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Chloe x Halle Show The World How They ‘Do It’ On ‘Kimmel’

Sister duo Chloe x Halle debuted their glowing sophomore record Ungodly Hour back in June. On the effort, the two shed their innocence and got candid about issues of infidelity and empowerment. Chloe x Halle showcased these themes on Tuesday when they appeared on Jimmy Kimmel Live to give a soaring rendition of their record’s lead single, “Do It.”

Donning bright red vinyl outfits and matching instruments, Chloe x Halle belted out their song’s lyrics with fluttering harmonization. “I beat my face / Moving fast ’cause the Uber on the way / Taking pictures make sure you can’t see no lace,” Chloe croons at the hook.

Speaking to Apple Music’s Zane Lowe about Ungodly Hour before its release, Chloe said she and her sister explored new territory on the record: “My sister and I, we are such music heads of real musicality and I feel like we kind of showed that on our first album, The Kids Are Alright. And for this one, we really just wanted to show how we could pair our musicianship with a few bops and letting people enjoy themselves and have fun as well as the lyrics and the messaging of the album. We called it Ungodly Hour because it’s okay to not be perfect all the time. It’s okay to have those moments of self reflection when you just don’t feel okay.”

Watch Chloe x Halle sing “Do It: on Jimmy Kimmel Live above.

Ungodly Hour is out now via Parkwood/Columbia. Get it here.

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The ‘Stranger Things’ Creators Have Confirmed That The Show Won’t End After Next Season

Stranger Things season three debuted over a year ago, and while the cast has since kept busy (Millie Bobbie Brown stars in Netflix’s Enola Holmes, for instance, and Winona Ryder appeared in HBO’s acclaimed The Plot Against America miniseries), there’s no word on when season four will premiere. But creators/brothers Matt and Ross Duffer did confirm that it won’t be the last season, contrary to poorly-sourced rumors.

“Season four won’t be the end. We know what the end is, and we know when it is. [The pandemic] has given us time to look ahead, figure out what is best for the show. Starting to fill that out gave us a better idea of how long we need to tell that story,” Ross told the Hollywood Reporter. Season four was “a couple of weeks” into production before everything shut down in March due to the COVID-19 outbreak, giving the Duffers extra time to decide which 1980s movie theme song to have Dustin sing next. Here’s hoping for “Against All Odds (Take a Look at Me Now).” Phil Collins is very in right now.

Speaking of Dustin, the actor who plays him, Gaten Matarazzo, is spending his summer “working as a runner at a restaurant on Long Beach Island where other family members are employed,” according to the Philadelphia Inquirer. “Members of his family are known to work at Bird & Betty’s in Beach Haven, New Jersey, which was tagged in an Instagram feed earlier this summer that featured a shot of the 17-year-old actor, mask under his chin.” No wonder on whether he has to wear a jaunty sailor hat.

(Via the Hollywood Reporter)

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Phoenix Return With ‘Identical,’ Their First Song In Two Years, And Tease Their Next Album

Fans haven’t heard much from Phoenix over the past few years. The French group released their latest album, Ti Amo, in 2017, then toured behind it (including some special residencies), and it’s been mostly silence from the group since then. They’ve been busy working on new material, though, and today, they’ve shared some of it: Phoenix has released “Identical,” a new single and their first song since Ti Amo (aside from their 2018 Record Store Day release “Monologue,” which emerged from those album’s sessions). The song is part of the soundtrack for the upcoming movie On The Rocks, which stars Bill Murray and Rashida Jones.

The band’s Thomas Mars spoke to Apple Music’s Zane Lowe about the song and also teased their next album, saying:

“This is the time we’re putting one song and it’s our original song. So I think, yeah, and also I think this song will be on the album somehow. Even though the album now feels like it’s all over the place, we know that in the last few weeks it comes together, and it doesn’t look like anything now, but it will come together on it. It all makes sense.

It’s a good thing that it’s all over the place. As a musician, it’s the most exciting moment because everything’s all over the place. There’s no coherence and it’s a little bit like our first record, maybe; United, which had songs that would explore heavy metal and then country music. And then this is the same sort of weird Frankenstein of an album.”

Laurent Brancowitz added, “You know, there are processes that we produce a lot of material and we do not pre-judge. So we create things. And the very last moment is when we pick the good elements and we do something good with all this mess. So right now it’s just a big mess, but it’s the most exciting part for us. When we’re done… Oh, I know. The mess is good.”

Listen to “Identical” above.

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Everything Coming To And Leaving Netflix In September 2020, Including ‘The Devil All The Time’ And ‘Ratched’

Fall will soon arrive, and although this has been a long year so far, there’s still more content to be devoured, which is fantastic news.

Netflix has plenty of original offerings on the way, including a thriller starring the in-demand Tom Holland and Robert Pattinson. Elsewhere, Nurse Ratched from One Flew Over The Cuckoo’s Nest is getting an origin story, and Millie Bobbie Brown stars as the rebellious teenage sister of Sherlock Holmes. The streaming service is also adding plenty of beloved films, including the most financially successful stoner comedy ever, Pineapple Express, and the entire Back To The Future trilogy, to its lineup.

Here’s everything coming to (and leaving) Netflix in September.

The Devil All The Time (Netflix film streaming 9/16)

Robert Pattinson continues to diversify his acting portfolio as an unholy, unhinged preacher while Tom Holland’s character attempts to battle the evil forces that surround him. The film also stars Sebastian Stan as a crooked sheriff along with Jason Clarke, Riley Keough, Bill Skarsgård, and Mia Wasikowska in a story that spans the gap between World War II and the Vietnam war. Naturally, the lines between the just and the corrupted aren’t always clear cut here, and that’s part of the thrill.

Ratched: Season 1 (Netflix series streaming 9/18)

Sarah Paulson and Ryan Murphy can’t quit each other, and the American Horror Story vibe is alive with this prequel of sorts to One Flew Over The Cuckoo’s Next. Above, Paulson (as Nurse Ratched) informs the world what will happen if they dare to swipe her peach from the break room. Don’t do that! Paulson must have had a ball while putting her spin on the iconic villain originally portrayed by Louise Fletcher. This origin story of the fearsome asylum nurse looks to have plenty of fanciful Murphy touches while also promising to give you nightmares.

Netflix

Enola Holmes (Netflix film streaming 9/23)

Stranger Things‘ Millie Bobby Brown plays the teen sister of iconic detective Sherlock Holmes, and she’s tipped to be a real “super-sleuth” in this movie. Along for the ride are Henry Cavill (who will pile his Sherlock atop the many other takes on this character) and Sam Claflin (picking up the Mycroft Holmes character), who’d both like to ship Enola off to finishing school when her mom (Helena Bonham Carter) goes missing on her sixteenth birthday. This attempted atrocity goes down in 1884, and Enola’s not about to become a “proper” lady, so she rebels and strikes out to find her mom.

Here’s the full list of titles coming to Netflix in September:

Avail. 9/1
Adrift
Anaconda
Back to the Future
Back to the Future Part II
Back to the Future Part III
Barbershop
Barbie Princess Adventure
Bookmarks: Celebrating Black Voices
Borgen
: Season 1-3
The Boss Baby: Get That Baby!
Children of the Sea
Coneheads
Felipe Esparza: Bad Decisions
Glory
Grease
La Partita / The Match
Magic Mike
The Muppets
Muppets Most Wanted
Not Another Teen Movie
Pineapple Express
Possession
The Producers
(2005)
The Promised Neverland: Season 1
Puss in Boots
Red Dragon
Residue
Sex Drive
Sister, Sister
: Season 1-6
The Smurfs
True: Friendship Day
Wildlife
Zathura

Avail. 9/2
Bad Boy Billionaires: India
Chef’s Table: BBQ
Freaks – You’re One of Us
Afonso Padilha: Alma de Pobre
Love, Guaranteed
Young Wallander

Avail. 9/4
Away
I’m Thinking of Ending Things
The Lost Okoroshi
Spirit Riding Free: Riding Academy: Part 2

Avail. 9/7
Midnight Special
My Octopus Teacher
Record of Youth
Waiting for “Superman”

Avail. 9/8
StarBeam: Season 2

Avail. 9/9
Corazón loco / So Much Love to Give
Get Organized with The Home Edit
La Línea: Shadow of Narco
Mignonnes / Cuties
The Social Dilemma

Avail. 9/10
The Babysitter: Killer Queen
The Gift: Season 2
Greenleaf: Season 5
The Idhun Chronicles
Julie and the Phantoms

Avail. 9/11
The Duchess
Family Business
: Season 2
Girlfriends: Seasons 1-8
How to Train Your Dragon 2
Pets United
Pokémon Journeys
: The Series: Part 2
Se busca papá / Dad Wanted

Avail. 9/15
America’s Book of Secrets: Season 2
Ancient Aliens: Season 3
Cold Case Files Classic: Season 1
The Curse of Oak Island: Season 4
Hope Frozen: A Quest to Live Twice
Izzy’s Koala World
Michael McIntyre: Showman

Pawn Stars: Season 2
The Rap Game: Season 2
The Smurfs 2
Taco Chronicles
: Volume 2
The Universe: Season 2

Avail. 9/16
Baby: Season 3
Challenger: The Final Flight
Criminal: UK
: Season 2
The Devil All The Time
MeatEater
: Season 9
The Paramedic
Signs
: Season 2
Sing On!

Avail. 9/17
Dragon’s Dogma
The Last Word

Avail. 9/18
American Barbecue Showdown
Jurassic World Camp Cretaceous
Ratched

Avail. 9/21
A Love Song for Latasha

Avail. 9/22/20
Chico Bon Bon: Monkey with a Tool Belt: Season 3
Jack Whitehall: Travels with My Father: Season 4
Kiss the Ground
The Playbook
Mighty Express

Avail. 9/23
Enola Holmes

Avail. 9/24
The Chef Show: Season 2
Real Steel

Avail. 9/25
A Perfect Crime
Country-Ish
Nasty C
The School Nurse Files
Sneakerheads

Avail. 9/26
The Good Place: Season 4

Avail. 9/27
Bad Teacher
Van Helsing
: Season 4

Avail. 9/28
Whose Vote Counts, Explained

Avail. 9/29
Michelle Buteau: Welcome to Buteaupia
Welcome to Sudden Death

Avail. 9/30
American Murder: The Family Next Door
Wentworth
: Season 8

Here’s the full list of titles leaving Netflix in September:

Leaving 9/4
Christopher Robin

Leaving 9/5/20
Once Upon a Time: Seasons 1-7

Leaving 9/8
Norm of the North: King Sized Adventure

Leaving 9/10
The Forgotten

Leaving 9/14
Cold Case Files: Season 1

Leaving 9/15
Raiders!: The Story of the Greatest Fan Film Ever Made

Leaving 9/16
The Witch

Leaving 9/17
Train to Busan

Leaving 9/20
Sarah’s Key

Leaving 9/21
Person of Interest: Seasons 1-5
SMOSH: The Movie

Leaving 9/22
20 Feet From Stardom

Leaving 9/26
The Grandmaster

Leaving 9/28
Tucker and Dale vs. Evil

Leaving 9/30
2012
40 Days and 40 Nights
A Knight’s Tale
Cheech & Chong’s Up in Smoke
Dear John
Despicable Me
Donnie Brasco
Frances Ha
House of the Witch
Inside Man
Insidious
Jurassic Park
The Lost World: Jurassic Park
Jurassic Park III
Menace II Society
Million Dollar Baby
Mortal Kombat
Mud
Resident Evil: Afterlife
Schindler’s List
Seabiscuit
Sinister
Starship Troopers
Terminator 3: Rise of the Machines
Terminator Salvation
The Devil’s Advocate
The Social Network
Zack and Miri Make a Porno

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Tucker Carlson Loses It Over Cardi B’s ‘WAP’ Lyrics: ‘What Is This Doing To Our Kids?’

Cardi B and Megan Thee Stallion’s raunchy “WAP” was released last week and nearly everyone — from PETA to Tiger King‘s Carole Baskin — has an opinion about it. The rappers’ witty lyricism has also caught the attention of the conservative right, and many members of the GOP are beside themselves. Ben Shapiro recently went viral for reading through the song line-by-line and now Fox News host Tucker Carlson is also losing it over the No. 1 track.

Dissecting the track on his show Tuesday night, Carlson was appalled by the song’s popularity. The anchor was incredulous at the song’s NSFW lyrics and even included a clip of Cardi jokingly explaining the song’s meaning, taking her words at face value.

Voicing his outrage about “WAP,” Carlson said: “That’s garbage. You don’t need to be a puritan to think so. It is, it’s garbage. It’s aimed at young American girls — maybe your girls, your granddaughters and what is it doing to them? Can you imagine what it’s doing to them? People are getting rich pushing that crap on the country and they should be ashamed of themselves. But they’re not ashamed of themselves.”

Carlson also defended himself, saying he’s not being “prudish” and denying his indignation is similar to when James Brown was “sexually suggestive” on stage, something that happened 50 years ago. “Ask yourself, above all, and ask it more than once — What is this doing to our kids? The people pushing it are clearly trying to hurt your children. Why is nobody pushing back?” While Carlson thinks “WAP” is hurting children, Consequence Of Sound points out the anchor also doesn’t believe in the science of wearing masks and how they can keep everyone — including “your children” — safe from contracting coronavirus.

Watch a clip of Tucker Carlson analyzing “WAP” above.

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Trey Songz Responds To Accusations Of Sexual Misconduct Against Him

Trey Songz is defending himself against accusations of sexual misconduct today after a clip from a recent episode of the No Jumper podcast went viral on Twitter describing a series of unusual encounters with the interviewees. Popular internet personality Celina Powell and her companion (named in the episode description as “Aliza”), who has been a guest on the show multiple times, answered a query from show host Adam22 about “the nastiest things you’ve ever done” and her reply sparked a fierce debate online regarding consent and coercion.

Powell’s friend reveals that she was urinated on by a celebrity, but that she hadn’t given prior consent. With some light prompting from Powell, she admits that it was Trey Songz and describes how it wound up happening. But it’s the description of the rest of their encounter that seems to be drawing the most attention. “I think he’s a psycho,” she says. “He took my phone and my purse away for a whole day. He held them over the balcony like, ‘Bitch, if you try to leave, I’ll drop this sh*t.” Adam asks for clarification, and Aliza shares that she asked when she could leave and received no answer from Songz.

Many observers have pointed out that this could constitute kidnapping and coercion on Songz’s part, as well as criticizing him for the surprise golden shower. Songz himself logged into his account to defend himself, sharing screenshots of conversations between himself and the woman and writing, “Y’all stay ready to believe a bird.” He followed up with a longer tweet reading, “I usually stay quiet on this but I feel that in many ways the movement to fight for the women who actually have suffered harassment and abuse on various levels, has been hijacked by those who find it convenient for themselves to come up as they seek to destroy someone’s life.”

He also shared another set of screenshots — with an unidentified number clearly visible, so we won’t be sharing here — writing, “I brush it off everytime but once you have an allegation no matter it’s true weight in validation, it’s now happened once and to some will be believable from that moment forward. None of that happened.” He then called back to a previous allegation against him, insinuating that the alleged victim in that case only accused him to swindle money out of him via court case.

He ended his defense by writing, “You will choose 2believe what you want. I’ve been focusing my energy and time on good things and I know the Devil wants my soul more now than ever. Ima keep my head high and push forward. If you holdin me down in these moments I preciate that.” Meanwhile, Powell issued her own responses on Twitter, accusing him of giving her the same treatment and of “paying bitches off for doing them foul as f*ck.”

It’s worth pointing out that none of the screenshots he shared particularly disprove any part of the No Jumper story or justify his actions if the story is true. Meanwhile, it’s likely also worth noting that Adam22 was also accused of sexual assault by multiple women, making the whole situation even more convoluted and creepy.

Trey Songz is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Kaash Paige’s ‘Teenage Fever’ Is An Understanding Voice For Misguided Youth

Seconds into Kaash Paige’s debut album Teenage Fever, the Dallas native introduces herself to listeners on “London” with a bold question to an unnamed love interest: “Did you miss me enough to drink? Or did you drink enough to miss me?” While the idea of being missed is enough for some, Kaash peels back the action with a very Instagram caption-esque question to investigate its motive. Is the encounter a failed attempt to escape the saddened thoughts rooted in a failed stab at love that just barely slipped away or a drunken moment due for an “I’m sorry about last night. I was drunk” text the following morning? The question is a mere defense mechanism to protect the heart, one that desperately seeks a pure and undeniable love.

As all teenagers do, Kaash seeks love and direction in a world that expects so much from children, who know so little about it. Teenage Fever is the various anecdotes that result from these endeavors. It’s the lightbulb moments that give her an additional droplet of wisdom to figure out love or know where to turn in life but said droplet is not always enough. Backed by a verse from 42 Dugg, she vents about the lack of support in her life on “Fake Love.” “Even my family don’t understand me,” she sings. “Even my homies still don’t got a plan B.” The line is quite honestly the battle cry of the young teens who simply want to be understood and guided in the right direction towards the goals they hold within or seek to discover.

Unaccustomed to the true pains and frustrations of love, Kaash experiences this first hand throughout the album. After detailing the beauty of an intimate bond that holds two lovers together on “Soul Ties,” she sees the pains of when a connection like this is only desired on one side of the relationship on “Friends.” She pushes the envelope towards her love interest to no avail as they show no desire to read the words that lie within it. “Look who I’m f*ckin’ again / We can be more than just friends,” she suggests on the somber track. “Friends, what after this? / I don’t even know what that is.” After several intimate encounters, Kaash’s naivety towards the complexities of love is uncovered and sting like the burn of a fresh wound. It’s here that she learns the hard way that repeated intimate encounters do not always equate to settling down in the realm of exclusivity.

Teenage Fever closes with a supportive message on “Karma” that defines exactly what the album’s title is. “You are now entering Teenage Fever / which is where all the teenagers go through a stage of life / Bein’ unnatural and not knowin’ what’s really goin’ on.” It arrives like a pilot’s in-flight announcement minutes before landing. Despite its placement at the end of the album, this announcement is what all of Teenage Fever looked to bring to listeners. Kaash sings for the adolescent seeking love and self-expression. She sings for the ones who stress life’s “Problems” and solutions to them, for those who “play games” and “never pursue” love as she confesses on “Break Up Song.” The album sings for the youth and their ignorance to the world, one they can’t be blamed for. Rather than reprimand them for this ignorance, Kaash delivers the understanding she wished for while young.

Kaash Paige’s debut album proves she’s a product of Drake’s R&B catalog that often found teenagers like herself teary-eyed after their high-school crush lived up to their title and smashed their heart into pieces. Aside from a title that comes from his More Life track, other references to The Boy’s work are found on “Jaded,” “Fake Love,” “Friends,” and “Problems,” which interpolates Drake’s Take Care cut “Good Ones Go (Interlude).” Say what you want about Drake’s R&B bona fides, its quality, and how it stands against the rest of his work, but one thing is for sure: its relatable content gave direction to young listeners like Kaash herself. While it helped some navigate the usually guide-less trail of adolescence and love, it helped the Dallas native find her voice to create her version of these often relatable songs.

Kaash Paige isn’t the best at what she does, not yet at least. However, her efforts are promising. Teenage Fever is her wide-eyed entrance to a world that thrives off self-expression, and in it, she brings her preconceived notions on life and all that comes with it. This isn’t a coming of age story for her youth is still apparent on Teenage Fever. However, the album proves that despite being misunderstood and even misguided at times, Kaash found her way and continues to do just that day in and day out.

Teenage Fever is out now via Def Jam. Get it here.

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Ja Morant On His Rookie Year And The Extra Off-Court Work Needed To Be A Great Point Guard

Ja Morant is the heavy favorite to take home the Rookie of the Year award after averaging 17.8 points, 7.3 assists, and 3.9 rebounds per game for the surprising Memphis Grizzlies, who fell just short of a stunning postseason appearance.

Morant is now back at home after a month in the Disney Bubble, and while the frustration of being so close to a playoff appearance is very real, the young point guard has a perspective on the season that illustrates what makes him unique among young players. He understands this season was just the beginning for the young Grizzlies, who he’s quick to note were projected to be a bottom five team in the league prior to the season. He also gets that the franchise now has a foundation to build upon for what they hope will be a contender for much more than just an 8-seed in the future.

Like the team as a whole, Morant used this season as a chance to take a major step forward on and off the court as he finds his place in the NBA. He sees plenty of opportunities to get better this offseason to build off his rookie campaign, with a focus both on developing his basketball skill and continuing to develop his body. On Tuesday, Morant spoke with DIME by phone on behalf of BODYARMOR — he’stheir latest athlete partner — about his rookie year, the difference in his focus on training and nutrition in the NBA compared to college, his takeaways from this season, what makes the Grizzlies mesh so well, and the work he does off the court to be a better point guard and know where his teammates are at their best.

To start, how is your thumb doing and how are you feeling?

The thing with my thumb, you know, it’s fine. Still in the healing process, but all good. You know, enjoying the fam, watching the games. So, I’m all good.

Good. Something I’ve talked with a lot of guys about is how much they learn as young players in the NBA about taking care of their bodies, nutrition, and training. What are the things that you learned this year as a rookie that you can build upon as you build your own personal routine for all of that going forward in your career?

Really just eating good, like you said, putting the right stuff in your body is something … after I begin to learn that, my body started feeling way better. I wasn’t as fatigued or sore or anything, and I feel like that’s really the main thing. Just knowing exactly what you’re putting in your body and making sure it’s the right thing.

Was that something you focused on at all in college or was that more of a learning process this year in the league?

I can say before and after college I was big on it, but during college it’s kind of hard. You have to, you know, eat whatever you’ve got out there. College was kind of tough, but my dad, he’s a chef, so he cooks a lot so I rarely eat a lot of junk food or anything like that.

And how did that lead you to this partnership with BODYARMOR?

You know, like I said, just making sure you put the right stuff in your body, staying hydrated. BODYARMOR has a lot of potassium and electrolytes in it, so it definitely is a plus for me.

Obviously things didn’t end as you’d hoped for, but what are your takeaways from your rookie season, both personally and as a team?

For me personally, I always feel like there’s room for improvement. I’m gonna just continue to work this offseason and get ready for next season. As for the team, I feel like we’re in a good position. We were projected to be 27th and ended up being games away from the playoffs. I feel like we love that underdog role and we all have that underdog mentality, but we also know we are a good team when we’re playing together and playing our style of basketball. Now we know what it takes to make the playoffs, so we just gotta build on this past season and continue to get better, and push for the playoffs next season.

You mention the work you’re getting ready to put in this offseason. Is there anything specifically — and I know you want to get better in all facets of your game — but is there anything particularly in your game that you really want to make sure you improve upon for next season?

I would just say, like you said, all areas for me. I don’t just work on one thing. I’m going to continue to get in the weight room and continue to put on weight and be able to absorb contact and finish through contact.

What was the Bubble experience like for you? There’s not a lot of times where the whole league is in one place like that. As a rookie, did that give you an opportunity to get to know some more guys in the league off the court — I don’t know how much time you spent with folks outside of your team — but it is such a unique situation.

I mean it was different. Nobody expected us to be there and finishing the season there. The Bubble was definitely different. It’s just the guys out there, the teams, you know, missing fans, so it definitely was some tough areas, but it also allowed you to focus on what you had to do: Be locked in on the game. I really don’t hang around too many people, so I was just around my teammates.

I know you and Jaren and Dillon and the rest of those guys are all really close. What would you say about how quickly this team really came together for a group of young guys, and how the pieces seemed to fit so well together?

I feel like when we have new people come in or whatever, we try to make them feel as comfortable as possible. When we not on the court, we all be together. Continue to get to know each other outside of basketball, continue to build our bond, and I feel like that is kinda what helps us on the court because we know what to expect from certain players. We know where certain players like to have the ball at and shoot from, and I feel like that kinda helps us.

That’s such a big job of yours as a point guard. What did you learn about being a leader this year and what do you do to learn where those guys want to be and learn your teammates because as the point guard it’s your job to put them in those positions to succeed?

I just watch a lot of my teammates film, watching them in they workouts when I’m not even working out, like after my workouts. Just staying ’round, obviously you can tell where people seem more comfortable at with how they’re playing. So I’m just watching it, studying the stats, and it’s just, you know, me just trying to put them in comfortable positions, the spots they like to be in. So, it’s just easier for them. If I know somebody likes to shoot on that right wing, then I’m going to have them on that right wing [laughs]. I feel like it’s my job as the point guard to be a leader and be vocal, but I took that challenge of learning each one of my teammates spots to be a better player and to help my team.

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Lil Uzi Vert’s First Performance Supporting ‘Eternal Atake’ Will Be A Livestream Concert

Lil Uzi Vert finally released his highly anticipated new album Eternal Atake on March 6 this year, three years after Luv Is Rage 2. As far as promoting the album, though, the timing was unfortunate. It came out right around the time when the coronavirus pandemic started shutting down many sectors of business and life around the world, so Uzi hasn’t been able to tour behind the record.

Now, though, he is taking the route many artists have taken during the pandemic and has found a way to give his first live performance in support of the album: He will be putting on a livestream concert. The performance is set to take place on August 27 at 6 p.m. ET, and it will be a ticketed event, with access to the show costing $15 via Universe. It’s not clear where in the world Uzi will be performing from, but there will be no audience in attendance wherever it is.

Between Eternal Atake and now, Uzi has shared some new material that could find its way into his setlist. He was rumored to be dropping a mixtape with Future, and while that hasn’t come to be yet, the two did drop a pair of new songs at the end of July.

Get tickets for the livestream performance here.

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Ben McLemore Found His Perfect Role With The Rockets

The Houston Rockets cruised to a Game 1 victory over the Oklahoma City Thunder and, as often, it was the team’s offense that carried the day for James Harden and company. While Harden and Russell Westbrook (when healthy) deserve all kinds of recognition for the heliocentric performance they exhibit in leading Houston’s offense, the Rockets do need quality supporting pieces to make the operation work. In addition to Eric Gordon and P.J. Tucker, Mike D’Antoni’s system calls for rotation players that can space the floor and bomb away from beyond the arc and, in 2019-20, that means Ben McLemore.

McLemore, who was once considered a leading candidate to be the No. 1 overall pick in the 2013 NBA Draft, was floundering in the NBA wilderness when he agreed to a partially guaranteed two-year deal with the Rockets in late July last summer. The former Kings and Grizzlies guard signed for a bargain-basement price, not only to be a part of a title contending team but, presumably, because McLemore’s asking price was limited.

While McLemore does have the pedigree of a top-tier high school recruit and lottery pick, the 27-year-old was something of a punchline in previous stops. As a member of the Kings, McLemore did appear in 293 games in his first four seasons, contributing a bit as a scorer and staying on the floor due to Sacramento’s sizable investment in his development. However, McLemore wasn’t what anyone would describe as a “winning player” during his rookie contract and, with a perilous situation in an unstable organization, it was not a match made in heaven.

From there, McLemore spent a year in Memphis as a “buy low” candidate and, after that experiment didn’t click, he appeared in 19 games during the 2018-19 season for the Grizzlies. In short, it appeared that his days as a well-paid NBA contributor could be numbered and, while talent was never an overarching question for McLemore, his profile never fit snugly with what his previous teams asked him to accomplish on the floor.

Enter the Rockets, with Houston playing a highly specific style and building their roster with undeniable intention. At the time of the signing, plugged-in observers opined that a limited, targeted role could be good for McLemore but, in the same breath, few could have envisioned the success that the former Kansas guard enjoyed in his first season with the Rockets.

McLemore appeared in 71 regular season games, making 23 starts, and he averaged 10.1 points while shooting 40.0 percent from three-point range. At first glance, his box-score statistics don’t look markedly different from previous seasons but, after a bit of closer inspection, McLemore’s performance in Houston really shines with regard to his role and deployment.

First, McLemore’s three-point attempt rate soared with the Rockets and, as part of the NBA’s analytical revolution, that is usually in line with increased efficiency. McLemore attempted a career-high 12.9 three-point attempts per 100 possessions and, with an elite clip of 40 percent, that shooting is exceedingly valuable. In addition, McLemore’s usage rate declined to a career-low 16 percent, mitigating some of his weaknesses with regard to playmaking and turnover avoidance.

In addition, not all three-point attempts are created equal and McLemore serves a very specific purpose within Houston’s system. McLemore attempted 545 shot attempts this season and a whopping 452 of them (82.9 percent) came from beyond the three-point arc. That is already a marked difference from the past, but 388 of the 452 three-point attempts were classified, by Synergy, as “catch-and-shoot” attempts.

That is a sky-high percentage and, with Harden and Westbrook doing the lion’s share of the creation, McLemore was plugged in to perhaps the perfect role for his current skill set. To be fair, McLemore did shoot a quality percentage (38 percent) on pull-up three-point attempts but, on the whole, the Rockets simply asked him to be ready and willing to shoot from long distance whenever the opportunity arose.

It is fair to wonder whether McLemore’s current brand of offense would work in other stops. After all, he is still a soundly below-average playmaker and finisher for his size, and not every team can create the kind of opportunities for three-point shooters that the current Rockets provide. However, there is nothing wrong with a player simply finding the perfect spot to showcase his abilities and McLemore is doing just that in Houston.

As the playoffs continue, McLemore will be under pressure to defend at an adequate level. At this stage, he still grades as a below-average defender according to catch-all metrics, and playoff-level intensity is something different entirely. Still, the Rockets defense didn’t suffer with him on the floor this season and, in fact, Houston was 4.0 points per 100 possessions better with McLemore on the floor this season, including a lights-out 114.2 offensive rating.

McLemore’s 2019-20 renaissance is truly a reminder that, while a player must reach a certain baseline of skill development, it matters greatly how skill sets are developed, nurtured and developed. It is possible that, without Houston as a landing spot, McLemore’s career may still be dormant but, at this stage, it appears as if he has found a niche and, in just one season, a former lottery pick has reinvented himself as a shooting specialist that could be extremely valuable at the highest levels of the sport.