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‘The Boys’ Creator Calls Out The MAGA Rioters For Being The Latest To Co-Opt ‘The Punisher’ Logo While Not Understanding Frank Castle At All

Before creating The Boys, prolific comic book writer Garth Ennis delivered some of the most brutal and memorable The Punisher stories of the past 20 years. But much like the Punisher’s original creator, Ennis is not a fan of Frank Castle’s skull logo being used by cops and, more recently, Trump supporters who attacked the U.S. Capitol building last week. When asked about the Punisher logo popping up during the MAGA coup, Ennis blasted anyone who are misunderstanding the Frank Castle character and co-opting his symbol without truly thinking about his message.

“Nobody wants to pull three tours of duty in a combat zone with the last one going catastrophically wrong, come home with a head full of broken glass, see their families machine-gunned into bloody offal in front of their eyes and then dedicate the rest of their lives to cold, bleak, heartless slaughter,” Ennis said before tearing into the MAGA insurrectionists. Via SyFy:

“The people wearing the logo in this context are kidding themselves, just like the police officers who wore it over the summer,” he added. “What they actually want is to wear an apparently scary symbol on a T-shirt, throw their weight around a bit, then go home to the wife and kids and resume everyday life. They’ve thought no harder about the Punisher symbol than the halfwits I saw [on Wednesday], the ones waving the Stars & Stripes while invading the Capitol building.”

Frank Castle’s original creator, Gerry Conway, took a more active approach to denouncing the use of the Punisher skull by police officers during last summer’s protests and encouraged young artists to repurpose the logo into a symbol for Black Lives Matter. Punisher star John Bernthal has also been vocally opposed to seeing the skull twisted into a symbol of the far-right, and he had very blunt words when asked about it by Esquire: “F*ck them.”

(Via SyFy)

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Freddie Gibbs Jokes That He Wonders If Donald Trump Can Even Get An Uber After He’s Banned From Several Sites

Donald Trump was recently banned from Twitter, setting off a chain reaction of multiple sites also blocking the would-be tyrant from several other services, including Facebook, Reddit, Spotify, and YouTube. The flurry of reactive bans caused Freddie Gibbs, one of hip-hop’s most notable Twitter users, to troll the failed casino owner, joking that “Fam can’t even use the internet.” However, Freddie had a few suggestions amid the trolling — ones we all deeply hope the disgraced meat salesman isn’t desperate enough to consider.

Freddie had a field day roasting Donald Trump, flaming him for getting banned from even Pornhub. “N**** can’t even beat his meat,” Freddie laughed. He also wondered how the wannabe strongman would get around without a Presidential motorcade after January 20. “I wonder if Trump can still get a Uber,” he mused.

After cracking that he needed Trump to log off with a popular Simpsons meme altered to add a despondent-looking Donald, he did offer some advice — although for the good of society, let’s all hope that DJT missed it in the rush. “F*ck it,” Freddie guffawed, posting a photoshopped picture of a nude Trump at the beach with the OnlyFans logo. The implication that Trump should start an account on one of the few platforms that hadn’t yet preemptively banned him is impossible to miss — and there are certainly those who’d sign up to see more missives from the former game show host — it’d probably be in the public’s best interest for him to remain logged off for the foreseeable future.

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The First ‘Clarice’ Trailer Throws Viewers Into The Aftermath Of ‘The Silence Of The Lambs’

CBS has unveiled the first trailer for its upcoming series Clarice, a direct sequel to The Silence of the Lambs that follows FBI agent Clarice Starling (Rebecca Breeds) as she navigates her newfound reputation as the nation’s top serial killer investigator. Judging by the trailer, Clarice isn’t exactly fond of the increased attention that comes from saving a senator’s daughter from the deranged “Buffalo Bill,” who was fashioning a coat of human skin from his victims’ bodies. Clarice’s colleagues in law enforcement aren’t fans of her increased fame either and seem determine to push back against her methods despite her success capturing Bill.

Here’s the official synopsis:

Set one year after the events of The Silence of the Lambs, join Agent Clarice Starling in this new psychological thriller that takes a deep dive into her untold personal story. The series will bring you along as she returns to the field in pursuit of serial murderers and sexual predators while navigating the high stakes political world of Washington, D.C.

On top of the challenge of operating in the shadow of Jodie Foster who brought Clarice Starling to life in the classic film, the series will also have the additional obstacle of not referencing Hannibal Lecter. Considering Lecter played a pivotal role in the capture of Buffalo Bill and was a significant character in The Silence of the Lambs, it will be interesting to see how the showrunners tip-toe around his absence without it being a distraction to fans of the original film.

Clarice premieres February 11 on CBS and CBS All Access.

(Via CBS)

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Kristaps Porzingis Will Reportedly Make His Season Debut Against The Pelicans

The Dallas Mavericks came into the 2020-21 season as one of the teams many expected to take a step forward. That’s in large part due to the presence of preseason MVP favorite Luka Doncic entering his third season and the expectation that with a slightly retooled roster around him, the Mavs would be among the top contenders in the West.

Thus far, the Mavs have treaded water to the tune of a 5-4 record that’s included some incredible highs (a 51-point win over the Clippers) and rather stunning lows (losses to Charlotte and Chicago). Their middling record is due largely to an offense that has taken a step back, going from a historically good group a year ago to the 15th best offense in the league, per NBA Stats.

It doesn’t take a genius to figure out why the Mavs offense has fallen off from last year’s pace as they’ve played their first nine games without the services of their second star, Kristaps Porzingis. A year ago, Porzingis averaged just north of 20 points per game and gives this offense such a unique dynamic when he’s on the floor that simply can’t quite be replicated no matter the combination of players Rick Carlisle throws out there. The good news for Dallas is that Porzingis is making his return on Monday night when they play host to the Pelicans after being cleared from rehab from offseason knee surgery, per Shams Charania of The Athletic.

One would expect the Mavs to continue being cautious with Porzingis, given he’s had lingering knee problems for some time, but even if he’s sitting out back-to-backs, his presence is going to provide a major boost to this Mavs offense and we’ll see if they can ride that to a bit of a jump up the standings.

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What We Want To See Happen In The Wild, Weird ‘WandaVision’ When It Arrives On Disney+

Phase Four of the MCU is finally upon us, comic book fans. Granted, this was already supposed to have happened with Black Widow, but we all know what happened there (no need to rehash). Now the MCU is set to get very weird, very fast with WandaVision, which will send the galaxy-crossed lovers rip-roaring ride through decades before turning into a full-on action affair. Paul Bettany recently confirmed that last detail to Jimmy Kimmel, who expressed disappointment at not seeing a screener before he talked to the Vision actor. In other words, Marvel Studios still fiercely guards secrecy, but that doesn’t mean that we can’t guess what happens. And we can certainly hope for certain developments while the show dances through homages to The Dick Van Dyke Show and the like. Obviously, this approach is nothing like we’ve seen even from the strangest of Doctor Strange vibes. It’s entirely unlike the MCU as we know it, and thank goodness for that because we could use a shake-up after the 23-film long Infinity Saga.

The endgame (pun fully intended here) of this show remains nebulous, but it will begin with Wanda and Vision landing in the town of Westview, where they’ll set about living picture-perfect lives in suburbia. They’ll soon realize that everything isn’t as it seems, and along the way, the duo will be joined by a nosy, overbearing neighbor played by Kathryn Hahn and these players from the MCU: (1) Kat Dennings, reprising the role of scientist Darcy Lewis, who she played in multiple Thor Movies; (2) Randall Park, returning as FBI agent Jimmy Woo from Ant-Man And The Wasp; and (3) Teyonah Parris, who’s new in acting for the MCU but will play the grown version of Captain Marvel‘s Monica Rambeau, who might become Captain Marvel one day.

What else can we expect from WandaVision? A whole lot of unexpectedness, and of course, we’re only a few short days away from the show’s Disney+ premiere, so let’s get down with a wish list.

1. Elevate Wanda To Her Rightful Place: Nothing against Vision here, but it’s actually kind-of amazing how Wanda Maximoff busted into the MCU during Age Of Ultron as more powerful than any existing Avenger, yet her powers were subsequently downplayed. There were still little hints here and there, but Wanda’s badassery was largely forgotten until she vengefully faced off against Thanos during the Avengers: Endgame final battle. Kevin Feige recently confirmed to the New York Film Academy that the moment does matter (a lot) in his mind. “I think it’s interesting, if you look at Endgame, Wanda Maximoff was going to kill Thanos,” Feige pointed out. “That’s as scared as I’ve ever seen Thanos, and if he hadn’t said, ‘Decimate my entire team to get her off of me,’ I think she would have done it.”

So, I’m looking forward to Wanda getting her due in this Disney+ show, even if it takes awhile. WandaVision‘s nine-episode run will immediately be followed by The Falcon and the Winter Soldier, but more than likely, these shows will not resemble each other much, in structure or in theme. The same goes for having much to do with Black Widow, since that movie takes place in between Captain America: Civil War and Avengers: Infinity War. It does seem likely, however, that the events of WandaVision might set up a few upcoming MCU movies, including Doctor Strange in the Multiverse of Madness (and probably the next Spider-Man movie, since Strange will be a Tony Stark-esque mentor to Peter Parker), and I mention Strange specifically because Elizabeth Olsen will be reprising her Wanda-game for that movie. I’m hoping that Wanda goes full-fledged Scarlet Witch and is finally hailed as the most super of MCU superheroes.

2. Definitively Answer The “Is-He-Or-Isn’t-He Alive?” Question: This one might be a no-brainer to answer, but yeah, I’d like to know how the heck they’re going to explain Vision being in this show after he died in Endgame. It feels like time-travel will figure into the explanation, since that’s obviously on the MCU table after the Ant-Man movies and Endgame, and WandaVision will jump through decades, at least, in the TV-homage sense. Is there something deeper going on, though?

It’s entirely possible that Vision’s presence might actually be down to a distraught Wanda losing touch with reality and toting him back in time as a figment of her traumatized imagination. If that’s the case, Vision might not actually exist in WandaVision at all, right? And of course, I’m entirely speculating here, as well as gathering “evidence” from the fact that Paul Bettany is not listed in the cast for Doctor Strange in the Multiverse of Madness. Of course, that could be a ruse by Marvel Studios, who delights in f*cking with fans for the greater good: to avoid spoiling. I mean, c’mon, they flat out-erased Lebowski Thor from trailer footage like the total pros that they are. In other words, there’s no damn telling whether Vision is actually alive in this show or not, but I want an answer, please.

3. Tell Us What’s Really Going On With Those Babies:

Disney+

Those baby twins that conspicuously appear in one of the show’s trailers probably aren’t simply a symptom of domestic bliss, regardless of whatever we find out (and it might be nothing) about Vision’s anatomy. Rather, the babies suggest that the series will dive into the comic book lore that sees Wanda descend into madness. This could prove tragic, since the comics detail Wanda’s fractured mental state that follows her pregnancy. Long story short, she essentially conjured these babies into existence, and what happens later causes her to go mad. It’s tragic, and dark, and it remains to be seen whether Disney+ will get as bleak as the comics do with those twins.

I do, however, suspect that what happens with Wanda and Vision in this show, no matter if Vision exists or survives or whatever in this series, will guide the MCU into a tonal shift. This will help set things up for viewers to question reality in the MCU and begin adjusting to all the wild possibilities that the Multiverse will bring next time Doctor Strange shows up. In other words, there’s no possible way to guess exactly where WandaVision will take viewers by season’s end. We could even get a little crossover action with X-Men, given that mutant vibes entered an early trailer, and Wanda is Magneto’s daughter in the comics. Again, the possibilities here are endless, and damn, it’s good to see some Marvel superheroes back in action again, right? Let’s settle in and get ready for what’s being forecast as the wildest ride so far in the Marvel Cinematic Universe.

Disney+’s ‘WandaVision’ will premiere on January 15.

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‘The Umbrella Academy’ Welcomes Cazzie David Among Several Additions To Netflix’s Season 3 Cast

Netflix previously announced that the existing The Umbrella Academy siblings will be back, including Elliot Page as Vanya, for Season 3. We can definitely expect Robert Sheehan to get funky as Klaus again, and the rest of the Hargreeves sibling actors (Tom Hopper, David Castañeda, Emmy Raver-Lampman, Robert Sheehan, Aidan Gallagher, Justin H. Min) will be back, too. Yet as the Season 2 finale revealed, Sir Reginald Hargreeves had kept himself busy (and up to no good) prepping another stash of superpowered progeny, who will be known collectively as the Sparrow Academy. This changes the whole game, and warring academies will likely be on the agenda.

The show will pick up production in Toronto beginning in February, and Netflix has duly announced the cast members who will portray the Sparrows. There are a few Easter eggs in there, including Justin H. Min as a very different Ben (remember, Ben’s ghost officially left the building near the end of Season 2) and the character played by Cazzie David (who recently made headlines for her memoir and is also, of course, the daughter of Curb Your Enthusiasm star Larry David). Here are details on Cazzie’s character and the new, unruly Ben:

CAZZIE DAVID (86’ed, NY Times best-selling author of No One Asked for This) will play JAYME, Sparrow #6.
Jayme is a loner hidden under a hoodie. She doesn’t say much because she doesn’t have to. Jayme has a fear-inducing snarl. Catch a glimpse of it, and you’ll run across the street to avoid what follows. Smart and sharp as a knife, she spends most of her time hanging with Alphonso, her only friend.

JUSTIN H. MIN (After Yang, The Umbrella Academy) will play BEN, Sparrow #2.
This is not the sweet Ben we know and love. This Ben is a Machiavellian tactician, wrapped up in a pretty boy body with a rumbling inner-squid. Vicious, pragmatic, and hyper-vigilant— Ben is determined to gain his status as the leader at all costs.

Get ready, because Justin Min has already reacted on Twitter while signalling that he’s ready to push for being a leader, rather than a follower (and a ghost who plagues Klaus).

Other Sparrow cast members include Justin Cornwell (as Marcus, Sparrow #1), Britne Oldford (as FEI, Sparrow #3), Jake Epstein (as Alphonso, Sparrow #4), and Genesis Rodriguez (as Sloane, Sparrow #5). Also, expect to see an “Existential Dread-Inducing Psykronium Cube” who will portray Christopher, Sparrow #7. That should be an interesting one. Don’t ever accuse The Umbrella Academy of not keeping it weird.

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The Pacers New-Look Offense Has Unleashed Domantas Sabonis

Midway through the first quarter of the Indiana Pacers’ season-opener against the New York Knicks, Domantas Sabonis worked off an Iverson screen, flowed from the left elbow to the right wing and caught a pass with 14 seconds left on the shot clock. His defender, Nerlens Noel, didn’t close out, so the All-Star big man launched, connecting on his second long ball of the game, matching any output he posted during three prior seasons with Indiana and signifying new beginnings for the fifth-year center. Watching that first game, it would not take long to understand this season will unlock a heightened version of Sabonis, and the uptick in three-point volume is only part of the equation.

Under new head coach Nate Bjorkgren, Sabonis is further solidifying himself as one of the NBA’s premier offensive big men and elevating his game to a new level. Through eight games, he’s averaging 21.6 points, 12.6 rebounds and 6.1 assists on 61.6 percent true shooting (.563/.429/.647 split). Hovering around 24 percent, his usage rate, the typical barometer for offensive domineering, has not spiked from its 23 percent mark the prior two seasons. Per 100 possessions, he’s taking roughly the same amount of shots (19.1) that he has during his four-year Pacers tenure.

Instead, Bjorkgren constructed a non-traditional heliocentric offense around his star big man, providing him newfound paths to showcase the depths of his talents. Almost everything runs through Sabonis in some capacity, though in a vastly different manner than it does, say, Trae Young in Atlanta or did James Harden with the Mike D’Antoni-led Houston Rockets. Trailing only Nikola Jokic, he’s second in the NBA in touches per game (104.1). He’s tied with Rudy Gobert in screen assists (7.6) and leads all players in passes (80.7).

Last year, he ranked first in screen assists (7.0), third in passes (67.7) and sixth in touches (88.0), so Sabonis dictating the action on most plays is not a novel concept. Rather, the differentiator between this season and last season is the freedom he enjoys in each touch, and it’s helped guide Indiana from the 19th-ranked offense to fifth.

Most notably, he is afforded opportunities to lead the break, initiate outside of the paint and as a face-up scorer, with plays sometimes progressing quite slowly, but ultimately proving fruitful. The coaching staff trusts him to create and leverage his blend of ball skills, strength, craft and footwork, even if it requires lengthy stretches to unfold. Whereas his former head coach, Nate McMillan, predominantly featured him as a back-to-the-basket scorer and roll man, there’s much greater diversity this season. He was still enabled to trigger actions and play a vaguely similar style under the old regime, it’s just been vastly expanded with Bjorkgren in town.

Sabonis must be an absolute pain to battle against. He’s incredibly strong and physical, has an unrelenting motor, wields a bevy of ball and body fakes, and owns some of the best footwork in the league. There is no avenue he will not exhaust to create an opportunity for what he deems to be a quality shot. Containing him demands discipline, strength and mental acuity. Bjorkgren and Co. recognize the difficulty of meeting that criteria, and are letting their star big man operate as he pleases.

They’re also scheming him into advantageous positions as well, utilizing his fluidity to get him downhill. Most bigs cannot match his mobility and strength combination, and these plays seem reminiscent of actions we’d see guys like Ben Simmons, Pascal Siakam and Zion Williamson frequent. Indiana knows the versatility of its offensive hub, which is breeding creativity and varied scoring chances.

Part of what makes Sabonis such a good offensive player is his scalability. He’s one of the NBA’s top passing big men, a bone-crushing screener and instinctively floats into openings for easy buckets off the ball. The Pacers tap into all of that, running a motion- and screen-heavy attack that often involves him facilitating those sets.

The Pacers offense can capably run through Victor Oladipo (19.9 points per game, 26.8 percent usage) and Malcolm Brogdon (team-high 23.4 points per game, 24.0 percent usage) because of these scalable traits. Sabonis does not need to lord over the ball on every possession, while teammates remain stagnant viewers. He fosters an impact in other ways, comfortably serving as an adaptive, linking player, and aiding actions/sets.

He’s crafty and precise initiating dribble hand-offs, ensuring they are purposeful and not just action for the sake of action, swirling the ball between his palms until the proper moment arrives. Other times, he’ll commence a little pitch-and-catch game with someone to forge the advantage they’re both pursuing. It’s yet another example of the patience and credence this team grants him. Many of his assists stem from these seemingly easy hand-offs or tosses, but the build-up to achieve them, as well as his bludgeoning screens, conveys the skill they entail.

Even beyond those high-percentage passes via handoff, Sabonis is an excellent facilitator, which aptly suits Indiana’s surrounding personnel of shooters and cutters. When defenses key in on his scoring gravity, his shrewd approach yields benefits for the offense. Off the ball, he identifies openings and cuts into space as a roller or diver. These are long-standing hallmarks of his game, and further reinforce why he’s spearheading a borderline elite offense to open the season.

While the process to his shots has drastically shifted, the lone significant change in his shot profile is spurning long 2s in favor of triples. During his first three seasons with the Pacers, 14 percent of his attempts were between 16 feet and the 3-point arc, where he shot 41.6 percent, a rather encouraging mark to project extending his range. Now, he’s stepping back and prioritizing 3s. This season, only 2 percent of his looks are coming from that range, while 15.6 percent are beyond the arc, nearly double his previous best of three prior years in Indiana. At his current pace, he’ll surpass the 121 total threes he took in 210 games from 2017-18 to 2019-20 by game 53 this season.

Sabonis will likely not convert 42.9 percent (9 of 21, 2.3 per game) of his threes all season, but this retooled approach undeniably boosts his scoring efficiency, even once he regresses. Those long 2s are purgatory. For his career, between 16 feet and the arc, he’s shooting 42.4 percent, or 0.848 points per possession. To exceed that number, he’d have to knock down just 28.3 percent of his three-pointers this season.

The spacing boon the entire offense experiences also matters. The requisite room for driving and cutting lanes or windows in which to fit passes can often be marginal. Sabonis being a reliable and willing threat from 22.5 feet rather than, say, 20 feet, is the sort of increased spacing that ripples throughout an entire unit’s offensive success by broadening driving/cutting lanes and passing angles.

Although five of his 21 attempts have been induced by a dwindling shot clock, he’s also confidently stepping into early clock 3s above the break. When you do that long enough and maintain a certain threshold of success (roughly 34-36 percent, I’d posit) with triples like these, the collective offense is going to reap benefits.

On a simplified level, the primary factor behind a Sabonis-led offense ranking among the top five is his three-fold excellence. He creates for himself. He creates for others. He capitalizes on the creation of others or creation derived from the scheme. Those, fundamentally, are the pillars of offense. Advantages and scoring possibilities must be fashioned and subsequently maximized. Sabonis excels at all three parts, and it’s why the Pacers’ offense is driving their 6-3 start.

Sabonis emerged as a bona fide star last season. His absence in the bubble and Indiana’s playoff sweep diminished some of the shine from that campaign. McMillan’s departure allowed for the hiring of a new head coach, one fully cognizant of Sabonis’ wide-ranging offensive faculties and arrived prepared to optimize and illuminate them. It won’t be long before the entirety of the NBA notices them, too.

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Everyone Apparently Had MF DOOM’s Birthday Wrong For Decades

MF DOOM was a master of disguise and a consummate trickster. From sending forth his “Doombots” to do his bidding — basically, hiring a bunch of “lookalikes” to don his trademark mask and perform at shows for him — to switching identities throughout his decades-long career, DOOM had a penchant for upending fans’ expectations and leaning all the way into the schtick. As it turns out, the Villain may have gotten one last laugh from the Great Beyond after passing away last Halloween, as Okayplayer reports that seemingly everyone apparently had Daniel Dumile’s birthday wrong on their hip-hop calendars.

There’s no telling where the oft-cited date of birth for DOOM, January 9, 1971, stemmed from, but fans apparently believed it was supported in his DangerDoom song “Pretty Hair,” where he rapped, “Circa one nine seventy-one, on the mic machine it seems his work will never be done.” Obviously, that could be read as either 1/9/71 or 1971, and it appears some of us had it mixed up all along. Okayplayer spoke to some of DOOM’s closest associates and checked court records from old arrests to determine the truth.

Eothen “Egon” Alapatt, Madlib’s manager and a former Stones Throw artist who was signed to the label at the same time as DOOM, told Okayplayer, “He always wished me happy birthday on July 12th and I always wished him a happy birthday on July 13th. Unless he was just not correcting me or lying to me, that’s when I know his birthday to be.”

Meanwhile, a search through Maryland’s court records database for his 1998 arrest for possession with intent to distribute lists his DOB as 7/13/1971. That’s one fewer mystery about the multifaceted mic menace — although, it seems his supply of them is practically endless. Another that may soon need solving is a release date for MadVillainy 2, which was revealed to be in the works on a recent podcast.

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Justin Bieber Went On ‘Shark Tank’ To Take Off His Shirt And Endorse A Chair

After taking a few weeks off, the first new Shark Tank episode of 2021 aired over the weekend. Big-time guests sometimes appear on the show, and on the latest episode, one of the most prominent names in music popped up: Justin Bieber. Bieber appeared, via a pre-taped video, to help ALL33 CEO Bing Howenstein try to get the sharks to invest in his company, which specializes in ergonomic office chairs.

Bieber said in the video, “Hey sharks, I’m Justin Bieber and this is the ALL33. It’s the chair that moves like I do. I mean, guys, look at this perfect posture! I’ve got my chest up, my shoulders back, I’m ready for anything. If you gotta sit, this is it.” In the clip, he also shoots a basketball while sitting and takes a moment to do some seated crunches without a shirt on, saying, “I mean, have you guys ever seen a chair that can do this? I’m doing a full ab workout right now.”

While Howenstein was surely grateful for the Bieber assist, it didn’t help him secure an investment, as all the sharks passed on the deal; Howenstein asked for half million dollars for a 2.5-percent share of his company.

Watch some clips from Bieber’s Shark Tank appearance above.

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Hell Yeah, Helen Mirren Will Finally Get To Drive In ‘F9’

“My great ambition is to be in a Fast and Furious movie. I so want to be a mad driver in a Fast and Furious movie.” That’s Helen Mirren back in 2015. Half of her wish came true: the Oscar winner — who, it’s worth repeating, claimed her “great ambition” in life was to be in a movie series that was originally about street racing and stealing old Panasonic televisions — appeared in both The Fate of the Furious and the spin-off Hobbs & Shaw as Magdalene Shaw, Deckard and Owen’s mother. But she did not drive in either film.

“I wanted to be driving, but unfortunately, I’m not,” she said before The Fate of the Furious came out. “Maybe that will come in the future, in Fast and Furious 12… I’m probably one of the few people on the set who know how to drive a gear shift car. I doubt The Rock knows. But I do. I know how to double declutch.” First off, Helen Mirren is one of the few people on Earth who can insult The Rock without fear of being flattened into a pancake. Also, Helen Mirren rules — and she’ll finally get to drive in F9.

When asked by Entertainment Weekly whether Mirren will appear behind a steering wheel in the ninth Fast and Furious movie (scheduled to come out on May 28), Vin Diesel replied, “You ask the right questions. Again, without giving away any spoilers… You know what, I’m going to give you a spoiler: Yes, she gets to drive.” He added, “It’s so awesome. She gets to drive and she gets to drive sleek.” It’s the only way she knows.

Congratulations to Helen Mirren for getting to be a “mad driver in a Fast and Furious movie.” And thank you for showing that dreams sometimes do come true.

(Via Entertainment Weekly)