The Midnight Sky (Netflix flm) — George Clooney’s got a Netflix movie coming, y’all. He’s also got a David Letterman beard while playing a cancer-afflicted, lonely scientist in the Arctic who’s also struggling to survive on post-apocalyptic Earth while attempting to help save some astronauts. The screenplay hails from The Revenant‘s Mark L. Smith, so The Revenant + Gravity? That sounds epic, Oscar-y, and like a different kind of late-December movie than we’re used to from Netflix (Bright, Bird Box, 6 Underground). Let’s hope we don’t see any angry (polar) bears entering the equation.
Industry (HBO Max) — Two episodes are on tap for the Succession-esque series for the younger crowd, and everything’s coming to a boil with a Reduction in Force Day looming toward the graduates, who are all attempting to prove that they’ve got what it takes to become a permanent asset to Pierpoint. There’s a passive-aggressive dinner party, an unexpected meeting, and all manner of drama. In other words, sit back and enjoy all the resentment and jealousy and be happy that (at least) this stress isn’t your own. It’s the small mercies in 2020 that go a long way.
Ma Rainey’s Black Bottom (Netflix film) — Chadwick Boseman left this world far too soon, but before he departed, he left us a lasting performance alongside Oscar winner Viola Davis. She portrays the legendary “Mother of the Blues,” and he’s her ambitious trumpeteer, Levee. Together with his fellow musicians, they will conquer a blazing hot 1920s Chicago recording session, and Levee will help inspire his colleagues to unleash truth-revealing stories that will alter their lives and, possibly, history itself. It’s a testament to the blues’ transformative power and adapted from two-time Pulitzer Prize winner August Wilson’s play of the same name with Denzel Washington onboard as producer.
The Mandalorian: Chapter 11 (Disney+ series) — The season finale arrives with Baby Yoda meeting an iconic character from the Star Wars universe and a post-credits scene that’s causing some panic in the fandom. However, Baby Yoda still has a Christmas Day present, so check in for that as well.
The Stand: Premiere (CBS All Access) — Constant Readers will appreciate this fresh take on Stephen King’s epic novel, which is widely regarded as one of the greatest post-apocalyptic works of fiction. Those who are afraid of checking into pandemic land can rest assured that the show feels like an unlikely antidote to the hellish things that humanity has seen this year. The show also goes non-linear in order to avoid wading through the superflu like the book did, since this isn’t really a “pandemic” story but one about the rebuilding of society and the archetypal battle between good and evil.
The Flight Attendant (HBO Max series) — It’s Season 1 finale time, y’all, so who’s the murderer? Kaley Cuoco busts away from the The Big Bang Theory with a fun flight of (darkly comedic) fancy. She plays portrays an airline stewardess whose international jet-setting lifestyle includes falling into bed in various countries with various handsome men. During the course of one particularly fateful encounter, Cassie wakes up next to the dead body of a one-night stand. She spends the rest of the series attempting to clean sh*t up. It is such a blast, truly.
I Used to Go Here (HBO Max) — Gillian Jacobs and Jemaine Clement star in this Andy Samberg-produced movie about a 30-something novelist (Kate Conklin) who may be a one-hit wonder. Following a traumatic breakup, she ends up heading back to her alma mater, where she finds herself entrenched in all kinds of college-age drama after an old professor invites her for a homecoming.