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Lu Dort Held Shai Gilgeous-Alexander’s Hand As He Got The COVID Vaccine

Needles are terrifying. It’s not uncommon for people to have a phobia related to them, which is a tough (pun absolutely intended) needle to thread as folks are getting the COVID-19 vaccine worldwide.

So when a picture showed up of Shai Gilgeous-Alexander having his hand held by Oklahoma City Thunder teammate, Lu Dort, as he received the COVID-19 vaccine on Tuesday, it was extremely relatable. It’s just a picture, so we don’t know if SGA is afraid of needles, but this very much is similar to how many of us feel when we receive a shot of any kind.

Studies show that at least 20 percent of people have some fear of needles, while another 10 percent have it fall under phobia status. It’s clear that needles are a huge issue for a lot of people.

Knowing this, that picture of SGA and Lu Dort is even better, because people who are afraid of needles may be hesitant to receive the vaccine. Hopefully seeing a picture of someone as prominent as the Thunder’s young star receiving the vaccine will give another person the confidence to go get it even with a fear of needles. And as one of our editors who received his second shot on Tuesday says, as long as your arm is at your side and you don’t tense up your shoulder, you can barely feel the jab.

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21 Savage Is Executive Producing The Music For The ‘Saw’ Spinoff, ‘Spiral’

Gruesome horror movie imagery has always permeated 21 Savage’s music, so it’s only right that the Slaughter Gang head honcho takes his penchant for making murderous music on his first foray into Hollywood. Variety reports that the UK-born, Atlanta-bred Grammy winner has been tasked with executive producing the music for the upcoming Saw spinoff, Spiral: From The Book Of Saw. 21 also crafted his new single “Spiral” as the film’s theme song, which can be heard throughout the newly released trailer.

The film, which is produced by and stars Chris Rock, also features Samuel L. Jackson, as the two veteran actors portray a father-and-son police duo confronted by a Jigsaw copycat killer. 21 Savage’s ear for ominous beats and mayhem-inspired rhymes seems like the perfect match for the sadistic on-screen action.

However, as ominous as his taste would appear to be from his output, it’s also omnivorous. The lanky rapper has been known to post social media videos singing along to his favorite R&B tunes, as he did during the recent Verzuz show with Ashanti and Keyshia Cole. That versatility could also serve him well in his capacity as the soundtrack’s executive producer, as he could use lighter fare to set up the bigger scares — or completely invert fan-favorites as the trailers for Jordan Peele’s haunting thrillers Us and Candyman (which he produced, not directed) have done in the past.

Watch the trailer for Spiral: From The Book Of Saw above. The film premieres May 14, 2021.

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Kyle Brandt Wants To Keep Taking Risks (Including Hosting ‘Jeopardy!’)

Kyle Brandt is happy to try just about anything. The host of Spotify’s “10 Questions” and the NFL Network’s Good Morning Football is a mainstay on all sports fans’ screens these days, but despite openly admitting the luck involved with landing those gigs, Brandt wants to keep taking risks.

The taste for trying stuff began as early as college, when as a student at Princeton, Brandt actively fought back against the path expected of him as an Ivy League grad. As the other guys around him took flashy Wall Street gigs with lucrative signing bonuses straight out of school, Brandt was determined to become an actor, filling in theater classes around his football schedule and doing his best to skirt the draw of Manhattan that reels in so many northeasterners.

“It kind of rattled me, but I stayed focused,” Brandt says. “I never was going to be that person who was like well, I should go get a job as a consultant. I was just never going to do that.”

But during his senior year at Princeton, the Real World did a casting call steps away from his bachelor pad, and Brandt was cast for Season 10. The experience was surreal after growing up watching the show as a teenager, but added once again to the perception he held with producers. Tall, handsome, and smart, Brandt had to again push back on being stereotyped.

“There was a pipeline from every reality show to L.A. to become actors, so that put that stamp on me where they were like, oh here’s another guy, a bachelor, a Joe Millionaire, who wants to be a movie star,” Brandt remembers. “Maybe I was, but I was like, I’ve been learning my lines, doing theatre, I’m really into this thing. Most people didn’t want to hear it.”

Eventually, his career took him through Days of Our Lives on NBC to a gig on the “Jim Rome Show,” a turn that put him back in the sports. Brandt took some time earlier this week to talk with Uproxx about the similarities between soap operas and a morning sports show, who his dream guests are on “10 Questions,” and why he’d like to be the next host of Jeopardy!

Your Twitter bio has a line that says “My resume is weirder than yours.” Do you see your journey in the industry as a point of pride?

Oh yeah, definitely. I scream that from the rooftops. But I have to clarify, I don’t think my resume is better than anybody’s, and it’s definitely worse than a lot of people’s. But no one’s is weirder. More than a point of pride, it’s a challenge. It’s a callout. Sometimes I’ll have people who will either tweet me or even stop me in person and throw down the gauntlet and say, “I used to work at a karaoke bar and now I’m a United States Senator,” or whatever the hell they say.

They think they can beat mine, and maybe some of them can, but I have never heard one that is as unusual, comical, eccentric, and unpredictable as mine. So I am proud of it, yeah, and the challenge is safe to this day.

When I hear you talk about Days of our Lives, I see a similarity to Good Morning Football in terms of the grind. Are they similar, and what is hosting GMF like?

There was a sense of “what am I doing here?” when the show started. I’m not an ex-NFL player, I’m not an insider consulting my sources, and I’m on the same network as Deion Sanders and LaDainian Tomlinson and Kurt Warner. These are walk-in Hall of Famers, and I played some college football back in the early 2000s. I have to justify myself really quickly.

I was the last person cast on the show. It was Nate (Burleson) and Peter (Schrager) and Kay (Adams) and then what if we had this fourth guy? He doesn’t really fit any of the molds, he doesn’t have a ton of experience on TV, but we think he brings a different energy and it might work. The NFL is usually risk-averse, and this was a huge shot that they took on me, so I felt like I got there and had to be immediately like, ‘Here’s why I’m here.’ I have to be really energetic and really creative.

To do that every day, waking up at 4 in the morning and going into Manhattan, leaving your wife and two babies in the dark to come up with something original to say about Dak Prescott, it’s really, really hard. But somehow, I was able to make them keep me.

It sounds like you get energized by the riskiness of that. But there are some people who would get nervous or scared. How do you think of the NFL Network gig as an opportunity rather than, ‘Oh crap, I might completely lose this’?

It was really high stakes, even more than you know. My wife and our kids moved from Southern California to New York at the drop of a hat, with very short notice. We had a 2-year-old and a three-week-old when we moved, which was a nuclear move.

We had this sense that we’re going to try a new morning show, which the NFL Network has tried many of over the years to varying successes. This is a thing in New York with an outside producer. There’s four hosts that don’t know each other at all and aren’t very experienced. This could be a total disaster.

It would have been a real difficult blow if Good Morning Football had (fallen) on its face and we had to move back to Southern California and start all over. It would have been bad. But it wasn’t. Somehow, we made it work, and people liked it, and we found an audience. If I look back at some of those first shows, I don’t really recognize myself, but thank god that the NFL took a chance on us and especially on me.

How do you feel that your Ivy League education, show biz experience and now sports hosting experience combine when it comes to your work as an interviewer on a show like “10 Questions?” Does it make you a better or different interviewer than others might be?

I don’t know about better, but I try to be unique. I just like the variety. I take a lot of pride in two things about that. One, our contestant list for the show is as unique as my resume. It’s not just a bunch of football players or a bunch of actors or comedians. There’s everything. Within the space of a few weeks, we will have Academy Award nominee Viggo Mortenson on the heels of Guy Fieri, and that’s after NFL reporter Erin Andrews.

From contestant to contestant, there’s a lot of variety, and also even from question to question. I love taking them on that roller coaster where the first question is going to be really bizarre, about something like Snow White, then the second one will be about cooking … as random as we can possibly go.

There’s a moment in every episode where the contestant goes, ‘What the hell is this show?’ And I think that’s when they start liking it, because so many of these people need so many shows, and even if the person conducting the interview is talented and well-researched, they do kind of become paper dolls. So I try as hard as I can to cut that out.

Was that idea of mixing it up the basis behind “10 Questions?” What was the base level of what you wanted the show to be?

The base level was a conversation where you keep score. This podcast hosting, they’re everywhere, ubiquitous. I had to do something to punctuate the format, and I just said, I’m going to keep score, I’m going to come up with a game. It’s an extensive, deep-dive interview about this person’s life and career, but there’s going to be a setup where we keep score and we’re going to make it a competition.

I have found that interviewing so many athletes and now actors, that they’re unbelievably and almost disarmingly competitive. So if you sit them down and ask about themselves, they’re going to do it, but if you let them know not only I am I keeping score and keeping track of your answers, but you are competing against all these other contestants who came before, and for the next several weeks, we’re going to say your score and people are going to try to beat it, you can see them sit up straighter in their chair and get focused.

Who’s your dream guest on the show?

The ones that I really get off on are the ones who don’t do things, they don’t do a lot of publicity, certainly not sitting down for an hour on a podcast. There’s a couple I look at. I’ve always wanted to do something with Keanu Reeves, not only because he’s so accomplished and the body of work is obvious, but you also just don’t hear a lot of interviews with Keanu Reeves. I also think in the podcast format, if you have a recognizable voice, the second you start speaking, it’s already a win. I feel the same way about Arnold Schwarzenegger.

The total pie in the sky, the one in a million chance, is Leonardo DiCaprio. He doesn’t do interviews, and that’s part of the intrigue about him, so I would put him on the list, too.

Would you ever have politicians on?

Absolutely. I’m not afraid of it. We had Jemele Hill on, and at the end of every episode, the contestant does a call out to challenge someone to come beat their score, and sometimes then we book the person and have them come on. But at the end of Jemele’s episode, she called out AOC and we reached out to her to see if she’ll do it.

Who is your favorite interviewer ever?

Howard Stern. What I like about Howard is not only is it longform, but it’s immediately disarming. He has the same thing where there are some stakes involved. When people go on Howard, they are a little bit nervous and they know all the people that have gone on before them and they want to do really well. Howard doesn’t have a scorekeeping system like I do, but he has that set of stakes.

The way he does it and follows them, not every question comes from journalist school, but he just has the natural talent to do it. I think he’s the best in the game right now.

What do you see down the line for your own career? It seems like you could go any number of directions.

If you asked me right now, I want to host Jeopardy!, and I mean that sincerely. There was a piece that was written about 10 Questions a few months ago and it was really complimentary, and he said that “10 Questions” was ‘a spiritual successor to Jeopardy’ and I agree with him in that it’s kind of old-fashioned like a quiz show that goes back to the 1950s with Tell The Truth and Quiz Show the movie.

What do you think you would bring to Jeopardy!?

It’s challenging, because some of the people who have done it in the past couple weeks get caught doing (Alex) Trebek impressions, which is really tricky, and nobody’s ever going to be able to do that.

The best part of the show and the hosting are two things. It’s the moment when you interact with each contestant on contestant row, and it’s very tricky because you have to be very quick and very quirky but fast and efficient. Trebek had such an efficiency of words that he’s tough to follow. Then at the end of every segment, he’s standing at the dais and looks right into his camera and that is the control of the show. It’s not reading the clues, it’s him when he looks in the camera.

I think that I would bring a relatability. I’m the person who sits at home with my wife, watching and shouting out the clues like everyone else. To be that type of person to go and know what that’s like is like Charlie going to the Chocolate Factory. They were looking for the person who understands it and won’t try to take it over. I’ve been that person on the couch, I know how to work on TV, and I could probably do the French accents if I had time to work on them, for those clues.

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Glastonbury Is Hosting A Big Livestream Concert With Coldplay, Damon Albarn, And Others

It was announced at the top of 2021 that Glastonbury will not be hosting a festival this year (for the second year in a row) due to the pandemic. So, while thousands of people won’t be taking to the festival grounds this summer, they can enjoy a newly announced livestream concert that organizers are hosting.

“Live At Worthy Farm” is a ticketed livestream event that is set for May 22. As the name suggests, the show will take place at Worthy Farm and will feature Coldplay, Gorillaz’s Damon Albarn, Haim, Idles, Wolf Alice, Jorja Smith, Kano, Michael Kiwanuka, DJ Honey Dijon, and other currently unannounced performers.

This news shouldn’t surprise fans who have been following Glastonbury’s goings-on in recent months. In January, festival founder Michael Eavis said he wanted to do something to mark the festival’s anniversary: I would like to do something smaller somewhere around the anniversary date of when we started, which was the 18th of September 1970. I would like to consider possibly doing something around that time.” In December, Emily Eavis also noted, “We’re actually looking into the possibility of streaming some things from here if we can’t run the full show next year. We really want to get busy with planning some gigs — even if they’re to be streamed!”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Freddie Gibbs Uses Fake Instagram Pages To Mock Other Rappers In The Comments

Freddie Gibbs’ irreverent sense of humor is well-known, but not always appreciated. His penchant for ribaldry got him banned from Instagram last year, but that hasn’t stopped him from participating in the discourse — he just moved to a not-so-secret fake account, which he admitted to Joe Rogan’s podcast earlier this year. Now, in a new profile in GQ, he confesses that he may have more accounts that he uses to mock other rappers, who he sees as competitors in the sport of rhyming.

“You’re never too old to learn,” he allows, explaining why he spends so much time online studying his peers. “N****s become irrelevant because they stop learning and being sponges to the game. I eat, sleep, and breathe this shit, every day. I’m looking at what everybody’s doing. I’m getting on fake Instagram pages leaving comments like, ‘That sh*t is wack.’ I’m doing all kinds of bullsh*t, taunting people.”

At 38 years old, Freddie Gibbs is experiencing the most successful year of his career, receiving a Grammy nomination for Best Rap Album for Alfredo, his collaborative album with veteran producer The Alchemist, and preparing to make his film debut. He didn’t win, but in typical Gibbs fashion, he was all jokes at the party he threw on Grammy night.

Read GQ‘s full profile here.

Freddie Gibbs is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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‘Avatar’ Superfan Marianne Williamson Got A Little Too Obsessive With The Film While Talking To James Cam

Former Democratic presidential candidate Marianne Williamson is easily one of the biggest Avatar fans on the planet. The self-proclaimed “spiritual thought leader” has been a long-time champion of the film and has gone so far as to say director James Cameron deserves a Nobel Prize for the film. While Williamson has repeatedly championed the film’s environmental and spiritual message, and even once tweeted “If you want a simple explanation for what’s happening in America, watch ‘Avatar’ again,” she took her obsession with the sci-fi film to a whole new level during a two hour interview with Cameron on a special episode of The Marianne Williamson Podcast.

During the lengthy conversation delving into Avatar‘s themes of “spiritualism, capitalism and imperialism, colonialization, human rights abuses,” Williamson claimed that she cited the film while visiting the Middle East, and her words had a profound effect on her audience of… Israeli and Palestinian peacemakers. Yup:

MARIANNE WILLIAMSON: I was in Israel and I was talking to some Israeli Palestinian peacemakers. And I said, and I’m telling you the truth, I said, “Well, you know, the Great Mother doesn’t choose sides. According to Avatar, the Great Mother doesn’t choose sides. She’s there to protect the balance.”

JAMES CAMERON: Yes.

WILLIAMSON: She doesn’t pick a winner. She protects balance. And do you know the Israeli and the Palestinian in the room, do you know their reaction?

CAMERON: What’d they say?

WILLIAMSON: (mimes nodding her head in thought)

CAMERON: They thought about it. That’s good.

WILLIAMSON: They nodded. And I think it was because some of them had seen Avatar.

Despite the episode being two weeks old, the clip of Williamson citing Avatar to broker Middle East peace talks only recently went viral, which prompted her to respond on Twitter on Tuesday night. While calling her detractors “pseudo-intellectuals” who are “having a hoot,” Williamson defended referencing the film in the context of the Israeli-Palestinian conflict.

“Our political establishment has not solved the problem, and it will not be solved on the level of the green line or traditional diplomacy or military action. It will only be solved on the level of the heart,” Williamson tweeted. “I do not apologize for telling that story. It’s not ridiculous; it’s important.”

You can see the full thread below:

(Via Sam Thielman on Twitter)

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Lil Nas X Is The Best Kind Of Troll — One Who Uses His Power For Good

Lil Nas X is good at the internet — and he should be. At just 21 years old, he was born into a world with social media, smartphones, and all the cultural byproducts inherent to both. He’s a representative member of the first generation to never know a world without PCs, MacBooks, iPhones, and DSPs.

Still, though, he’s better at playing the game than most, a fact best evidenced by the now-well-known circumstances of his rise to stardom. “Old Town Road” didn’t become a mega-hit by accident. Instead, Nas, disillusioned after the lukewarm reception of his debut mixtape Nasarati, shifted gears, putting all of his considerable knowledge and experience at social media trolling into making his country-fried joke song blow up.

Now, those computer troll instincts are again making him the center of attention. Someone less adept at manipulating the narrative and processing the invective he’s taken would crumble under the weight. But Nas, bred in the fires of Stan Twitter flame wars and well-versed in the weird humor of convoluted Reddit memes, has turned every slight against him into another chance to promote “Montero (Call Me By Your Name)” and its ancillary products.

His gift mirrors that of another colorful and gifted troll who recently lived out his rise and fall in the burning spotlight of internet scrutiny. Tekashi 69 also blew up by playing on social media users’ attraction to controversy. Feeding the algorithms that shove outrage fodder in our faces 24/7, the New Yorker goaded opponents, leaned all the way into his role as a hip-hop heel, and kept up a steady stream of new material to capitalize on the trainwreck quality of his online persona.

Of course, we all know what that got him. While he continues trolling establishment rap media and other artists, the effect is beginning to show diminishing returns. The nonstop negativity he generates may have a sideshow quality, but eventually, there’s only so much you can gawk at the bearded lady before you get bored and look around for something else. In contrast, Lil Nas X is doing the opposite: Using his troll powers for good — or maybe for redemption.

After all, those skills were honed at the cost of childish jokes at the expense of marginalized groups back when Nas just ran a Nicki Minaj stan account. Like many of the Barbz online, he could be seen lashing out at just about any target. Yet, in light of his coming out as gay and knowing the angst that comes along with hiding your identity, his past behavior is understandable, if not acceptable. Hurt people hurt people.

Behind just about every nasty troll comment is insecurity; Nas eventually came to terms with his and is now using his wicked sense of humor to thrash his detractors — people he can likely relate to on some level as a result of his prior experiences — with sarcastic wit and cleverly-planned rollouts that use their criticisms as free promotion.

So when his music video’s Luciferian lapdance prompted accusations of devil worship, Nas judo-flipped those complaints by pointing out the fire-and-brimstone recriminations that have been leveled at queer people for the past century — and that he’s not the first to use such imagery, highlighting the potential hidden agendas of those accusers. When his customized Nike Air Max collaboration with MSCHF was demeaned by Fox News, he smoothly noted the hypocrisy of freedom-of-speech advocates with a humorous knock on Chick-Fil-A’s proud support of anti-gay groups and legislation. The shoes sold out in 60 seconds, adding insult to injury for his haters.

By offering up this provocation, not only does Nas generate streams, views, and ultimately, dollar signs, he also provides an example that he didn’t have growing up: A gay, Black man standing up to the establishment — and winning. He’s laying a blueprint for the kid who feels that they can’t be themselves without facing persecution, who would otherwise turn into the bullies they feared through online trolling.

The anonymity the internet provides allows the opportunity for reinvention, but it also incentivizes our worst impulses. Clap backs get the most engagement, algorithms guide lost souls down dangerous roads of conspiracy theory and hatred, and outrage is more valuable than Bitcoin, DogeCoin, and Ethereum put together. What Lil Nas X has done with “Montero” and his so-called “Satan Shoes” has exposed these tendencies and silently invoke the query, “What are you going to do about it?”

By calling out the silliness of outrage culture, he’s also subtly calling out the absence of anything better — and challenging us to create that missing alternative. For every hell, there must be a heaven; if Lil Nas X’s fantastical video bothers you so much, maybe you need to find somewhere positive to put that energy. After all, you’re unlikely to see a pair of those Air Max 97s out in public and you won’t have to watch the “Montero” video unless you go to YouTube searching for it. That’s the thing about trolls; the more you feed them, the stronger they get. At least this one is trying to make the world a slightly better place.

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Netflix’s Quirky ‘The Mitchells Vs. The Machines’ Trailer Is The Next Animated Adventure From Lord And Mi

Phil Lord and Christopher Miller have a solid track record with animated movies, including Cloudy with a Chance of Meatballs and The Lego Movie (which they wrote and directed) and The Lego Batman Movie and Spider-Man: Into the Spider-Verse (which they produced). Those four films are why I’m excited for The Mitchells vs. The Machines.

Directed by Michael Rianda and produced by Lord and Miller, the Netflix film follows an eccentric family who are the “only people who can save the world” from robots. The voice cast includes Abbi Jacobson, Danny McBride, Maya Rudolph, Beck Bennett, Eric Andre, Olivia Colman, and Doug the Pug as the family dog, Monchi. That’s another reason to be excited for The Mitchells vs. The Machines. I’d argue the best reason.

Here’s the official plot synopsis:

Directed by Michael Rianda (Gravity Falls), produced by Oscar winners Phil Lord and Chris Miller, and Kurt Albrecht, and featuring the voices of Abbi Jacobson, Danny McBride, Maya Rudolph, Beck Bennett, Fred Armisen, Eric Andre, and Oscar winner Olivia Colman, The Mitchells vs. The Machines is about embracing the things that make us unique, learning what it means to be human in a world increasingly filled with technology, and holding tight to the people most important to you when the unexpected hits.

The Mitchells vs. The Machines premieres on Netflix on April 30.

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Matt Gaetz’s Recent Tweet About Wanting A ‘Gaetzgate’ Scandal Of His Very Own Has Come Back To Bite Him In The Ass

It’s almost like Rep. Matt Gaetz (R-FL) was trying to tempt fate, and it worked. This refers to, of course, the reason why Gaetz imploded during a Wednesday night Tucker Carlson interview. The segment had even left the host astounded at what he heard, and Tucker called it “one of the weirdest interviews I’ve ever conducted.” That’s an understatement, but Tucker’s lack of a trademarked-wallpaper face said a lot. Gaetz, who had supposedly been considering leaving Congress to become a Newsmax talking head, had become the subject of a damning New York Times report that detailed allegations of him having a relationship with a 17-year-old girl. The report revealed how the Department of Justice is probing whether Gaetz had violated sex trafficking laws, given that he allegedly paid for the girl to travel with him, and since all of this involves the crossing of state lines, the crimes could be federal. At this time, Gaetz hasn’t been charged with anything, but his talking sure isn’t helping to quell the controversy.

Well, things are even stranger considering that, only a few days ago, Gaetz literally asked for a “Gaetzgate” label on Twitter. In response to Elon Musk doing his wordplay thing on Twitter with a “If there’s ever a scandal about me, *please* call it Elongate,” Gaetz responded, “Deal. I want Gaetzgate.” That tweet has since been deleted, but screencaps exist for posterity. “Be careful what you wish for” is definitely a thing.

Before his Tucker Carlson interview, the congressman tweeted, “Over the past several weeks my family and I have been victims of an organized criminal extortion involving a former DOJ official seeking $25 million while threatening to smear my name.” He added, “We have been cooperating with federal authorities in this matter.”

Gaetz attempting to make this argument to Tucker sounded even more bonkers, and it’s telling that Tucker loves to dig into UFOs and will push almost any right-wing conspiracy theory, but not even Tucker wanted to appear sympathetic to whatever Gaetz was trying to sell. And so far, the Republicans in Congress remain silent on the issue.

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My Bloody Valentine Are Working On Two New Albums They Think They’ll Finish By The End Of The Year

It’s tough being a My Bloody Valentine fan, as the pioneering shoegaze group isn’t exactly prolific: Their latest album was 2013’s mbv and their most recent full-length before that was 1991’s Loveless. The good news, though, is that they’re apparently working on two albums right now and both of them might be done before 2021 is over.

In a New York Times interview, Kevin Shields said, “Our original plan was we would record both the albums back-to-back and then go tour on that. And that would have been this year, you know, but everything really did slow down.” He also noted the band members are waiting to see when they’ll be able to convene in person at Shields’ home studio in Ireland, or they’ll record remotely if they can’t make that work. He said the first of the two albums will be “warm and melodic” while the second will be more experimental.

Shields continued, “I’m not describing it properly on purpose. I don’t want to give too much away because I could lay it out verbally, and then someone’s going to go, ‘That’s a really good idea.’”

The band’s Bilinda Butcher also estimated when both albums will be finished: “I think once I can get over to Ireland it will get done very quickly as my vocals are often the last thing to be recorded. They’ll probably be finished by the end of the year.”

This reveal arrives on the same day it was revealed My Bloody Valentine has signed to Domino Recording Company and is making their full catalog available digitally for the first time. New physical editions of the band’s albums will be available starting on May 21. The band is also premiering a slew of “restored” music videos on YouTube today.

Shields told the New York Times about part of the motivation behind making their music more accessible through Domino, saying, “My nieces and nephews, they would complain to me, because when they would try and show their friends, they can’t find it anywhere. They’re like, ‘Why are you so purposely obscure? You know, it seems stupid.’ That kind of stuff that made me think, ‘Yeah, I guess my perception of the world isn’t the world.’ There’s a whole world out there I know nothing about.”