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Humbled Detroit Republicans finally certify election results after epic lecture goes viral

It was a long, frustrating and eventful night for democracy in Michigan.

As the Trump campaign continues to attempt countless failed legal arguments nationally, another partisan effort was brutally rejected. However, this time it wasn’t a judge who struck down another flagrant attempt to corrode the integrity of the electoral result – it was the people of Michigan.

On Tuesday night, staunchly Republican members of the Michigan electoral board refused to certify Detroit’s election results — an absurd attempt to signal support for the President’s increasingly unhinged and petty refusal to recognize Joe Biden as the President-Elect.


As Fox News hosts, Kayleigh McEnany, and even the President himself rushed to claim the boards refusal to certify as evidence of a broader conspiracy — it was Michigan’s voters who rose up and let their disgust be known.

One voice in particular captured not only the incredulity of the evening, but also the feeling of a population utterly exhausted by Trumpism and the cynical disdain it holds for democracy.

Ned Staebler, a Wayne County Board Member of Canvassers, unleashed one of the most surgical, righteous and blistering rebukes upon the two Republican board members, William Hartmann and Monica Palmer, who refused to certify the ballots for the county.

Later that evening, the decision was overturned and the results certified.

Watch the exchange here.

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Georgia’s Republican secretary of state is exemplifying what public service should look like

All eyes have been on Georgia since election night, as a once-red stronghold tipped blue in the presidential race—securing a solid electoral victory for Joe Biden—and resulted in two run-off elections in the U.S. Senate races. And as President Trump continues to rage against the results and insist on trying to find widespread fraud where there is none (as evidenced by his 1 and 25 record with lawsuits so far, with the one being a procedural issue and not evidence of fraud), all eyes have been on Georgia’s vote recount.

So far, the recount effort had turned up some missing votes in Republican-led counties resulting from human error. Nothing even close enough to the 14,000 votes it would take to sway the election results and nothing proving fraud in any way, but that doesn’t stop Trump and his base from trying to spin it that way.

Refreshingly, throughout all of this madness, Georgia’s secretary of state Brad Raffensperger—a lifelong Republican who says he has never voted for a Democrat—has held his ground to keep Georgia’s election integrity intact. In fact, as the official who oversees elections in the state, the mild-mannered secretary of state been standing up to those who would try to politicize his position from his own party for months.


According to a ProPublica report, the Trump campaign had offered him a position as an honorary co-chair of the campaign in Georgia in January, which Raffensperger declined. “It is our standard practice not to endorse any candidate,” the deputy secretary of state wrote in response to the offer. “This policy is not directed at any specific candidate, but all candidates, as the Secretary oversees elections and the implementation of new voting machines here in Georgia.”

The GOP then tried to get him to publicly support Trump. In fact, as ProPublica reports, senior Trump campaign adviser Billy Kirkland “burst uninvited into a meeting in Raffensperger’s office in the late spring that was supposed to be about election procedures and demanded that the secretary of state endorse Trump, according to Raffensperger and two of his staffers.” Raffensperger refused, on the belief that he should remain neutral as the official running the election.

Kirkland crashed another meeting prior to the June primary, again pressuring Raffensperger to endorse Trump. After reiterating that he would not do so as it would be a conflict of interest, Kirkland reportedly said, “We’ll see how helpful you are in November,” to Raffensperger’s staffers before slamming the door behind him as he left.

And now, as Republican lawmakers in Georgia call for his resignation—over doubts about the election that they themselves are peddling—Raffensperger is unwavering in his dedication to do the job the people of Georgia elected him to do without putting his thumb on the scales for any side.

But the pressure keeps coming.

In an incredibly alarming move, South Carolina senator Lindsey Graham reportedly phoned Raffensperger and asked him if there were a way for him to exclude all mail-in ballots cast in counties with high levels of signature discrepancies, which would include tossing out perfectly legal votes. Two of Raffensperger’s aides who witnessed the call corroborated the nature of the call and were appalled by the request.

But still, Raffensperger is insistent upon the process playing out as it’s supposed to. He ordered the recount and audit of the state elections. He is making sure that errors in counting—which happen in practically every single election—are rectified. He is fighting back against what he calls “clear retaliation” from the president for not publicly supporting him and from other members of his party who are trying to appease Trump.

“They thought Georgia was a layup shot Republican win,” Raffensperger said, according to ProPublica. “It is not the job of the secretary of state’s office to deliver a win — it is the sole responsibility of the Georgia Republican Party to get out the vote and get its voters to the polls. That is not the job of the secretary of state’s office.”

This is what public service should be—placing objectivity before partisan pressure and the good of the country before the good of the party. Thank you, Mr. Raffensperger for reminding us that integrity can and does exist in our political system.

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Some Fans Want Megan Thee Stallion’s Fashion Nova Line To Go Back To 2001 Where It Belongs

While Megan The Stallion is currently gearing up for the debut of her album Good News, that’s not all the rapper is releasing this week. On Wednesday, Megan dropped her anticipated Fashion Nova collection — but some fans think the styles are a bit dated.

Megan’s Fashion Nova collection features an array of affordable flared jeans, crop tops, fitted body suits, and curvy dresses in a variety of sizes. “Whether it was because the leg length was too short or the booty area was too tight, there would always be clothes or styles I’d [want to] wear, but just couldn’t find that would fit a tall girl with shape,” she told Teen Vogue about her inspiration for the line. “When everything hugs the right places and complements your natural figure, you can’t help but feel good. That’s what this whole collection is about.”

While her fans were initially excited about the idea of sporting her collection, many listeners felt the styles fell short of the mark. Some even compared the line to Britney Spears and Justin Timberlake’s infamous matching denim look from the 2001 AMAs red carpet.

See Megan fans react to the rapper’s new Fashion Nova line below and browse the full collection here.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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The Bucks Have Reportedly Traded For The Magic’s Second Round Draft Pick

The Milwaukee Bucks have been extremely active this week, as they have made clear their intentions on giving Giannis Antetokounmpo supporting stars worthy of him re-signing for the supermax later this month.

The Bucks dealt away three future first-round draft picks, including No. 24 overall this year, for the Pelicans’ star combo guard Jrue Holiday (along with Eric Bledsoe and George Hill). They then dealt much of their remaining supporting cast to Sacramento in a sign-and-trade for Bogdan Bogdanovic, to give them added scoring punch on the wing. The result is a roster that is now extremely top heavy, with a starting five that looks tremendous on paper with Holiday, Bogdanovic, Khris Middleton, Antetokounmpo, and Brook Lopez, but features hardly any depth, with only Thanasis Antetokounmpo and Justin James (who was acquired in the Bogdanovic deal).

On top of that, those five starters take up almost all of their cap space, and they are just over $15 million away from the $139 million hard cap with up to eight roster spots to fill. As such, they need a number minimum contracts to fill out the roster, but entered Wednesday with no draft picks — who offer the cheapest contracts in the league. Unsurprisingly, they went to work to remedy that, dealing a pair of future second rounders to Orlando for No. 45 overall, per Josh Robbins of The Athletic and Marc Stein of the New York Times.

The move makes sense and it wouldn’t be surprising to see the Bucks potentially try to buy another second round pick off of a team later on this evening, as they could use some rookie minimum deals to round out their roster as they’ll surely look to bring in four or so veterans to play the majority of their rotation minutes. Milwaukee’s front office is going to have to be creative with the hard cap looming, but as long as Giannis signs on the dotted line sometime in the near future, it’ll all be worth it.

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‘The Boys’ Have Seized Control Of The ‘This Claim Is Disputed’ Meme With A Perfect Response

Garth Ennis wrote The Boys comic nearly 15 years ago, and yet, it couldn’t be more relevant during our current situation(s). That’s especially the case when members of the MAGA crowd completely misinterpret Homelander (who’s the baddest Supe of all) and decide to dress up as the character at Trump-themed events. That’s the kind of shenanigan that made showrunner Eric Kripke and Homelander actor Antony Starr wonder if those people had ever really watched The Boys. And on another Trump-related front, his conspiracy-laden tweets keep getting slapped with Twitter’s “This Claim About Election Fraud Is Disputed” warning.

That warning (and Trump’s willingness to continue ALL-CAPS-ing lies to his devotees, regardless) has inspired Twitter users to hatch the “this claim is disputed” meme for their own unsubstantiated, clearly false claims.

Well, The Boys is here with their own version of the meme with a tweet that reads, “The world needs more Supes!” That nonsense is followed by a warning that says, “This claim is a load of f*cking horse sh*t. F*ck Supes and f*ck Vought.”

Man, I love it when Billy Butcher starts tweeting. (It would have been even better if the account had added a play on words, “And f*ck Jon Voight” for good measure, since he’s been spewing venomous conspiracies lately, too, but yep, I’m definitely asking too much here. A perfect tweet is already a perfect tweet.)

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Marina Is Tired Of Living In A ‘Man’s World’ On Her New Single

2019 brought Love + Fear, Marina Diamandis’ first album after leaving her Marina And The Diamonds name behind and moving forward mononymously as Marina. Now she’s getting ready to take the next steps in her re-branded journey: Today, she released a video for “Man’s World,” the lead single off a new album that’s expected in 2021.

She sings on the hook, “Mother nature’s dying / Nobody’s keeping score / I don’t wanna live in a man’s world anymore.” Marina put her money where her mouth is, too: The song and video were made with an all female and non-binary roster of collaborators. This comes after she put out feelers for new female collaborators in the summer of 2019, writing on Twitter, “Who are you favourite female producers, writers and artists right now? I’m creating my next project… and this story can only be told by women. I’m looking for you.”

In a new Vogue profile, Marina says of the song:

“I wrote it last summer in August. I’d already decided I was gonna write this new record alone, and the process felt like a reaction to what I had previously released, which is often the case. Each record I do is sort of like the opposite of the previous one. At the time I was mostly inspired by the shifts that are happening for people who are discriminated against. The original idea for the song was to write a snapshot of how women and LGBTQ+ individuals have been subjugated and discriminated against throughout history going back to the Salem witch trials, where any person who was deemed abnormal or slightly alternative was singled out. Those kinds of patterns are still present in society. That’s something inspiring to me and worth writing about.”

She also said of the video, “It’s the first one I’ve ever been credited with creative directing and writing the story for — again, I’ve done this role before, but it’s one of those basic things where people think the artist didn’t do it because their name isn’t always on it. I came up with the treatment in March, then sent it to [director Alexandra Gavillet], and we developed it more together. I’ve been inspired by this artist who made these neoclassical paintings in the late 1800s named John William Godward. They use these very modern color compositions like mint green with chartreuse or magenta. That was the center of the whole video and the main visual inspiration.”

Watch the “Man’s World” video above.

Marina is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artists Can Now Get Verified On SoundCloud And Billie Eilish And Trippie Redd Are Among The First

SoundCloud is joining Twitter and Instagram by rolling out coveted verification check marks for certain users on their site. The streaming platform announced they were rolling out the new feature this week by adding blue check marks to eight of the most popular artist profiles, including Billie Eillish, Trippie Redd, and Wiz Khalifa.

According to SoundCloud’s blog, the verification feature will “help well-known artists stand out and maintain their authenticity, and to help listeners identify these artists more easily.” The verification system follows a feature the site had only for paid Pro subscribers, which created a Pro badge on users’ profile. But SoundCloud noted that the Pro badges were oftentimes “misused or misinterpreted as verification,” so that’s where the new check mark feature comes in.

Per the site’s guidelines, those who wish to similarly receive a verification need to meet a list of requirements. The profiles need to represent “well-known and/or highly searched-for” artist, DJ, curator, or podcaster, the account needs to prove that they are a real person and not an imposter, and the user must have a fully set up profile with at least one song publicly available.

While the feature is currently available, SoundCloud noted that it may take up to 30 days for their team to complete the verification process. Those interested can follow the verification steps here.

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Trump’s Fear Of Being ‘Severed In Two’ By Harmless Laser Beams Is Weird Even By His Standards

Donald Trump fears many things: leaving the White House, the Squad, a Big Mac-less meal, Tiffany asking him if he “has a minute,” and lasers. The president fears lasers.

Author Joe Goldblatt helped produce the opening of the Trump Taj Mahal Resort and Casino in Atlantic City, New Jersey, in 1990, through his firm, the International Special Events Society (now known as the International Live Events Association). “Prior to the grand opening, I produced the Taj Mahal staff-welcome event held in the enormous Trump arena. The program included a fashion show displaying the glamorous costumes that staff would soon be wearing and a speech by their owner, Mr Trump,” he wrote for the Scotsman. “Laser lights were part of this production and although I had been warned not to speak to The Donald I persevered because of my concern for his personal safety.”

Goldblatt told Trump that “when he entered to always look forward because we would be shooting laser beams over his head and if he looked backward he might be blinded by the strong burning lights.” Good advice! Even Trump agreed to follow the instructions.

Fast forward to the welcome event:

His theme music, “Eye of the Tiger,” began blaring from loudspeakers and as the bright green beams projected over his large head, Trump began his walk toward the 5,000 members of his staff. However, a mishap occurred and suddenly the laser beams dropped by a meter and appeared to project through Trump’s midsection.

Upon seeing this he immediately dropped to his knees, seemingly in fear of being severed in two by the powerful beams. I called out from the wings, “It is all right, stand up and give your speech.” He looked at me with genuine fear and then rose, walked to the lectern and, though obviously shook up, delivered his usual rant.

Sadly, there’s no video of this incident, but it still has people rolling.

The Trump Taj Mahal Hotel and Casino was shut down in 2016.

(Via Scotsman)

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Kurt Russell Is Comparing His Newest Santa Claus Movie To… ‘The Passion Of The Christ’?

When you think of Netflix’s The Christmas Chronicles, the obvious comparisons are holiday classics like Miracle on 34th Street, Home Alone, Jingle All the Way, Elf, etc. What you probably don’t think of is Mel Gibson’s grueling Biblical epic, The Passion of the Christ, and its 120 minutes of Jim Cavaziel’s Jesus getting beaten to a bloody pulp on his way to being graphically nailed to a cross. Granted, it’s technically a Christmas movie, but it’s not in the same category as Rudolph, you know what I mean?

So it was very odd when The Christmas Chronicle‘s hot daddy Santa, Kurt Russell, compared his holiday franchise to Mel Gibson’s crucifixion movie while promoting the sequel. Russell’s logical leap is made even weirder by the fact that it stems from his amazement at the language used by the cartoon elves in the family friendly films. Via The New York Times:

It’s not to be taken lightly. I’ll never forget when I saw “The Passion of the Christ” and went, “Mel discovered something that nobody figured out for all this time we’ve been making movies.” If you do anything that’s historical, especially the Bible, and you do it in an original language, it gives it a sense of authenticity. And when I saw that, and I read this script, I thought, elvish will give this a sense of authenticity.

Fortunately, Russell’s wife Goldie Hawn, who plays Mrs. Claus is in the new sequel, was on hand to bring things down to Earth. “He says it’s a language, but in my mind it’s just sounds,” she told the Times.

We’re gonna go with Team Goldie on this one.

(Via The New York Times)

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Xavier Tillman Could Solve A Lot Of Problems For A Team That Needs A Big Man

Basketball, on a fundamental level, is comprised of micro decisions and events that quickly build upon one another. Teams with better decision-makers — whether that trait stems from skill, athleticism, or feel — generally wield an advantage over their opponent. Eventually, once micro decisions coalesce into macro outcomes, those advantages manifest on the scoreboard or in the standings.

Through an array of avenues, Xavier Tillman is a brilliant decision-maker on both ends, helping forge advantages offensively and quell them defensively. There are more detailed ways to break down his game — we’ll dive into those shortly — but the connective theme is his sharp, instantaneous decision-making, which renders him a top-25 player in this Draft class.

Tillman’s decision-making artistry can often be subtle, though it’s easily discernible when isolating on him. As an interior defender, he is prompt in rotations and merges verticality, timing, and positioning to consistently alter shots inside. He understands angles, which, along with supreme functional strength, he applies to stymie post-ups. He has inarguably the best hands among big men in this class, enabling him to snare rebounds or steals — he boasted a 2.1 percent steal rate this past season. All of this means he embodies vital pillars of defense: alteration and deterrence.

Offensively, this same understanding of angles and proclivity for executing snappy, correct decisions is prevalent. As a passer, Tillman consistently keeps the ball pinging, capable of executing high-level reads for a big, while also being timely in his actions. His post passing is quite good, but feels less pertinent when assessing his professional future because it’s unlikely he commands significant touches on the block in the NBA. But his short-roll playmaking is where the true talent exists, providing a stage to showcase vision and punctuality.

In addition to his passing, his finishing and screen-setting suggest he projects as a highly equitable pick-and-roll big moving forward. Last season, he ranked in the 91st percentile around the basket, according to Synergy, and brandishes both ambidexterity and savvy at the rim. His lack of vertical pop will pose hurdles as a finisher in some NBA contexts, but the aforementioned assets should ensure he remains good or very good.

The concept of off-ball impact or presence is overwhelmingly reserved for back-court players offensively, largely centered around how good someone is as a shooter, cutter, and relocation artist. But Tillman is the rare big man who is so impactful without the ball in his hands that his value must be articulated. Whether it’s to simplify/enact a passing window, set a screen, or dive to the rim, he maximizes his opportunities off the ball. Despite some woes from beyond the arc that we’ll get into momentarily, defenders cannot ignore him without risking repercussions. Doing so invites him to free someone up with a screen, wander into space for a drop-off pass that leads to a bucket inside or dart to a spot, initiate a pick-and-roll or dribble hand-off, and establish an advantage with his screen-setting.

Tillman is the chief screener in this class and nobody rivals him. He constantly springs teammates loose with mammoth picks, is instinctual in identifying impromptu chances, and recognizes when and how to flip the angle of screens if the situation demands. Any NBA team utilizing a screen-heavy attack will benefit from his services, and it’s a leading reason he’s so dangerous off the ball.

This excellence as a screener lends credence to the idea that he should holster utility in dribble hand-offs, too. Given his draft range, it seems doubtful that he earns on-ball usage in such a manner early on. But down the road, his screening prowess and intelligence are going to give him worth as a DHO initiator. He was the trigger man rather frequently at Michigan State and exhibited faculty, leveraging advantages in the two-man game for pull-up jumpers or downhill waltzes. Sometimes, when the defender overplayed the handoff or he deemed it suitable, he’d even audible, bust out a ball fake, and further display his finishing and passing acumen against a scrambled defense.

Discovering ways to extract offensive value from Tillman is paramount. While I’m optimistic about his finishing mostly translating, he encountered struggles against longer rim protectors in college because he doesn’t own the vertical pop to score over the top. More importantly, he doesn’t offer notable self-creation potential and the projection of his three-point shooting remains in flux. He shot 27.3 percent from deep on 77 total attempts and 66.7 percent at the free throw line across three collegiate seasons, both of which are discouraging signposts. But a minor mechanical tweak could facilitate the development of his jumper to fashion value in pick-and-pops or on spot-ups.

He has considerably pronounced wrist flexion when he shoots, forming a perpendicular angle with his forearm. My suspicion is this inhibits Tillman’s touch. To some degree, it’s as if he’s launching the ball rather than purely shooting. That, from my perspective, appears to be the underlying issue here. In the proper environment and with targeted development, I’m confident this sort of problem is correctable to the point of turning him into a viable threat from outside.

If so, Tillman becomes a particularly novel offensive cog. He’d be one of the most sound decision-making bigs in the league, while also imprinting himself as a short-roll passer, pick-and-pop presence, and elite screener. Of course, there likely exists a shallow ceiling on his offense, since he is not a dominant play finisher, lead ball-handler, or adept self-creator. But even acknowledging that ceiling does not preclude him from merit, given the baseline of decision-making, passing and screening; a positive shooting outcome merely threads all of this together and amplifies the impact. These three skills do not require him to shoulder voluminous on-ball reps, which is crucial for non-stars, and enable him to seamlessly blend into the background, ideally advancing the goals of his team’s primary ball-handlers and scorers.

When thrust into pick-and-roll defense, deploying him in drop is the most prudent approach. He’s a master of positioning, acutely aware of how to contain ball-handlers and toggle back to the roll man, utilizing intelligence, strength, and swift, strong hands to muck up actions. He’s also playable in hedge-and-recover, traps, or “shows,” touting the length (7’2 wingspan), reaction time, and relative mobility to function on the perimeter occasionally. These aren’t the type of coverages he should be tasked with consistently, but he isn’t a plodder who must be anchored in the paint.

His lack of short-area quickness and vertical explosion are going to hurt him in both conservative and aggressive coverages, so he’s not going to emerge as one of the league’s top pick-and-roll big defensively. Regardless, these physical limitations are not enough to override his effectiveness on the whole, even if some opponents will find success scoring over him or finding the edge to get downhill.

If the surrounding personnel allows, I’m also intrigued with the possibility of Tillman defending these face-up or slashing-oriented guys who don’t have the pull-up game of most handlers nowadays. He’s strong, boasts some lateral mobility, knows how to position himself to maximize angles, and is an adept rim protector. Assigning him to All-Stars such as Pascal Siakam, Jimmy Butler, and Ben Simmons, each of whom you can generally duck under screens against and whose shot preferences reside in the paint, seems like it has validity. Expecting him to chase them around off ball would be overextending him and some, such as Siakam or Simmons, may be too quick for him. But on the ball, he’s at least shown enough perimeter mobility to warrant exploring this possibility, which holds value as the archetype continues to gather popularity throughout the NBA.

There are few centers deserving of a first-round investment this year. Aside from Tillman, Onyeka Okongwu and James Wiseman are the lone others with top-30 grades on my board (Obi Toppin is a 4/5 in this case). While Okongwu and Wiseman are slated to be lottery selections, assuredly enjoying a prominent offensive role in the NBA, Tillman’s signature will be penned via other channels.

He’ll fare well in impact metrics, despite likely authoring a mundane box-score line, sparking viewers to tune in, fixate on him, and grow cognizant of his value. So, in that sense, it’ll be an extension of his college days, stamping his mark with ever-present brilliant decision-making that coalesces into macro advantages. It manifests in a variety of ways and drives the bus for his case as a top-25 pick in the 2020 NBA Draft.