Month: September 2020

Trippie Redd continues his extremely productive year with the help of Busta Rhymes for their new collaboration, “I Got You.” While the song may sound like an original composition at its start, Trippie’s hook quickly catches the ear as it samples Busta Rhymes and Mariah Carey’s classic 2000s record, “I Know What You Want.” Trippie lays a smooth hook that, for the most part, follows the original song. After laying his own verse and the song’s chorus, Busta Rhymes steps though for a slick-talking verse before Trippie closes with his interpolating hook. Paired with a visual, the video takes a place at Pegasus High School, which references the title of Trippie’s upcoming project. In it, Busta plays Trippie’s OG and asks the young rapper for a favor after making a visit to the high school. He asks Trippie to help him find his long lost lover who so happens to be the mother of Trippie’s love interest. He agrees to help Busta and after a typical day at the high school, Trippie completes the job when he drops off his lady at her house where he finds her mother waiting for her.

“I Got You” follows Trippie’s “Excitement” track with PartyNextDoor which he released back in May. Shortly after, the two artists reconnected for the song’s video, one that found them lost at sea and actively searching for a way back to safety. In addition to “Excitement,” Trippie also shared another single with “Dreamer,” a track he released to celebrate his 21st birthday in June and followed up with a techincolor visual that portrayed him as an eccentric rockstar.

Trippie Redd began the year by releasing the deluxe version of his A Love Letter To You 4 project. The reissue added eight new songs and guest appearances from Young Thug, Chance The Rapper, and more to the chart-topping release.

Listen to “I Got You” above.

Trippie Redd is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Almost nine years after their first single “Titanium,” which would top the charts and reach double-platinum certification, David Guetta and Sia have reconnected for their latest collaboration, “Let’s Love.” The track aims to motivate listeners to get through the turbulent times and overcome the obstacles life presents over the dance-provoking and lively anthem. “We’ll get through it all together,” Sia promises on the song, “Let’s love.”

“During this time of isolation, I’ve been incredibly inspired to release music that has an uplifting energy,” Guetta said in a press release about the song. “I love producing club tracks but at the same time, especially now, I feel like creating ‘feel-good’ music. ‘Let’s Love’ is a message of love, hope and bringing people together and once again, Sia has out done herself on the vocals.”

The song is Guetta’s first release since his New Wave EP with Morton from earlier this year. “Let’s Love” is also the latest addition to a long list of tracks between Guetta and Sia which includes “Wild One Two,” “She Wolf (Falling to Pieces),” “The Whisperer,” “Bang My Head,” “Helium,” “Flames,” and “Light Headed.” As for Sia, the pop singer has been fairly active this year with her last release coming at the end of last month with “Riding On My Bike.” Other 2020 releases for Sia include “Saved My Life” and “Together.”

Press play on the video above to hear “Let’s Love.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

The Houston Rockets were downright abysmal in the first three quarters of Thursday night’s loss to the Lakers in Game 4, as a fourth quarter rally wasn’t enough to overcome a 23-point L.A. lead in the final period. The loss put Houston in the unenviable position of facing a 3-1 deficit to one of the league’s best teams, and their lack of energy and poor effort to open Game 4 was befuddling to many given how important it was to even the series to have a chance.

The one constant for the Rockets in the Bubble has been that energy and effort, as it’s the only way they have a chance playing their frenetic, small-ball style. That it wasn’t there in a virtual must-win was disheartening to say the least, and after the game, no one seemed to know why that happened.

James Harden was asked about the Rockets coming out flat first, and simply responded “good question” before awkwardly sitting there and awaiting the next question.

Russel Westbrook was more willing to speak on Houston’s lack of energy, but likewise had “no explanation,” expressing his frustration with the entire situation.

Harden and Westbrook combined for 46 points in Game 4, but both were prone to lapses of their own. Harden was dreadful in the first half, while Russ’ shooting and turnover woes continued. Houston’s dealing with an awkward circumstance with Danuel House currently sitting out as the NBA investigates him potentially breaking Bubble protocol, but that’s no excuse for the effort level shown on Thursday.

Saturday is, truly, a must-win, as they will head home from Orlando with a loss, and even if they have no answers for Thursday’s performance, they’ll have to find a way to make sure it at least doesn’t happen again come Game 5.

After early rumors of a possible collaboration between Travis Scott and McDonald’s left fans to wonder what was in store, the two made the big reveal earlier this week and announced their new partnership. Just days after revealing the first wave of their collaboration, Scott and McDonald’s return with the second collection of merchandise. Fans can now choose from an array of t-shirts, hats, and hoodies, a keychain, a pair of house slippers, and much more.

The first collection of merchandise in Travis Scott and McDonald’s partnership was much more diverse that the second. The initial group featured expected merchandise items like hoodies, shorts, pants, hats, and socks, as well as some more unique items like a basketball uniform, a tie, three different rugs, a basketball, styrofoam cups, a cardboard cutout of a Travis Scott action figure, and a McNugget-shaped body pillow. Upon its arrival, fans took to social media to share their reactions which ranged from positive to negative to just flat-out confused.

Travis Scott and McDonald’s partnership began with the fast-food chain announcing the “Travis Scott Meal,” which is a slightly-altered Quarter Pounder With Cheese meal, in a commercial featuring the Houston rapper as an action figure.

Travis Scott’s and McDonald’s second collection is available for purchase on Travis’ website here.

The Los Angeles Lakers dominated the proceedings for more than three quarters on Thursday evening, outlasting the Houston Rockets by a final score of 110-100 to take a 3-1 series lead in the Western Conference Semifinals. While the Lakers unquestionably took their foot off the pedal in the closing period, it was an emphatic win for the top-seeded squad.

With that as the backdrop, here are three takeaways from Game 4 that could inform Game 5 (and beyond).

1. The Lakers got important contributions from a bevy of supporting pieces

As usual, the Lakers were led by LeBron James and Anthony Davis, though James wasn’t quite as dominant as usual. The future Hall of Famer finished with “only” 16 points, missing all five of his three-point attempts, but James did add 15 rebounds and nine assists to match 29 points and 12 rebounds from Davis. Still, it wasn’t a game that was headlined by the leading duo to the degree of many others, with the Lakers receiving tangible help from their supporting cast.

In a stunning development, 19-year-old wing Talen Horton-Tucker made an appearance in the first half, playing seven minutes and scoring five points to go along with two steals.

Elsewhere, Alex Caruso enjoyed one of the best games of his career, including a stretch in the early portion of the second quarter in which he fueled a 7-0 run with four points, a block, a steal and an assist.

Caruso finished with 16 points in 30 minutes, but it was an all-court effort from the 6’5 guard. He was put in tremendous defensive work, knocked down shots (including the eventual dagger late) and found open shooters.

The higher-paid supporting pieces were also strong for Los Angeles, with Danny Green scoring 10 points and providing two-way play. Finally, Rajon Rondo enjoyed another impactful game, channeling “Playoff Rondo” with 11 points, 10 rebounds and eight assists in 29 minutes.

All in all, it was a strong effort from the Lakers, but it certainly wasn’t all about AD and LeBron on this night.

2. Houston is in deep trouble, but they have to shoot more threes

For three-plus quarters, Game 4 was a dismal performance from Houston’s offense. The Rockets made things competitive with an admirable push in the fourth quarter but, in an overall sense, there was plenty to criticize, headlined by a game plan that doesn’t jive with the team’s strengths.

In the first half, the Rockets had almost as many turnovers (9) as three-point attempts (13) and, through three quarters, Houston made a bit of unenviable history with a lack of fastbreak and second-chance points.

Houston (mercifully) tallied a fastbreak bucket in the fourth quarter but, for a team built entirely on a small-ball approach, they simply didn’t shoot enough three-pointers yet again. The Rockets did end the night with 33 long-range attempts and, from a distance, that might look fine through a normal NBA lens. However, Houston shot 51 threes per game against Oklahoma City in the first round and, in the regular season, the Rockets led the league by four full attempts per game at 45.3.

In the first half, the Rockets went just 3-of-13 from long range and, while the second half was better, that is simply not a recipe they can afford to follow. It is very difficult to win without heavy three-point deployment, especially when the Rockets produced nothing on the offensive glass or in transition, and Houston’s roster construction is such where they simply have to play the numbers game against a big, physical Lakers team.

It certainly didn’t help that James Harden converted only two field goals in the entire game but, even if he had it going, the Rockets still need to play to their strengths.

3. No center, no problem for the Lakers

For most of the first three games, the Lakers played without a center on the floor. JaVale McGee played 27 minutes and Dwight Howard played 11 minutes, with Los Angeles quickly shifting away from both veterans in favor of Anthony Davis or Markieff Morris in the middle. In Game 4, Frank Vogel didn’t even wait, starting Morris alongside Davis and eschewing McGee and Howard entirely.

It is jarring to see that, even without a center, the Lakers utterly dominated on the glass, holding to the Rockets to one single offensive rebound and grabbing a 52-26 overall rebounding advantage. Los Angeles struggled, at least relatively, with McGee (-2 in 27 minutes) and Howard (-8 in 11 minutes) on the floor, but going smaller is a luxury that the Lakers have because, well, they are still bigger than the Rockets.

Davis is a center-sized entity in the modern NBA and, while P.J. Tucker does a fantastic job against him all things considered, the Rockets didn’t have any answers in this game. The Lakers are certainly giving up a bit of rim protection, but Houston is also playing directly into their hands by not firing away from long distance. If Los Angeles can continue to maintain complete control on the glass and in the paint, all while keeping the Rockets away from the three-point line, this series likely ends in five games.

Chloe x Halle’s 2020 has been quite impressive and on Thursday night, with less than three months left in the year, the R&B duo added another big moment to their résumé. Heading to the center of an empty stadium, Chloe x Halle delivered a socially distant performance of the national anthem to kick off the NFL’s new season prior to the Kansas City Chiefs vs. Houston Texans game. They used the big moment to bring awareness to two of the many names lost at the hands of police brutality, with Chloe Bailey wearing an airbrushed t-shirt with Breonna Taylor’s name and face on it. Meanwhile Halle Bailey wore a similar tee bearing George Floyd’s face and name.

Chloe x Halle’s performance comes after they delivered a futuristic and dazzling performance of “Ungodly Hour” at the MTV VMAs. Prior to that show, Chloe x Halle stopped by Jimmy Kimmel Live! to give yet another thrilling performance of “Do It,” a song that has become their most successful release to date.

On a more recent note, Chloe x Halle released a “Do It” remix last week with guest verses from Doja Cat, Mulatto, and City Girls.

You can watch their national anthem performance in the video above.

When San Francisco 49ers quarterback Colin Kaepernick started sitting during the national anthem—and then kneeling at the suggestion of a veteran—in 2016, he pushed the conversation about racial justice and police brutality into the U.S. mainstream. Some loved him for it, some hated him for it, but there’s no question that he got everyone talking about it.

However, widespread support for his message didn’t come until this year. As racial justice protests exploded across the country and spread throughout the world this spring, a distinct societal shift occurred. And as sports have started making a pandemic comeback, more and more athletes have loudly raised their voices for racial justice. Where we had seen a handful of individual athletes kneel during the anthem, we now see entire teams in various professional sports making powerful statements supporting the Black Lives Matter movement. The NFL itself has come out and publicly admitted they were wrong to try to get players to stop kneeling during the anthem.

Tonight is the first NFL game of the season, Kansas City Chiefs vs. Houston Texans. The teams has announced that they were going to do something special to make a unified statement on equality.

First, twin singers Chloe x Halle sang an absolutely gorgeous rendition of the national anthem, while also making a powerful statement with their clothing. One of the singers wore a t-shirt with George Floyd’s face and the words “Rest in Power/George Floyd” and the other wore a shirt with Breonna Taylor’s face with “Say Her Name/Breonna Taylor” written above and below it.

As the pre-recorded anthem was played, many of the Chiefs players stood arm in arm, while one player knelt with his fist raised. The Texans chose to remain in the locker room until after the anthem was played.

Before kickoff, the teams met in the middle of the field for a “moment of unity” dedicated to the ongoing fight for equality in our country. As the teams stood, seven phrases that were chosen and agreed upon by the players were displayed on the videoboards within the stadium:

– We support equality

– We must end racism

– We believe in justice for all

– We must end police brutality

– We choose unconditional love

– We believe Black lives matter

– It takes all of us

Unfortunately, it sounded like many of the fans booed during the moment of unity. It definitely wasn’t silent.

It’s clear that we still have a long way to go, and as the movement toward racial justice and true equality advances, there will be backlash, just as there always has been. But at least we’re seeing it front and center now, even if it pisses some people off. No one can turn a blind eye and ignore it now. And it’s up to each of us to decide what side of history we’re going to stand on.

The Air Jordan XXXV is on its way at some point in the near future. While Jordan hasn’t announced anything official with regards to a release date, the latest in the Air Jordan signature line has made its way to the Orlando NBA Bubble for weartesting.

Jayson Tatum was the first to show off a pair in hand on Wednesday, but wore his Taco Jay 34s on the court for Game 6 against the Raptors.

On Thursday night, Jeff Green became the first NBA player to debut the sneaker on court as he wore the 35s for Game 4 of the Rockets series with the Lakers, showing off the upcoming release on foot for the first time.

Given it’s on-court debut, one would expect some further details on the sneaker to be released soon. It keeps what looks to be the same midsole tech and design from the 34, while also bringing in some design details to pay homage to the Jordan V with the tongue design and the back half of the upper (complete with the 23 on the side of the heel). That was how the 31s and 32s began, was with spinning forward a modern take on the original lineup, but they quickly moved away from that with the 33 and 34. Now that effort seems to be back, at least for this year’s edition.

Throughout his career, Lil Wayne has given fans a number of potential answers to what the “F” in “Weezy F Baby” stands for since he introduced the nickname back in 2004, from “front door,” off of his and Drake’s “Miss Me” collaboration, to “finisher,” off “6 Foot 7 Foot.” One of the more popular answers happens to be a word that doesn’t start with the letter “F.” In his 2009 song “Yes,” Wayne raps “Weezy F. Baby, and the F is for phenomenal.” According to his longtime manager Cortez Bryant, the line was not intentional.

“The word starts with ‘ph,’ but he said ‘f,’ right?” Bryant said in an interview on Andrew Barber’s Fake Shore Drive show. “He was like, ‘Oh sh*t, I gotta change that.’ We released it. We had an argument about that. He not understanding the concept about digital, and it’s gone now…We had pressed tons of CDs, but he didn’t realize he spelled it wrong, and I didn’t catch it.”

Bryant then touched on Wayne’s passion for lyrics and wordplay. “Wayne is a perfectionist about that, using his words and prepositions in [the] correct way,” Bryant continued. “He might misspell something on purpose for lyrical exercise and wordplay, but he’s really precise about his wordplay. He was really down, pissed, ‘F*ck the whole mixtape’ just because of that one damn line.”

Bryant’s interview comes days after he discussed the possibility of a second Drake Vs. Lil Wayne tour on Brian “B.Dot” Miller’s Art of Facts Instagram show. “They talked about it,” he said. “I do think we need to do it again.”

You can watch Bryant’s interview in the video above. The “F for phenomenal” bit starts around the 19:11 mark.

The NFL season kicks off on Thursday night with a rematch of the AFC Divisional Round game between the eventual Super Bowl champion Chiefs and the Houston Texans.

It will not just be the first game of the season but the first look at the NFL’s new pregame process, which now features “Lift Every Voice And Sing” (known as the Black national anthem) being played along with the national anthem. That, along with the new “End Racism” text on the end line behind the end zone are part of the NFL’s push to appease players amid calls for the league to do more for social justice, but the league is learning some words painted on the field and playing an extra song isn’t going to do that.

The Miami Dolphins announced as a team that they will not be coming out of the locker room for either anthem prior to games, calling on the league to actually use its power and voice to impact change by calling local and national politicians and wielding their immense wealth and influence to create real change instead of “empty gestures.”

It’s a powerful statement from the team and illustrates the frustration players in many leagues have shown to the “efforts” of leagues in listening to their calls to do something and being given lip service and some words tucked behind the end zones on the field. The league did announce a new $1 billion endowment for Black businesses on Thursday in a partnership with Alicia Keys, but players want more than just words and money. They want leagues to use their influence and connections to those in power, both at state and national levels, to push for change.

The Dolphins video lays out many of the things they want to see done and does so powerfully, calling on owners and the league to do more and providing those things that need to be done to avoid the “well what’s the plan” response. If nothing else, they show they don’t want to be used as pawns to garner good PR while not doing enough of the work in the areas that they can to make a real difference, and so this season they’ll remain in the locker room before games.