For almost four decades, MTV has delivered intimate performances from some of the most popular acts in the world through their series Unplugged. While it’s been years since platform hasn’t attracted the attention it once did, it found some success in 2020, when the channel brought it back for at-home performances from the likes of Finneas, Kiana Lede, JoJo, and more. On Tuesday, BTS became the latest to appear on the show.
Seated in a room filled with arcade games, BTS kicked off the night by singing “Telepathy,” making it the group’s first live performance of the song. They also covered Coldplay’s “Fix You,” which is known to be one of their favorite songs and one that singer and dancer Jimin says gave them comfort during the pandemic. They also performed “Blue & Grey,” “Dynamite,” and “Life Goes On,” the last two being BTS’ most recent chart-topping singles.
“It’s really an honor to be part of the MTV Unplugged legacy where so many legends have performed,” the band’s leader RM said during their set. “We’re deeply thankful.” Singer Junghook added, “All the songs on our album are special to us. We don’t get many chances to perform our b-side tracks besides at our concert so we’re thrilled to perform them on MTV Unplugged.”
Once their MTV Unplugged set came to an end, BTS showed love to their fans with a warm message. “We were supposed to show you these stages at a live concert, so we’re sorry we had to do it remotely, but hope many of you still enjoyed it,” rapper Suga said. J-Hope, another rapper in the group, added, “We wait for the day when we can sing for you in person. We will do our best until then. We love you.”
There are not many people in sports quite like Luka Doncic. The Dallas Mavericks’ maestro mixes the ability to do the incredible with the sense of bravado to add an extra bit of flair to whatever he’s able to pull off. On Tuesday night, the Boston Celtics learned this lesson the hard way.
The Mavs and the Celtics played a thrilling, tight game on TNT that demanded Doncic went deep into his bag of tricks to pull out a win. He managed to do that and then some, scoring 31 points in a 110-107 victory that was capped off by a pair of monstrous triples, the second of which occurred with a fraction of a second remaining on the game clock.
The first came with Dallas trailing by one. Doncic brought the ball up the floor, getting hounded by Jaylen Brown and eventually getting the switch he wanted onto Daniel Theis. Then, in that way in which he does something so smoothly that it looks effortless, he busted out a step-back triple that got nothing but net. From the moment it left his fingertips, it was evident that he knew the shot was going in.
And then, Luka magic happened. Doncic brought the ball up the floor following a made layup by Brown that tied things up, only he had zero plans for overtime. Doncic hoisted one up from deep while getting double-teamed, but the best efforts of the Celtics were for naught.
Sometimes there’s not much to do other than tip your cap and acknowledge that you got beat. Boston had to do this on Tuesday, all because Doncic decided the Mavericks were going to win, and he’s one of the few players on earth with the ability to make that sort of decision become an inevitability.
This week, we’re heading deep into really good bourbon whiskey territory — the truly special (and sometimes rare) bottles. Not every bourbon listed below is going to be a one-off limited edition or single barrel. Some are just high-quality cask strength editions.
Still, these bourbons are all pretty fantastic. And definitely unique. Look for the phrase “classic bourbon flavors” to pop up less and less in the tasting noes from here on out.
A little warning: these bourbons are going to vary in price wildly. Since many of these bourbons aren’t nationwide releases, it will all come down to availability in your region. Moreover, liquor store and delivery service prices will vary depending on demand. Good luck out there.
The ten bottles below are chosen according to taste and listed according to price. There’s no ranking here. It’s just ten tasty-as-all-hell bourbon expressions worth checking out if you’re ready to take your whiskey drinking up a notch.
This wheated bourbon is a small-batch masterpiece. The juice is a blend of up to 19 barrels from the Maker’s warehouses. The whiskies are hand-selected according to distinct flavor characteristics to build a masterful end product. Once the whisky is married, it goes into the bottle at cask strength, unfiltered, and ready to drink.
Tasting Notes:
There’s a clear sense of bourbon vanilla on the nose with touches of burnt caramel, charred oak, and a hint of dry bales of straw. The taste brings about a spicy tobacco chewiness that’s cut with more vanilla and hints of dried apricot. The end is slow, leaves your tongue buzzing with tobacco and spice, and has a mellow vanilla roundness.
Bottom Line:
This is a great bourbon for the vanilla-heads out there who want a bold-yet-classic bourbon. Once you crack the seal, the expression really benefits from a touch of water or a single rock to help it bloom in the glass.
This is Woodinville’s award-winning bourbon with no proofing at all. The juice is a grain-to-glass experience with locally grown Washington grains (corn, rye, and barley), matured in Washington state for around five years. After those five years, barrels are hand-selected for their precise flavor and are small-batched and bottled as is.
Tasting Notes:
Dried cherries and plums mingle with a hint of tobacco spice, soft cedar, vanilla husks, and cornmeal on the nose. The body of the sip leans into almost burnt toffee sweetness and bitterness that leads towards dark chocolate-covered almonds with a touch of salt with more of that spicy tobacco and a hint more of fruit. The end is long and touches on the soft wood, tobacco, nuttiness, bitter chocolate, and a hint of sweet/savory fruit (kind of like honey-roasted pumpkin).
Bottom Line:
This is one of those bottles that is going to be hard to find outside of Washington state (especially at this price). Still, if you do get your hands on a bottle, give it time to bloom with a little water. And then take your time with it and let those notes build across your senses.
This small-batch bourbon from Willett Distillery hits a lot of high marks. The brand keeps their cards pretty close to their chest when it comes to mash bills (they use four for their bourbons), barrel ages, and so forth. This whiskey used to carry an age statement of 15 years but that was dropped due to demand.
What we do know is that after aging the small-batched bourbon goes into the bottle unfussed with and at close to barrel proof.
Tasting Notes:
Maply syrup-covered walnuts greet you with a sense of dark dried fruit and a hint of rose water. The taste holds onto those notes while adding in an almost sherried plummy depth with a whisper of caramel apple and orange oils. The vanilla and oak kick in with a rich depth and well-rounded lightness to the sip as it fades slowly away.
Bottom Line:
This really is an easy-drinking whiskey that deserves a little time and water to really enjoy. That water will reveal a little bit of dark chocolate walnut bar depth, giving it more complexity with a bitter-sweet end.
Jim Beam’s very high-end Booker’s Bourbon is a rolling small-batch release. Each batch is a combination of hand-selected barrels that dial into a specific flavor profile. The overall end result is a bourbon that’s built to be sippable above all else.
Tasting Notes:
Batches will vary. But one thing you can expect is boldness tied to vanilla, oak, worn leather, spicy tobacco chew, crunchy apples, and plenty of ripe cherries (it is Beam after all). The body of these expressions tends to lean rich and full-bodied — almost oily — while being soft on the tongue. The finishes are designed to be long and highlight the flavor profiles that were built into the dram.
Bottom Line:
This is a great gift bourbon. Prices are going to vary along with which batches you’ll come across. But the point is that they’re usually pretty special and worthy of expanding any bourbon drinker’s palate/knowledge.
This is sourced Kentucky bourbon by way of Upstate New York. The hand-selected barrels are sent to New York where they’re blended in small batches (no more than five barrels), proofed with New York spring water, and bottled. What you’re paying for here is the exactness of a whiskey blender finding great barrels and knowing how to marry them to make something bigger and better.
Tasting Notes:
There’s a creamy vanilla pudding up top with a slight woody edge (as if the whole vanilla pod was dropped in the bottle) next to Christmas spices and a hint of orange zest. That orange carries onto the taste as notes of marzipan, dark chocolate-covered cherries, and maple syrup mingle with more vanilla creaminess and mild spice. The end amps up those spices as the oak becomes charred with a bitter dark chocolate edge.
Bottom Line:
This is a great example of the power of sourcing whiskey. The blend is impeccable and will shut up anyone who dares besmirch sourced whiskey.
Jefferson’s Ocean is an experiment in finishing that’s pretty unique. The blenders pull in six to eight-year-old whiskeys sourced from four Kentucky distilleries. They marry those barrels and then re-barrel the whiskey, load them onto a ship, and sail those barrels around the world for almost a year. The best of those barrels are married and bottled at cask strength with no additional fussing.
Tasting Notes:
There’s a clear crème brûlée vibe on the nose with touches of orange zest, cinnamon toast, slightly singed marshmallow. The taste dives into salted caramel notes with hints of Almond Joys covered in dark chocolate next to a savory fruit edge. That fruit turns figgy as the end fades slowly, hitting on spicy tobacco warmth and a final touch of fresh mint.
Bottom Line:
While this one will be a little harder to find, it’s worth checking out. If you do find it, take your time, open it up with water or a rock, and dig in to find those velvety flavor notes.
Elijah Craig Barrel Proof is all about finding the best barrels in the Heaven Hill warehouses and letting that whiskey shine on its own. These are released three times a year (we’re tasting the January 2021 release below) and have been winning award after award. The whiskey in the bottle is generally at least 12 years old and bottled with no cutting down to proof or filtration whatsoever.
Tasting Notes:
There’s a real throughline of sunny berry brambles (blueberry, raspberry, and blackberry) next to orange oils and a touch of oakiness on the nose. That fruit and oak will carry through on the palate as hints of buttery toffee, rich vanilla, and peppery spice mingle on the tongue and set your lips abuzz.The end tends to be slow and velvety with the spice, fruit, oak, and vanilla all blending nicely until the last drop.
Bottom Line:
This is a fine f*cking dram of whiskey. It’s bold, drinkable neat (though it is warm without water or a rock), and will expand your palate. Those berry notes really do shine with a bridge between the stems/leaves and the actual ripe berries on their vines.
This craft expression from Colorado is a high-altitude grain-to-glass experience. The whiskey is made from locally grown corn, wheat, rye, and barley. That distillate is then rested for over three years in oak at those aforementioned high Colorado altitudes. The barrels are then small-batched and the juice is proofed down with Rocky Mountain water.
Tasting Notes:
There’s a very clear sense of orange oils supported by hints of white pepper, mild oak, a touch of honey, and slightly bitter tea. The palate amps up that black tea as the body of the sip becomes rounded like a vanilla pudding spiked with those orange oils and a few cinnamon sticks. The end is slow but subtle as the vanilla, orange, spice, and white pepper fade away, leaving you with a slight tobacco buzziness.
Bottom Line:
This is a great entry point into the deeper world of Law’s line of whiskey. It’s also one of the best cocktail candidates on the list, especially if you’re going with a Manhattan or Sazerac.
Every year, Four Roses releases very limited special single barrel drops. In short, the distillery makes ten different bourbons to mix into their expressions. For this expression, they go through their warehouses to find the “honey barrels” that hit just the right notes after eight to 12 years of aging and bottle those barrels untouched by water or filtering.
In this case, the “OBSK” stands for their “number two” mash bill with a very high rye component (60 percent corn, 35 percent rye, and five percent malted barley) that’s fermented with their own “Yeast K” which highlights slight spice.
Tasting Notes:
There’s a clear sense of dark chocolate cut with spicy cinnamon Red Hots, a touch of vanilla cream, rich toffee, and a whisper of old oak. A cherry flourish arrives but it’s more like a chocolate-covered cherry with a brandy center next to more cinnamon, light dustings of black pepper, and sweet woodiness. The end builds to a spicy tobacco chew and buzz and the cherry becomes brighter, the cinnamon gets woody, and the toffee and chocolate meld into a well-rounded silky sweetness.
Bottom Line:
If you can snag one of these for this price, you’re doing well. Older versions will cost far more. Still, this is a very velvety whiskey that’s dialed into each flavor note. It really blooms with the addition of some water or a rock.
Rabbit Hole started out by contracting out its whiskey production (they controlled the mash bills and maturation as opposed to buying ready-to-use barrels). Once Pernod Ricard came along, Rabbit Hole was able to start distilling and aging its own juice. So depending on which bottle you come across, you might still be getting their contract distilled whiskey or their own-make, both of which are a fairly high-rye bourbon with 70 percent corn, 25 percent rye, and five percent barley that’s aged for at least three years.
Tasting Notes:
The whiskey opens with a slight black licorice edge that leads towards clove-studded oranges next to a hint of cherry cola. The taste builds on those notes and adds in spicy tobacco, a touch of marzipan covered in dark chocolate, and light cedar. That cedar lasts through the slow finish as hints of spice, marzipan, and cherry cola pop back in.
Bottom Line:
This is an interesting dram that works really well as a cocktail base. It’s also a fine sipper, especially with a little water or a rock to really let nuttier and more savory notes shine through.
Perhaps you weren’t expecting deep talk from MC Hammer. And yet the “U Can’t Touch This” rapper recently shared an academic-style paper on Twitter that he said focused on the “visibility of philosophy of science in the sciences, 1980-2018.” After a follower tried to refute some of the claims he made in the article, MC Hammer expanded on his deep thoughts over social media.
You bore us. If science is a “commitment to truth” shall we site all the historical non-truths perpetuated by scientists ? Of course not. It’s not science vs Philosophy … It’s Science + Philosophy. Elevate your Thinking and Consciousness. When you measure include the measurer. https://t.co/hsZzHNwJ0M
Said Twitter user claimed philosophy is a “flirtation with ideas” while science is a “commitment to truth.” MC Hammer completely disagreed, which prompted him to write a detailed response. “You bore us,” he said. “If science is a ‘commitment to truth’ shall we [cite] all the historical non-truths perpetuated by scientists? Of course not. It’s not science vs philosophy … It’s science + philosophy. Elevate your Thinking and Consciousness.” He added, “When you measure include the measurer.”
After another user claimed his thoughts turned “Black males” away from science, MC Hammer doubled down on his stance. “Perhaps you read it too fast or comprehension is a challenge,” he said. “I CLEARLY and UNEQUIVOCALLY STATE That SCIENCE + PHILOSOPHY are compatible and I reject Science vs Philosophy. You are spreading non truths and disinformation. My support of STEM and Black in STEM is unmatched.”
Perhaps you read it too fast or comprehension is a challenge. I CLEARLY and UNEQUIVOCALLY STATE That SCIENCE + PHILOSOPHY are compatible and I reject Science vs https://t.co/cOULQhu7Fc are spreading non truths and disinformation. My support of STEM and Black in STEM is unmatched. https://t.co/51EN3cgr6r
Hammer’s deep thinking — as well as a long list of reading recommendations, including philosopher and historian Michel Foucault — caught people by surprise. Many showed love to the final part of his message: “When you measure include the measurer.” Many shared their reactions online:
MC Hammer could write The Symposium but Plato could never write Can’t Touch This pic.twitter.com/3ziYOx5SNp
— wah wah wah, bitch i’m a baby (@MicycleOilyskin) February 23, 2021
Saw someone tweeting about history and philosophy of sci/tech with the handle mchammer and was like huh, I wonder how he managed to snag that handle.
It’s because it’s MC Hammer.
MC Hammer continues to be a legend apparently, for different reasons https://t.co/zNKp6M4awr
So apparently I’m living in a version of the future I could never have imagined in the early 90s, where a device in my pocket allows me to watch MC Hammer defending the value of philosophy as an epistemic methodology. Well… I guess we better sound the bell, school’s in, sucker! https://t.co/9giTnmY072
— ʜᴀssᴀɴ The People vs. Paper Tigers (@stellar_tombs) February 23, 2021
just wanted everyone to see MC Hammer having a thoughtful discussion on the role of philosophy to scientific research because that was certainly not on my 2021 bingo card https://t.co/RMIyqIkqbp
MC Hammer, explaining why Philosophy has to work with science as an epistemic tool to make both flourish, is a GREAT thing to wake up to https://t.co/kUr1rtQ9ak
I never thought I’d live through a time where MC Hammer would succinctly explain why science and philosophy together is important parts of the whole rather than being opposites.
A busy night in the NBA featured a hectic ending in the Eastern Conference with the unlikeliest of heroes. In a game that was tight for all 48 minutes of action, the Cleveland Cavaliers took down the Atlanta Hawks, 112-111, powered by a 29-point outing in 34 minutes of work by standout guard Collin Sexton.
However, Sexton didn’t hit the bucket that won the game, as he instead set up undrafted rookie Lamar Stevens for the brightest moment of his young NBA career. Following a missed runner by Young that was hauled in by the former Penn State standout, Sexton pushed the ball up the floor, and instead of calling a timeout and letting the Hawks set up their defense, Cleveland played things out.
This turned out to be quite the decision. Atlanta’s defense tried to double Sexton, who tossed the ball to Stevens on the wing. He blew past Young, Jarrett Allen sealed off Kevin Heurter, Danilo Gallinari made a business decision, and Stevens got to play the hero.
Stevens has worked his way into Cleveland’s rotation with his defensive versatility, and has showed the ability to use his athleticism to play above the rim on offense several times. He did a little bit of everything on Tuesday night — eight points on 4-for-5 shooting, four rebounds, two assists, and two steals in 16 minutes of work off the bench — and to top it all off, he managed to give his team a hard-fought win.
The United States Postal Service has been through a lot in the last six months, with new Trump appointee Louis DeJoy coming under fire for making so many severe changes that the mail has slowed down. Some even thought it was part of a dastardly scheme to help his boss steal the election in a year heavily reliant on mail-in ballots. But though DeJoy, for complicated reasons, remains in power, there are some better changes afoot: They’re getting new, sleeker mail trucks! One catch: A lot of people think they look Pixar-esque.
According to The New York Post, the USPS unveiled their replacement for the iconic Grumman LLV trucks that have long crept across the country, delivering mail in rain, snow, etc. This new truck has a much lower front hood, which now looks, as the Post puts it, like “the front beak of a duck.” That leaves plenty of room for a much, much taller windshield.
You won’t see them everywhere at once; they’re slated to roll out over the next 10 years, replacing their beat-up predecessors. Moreover the design isn’t finalized. That’s good because when images hit the internet, everyone made the same Pixar joke, tacitly comparing them to the automobiles with giant eyes in their windshields in the series Cars.
Pixar put out the first teaser of Cars 4. It’s going for a much realistic tone than compared to the third movie. Looks promising! pic.twitter.com/bE3eYhpa20
Mind you, this doesn’t mean the designers should go back to the drawing board. Who doesn’t want to live in Pixar’s Cars? In any case, this is far, far from the worst thing that’s happened under Louis DeJoy’s watch.
Ever since the failed MAGA coup of January 6, the GOP has had a decision to make: Is it the party of Donald Trump and QAnon, peddling conspiracy theories and known lies, or is it what it used to be, which is…well, not quite that. While Senate Minority Leader has signaled he wishes to return to the before-time, new lawmakers like Marjorie Taylor Greene and Lauren Boebert want to take it in new and dangerous directions. On his Tuesday Fox News show, Tucker Carlson seemed to try to thread the needle between the two only to leave people wondering if he was playing dumb or if he actually was dumb.
Tucker Carlson says he couldn’t find any evidence that the Qanon conspiracy theory even exists, like theres nothing out there proving that it’s a thing pic.twitter.com/tqeYm73pAb
Carlson spent a segment trying to disprove the existence of QAnon, the fanciful theory that has poisoned many a mind, including Marjorie Taylor Greene’s. He detailed how he and his staff spent a day — a whole day — cruising the information superhighway, attempting to find something whose online existence is pretty well-documented. And yet they couldn’t find squat.
“It’s worth finding out where the public is getting all this false information — this ‘disinformation,’ as we’ll call it,” Carlson had the stones to say. But he and his staff found nary a QAnon. “We checked! We spent all day trying to locate the famous QAnon, which in the end we learned is not even a website. If it’s out there we could not find it. Then we checked Marjorie Taylor Greene’s Twitter feed, because we have heard she traffics in disinformation, as CNN told us. But there’s nothing there.”
One could say Carlson wasn’t fooling anybody, but people were genuinely confused if he was being fake-dumb or sincerely stupid. Some went with fake-dumb.
Tucker, I know you’re just playing dumb because you have contempt for your viewers, but I can explain where QAnon disinformation originates. I can even show you when Marjorie Taylor Greene tweeted about QAnon. https://t.co/xj1tfAksZ6
Now THIS is a dog whistle. This is Tucker throwing meat to the “there is Q, there are anons, there is no QAnon” nonsense. He’s not dumb enough to think “QAnon” is a website. Well, maybe he is. https://t.co/uZIvgRAmGy
“We spent all day trying to locate the famous QAnon, which in the end we learned is not even a website!”
It would be breathtaking if Tucker Carlson were this stupid. It is somehow even more breathtaking that he is willing to pretend to be this stupid.https://t.co/6SMH6FLsz9
The Knicks were in action shortly after the announcement, hosting the Golden State Warriors at Madison Square Garden, and Randle received a bit of additional recognition in the form of a congratulatory video from his mother.
This is fantastic, and it seemed as if Randle was quite appreciative, even in the middle of a game. The talented forward is averaging 23.2 points, 11 rebounds, and 5.5 assists per game this season, acting as a primary playmaker for the Knicks and helping to lead New York to improved results. From there, Randle is converting 41 percent from three-point range, a career-best mark, and the Knicks entered the night with a 15-16 record that has the team in the midst of the playoff race in the East.
Big-picture goals are certainly noteworthy but, on this night, Randle can hopefully bask in some of the congratulations that come with what he’s accomplished. None matter more than the support of family, and this was simply a cool moment.
This fall will mark three years since Mac Miller’s untimely death. Since then fans have received a decent amount of posthumously released music from the Pittsburgh rapper, but the next one involves one of his most-celebrated mixtapes: The rapper’s 2014 project Faces is set to arrive on streaming services soon. The news was shared by Mac’s longtime friend and producer ID Labs, who confirmed the news on Reddit.
Mac Miller’s longtime friend & producer E. Dan (ID Labs) has confirmed Mac’s classic ‘Faces’ mixtape will be coming to streaming services soon pic.twitter.com/TPNpYcVhEU
In a screenshot that was shared on Twitter, a fan wrote, “I think ID Labs said on this sub a few months ago that they were working on getting faces cleared for streaming platforms but it was going to take time due to clearing samples, maybe it’s finally getting done… hopefully.” ID Labs, who produced “It Just Doesn’t Matter” and “Therapy” from the mixtape, caught wind of the comment and wrote, “This is correct and currently happening.”
If the project arrives on DSPs later this year, it will be Mac’s second mixtape to be placed on streaming platforms. Last year, his breakout K.I.D.S. was added to the platforms in April to celebrate its tenth anniversary. The re-release came with two new songs, “Ayye” and “Back In The Day.”
Mac Miller is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
The die-hardiest fans of the MCU wait with bated breath for each and every update, subsisting on an endless array of rumors that are fake more of than not. So on Tuesday, some of the stars of the current live-action Spider-Man movie decided to have some fun. Tom Holland, Zendaya, and Jacob Batalon each posted two things about their series’ forthcoming, allegedly quite ambitious threequel: their own First Look image, featuring all three of them, plus a different joke title.
“So excited to announce the new Spider-Man title,” Holland wrote on his Instagram. “Can’t wait for you lot to what we have been up to. Love from Atlanta.” Along with it was a picture of the joke title: “Spider-Man: Phone Home.” Batalon was next, writing a similar caption but with a different fake title: “Spider-Man: Home Wrecker.” Finally there was Zendaya’s contribution: “Spider-Man: Home Slice.”
A reminder, by the way, that this third Holland Spider-Man, whatever it winds up being called, came awfully close to not happening at all. Tom Holland’s Spidey only gets to play with the MCU because of some elaborate corporate deal between Disney and Sony, who own the Peter Parker film wing of Marvel Comics. In fact, getting three titles for the price of one sounds like a pretty good deal.
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