatbush Zombies and Run The Jewels. It’s been a difficult week and a few albums, like Smokepurpp’s long-awaited Florida Jit, were pushed back. Many artists feel as though releasing now would be a bad look. However, Run The Jewels bucked that trend by releasing their RTJ4 two days early as an antidote to the exhaustion many feel after the past 10 days of protests — and as the perfect soundtrack to them.
Here are all the best new hip-hop albums coming out this week.
Flatbush Zombies — Now, More Than Ever
The Brooklyn trio has had a relatively quiet couple of years since they released their 2018 full-length, Vacation In Hell, participating mainly on the Beast Coast posse collection, Escape From New York. They got back to basics with “Iamlegend,” the first single from their upcoming EP. They’ve since been rolling out the project’s tracks one at a time on social media, preparing to keep the Zombies brand alive.
Iann Dior — I’m Gone 2
The 21-year-old SoundCloud product has been busy over the last few years building his buzz alongside 10K Projects and star-making producers Nick Mira and Taz Taylor. He released his debut project Industry Plant in November last year, with plans to follow up with I’m Gone just a half-year later. Album single “Sick And Tired” featured Machine Gun Kelly and Travis Barker and reached Billboard‘s Bubbling Under Hot 100 Singles chart.
Run The Jewels — RTJ4
Ahead of the release of their fourth project, Run The Jewels producer El-P said that the duo was inspired by the legacy of classic four-album runs from groups like EPMD. While a series of unfortunate events, including the coronavirus quarantine and a sample clearance issue, threatened to derail the rollout, the group was not only able to finish their timely project but also release it early as a response to anti-police brutality protests sweeping the nation. In addition, they’ve made it free to download and provided resources to donate to organizations fighting police violence.
Sleepy Hallow — Sleepy For President
The Brooklyn drill movement continues its inexorable rise to mainstream attention with the latest release from Sheff G’s “right-hand man.” He popped up within the last year and has already begun to make a name for himself, featuring on Pitchfork‘s “The Ones” column and receiving attention from Genius, XXL, and more. Sleepy For President is his chance to distinguish himself from his BK peers as the movement’s constituents go from underground rabble-rousers to rising stars.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
LeBron James has been incredibly vocal on social media over the past several days as protests over the death of George Floyd take over the country, even going so far as to return to his past criticisms of Laura Ingraham of Fox News. The tweet from James centered on the difference in coverage between his comments on social justice and police brutality differed from Drew Brees’ recent comments, at least on Ingraham’s show.
Rather than argue with Ingraham, James reminded his followers that he won’t stop until he sees change in the world.
If you still haven’t figured out why the protesting is going on. Why we’re acting as we are is because we are simply F-N tired of this treatment right here! Can we break it down for you any simpler than this right here???? . And to my people don’t worry I won’t stop until I see https://t.co/e4pJ0PvwJj
— LeBron James (@KingJames) June 4, 2020
CHANGE!!! #ShutUpAndDribbleThisPowerfulBlackManComingFullSteam
— LeBron James (@KingJames) June 4, 2020
After infamously demanding that James “shut up and dribble” after James’ spoke out against president Donald Trump in an episode of “Rolling with the Champion,” Ingraham pivoted dramatically in defending Brees’ (a white quarterback) right to speak out.
“He’s allowed to have his view about what kneeling means to him,” Ingraham said. “He’s a person.”
The stark contrast was brought to light in a viral tweet with more than 9 million views. But it’s more than just the language used by Ingraham. When James voiced his opinion about the failings of Trump, Ingraham mocked him and called into the question the value of the voice of “someone who gets paid … to bounce a ball.” Yet when off-base remarks on protesting and racial justice came out of the mouth of Brees, Ingraham found it necessary to let her viewers know that Brees was a human being.
There is a big critique of Ingraham that could go here if this was, in any way, an earnest position and not a bad-faith attack that stems from what both Brees and James said, in addition to the color of their skin. However, it’s not hard to see through what has led to the variance in approach to the two athletes’ stances on topics outside the sports world.