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Cardi B And Megan Thee Stallion’s Wild 2021 Grammys Performance Combined ‘Savage’ And ‘Up’ With ‘WAP’

After a whirlwind summer that saw their collaboration go No. 1, take over the national discourse, and “piss off a bunch of Republicans for no reason,” Cardi B and Megan Thee Stallion finally got to perform a watered-down version of the raunchy “WAP” on the Grammys.

Opting to use the clean version — which contains one of the three words Cardi says she hates the most — Cardi and Meg hit the stage together for a smashing, roaring 20s-inspired performance. Opening with a jazzy medley of Meg’s “Body” and “Savage,” Cardi appeared via a wild, LED screen, dancing in a gleaming futuristic ensemble to start her performance with her new song “Up.” Then Meg joined her after a very quick costume change for a performance of “WAP” backed by a giant stripper shoe with a heel that doubled as a pole.

After releasing “Up,” the follow-up to “WAP,” Cardi commented on the reaction to her and Meg’s hit, saying she was surprised because it was “really mild” compared to the continuum of randy sex raps from previous female stars like Lil Kim and Trina. The song’s title was censored at the Emmys, confusing and delighting fans, while “WAP” became a political lightning rod, drawing responses from the likes of Republican Congressional candidates, and Congresswoman Maxine Waters. Cardi even joked she was originally supposed to perform the song at the 2021 Presidential inauguration.

“WAP” isn’t nominated for an award this year, but Cardi made sure to congratulate overlooked, under-the-radar nominees ahead of the ceremony. Meanwhile, Megan actually did win an award before the televised portion of the ceremony for her “Savage” remix with Beyonce, making them the first women to win the Best Rap Performance award.

Watch Cardi B and Megan Thee Stallion’s performance above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Bruno Mars And Anderson .Paak Gave A Lively Tribute To Little Richard At The 2021 Grammys

The Grammys are a time to celebrate all of the achievements in music, from up-and-coming artists to legendary stars. It’s also a time that the Recording Academy pays tribute to all of the iconic musicians that have passed away in the previous year. Unfortunately, 2020 saw the death of venerable songwriters like John Prine, Little Richard, Kenny Rogers, and Bill Withers. In order to honor Little Richard’s legacy, Anderson .Paak and Bruno Mars performed a lively medley of the late musician’s classics.

In front of a glimmering backdrop, .Paak and Mars, who together form the new duo Silk Sonic, were joined by The Free Nationals for the set. They opened the performance with an energetic rendition of Little Richard’s “Tall Sally” before swiftly moving into a version of “Good Golly Miss Molly.”

Their tribute wasn’t the only time Silk Sonic took the Grammys stage Sunday night. Ahead of honoring Little Richard, .Paak and Mars performed their Silk Sonic debut single “Leave The Door Open.”

Watch a clip of Mars, .Paak, and The Free Nationals pay tribute to Little Richard at the 2021 Grammys above, and find a full list of all the winners here.

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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‘The Walking Dead’ Conjured Up Yet Another Grisly Way To Die In ‘One More’

Say whatever else one wants to say about the last ten seasons of The Walking Dead, but fans have to give it this much: It never runs out of new kinds of zombies, and it never fails to conjure up new grisly and brutal ways to kill off characters. In this week’s episode, “One More,” viewers were introduced to a new character by the name of Mays played by longtime veteran actor Robert Patrick. Mays introduced a new way to die in the zombie apocalypse, although thankfully, both Gabriel and Aaron were spared from his form of death.

“One Time” acts as a stand-alone episode, and while one might call it a “filler” episode, the episode did what Fear the Walking Dead has done so well recently, which is to tell a intimate character story focused on a small number of individuals. In this case, it was just Aaron and Gabriel, who go out on a supply run using a map Maggie had given them containing spots where supplies might be found. Unfortunately for the duo, they mostly come up empty until they stumble upon what looks like an abandoned building, which isn’t even on Maggie’s map.

In the course of checking out the building, Aaron and Gabriel find two things that compel them to stay the night: (1) A $2,000 bottle of whiskey, and (2) A live boar, which tries to attack Aaron before he takes it down. He and Gabriel make a meal of it and spend the night drinking rare and expensive whiskey while playing cards and shooting the sh*t. It’s here where we find out two things about Gabriel: (1) He has an extensive knowledge of whiskey, and (2) He will never return to preaching because he believes that there is more evil than good among the remaining survivors of the world.

Unfortunately, when Aaron leaves in the middle of the night to take a leak, they discover that the building had not been abandoned but had in fact been occupied by Mays. Mays abducts Aaron and ties him to a chair. Mays also believes that there is more evil than good, and while Aaron and Gabriel try to convince him otherwise — and that Mays should go back with them to their Alexandria community — Mays is determined to prove that everyone only looks about for themselves.

How exactly does Mays decide to illustrate this? With a game of Russian roulette, only there’s a twist. Mays puts one bullet in the chamber, and he gives both Aaron and Gabriel a choice: (1) Point it at their own head, or (2) Point it at the head of the other. And they have to take turns. The person who survives gets to walk. In other words, Gabriel and Aaron have to choose whether to shoot themselves in the head or point the gun at each other.

Much to Mays’ dismay, Gabriel and Aaron insist on pointing the gun at their own temple instead of at each other. In fact, even once Aaron knows that the bullet is in the chamber, he still points the gun at his own temple, because he’d rather kill himself than his friend, even though both men have children to go home to. Mays, however, stops Aaron milliseconds before he pulls the trigger and kills himself, finally convinced that Aaron and Gabriel are right. Maybe there is good in the world, and maybe he can trust them to take him back to their community.

However, just as Mays frees Aaron, Gabriel beats Mays on the head with Aaron’s mace, killing him instantly. “We couldn’t take him with us,” Gabriel says to a stunned Aaron. “He killed his brother’s family!” It is a scene that is both horrific and a little funny in how shocking and sudden Father Gabriel’s attack is. He spent 10 minutes convincing Mays that they wouldn’t hurt him, but as soon as he was given the opportunity, he killed Mays with a quick and fatal blow.

He is not wrong to do so, because after they killed Mays, they find his brother in the attic above. His twin brother (also played by Patrick) is handcuffed to the wall, and beneath him are the corpses of his family.

“He made me play,” the brother says of Mays, and it is evident by the bullet holes in the skulls of the corpses. It looks as though the daughter shot herself in the temple, while Mays’ shot the wife in the head. To be honest, in this scenario, it feels more like a mercy killing. That seems to be the case for Mays’ brother, too, because as soon as he is freed from his handcuffs, he takes the gun and shoots himself. He can’t live with himself, and being forced to live with the corpses of his wife and daughter was no doubt worse than surviving.

It’s a very grim scenario and a grisly way to die. It’s a keen reminder, too, that Gabriel is right: At the moment, anyway, there is more evil than good in the world. As The Walking Dead is introduced to a much bigger slice of the wider world in its final season, we will find out how true that statement remains.

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HER’s ‘I Can’t Breathe’ Wins Song Of The Year At The 2021 Grammys

Of all the awards the Recording Academy awards at the Grammys, one of the most coveted is for Song Of The Year. This year, they’ve given the sought-after Grammy to HER for her outstanding protest track “I Can’t Breathe.”

While HER’s “I Can’t Breathe” is the official Grammy winner for Song Of The Year, she was facing some major competition in the category. Beyonce was nominated for “Black Parade,” Roddy Ricch for “The Box,” Taylor Swift for “Cardigan,” Post Malone for “Circles,” Dua Lipa for “Don’t Start Now,” Billie Eilish for “Everything I Wanted,” and JP Saxe and Julia Michaels for “If The World Was Ending.”

HER released “I Can’t Breathe” during the Black Lives Matter protests last June. At the time, HER said she wanted to track to promote equality and peace:

“I really want to recognize all of the people across various communities that are promoting justice and equality and peace and passion. We need that unity right now, so this first song is called ‘I Can’t Breathe.’ Just by the title, you know that it means something very painful and very revealing, and I think it’s necessary. These lyrics were kind of easy to write because it came from a conversation of what’s happening right now, what’s been happening, and the change that we need to see. I think music is powerful when it comes to change and when it comes to healing, and that’s why I wrote this song, to make a mark in history. And I hope this song does that.”

Of course, last year’s Song Of The Year Grammy was awarded to Billie Eilish after her track “Bad Guy.” The song had gone No. 1 shortly after it release and knocked Lil Nas X’s “Old Town Road” off the top spot after it had been there for a record-breaking 19 weeks straight.

Find the full list of this year’s Grammy winners and nominees here.

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Miranda Lambert’s 2021 Grammys Performance Of ‘Bluebird’ Reiterated Why She’s A Star

Miranda Lambert’s fifth album, 2014’s Platinum picked up a Grammy for Best Country album after it was released, marking her second win. The first was a song that plenty of Miranda fans still play to this day, “The House That Built Me,” a 2010 ballad about missing your childhood home that revealed Lambert wasn’t all crazy ex-girlfriend barn burners, after all. In 2016, The Weight Of These Wings was nominated by the Grammys, but didn’t end up taking anything home.

Which brings us to today, over a decade after her initial Grammy win, Lambert has picked up another trophy tonight, scooping up Best Country Album for her latest record Wildcard and shouting out Ingrid Andress for Lady Like as she did it. With two other nominations, she stands a good chance of continuing to add to her list of awards, and also graced the stage with a performance of the doubly-nominated track, “Bluebird.”

The song is an example of why Miranda has been such a stalwart in modern country music, combining the metaphors of wildcards and playing the hand you’re dealt with the hopefulness of birdsong and all the symbolism of a new spring. She pulls off the downtempo song with the ease of a seasoned veteran, making it feel like a hit even when it’s one of her more understated gems. Check out Miranda’s performance below and keep an eye out to see if she picks up anymore awards tonight.

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Maren Morris Gets An Assist From John Mayer For Her 2021 Grammys Performance Of ‘The Bones’

Maren Morris had herself a single Grammy nomination this year, as her hit 2019 single “The Bones” was up for Best Country Song. While it was revealed ahead of the broadcast that The Highwomen’s “The Highwomen” ended up winning the award, Morris had a nice consolation prize in that she gave a performance of the song during a country-focused block of the show, for which she was joined by John Mayer.

Ahead of the show, Morris spoke highly of Mayer and explained how their collaborative performance came to be, telling ET, “He is amazing, I have been such a fan for a long time, but he has really always been supportive of me. We actually met at the Grammys here a couple years ago and we have just had this mutual respect for one another and our craft. When I got nominated this year and was going to be performing, I just reached out as a friend to John and was like, ‘Hey, will you come in and sit in on guitar?’ He graciously said yes and he has just elevated this song to an even higher level than I thought. I am just so grateful that he said yes.”

Morris also said of the song, “To end it here, because it is sort of the end of the single cycle, ending at the Grammys is a pretty damn good place to end it. My favorite thing is, I wrote it about a relationship, but then so many fans during the beginning of COVID-19 were saying, ‘This song reminds me of our world right now.’ When the bones are good, the rest don’t matter. […] We are in the trenches together.”

Watch Morris and Mayer’s performance of “The Bones” above and find the full list of this year’s Grammy winners and nominees here.

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Mickey Guyton Delivered An Emotional Performance Of ‘Black Like Me’ At The 2021 Grammys

Mickey Guyton is one of the breakout stars in country music this year, and her song “Black Like Me” is up for an award in the Best Country Solo Performance category. A powerful track that addressed the Black Lives Matter protests surrounding the killing of George Floyd, the song was a much-needed flashpoint in the mostly Conservative and very white genre of country, and Guyton’s voice was a welcome addition.

She’s been lauded by plenty of her famous peers within the Nashville framework, especially as examples of the worst parts of the genre were portrayed when rising star Morgan Wallen was caught on tape issuing a racist slur. Guyton represents the best of the genre’s future, and even if Wallen’s behavior represented the worst, it’s nice to see her honored tonight by the industry’s powers that be.

Last September, Guyton’s latest EP, Bridges included the single “Black Like Me,” and showed her breadth as a songwriter and performer with other more tongue-in-cheek tracks like “Rosé,” before returning to more serious topics on the soul-searching “Heaven Down Here.” In tonight’s performance, Guyton made her debut on the Grammys stage with the kind of easy grace that proves she’s a star in the making. Check out her performance below.

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Brandi Carlile Performed ‘I Remember Everything’ In Tribute To The Late John Prine At The 2021 Grammys

Brandi Carlile has been something of a Grammy darling as of late. Her 2018 album, By The Way, I Forgive You was nominated for a slew of trophies and even took home a couple victories for Best Americana Album, and additionally “The Joke” won Best American Roots Song and Best American Roots Performance. Her performance of that track at the 2019 award show was a rousing set that illustrated exactly why she was up for so many awards, and this year she’s back to grace the stage once more.

She actually already picked up an award earlier today for a collaboration with The Highwomen, her supergroup including Natalie Hemby & Lori McKenna, when “Crowded Table” snagged Best Country Song during the pre-show, and Carlile is also up for Best Song Written for Visual Media for the track “Carried Me” as part of the Pixar film Onward.

But she really took everyone’s breath away when it was revealed that the song she’d be performing tonight wasn’t The Highwomen track, but a tribute to John Prine, who passed away last year due to COVID-19 complications. One of the last tracks John wrote, “I Remember Everything,” already picked up two Grammy wins earlier today for Best American Roots Performance and Best American Roots Song. But Brand’s rendition is just gut-wrenching. We miss you, John. Watch below.

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Brittany Howard And Chris Martin Delivered ‘You’ll Never Walk Alone’ At The 2021 Grammys

Alabama Shakes’ Brittany Howard made a name for herself when she pivoted to a solo career with her 2019 debut album Jaime. Not only did the soulful album earn Howard name recognition, but it also awarded her the opportunity to perform on a handful of late-night talk shows and even launch her own Sonos radio station. Now, Howard joins forces with Coldplay’s Chris Martin to offer yet another stunning performance, this time at the 2021 Grammy Awards.

Taking the stage with Martin on piano, Howard delivered a captivating rendition of “You’ll Never Walk Alone,” her cover of the classic Rodgers and Hammerstein song. The performance is a way for both Howard and Martin to celebrate their Grammy nominations. Howard is currently up for five Grammy awards for Best Rock Performance, Best Engineered Album Non-Classical, Best American Roots Performance, Best Rock Song, and Best R&B Performance. Martin, on the other had, is facing two Grammys for Coldplay’s album Everyday Life. He’s been nominated for Best Recording Package and Album Of The Year.

Ahead of her Grammys set, Howard took the time to pay her respects to the other talented women musicians who are also up for nominations. She gave a kind shout out to Adrianne Lenker, Phoebe Bridgers, Fiona Apple, and Haim. “Congratulations to everyone nominated today and I’m wishing you all luck,” she wrote on social media. “Especially grateful to be nominated among so many incredible women! So excited to perform tonight as well.”

Watch Howard and Martin’s 2021 Grammys “You’ll Never Walk Alone” performance above and find the full list of this year’s Grammy winners and nominees here.

Coldplay is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Watch Taylor Swift Perform ‘Cardigan,’ ‘August’ and ‘Willow’ In A Cabin For The 2021 Grammys

When people look back on pop music during 2020, it will be impossible not to immediately think of Taylor Swift. Not only did the surprise-release of Folklore pivot Taylor toward an indie-folk sound, but it signaled to a lot of her peers that releasing music during the pandemic year would be possible. Of course, Swift also took it upon herself to quickly follow that album up with a companion piece in Evermore, and taken together, they stand as some of the strongest work in her entire discography. What a feat!

Not to mention Folklore is up for Album Of The Year and Best Pop Vocal Album, and the album’s leadoff single “Cardigan” was nominated for Song Of The Year and Best Pop Solo Performance. Her collaboration with Bon Iver, “Exile,” was also nominated for Best Pop Duo/Group Performance, though that honor went to Lady Gaga and Ariana Grande’s “Rain On Me,” a deserving victor. Finally, “Beautiful Ghosts” Cats is also nominated for Best Song Written For Visual Media Category.

Tonight, she’s giving fans a chance to hear some of these songs live for the first time by performing a medley of “Cardigan,” and ” August” off Folklore, and finishing with “Willow,” the first single and first track off Evermore. In a custom-built stage, and performing with her collaborators Jack Antonoff and Aaron Dessner, Taylor started off singing on the grassy roof of a tiny little cabin, moved indoors for a sweet performance of “August,” then moved out into the grass to take “Willow” home. Check out the performance below.