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A Fan-Made ‘Batman’ Movie With Some Surprising Cameos Went Viral

Batman will get some new shine in the upcoming Zack Snyder’s Justice League retooling, but some fans have other ideas about what Gotham’s hero should be doing on screen. A viral fan-made Batman project made some waves in recent days, garnering millions of views on YouTube.

The nearly 30-minute project, entitled Batman: Dying Is Easy, is an exploration of Batman and the Joker’s complicated relationship that mostly takes place in Arkham Asylum. The IndieGoGo campaign for the project earned more than $75,000, well over what they were hoping to raise. And the result seems to have thrilled those who put their money where their fandom is. Here’s the description from the IndieGoGo page.

We want to give the fans something they’ve always craved with these characters. A psychological, dark detective story with an almost horror film feel. This film is created by fans for the fans. This film will feature all original costumes, sets, and music score!

As The Hollywood Reporter detailed, the film features an impressive roster of talent in various roles. Aaron and Sean Schoenke, who created and directed the project, enlisted Michael Madsen, Doug Jones, Casper Van Dien and Chris Daughtry for roles in the project. The project, which you can watch above, also features Kevin Porter as Batman, Aaron Schoenke as the Joker. Jones, meanwhile, plays the Riddler and stuntwoman Amy Johnson appears as Harley Quinn.

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Kid Cudi Says He’s ‘Pissed And Heartbroken’ That He Was Unable To Collaborate With Juice WRLD Before His Death

More than two years ago, Juice WRLD requested a collaboration with Kid Cudi through a post he shared on Twitter. That tweet arrived months before his breakout hit “Lucid Dreams.” Unfortunately for him, he would never get to work with Cudi as Juice tragically passed away in December 2019 from a seizure that occurred while he was at Chicago’s Midway International Airport.

During a recent interaction with fans on Twitter, the Man On The Moon III rapper expressed his frustration with being unable to work with both Juice WRLD and late Florida rapper XXXTentacion.

“Im really am pissed and heartbroken I never got to link w these guys,” he said. “X and Juice were real ones. Loved what they brought to the game. It was beautiful to witness.”

The tweet came in response to a fan who commended Cudi for embracing “the fallen legends.” He also revealed that a posthumous collaboration with Juice, entitled “Good Times,” exists, but issues with clearing the song have halted its release.

“Who knows man they holdin that song hostage for a check,” Cudi revealed. “I feel like if Juice was alive it woulda been came out. I really dont know.”

All in all, Cudi promised to be more open to working with new artists. “Im no longer gonna be afraid of connecting w cats,” he said. “I always felt like I wouldnt be able to live up to the love. I was always scared. But not anymore.”

Cudi’s tweets come nearly a year after he reminisced about meeting Juice WRLD for the first time at the 2019 Coachella festival.

You can read his posts above and see additional tweets from him below.

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The Last Two All-Star Games Showed The Elam Ending’s Effectiveness In Very Different Finishes

Perhaps the best bottle of champagne Nick Elam ever had got popped in a Chicago Italian restaurant on Feb. 17, 2020. Elam and a friend, at the conclusion of the 2020 NBA All-Star Game, went to celebrate one of the game’s newest elements. Things could not have gone much better for Elam, who was invited to the game by the league and whose years-long effort to get a funny little concept for how a basketball game should end into the national conscious.

The Elam Ending was adopted by the NBA for the game, and it brought an element of suspense and intensity to the normally mellow All-Star Game, as the two teams locked in on both ends of the floor for the chase to that magic number — in that instance, 157 — with Anthony Davis sinking the game-winning free throw.

“I always dive into the numbers later on, but as much as I can, whether it’s in [The Basketball Tournament] or in the All-Star Game, I like to watch it unfold first, just as a fan,” Elam told Dime over the phone. “I don’t have my spreadsheet out or anything like that. I just want to absorb and try to get a feel for the things that can’t be quantified.

“And what I was seeing and hearing and feeling, all throughout that quarter … I had high expectations, it exceeded my high expectations,” he continues, the excitement in his points palpable more than a year later. “It was just amazing.”

If you have never heard of the Elam Ending, or if you need a refresher, the basic gist is this: 14 years ago, Elam sought out a better way to end basketball games. Now a professor at Ball State, Elam came up with a few ideas, but the one that has garnered so much attention is the application in The Basketball Tournament in which, upon the first dead ball after the under four minute timeout in the fourth quarter, the clock is turned off, the leading team’s score gets eight added to it, a target score is set, and the first team to hit that number wins.

“It’s not this totally newfangled thing,” Elam says after I mention it reminds me of playing to 11 or 21 on a playground. “It hearkens back to the way that so many of us learned to play basketball, which is to a target score.”

When it comes to the NBA, Elam has been reaching out to the league since 2007 about trying to figure out a way for them to adopt it without being, in his words, “a total pest.” Nothing materialized, but things changed on Jan. 23, 2020. A call from the league featured a confession: Late game play at the highest level of the game could be better. The Players’ Association agrees, and the two sides agreed to adopt the Elam Ending for the 2020 All-Star Game, with the league tacking 35 onto the leading team’s score heading into the fourth quarter and letting the two sides play a totally untimed frame.

And then, three days later, Kobe Bryant died. The league shuffled its adaptation, making it 24 points they would add onto that higher score as a way to honor Bryant. When it came time for the event in Chicago, Elam’s brain child was given its most prominent showcase yet with the added twist to honor a Hall of Famer. The game, of course, ended with that Davis free throw to help Team LeBron topple Team Giannis 157-155, and in a way, Elam was extra happy that it ended with the least exciting play in the game deciding things.

As he tells it, games ending with a free throw is the gripe he hears the most among those who don’t necessarily love the idea. He has numbers to back up why this is somewhat off-base — 80-85 percent of games in TBT end in “a meaningful field goal,” something that only applies to one percent of games with a standard ending — but generally, Elam was just happy that folks got the chance to see that there can be excitement when a free throw is needed to decide a game.

I was fortunate in that I got to catch up with Elam after the 2021 edition of the All-Star Game, in large part because this year’s game presented the outcome that interested me the most. The merits of a back-and-forth game decided by the narrowest of margins when the Elam Ending is in tact are self-explanatory. Even if a game is decided by three or four possessions, it is easy to see how the Elam Ending would be preferable to a free throw bonanza where the losing team keeps fouling to elongate a game.

When it came to blowouts, it was hard for me to imagine how anything could really make them better. Not saying that blowouts are great television or anything, more that it’s the episode of Binging With Babish where he attempted to make Rachel’s trifle from Friends — it is hard to improve all that much on something that is rotten to the core.

Still, Elam was happy that last Sunday’s game served as a data point for folks like myself. As he tells it, something that makes the Elam Ending good for these situations is it prevents something that is prominent in blowouts: stalling.

“In a blowout game, I think it is a good thing that it does tend to end games more quickly than they would otherwise,” Elam says. “And that’s what we’ve seen in TBT games, that the games that end more quickly, typically, are blowout games. The games where they last a little bit longer tend to be the very close games, where the drama is building. You’ve got the leading team, they’re not getting to the finish line, and the trailing team is gaining on them. And that dual effect I think is very appealing. That’s very different from what we see under the regular format, where some of the most drawn-out finishes are where the drama is not building. The trailing team is fouling repetitively. They are not gaining any ground, because they’re having to hand away these free points. So it just becomes this crawl to the finish.”

That was on display in Atlanta this year. Team LeBron entered the fourth quarter with a 146-125 lead over Team Durant, but despite the fact that the losing side had to score 45 points in order to hit the target score, the winning team kept playing knowing that it had to get to a certain point other than 0:00 to end, meaning guys like Damian Lillard and Steph Curry kept wowing those watching the game with their long-range marksmanship.

Elam does, naturally, believe that an exhibition like an All-Star Game isn’t the perfect vessel through which we can see how much fun the Elam Ending can be in a blowout. He does point to TBT games where losing teams have locked down and had “stops on six straight, seven straight, we’ve even seen a game where they got stops on eight straight possessions, and that gave them the time they needed to come back and win the game.”

Plus, as Elam notes, removing an artificial force that bears down on a losing team increases the likelihood that the end of a game can become more fun.

“In the earlier stages of a basketball game, especially in the NBA, we see really big runs, crazy runs,” Elam says. “There are big swings in the game during the earlier stages. But once it gets to the late stages, we very rarely see those types of runs happen, because not only is the team facing a deficit and having that work against them — which, that’s fine, they put themselves in that position — but now they’ve got these other, artificial forces working against them, where there’s only a set number of possessions that you can fit into that amount of time. Whereas, under the Elam Ending, you can keep prolonging the game. You’re still in the game as long as you can get stops.”

Moving forward, Elam isn’t really trying to cook up any other major ideas to revolutionize the game of basketball, although he admits that one change he’d like to see (beyond, you know, the obvious one) is for teams to pick who they play in the playoffs — “it would create a made-for-TV event,” he says, “like a playoff draft, of, okay, whoever the top seed is, they’re picking their first round opponent, now who the number two seed is, they get to pick who they want to play.” When it comes to the future of the Elam Ending in the NBA, its innovator does say that there haven’t exactly been super robust conversations with the league. He’s glad that “the concept is still moving in a good direction,” but he candidly wishes he had more of “a seat at the table” as the NBA tries to figure out any sort of future with the concept.

Should those sorts of conversations come, and mapping out an NBA Elam Ending is necessary, Elam wouldn’t necessarily want it to be applied the way it is in the All-Star Game. When he first came up with the concept, he was a fan of going clock-less for the entire second half, but has changed his mind. Now, he leans more towards the version used in The Basketball Tournament for two reasons. One, understandably, is it makes it a little easier to predict how much real time will be spent watching a game when the winning team needs to score eight points compared to when the winning team needs to score 35.

Two, and this is more important, there is something intangible that Elam has experienced from attending thrilling TBT games.

“I’ve witnessed this by being in the gyms during those TBT games, with that plus seven or plus eight, in the last four minutes, when they shut off the clock, you can feel the finish line is very close by,” Elam says. “The finish feels imminent, so in a lot of cases, when they shut off the clock, people get on their feet and they stay on their feet for the entire final stretch of the game, because there’s just not enough of a chance to settle back in your seat.

“My concern with getting rid of the clock for the entire fourth quarter is that there’s just too much of a chance that people might settle back into their seat, and you don’t know if they’re going to get back up out of their seat,” he continues. “So I like that final sprint to the finish. That’s my favorite version.”

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Fiona Apple Will Not Attend The Grammys Due To Her Discomfort With Being On National Television

One of the most critically acclaimed albums that dropped in 2020 came from singer Fiona Apple and her Fetch the Bolt Cutters. The project was her first full-length work in nearly seven years and it became her second-highest charting album after it debuted at No. 4 on the Billboard 200. Fetch the Bolt Cutters was also responsible for three Grammy nominations at this year’s awards in the categories of Best Alternative Music Album, Best Rock Performance, and Best Rock Song, with the latter two coming from her “Shameika” track. While the show could prove to be a big night for her, Apple revealed she will not be in attendance.

“It’s not because I’m trying to protest, even though I have problems with the Grammys, it’s not because of that,” Apple said in a video posted on her friend Zelda Hallman’s Instagram account. “It’s really because I don’t want to be on national television — I’m just not made for that kind of stuff anymore. I want to stay sober and I can’t do that sober — it doesn’t feel safe to me to be under exposure, scrutiny, comparison to people. I can’t.”

She added that “there’s been lots of questions about the transparency of the Grammys, and I feel like that’s important, but it’s not important.”

“What really really is undeniably important is the transparency in actual court rooms,” she concluded. Apple asked fans to sign a petition that aims to keep court rooms virtual, especially in Prince George’s County Maryland, where she serves as a court watcher.

You can watch the video in the post above.

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Cardi B Shines A Light On The Independent Black Artists That Were Nominated For The 2021 Grammys

There’s no question that this year’s Grammys are seeing a lot of criticism. Just like in past years, the Recording Academy received plenty of criticism about its nomination process after snubbing artists like The Weeknd and Lil Baby for this year’s show. In fact, the former announced that he would “no longer allow my label to submit my music to the Grammys,” as a result of their failure to nominate him. Other artists, however, have decided to shine a light on the positive things the Grammys did this year, like nominating some independent Black artists. And that’s something Cardi B decided to do in a recent post on Twitter.

The rapper posted a lengthy message that asked fans to recognize and show love to the smaller artists that were nominated this year.

“I do feel that there were some albums, and songs that should have been considered for nominations. Maybe by next year they will get it right,” she said. “However let’s not forget the Grammys nominated soo many independent black artists this year that don’t get the exposure by blogs, magazines and other awards shows like Chika, D Smoke, Royce 5’9, Freddie Gibbs, Jay Electronica, Kaytranada, Brittany Howard, Kykal Kilgore, Ledisi, Jean & Marcus Baylor, Like James, Gregory Porter, Giveon, Ant Clemons, Robert Glasper, Free Nationals & Thundercat, and so much more.”

“It’s frustrating sometimes to work and work on your craft and you feel overlooked because you might not look like others, are not mixxy so you not always around other artists, you rap or sing about different material, you stay out of drama and the media or yet still not as popular,” she added. “However you’re a talented-ass f*ck and one day you wake up and you find out you’re nominated and got a notice from one of the biggest awards show purely cause of your TALENT!”

Cardi concluded her message with a simple, yet very important point. “Soo besides all the bullsh*t let’s not forget to congratulate these artists. This is their moment too and they been working their ass off with no exposure and let’s not overshadow it with feelings cause your favorite might not be on the list. Congrats guys and good luck on the Grammys. You deserve it.”

You can find the post from Cardi above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Could Anderson Paak Be Collaborating With BTS Next?

Although it’s his brand new collaboration with Bruno Mars that has catapulted Anderson Paak back into the news cycle — and to the Grammys stage, no less — the Silk Sonic project hasn’t taken other options for joint work off the table for Paak. He seems to be, ahem, leaving the door open for other collaborations, if they come across his desk.

In a recent interview with Esquire the R&B star talked about his love and respect for K-pop, particularly one of the biggest acts in the genre (and the world) right now, BTS. It’s actually Paak’s son, Soul, who he speaks to about the band — especially considering Soul’s mom and Paak’s wife, Jaylyn, is from South Korea.

“I tell him, ‘Yeah, K-pop is where it’s at, man,” Paak said of conversations with his son. “Make sure you keep up with your Korean’ because you could be rapping in Korean one day, and we’ll fly your ass out there, and you won’t got to worry about sh*t.’”

And as far as any plans Anderson himself might have for working with the crew, he sounds more than interested: “I’m working on trying to get that plug, man,” he told Esquire. “If you know of any way, let me know, bro.” The article notes that Paak is “mostly joking,” yet, the isn’t that far of a stretch. Paak has already worked with the likes of Kendrick Lamar, and appeared on Jazmine Sullivan’s excellent 2021 record Heaux Tales. K-pop could easily be next.

Well, it seems unlikely that journalist has the connect, but BTS if you’re reading this, please consider! Since both artists are performing at the Grammys tomorrow night, it just might be possible they’ll bump into each other backstage. Fingers crossed.

Check out Esquire‘s full profile on Anderson here and his brand new track with Bruno, “Leave The Door Open” above.

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Total Bettors Rode An Emotional Roller Coaster At The End Of Illinois-Iowa

Some folks like March Madness because it’s one heck of an opportunity to make wagers. Of course, making wagers means that bad beats are going to happen, and on Saturday afternoon in Indianapolis, total bettors were put through the wringer at the very end of the Big Ten Tournament semifinal tilt between Illinois and Iowa.

The No. 2 Illini took down the No. 3 Hawkeyes, 82-71, in a fantastic basketball game to set up a Sunday afternoon tilt against the Ohio State Buckeyes. Illinois did manage to take care of business on the point spread — they were 3.5-point favorites to move on to the Big Ten Tournament finals — but until the final moments, the total of 154 was in a precarious position.

With things hanging on by a thread, Trent Frazier missed a layup for the Illini that would have caused a push. Fortunately for under bettors, that did not happen, and Iowa’s Luka Garza pulled down the defensive rebound before … OH DEAR GOD NO.

“Makes somebody happy!” the incomparable Bill Raftery says after Joe Wieskamp banked in a three while double-teamed to cause the over to hit. It was, to be blunt, a horrifying moment for everyone who took the under.

But the officials came to save the day. After a review, it was determined that the ball was still touching the tip of Wieskamp’s finger by the time the buzzer sounded, wiping the three off the board altogether and causing the under to win out. If you bet on this in either direction, maybe go for a walk or something.

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Steven Adams Jokes That Zion’s Stan Van Gundy Impression Is ‘On Target, He Just Needs To Have Bad Breath’

Steven Adams has a habit of being one of the best quotes in all of the NBA. Few players mix having a carefree attitude with being legitimately hilarious quite as well as he does, so when Adams is asked the right question, he’s pretty good at turning it on its head and saying something extremely funny.

An example of this came on Friday night after the New Orleans Pelicans mollywhopped the Cleveland Cavaliers, 116-82. Adams was asked about Zion Williamson, specifically an impression he apparently does of head coach Stan Van Gundy. He was mostly complimentary, then he said something that he swore was a joke regarding what the impression could use to go from good to great.

“I mean, everything was on target, he just needs to have bad breath,” Adams said.

Adams started laughing before being insistent that someone tells Van Gundy what he just said. He apparently decided that this was a little too much fun at his coach’s expense and foresees a potential consequence coming.

“Too far, right?” Adams asked the media. “Too soon? I guess Jaxson’s starting now, by the way.”

The Pelicans next play on Sunday night when they host the Los Angeles Clippers. We’ll see if Adams’ prediction about the fallout for this joke comes to fruition based on whether Van Gundy opts to start Jaxson Hayes at center.

(H/T R/NBA)

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A Tricky Angle Made Dick Vitale Think An Airball In Alabama-Tennessee Was A Game-Tying Three

The SEC Tournament semifinals between top-seeded Alabama and fourth-seeded Tennessee came down to the wire, but ultimately, the Crimson Tide were able to hold off their foes from Rocky Top, 73-68. Alabama, the No. 6 team in all of college basketball, barely avoided getting pushed to overtime, as a three towards the end of regulation by Keon Johnson ended up being an airball.

The issue was that Dick Vitale, due to a pretty awkward view of things and Johnson’s effort missing in a very specific way, thought that the attempt was the most perfect swish you’ll ever see. For a good eight seconds, Vitale got caught off guard thinking that the game was tied at 71, with his reaction getting cut short by broadcast partner Karl Ravech saying that it was an airball.

Vitale did get a bit of heat for his enthusiasm for the game getting the best of him here, but in fairness, you can see how someone gets tripped up here, in part because it sounds like some Vols fans in the arena got fooled and began cheering. At the very least, this is a fun chance to remember an NBA game that once ended in similar fashion: Back in 2013, the Detroit Pistons traveled to Washington to take on the Wizards, and on the home team’s final possession, Trevor Ariza shot an airball that got a whole bunch of folks in the home arena excited.

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The Russo Brothers Congratulated ‘Avatar’ On Reclaiming The Title Of Highest Grossing Movie Ever From ‘Avengers: Endgame’

Last week it was announced that Avatar, James Cameron’s 3-D game-changer from 2009, would be re-released to theaters, albeit only in China. When the news broke, many speculated that it would soon reclaim a certain title: Highest Grossing Movie Ever (Not Adjusted For Inflation), which was nabbed by Avengers: Endgame two years back. Sure enough, it did, and on its first day. But there’s no hard feelings from the brains behind Marvel’s biggest movie.

Joe and Anthony Russo took to Twitter to congratulate James Cameron and team on taking the title back. They didn’t go small either: They teamed with a fan artist, Bosslogic, to create an image fit for the occasion. It depicts the logo for Endgame disappearing into the ether, a nod to that Thanos snap, replaced the one for Avatar. (Worth noting is that Disney now owns Avatar — long the crown jewel in the Fox cannon — too, so the Russos and Cameron happen to be co-workers.)

It wasn’t hard for Avatar to reclaim the throne. Endgame grossed a mere $7.82 million worldwide than Avatar did over ten years ago. Avatar nabbed $8.9 million, in one day, in one country.

Just imagine what it will gross if Disney does the same thing elsewhere, including in America, where movie theaters are starting to make the baby steps back to what they were pre-pandemic. And just imagine what Endgame will gross if the same company does the same with it. Perhaps Avatar and Endgame will be forever engaged in a back-and-forth duel, repeatedly dumped back in theaters to add still more grosses to its swollen belly. Then again, both will have to gross a mountain more to beat the highest grossing movie when adjusted for inflation: Gone with the Wind.

(Via Deadline)