After almost 30 years since last playing one of his most iconic roles, Michael Keaton could return as Batman in the standalone The Flash movie starring Ezra Miller. According to The Hollywood Reporter, Keaton is in talks to reprise his role as the Caped Crusader for It director Andy Muschietti. According to the report, Keaton might even appear in future DC Comics movies in a sort-of Nick Fury way, like a The Avengers-type scenario. This would be a major casting coup for the DCEU, especially after Ben Affleck’s time as the Dark Knight, which garnered mix reviews in Batman V Superman and Justice League.

(Via The Hollywood Reporter)

Boundary-pushing Venezuelan producer Arca is preparing for the release of her upcoming album Kick I, which is slated for a release Friday. In anticipation of the album’s debut, Arca gives fans one last preview of the project with “KLK,” a lively collaboration with global sensation Rosalía.

“KLK” is the latest single released off Kick I, following the tracks “Mequetrefe,” “Time,” and “Nonbinary.” It’s hard to place a finger on the distinct category Arca’s music falls into, as she expertly layers jagged, metallic samples with contemporary pop sensibilities. But Arca’s convoluted sound is exactly what she is going for. In a statement about the album’s sound, Arca explained that she aims to remain free genre confines: “I don’t want to be tied to one genre,” said Arca. “I don’t want to be labeled as one thing.”

Along with gearing up for her album’s release, Arca found a distinctly unique way for fans to stay engaged with her music. The producer recently announced a giveaway contest through her social media. Fans who pre-save her album on streaming services can enter to win the glittery heels she sported in her 2017 “Anoche” video.

Listen to “KLK” above.

Kick I is out 6/26 via XL. Get it here.

Detroit rappers Eminem and Royce Da 5’9 have long been friends and collaborators in music but this week, they also expanded their partnership to include activism as well. On Sunday, Royce shared the announcement that Eminem had appointed him to the board of the Marshall Mathers Foundation as Director Of Community Engagement And Social Justice Initiatives. The Marshall Mathers Foundation, which has primarily provided assistance to disadvantaged and at-risk youth in Detroit, Michigan and its surrounding communities, expanded its mandate with Royce’s appointment to “combatting social injustice and helping to affect change.”

Royce himself wrote that, “I’m super excited about not just donating money but launching new initiatives.” He also stated that his goal in the new position was straightforward and that he wanted to “provide privilege for the underprivileged.” The partnership came from a question that the two Detroit rappers said is one “everybody should be asking themselves right now: ‘How can I do more?’”

The announcement came after a month marked by massive protests across the country against police killings of Black people, including Louisville EMT Breonna Taylor shot by police during a raid on her apartment and 46-year-old former rapper George Floyd, who was killed by a Minnesota police officer who knelt on Floyd’s neck while he begged, “I can’t breathe.” Their deaths and many others became the focus of protests demanding police departments be defunded in favor of social programs and education that could have a greater impact on crime prevention.

See Royce Da 5’9’s announcement above.

During the final episode of Disney Gallery: The Mandalorian, showrunners Jon Favreau and Dave Filoni revealed that Mark Hamill had a secret voice role in the hit bounty hunting series. In the fifth episode, the Luke Skywalker actor voiced EV-9D9, a droid last seen in 1983’s Return of the Jedi, and you’d never know it was Hamill, thanks to the digital editing of his voice to sound like the bartending robot. Turns out, Hamill’s been pulling this stunt in every single Star Wars movie released by Disney.

In a revealing tweet, Hamill revealed that his The Mandalorian cameo wasn’t a one-off, and he’s been secretly voicing roles that fans still haven’t figured out yet.

“Now that @themandalorian secret is out-might as well reveal I am vocally represented in ALL SW films except the Prequels,” Hamill tweeted. “Thanks to @matthewood for using me in Rogue One, Solo & the Sequels, so I DO have lines in #EpVII. Hint: Look for parts played by Patrick Williams. #TrueStory”

You can see the full tweet below:

At least two of Hamill’s cameos are known. He portrayed the alien Dobbu Scay, who was seen in the casino scenes during Star Wars: The Last Jedi, and he even went so far to as wear a full motion capture suit for the role because he was adamant about being the same size as BB-8.

Hamill’s other known voice role is the Resistance spy Boolio, who’s seen in the opening minutes of The Rise of Skywalker telling Finn and Poe to get a message to General Leia. Outside of that, Star Wars fans are still scrambling to figure out what characters Hamill voiced in The Force Awakens, Rogue One, and Solo, but it’s only a matter of time, considering the internet was practically built on solving the deepest of nerd mysteries.

(Via Mark Hamill on Twitter)

It was Father’s Day yesterday, and a lot of fathers in the music world got some love. Along with his real father, Drake also gave shout-outs to Lil Wayne, LeBron James, Snoop Dogg, and others. Meanwhile, Foo Fighters leader Dave Grohl also penned a lengthy essay about his late father. Over the weekend, Cardi B also took a minute to give some attention to her husband Offset with a loving Father’s Day post.

Cardi shared a photo of Offset with his four children: Jordan, Kody, and Kalea — who Offset had before his relationship with Cardi — as well as their shared daughter, Kulture (who turns two years old next month). Cardi wrote alongside the post, “Happy Father’s Day love.”

She then shared an adorable video of Offset enjoying some quality time with a younger Kulture. In the throwback clip, Offset looks sleepy in bed as Kulture lays on her back next to him, playing with his hair and making babbling baby noises. Cardi wrote, “Happy Father’s Day again !!! This still happens till this day but now she smacks him,” followed by crying and laughing emojis.

Offset also offered an appreciation for fatherhood and his children, as the rapper shared a selection of photos and videos of him and his kids.

Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Fawn Weaver’s path to becoming the first Black female distillery founder is a long and winding one. Weaver was a best-selling novelist when she first read about the man who taught Jack Daniel how to make Tennessee whiskey. Nathan “Nearest” Green, or Uncle Nearest as he was known, started out distilling while still enslaved and his mastery of the process created an entire genre of whiskey that’s beloved to this day. His impact is undeniable.

Uncle Nearest’s story captivated Weaver. She went so far as to move to Tennessee, search archives across the country, and speak with every surviving member of the Green family that she could find. A story emerged of an enslaved man whose whiskey-making ability was so refined that it was actually its own definable style. Nearest Green devised sugar maple charcoal filtration, known as the Lincoln County Process today. In her research, Weaver also discovered that Nearest Green went on to become the very first master distiller of Jack Daniel’s first distillery after being freed from bondage.

Sadly, much of that history was forgotten during the 20th century. But according to Weaver’s research, the reason we know Uncle Nearest’s name was because Jack Daniel made sure everyone (at the time) knew exactly who made his whiskey. Unlike so many stories lost during this era, she found that the history had been recorded — waiting for Weaver to reveal it to the world.

As her research progressed, just telling the world the amazing story of Uncle Nearest wasn’t enough for Weaver. She reached out to one of Green’s descendants and opened up the Uncle Nearest Distillery to celebrate the work of the great whiskey master. Today, that whiskey is lauded as some the best Tennessee whiskey is the world, and Uncle Nearest is finally getting his due as an innovator.

I chatted with Weaver recently about a new partnership she’s helped form between Jack Daniel’s (where some of Nearest Green’s descendants still work) and Uncle Nearest whiskey. The two whiskey makers are putting up cash for the Nearest & Jack Advancement Initiative. It aims to help female BIPOC (Black, Indigenous, People of Color) advance in whiskey making with a distillery school and an accelerated apprenticeship program. It’s an initiative that seems poised to change the whiskey game and, speaking over the phone, Weaver comes off as rightfully excited about the future of her industry.

Check our conversation below!

When you first started your research into Uncle Nearest, what was the most surprising thing you learned about both Nearest and Tennessee whiskey?

Oh, well, the most interesting things would probably be twofold. One was that he was the first master distiller for Jack Daniel’s. Even The New York Times article did not allude to that. I don’t think that very many people knew that. We really had to go back into the records and find that. The reason that wasn’t really known is the current ownership of Jack Daniel’s Distillery believed that the distillery always stood where it is currently in Lynchburg, Tennessee. They didn’t realize that the Jack Daniel’s Distillery actually began on the farm where Jack grew up and where Nearest Green was the master distiller. That’s where distillery number seven and district number four is at. They had no idea. They knew that that distillery is where Nearest worked and where he taught Jack Daniel how to make whiskey.

And this is around the end of the Civil War, right?

Jack turned 18 the year that the civil war ended and that’s when Nearest was teaching him. So all of that is happening and he asked for Nearest Green to be his first master distiller — at the time it would be called a “head filler.” Learning that was something that came out of the research.

Now, this is something that was well documented by Jack’s family but was forgotten generally. The distillery changed hands and then prohibition happened — and in Tennessee prohibition began ten years before the federal prohibition and was the last state to come out of prohibition. So most distilleries from that era died. And those that came back generally came back with different ownership. So let’s just say that people weren’t keeping documents like we’re keeping them now.

On the personal side, the most surprising thing was, as I began going and interviewing all of Nearest’s descendants one by one, and each one would allow me to take the photo albums, their family photo albums, to bring back to my research room and to do high res copies of them, things of that nature. What was so surprising to me was looking at the photos of Nearest’s children and Nearest himself was the sense of pride they had in who they were and who they were descended from.

Whenever they were taking photos, they were always looking straight into the camera — full of confidence, shoulders back, chest out, head high. It’s one of the most beautiful things that I have seen in this journey is looking at the photos of his children and their grandchildren and knowing how prominent they became in the community and how prominent Nearest was when he was alive as well.

Did you find any other history about distilling by enslaved people? Or do we know about Nearest because he’s the only one that people wrote about?

I think he’s the only one that people wrote about. The unique thing with the story of Nearest Green is that he and Jack were not only friends and he was not only Jack’s mentor, but Jack made sure everybody knew he was his mentor. He made sure everybody knew who taught him. I haven’t found anybody else who gave credit to the slave who was doing the distilling for them. I haven’t found anybody who did that. If Jack had not done that and then if Jack’s descendants had not continued to give Nearest Green credit, there’s actually no way we would know the name.

Right. That’s a big boon for whiskey history.

Massive. Massive. People often don’t know why I would speak so kindly about Jack Daniel given the times and what happened. And I always say, “Do you understand that the only reason I’m able to talk about Nearest Green is that Jack made sure everybody knew who he was?”

This isn’t me coming in and unearthing a time capsule. This is literally me just me bringing to the forefront what Jack and his nephew and his great-nephews all made sure was documented.

It’s fascinating because the Green family continues to work at Jack Daniel’s. And now, you now have people that are direct descendants of Nearest working with you. How has the family looked at the birth of the Uncle Nearest whiskey?

They’re the biggest cheerleaders. Our master blender is Victoria Eady Butler and her three siblings all continue to work at Jack Daniel’s right now. So we definitely kept it in the family. So we’ve got one descendent on our side and they’ve got three!

Can you sort of walk us through the process of what makes your whiskey so unique and, well, delicious?

Absolutely. So number one, we start off with a really good juice. We have been sourcing from two distilleries the entire time. Both had me under NDA. One has released me from the NDA, so I can say Tennessee Distilling Group. We’ve been laying down all of our barrels with them from day one. And then the second one, for whatever reason, still has me under an NDA, even though I keep saying “guys, I think everybody knows at this point, you can release me from the NDA!” But they won’t.

So, anyhow, we start off with what I believe is a really, really good Tennessee whiskey. And then we take it through three additional steps. Number one, we age it longer. And so we may buy a barrel at five years, but we’re not putting it into our bottle when it’s eight years. So, what people identify as our flavor notes, they’re not the same as their flavor notes. That has to do with the fact that we’re buying the barrels and aging them longer. We have very little in the marketplace below eight years old. Our Uncle Nearest is 1856 and is a blend of between eight and 14-year-olds. But the majority of the barrels are nine and ten-year-olds.

And then our Uncle Nearest 1820 is always the single barrel and always a minimum of eleven-years-old. That is some tasty, tasty juice. And even though we have “11 years” on the bottle, some of those bottles actually have 15-year-old whiskey in it.

And then the youngest we have is seven-year-old for Uncle Nearest 1884. That is the small-batch where I choose the barrels. And then Victoria Eady Butler goes in and she tastes every single one.

How do you drink your whiskey?

The other day I made a New York sour with the 1884 Small Batch and it was great. But then in something like an old fashioned where you really need that spirit to shine through, I use the 1856.

You had just opened up your distillery when COVID hit. How are you weathering the shutdown?

Yeah. So we’ve been closed. We shut down in the middle of March and I made a decision that we would not reopen until we have no new cases in the U.S. You know, here in Tennessee when people are coming into Nashville, they aren’t local. These are people coming in from all over. So even if we don’t have new cases in Tennessee, that’s not who’s visiting the distilleries.

And so my team members are my first, first, first priority, and I just don’t want to take a risk. So I do not see us reopening until these cases start going down dramatically. And at the current moment, we’re headed in the wrong direction.

While all of this is happening, you teamed up with Jack Daniels to start an advancement initiative. You’ve pledged $5 million to advance African-Americans in the whiskey industry in America. How’d this partnership come about?

Absolutely. The Nearest Green Foundation and the Brown-Forman Foundation had already been working together on the Nearest Green School of Distilling. One of the things that I recognized when I was trying to find more people of color to bring into my own company was that so few applied. I would post for positions, and I would literally get no qualified people of color applying. At first, I didn’t understand it. And then the more I began to think about it, it made sense. In the American whiskey industry, if you think about it, most of the stories of what we’re familiar with, the legacy brands, they’re all someone’s great, great, great grandfather who began this brand. They’re all telling this story of their heritage.

And it’s all white men. We never see ourselves in the industry and that has everything to do with the fact that it is a heritage industry. There’s no other industry in which heritage is the main driver of the brand story. It’s a fascinating thing, but it’s unlike any other industry.

So the way that we treat diversity in this industry has to be very different because we have a unique challenge. You know, African-Americans generally don’t choose roles that our ancestors did not have a choice in, right? Our ancestors did not have the choice to decide if they were going to be distillers, or cotton pickers, or tobacco farmers. Those were the jobs they had to do. And so if you look in any of those industries, tobacco, cotton, or whiskey, you ain’t going to find us. And that’s because we didn’t have a choice.

What I concluded was for our industry to become more diverse, we had to have more people applying that were people of color. And the only way that was going to happen is if we made it feel welcoming. I go to colleges all over this country, and I talk to the students in the STEM program, and I say to them, “Hey, did you know distilling is an option with your degree.” I can tell you maybe one percent know that. The other 99 percent never thought about distilling as an option for them. And so we’ve got to get out there and we really have to make it cool, but you really need women and people of color to be forward-facing in order to do that. We had to figure out, “okay, well, we can’t get more African-Americans in, unless we show more African-Americans.” So how do we do that?

So what does that look like practically as you build the advancement program?

We were already working on the Nearest Green School of Distilling, for about the last year with Motlow College. Their president is African-American. I sat down with him and told him the challenge. And I asked if Nearest Green Foundation was willing to fund the Nearest Green School of Distilling, could we house it at Motlow? And he said, “Absolutely, hands down.”

And we began working on it and that’s when I realized I needed a partner on the school so I reached out to Jack Daniel’s and asked if Melvin Keebler — who is an African-American and number two at the Jack Daniel’s distillery — could work with Sherrie Moore, who used to be their head operations and now works for us. I knew they would work well together. They’re two of the smartest minds in Tennessee whiskey. So the two of them started writing the curriculum together with the staff at Motlow College.

They worked on that together for about six months. And so we’re now awaiting approval from the state. The moment we have that approval, it will go to the regional body. And once the regional body accredits it, it will be the first time we have an associate’s degree in distilling being offered in the United States. And it will be at the Nearest Green School of Distilling.

That’s fantastic.

So we’ve been working on that already for the last year on how to get young people of color and women into the industry. But with what happened first with Ahmuad Arbery then Breonna Taylor and then George Floyd, we’re like, “You know what, guys, we were doing the slow roast version of this. We need the microwave version as well.” And so then we began talking about other ways that we could create diversity faster in our industry and the solution to that became the Business Incubation Program, BIP.

Our goal is to help existing African-American micro-distilleries in the US that struggle to get capital, to get distribution, or to get their marketing, branding, and PR right. They’re figuring it out and they’re first-generation. So we’re essentially coming alongside these guys and giving them our resources and mentoring them and helping take them from simply surviving to thriving. We will not own any part of any of the businesses that we help. We are literally just trying to create a pipeline of successful African-American owned distilleries.

And then the third prong of the Nearest and Jack Advancement Initiative is the Leadership Acceleration Program and we call it LAP. This program is all about taking people that are in the industry and helping them to rise as quickly as possible. Essentially it’s an apprentice program. But usually, if you are an apprentice, you’re making no money. Well, most African-Americans are not going to leave a good-paying job in order to go make no money to learn a skill.

So what we are doing is we’re matching their salary at whatever their job level is currently. Then as an apprentice, they are going to be learning from the best in the business.

What does an apprenticeship look like?

We have as our first head distiller apprentice and we’ve already mapped out her program. It starts with almost six full months of manufacturing training and getting every certification from OSHA to ISO, to hazmat, green belt, every certification that will look incredible on her resume. That’s what she’s starting with.

Once all of those certifications are in place, she begins training over at Catoctin Creek Distillery. It’s a female-owned distillery and the master distiller is a female, Becky Harris. She’s also the president of the American Craft Spirits Association. After that stint, she’s going to Kentucky and training at Moonshine University while also training at two of the Brown-Forman Distilleries, and a couple of other craft distilleries in Kentucky. And in each place, she’ll literally be shadowing the master distiller.

So generally speaking, to get someone to the level of master distiller, you’re looking at ten to 15-plus years. We’re doing the microwave version of that.

That’s really phenomenal.

It’s the best of the best in this industry and we’re are all rallying around the same person to raise up the first female African-American master distiller of a major brand.

Editor’s Note: Raleigh Van Ness is a pseudonym used by Upworthy in order to protect the anonymity of the author.

It’s hard to pinpoint the moment I knew I was queer. I mean, growing up, I knew I was different. I liked boys because I was told I should like boys. I chased Chris for a kiss in Kindergarten on a whim and a dare—not out of any true want or desire. In fifth grade, I dated Brandon for his ball cap. It was a status symbol. It got me clout with the hip kids. The cool kids. With the girls who wore cropped sweaters and acid-wash jeans. And while I had a steady stream of boyfriends in middle school, I did so to appear normal. To be normal. Plus, I couldn’t possibly go to the Halloween dance alone, so I didn’t.

I held Tyler’s shoulders and swayed to Savage Garden.

Terrance sang every word of Boyz II Men’s “I’ll Make Love to You” in my ear.

But the truth is my eyes weren’t for them, not at 10, 12 or 17. I was—and always have been—attracted to women.

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The first girl I recall liking was my best friend, Kathlyn. She was a sweet girl. A kind girl. A loving girl. She was also beyond smart. The bookish type. Her long, brown locks regularly covered her eyes. But there was something about her gap teeth and freckled skin that enticed me. Entranced me. I wanted to be more than good friends. Then best friends. Then “just friends.”

I began having fantasies which would make you blush and would make my mother ashamed.

In high school, I scoured the scenes of scrambled porn—which, for those unaware, is how kids watched X-rated films in the pre-internet days—for curved lips and hips. For breasts and bare buttocks. I became obsessed with women’s reactions and the sight of their satisfaction, and I wanted to know that feeling.

I wanted to share it with another.

And, on occasion, I’ve flirted with my desires. I’ve kissed and caressed some amazing women in my life, but no one knows it. Well, aside from a few drunken college encounters caught on camera, no one knows it because I am living a double life.

I am married to a man.

I am not alone. According to the Williams Institute at UCLA, 4 percent of adults in the United States identify as lesbian, gay, transgender, or bisexual. This means there are approximately 9 million LGBTQ individuals in America, and many more live like me, in silence and in secret. And while living in the closet can be isolating—scratch that: it can be upsetting, enraging and (some days) it fills me with shame—during Pride Month I am humbled. I am thankful. I am accepted and understood.

You see, when I see a rainbow banner or flag I smile shyly, coyly because I feel seen. Even though I am closeted, I feel a sense of community. Like I belong and am understood.

During Pride Month, I feel I am able to celebrate myself completely. Fully. I’ve spent my whole life ashamed of who I am—of what it is I feel, want, need, who I love and what I deserve—but seeing others embrace LGBTQ individuals makes me love myself and embrace myself.

Seeing others celebrate Pride makes me value myself.

Pride month reminds me of how far I’ve come. Sure, I haven’t “come out” to my friends and family but I have come out to myself, and that is worth celebrating. Acknowledging my true self is half the battle.

And Pride makes me feel backed. Supported. Like I have a family and home.

I also feel an immense sense of gratitude during Pride. I am thankful for the voices of others. For the strength of others. For the fight of others, and hope one day I can join them. I hope one day I have the courage to be myself. Loud and proud.

Make no mistake: There are days I still struggle. I hate myself. I am angry with myself. I feel like a failure and a fraud, and on these days I convince myself I have no community. Until I am open and honest, I am neither straight or queer. But while closets hide things, they don’t keep secrets. Silence does not take away my identity. I am a wife, mother, runner, and writer.

I am also a proud queer woman.

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Nobody has time for bug bites, sunburns, or face mask tan lines, y’all.

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US citizen children filed a lawsuit after Congress restricted CARES Act relief money to individuals with social security numbers, excluding undocumented immigrants.

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