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Cardi B Responded To Praise From Olivia Rodrigo With Advice For The Young Singer

Ever since Olivia Rodrigo ascended to the top of the pop world earlier this year thanks to “Drivers License,” she and Cardi B have done a bit of bonding. After Cardi made a joke about not having a driver’s license herself, Rodrigo offered to drive Cardi wherever she wants, which Cardi was all for. Now the two are forging their friendship further, as Cardi has responded to some high praise that Rodrigo recently heaped on her.

During a recent conversation with Apple Music’s Zane Lowe, Rodrigo spoke highly of Cardi, saying:

“I’m so in love with her, I want to marry her. […] I feel lucky to be a teenager at the time when Cardi is making music. As a songwriter, some of the stuff that she says is just so honest, almost like shockingly honest. When I listened to her song, I’m like, ‘Oh wow, she really just said that on a recorded album.’ […]

That’s definitely something that I grapple with in my songwriting. I’m making a lot of music right now to put it out, and I listen to it back and I’m terrified sometimes. I’m like, ‘Oh my God. I’m literally writing about stuff that I don’t tell some of my closest friends and I’m going to put out for the whole world to scrutinize and talk about.’ It’s a really horrible, terrifying thing. [Cardi] gives me courage to sort of say whatever I want to say and be honest in telling my story.”

Cardi caught wind of that quote today and seemed touched by Rodrigo’s praise. She responded with some advice for the up-and-comer, writing on Twitter, “This is so sweet .You doing sooo good for your age. Don’t let no toxic sh*t get to you and don’t let nobody restrict you from your voice.”

Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Isaac Okoro Has The Makings Of An Elite Defender

Isaac Okoro, in his rookie season, has guarded 16 different All-Stars — and nine All-NBA members — for at least 20 possessions. The life of any rookie presents various litmus tests, challenging, or accelerating, their assimilation to the league. For Okoro, these exams are seemingly a nightly occurrence, quickly questioning the degree of validity behind his pre-draft label as a premier wing stopper. They manifest in various ways, ranging from the 6’2, 18 -pound Trae Young to the 6’9, 250 pound LeBron James.

Nestled across that spectrum includes other MVPs, such as Stephen Curry and James Harden. An array of play styles are featured: the slippery, dexterous, sweet-shooting attack of Kyrie Irving; the powerfully explosive nature of Zach LaVine; the methodical, distinctly skilled craft of DeMar DeRozan.

Being thrust into many diverging assignments affords Okoro a platform to showcase his on-ball versatility, even if the end result does not always favor him. This is not so much because they are besting him with ease, but because defense is really, really hard. Playing good, disciplined defense is sometimes, perhaps commonly, not synonymous with effective defense. Okoro is learning that. His tape is proof of this concept, conveying rather often that defensive outcomes are independent of one’s control.

Despite some faults against high-profile opponents, the 6’5 rookie has the means for menacing possessions. He’s burly and zippy laterally, so overpowering or blazing past him aren’t necessarily viable options. But more impressive than the physical tools is the comfort with which he wiggles under, over, or through screens. He flips his hips to glide around picks and knows how to angle himself in preparation for them that belies his first-year moniker; he blends size and agility, maintaining balance and positioning if he crashes into a pick. The physical characteristics and technique are augmented by instincts. Okoro diagnoses offensive decisions immediately as they unfold and acts.

To excel in pick-and-roll coverage or actions entailing multiple bodies and screens is rare for a rookie. Staunch isolation defense is notable, but this is much more. He’s thriving on the ball in a team context amid his inaugural NBA season, where, compared to any previous setting, offenses are more complex, the margin for error is thinner, and the development of plays is expedited.

Two primary factors prevent Okoro from flustering All-Star foes on a consistent basis. His lack of elite length (6’9 wingspan) for a perimeter irritant allows guys to fire clean looks over the top when he stays in front of them. He tends to be reactive in his movements, so offenses continue to dictate the action and remain in rhythm, the intangible quotient for many star creators. Growing adept at proactive decisions without fouling — the hallmark of many elite stoppers — is the next piece, since his arms are unlikely to sprout a few more inches anytime soon. Right now, he mirrors and contains the actions of assignments. Forcing offensive players to respond to him rather than vice versa is the tricky, yet paramount, step for his emergence.

His exploits as an on-ball defender headline his prowess, but he’s also an advanced interior help defender and competent at the nail in stunt-and-recover duties. On the weak-side in ball-screens, he tags rollers and rotates for rim contests, doing so snappily and with physicality. He recognizes when to peel to rollers and seal off pocket passes. There’s a level of defensive know-how uncustomary among rookies.

That last play, when he promptly switches to the rolling Bam Adebayo, immediately spreads his arms out wide, and deflects the pocket pass, subtly stands out. The impact is negligible. He does not force a missed shot nor snare a takeaway. Miami retains possession. But it is exactly the type of micro decision and execution emblematic of defensive awareness that pervades through an entire arsenal. Rookies do not do that. Okoro, however, is, because he wields an anomalous wherewithal, both on and off the ball.

Yet for every enticing feature of his defense, his offensive shortcomings potentially serve to jeopardize his value. He is currently a glaring negative, struggling to both effectively convert spot-up triples (29.8 percent this season) and around the rim (59 percent, 35th percentile, according to Cleaning The Glass). There are, however, threads that sew credence in Okoro’s eventual ascendance to offensive tenability.

He is already a perceptive, high-level cutter, particularly from the corners when Cleveland plops him there. He’ll drift in as a drive transpires. He’ll explode at a moment’s notice. He’ll float in from the wings when defenders divert away their attention away. This is not self-creation, but it is beneficial creation in tandem with an offensive conductor, embodying the complementary role he has always projected to serve.

Periodically, Cleveland entrusts him with self-creation opportunities and he delivers enough to inspire hope that it can blossom as more than merely flashes down the line. Despite limited shooting gravity, he touts ambidexterity, patience, ball-screen savvy, and a Euro-step finishing weapon to hammer home drives. Any sort of space provided by defenders, who gear up to prioritize stone-walling a drive as opposed to contesting a jumper, evolve into a runway for him, where he absorbs contact and applies his strength and repped-out talents.

Neither of these skills are frequented happenings yet. Okoro hints at elite wing finishing, but a 59 percent success rate and 35th percentile ranking are not the marks of someone who can credibly rely on paint scoring for offensive equity at this juncture. The primary inhibition is a lack of flexibility. If he were not as rigid and tightly contained an athlete as he is, the middling length would carry less importance. But he fails to maximize his size or sprawl his limbs around defenders, requiring a patterned or predetermined method for profits on drives.

Addressing his flexibility restrictions moving forward with the intentions of discovering greater improvisation at the basket could be the bridge between his driving and finishing. Reducing that physical deficiency seems like the approach to tying together a pair of potential pluses in his game that reside upon contrasting endpoints. It is not solely in his finishing where inflexibility confines him. His shooting mechanics are stiff and short on optimal fluidity. All of it looks taut.

At least one of his outside shot or finishing developing to adequate is principle. Until then, in high-leverage contexts, if he’s out there as a one-way specialist, defenses will presumably pin lesser, smaller players to him, unbothered by any threat he may offer. Discovering avenues to capitalize upon that gambit, either firing and hitting catch-and-shoot threes over the top or dislodging opponents as a slasher, is how he accentuates the impact of his defense, justifying considerable minutes on competitive teams.

Plenty of defense-first guys have fizzled out of the league with offensive equity as their downfall. Most, perhaps all, are not of Okoro’s ilk at this stage of their NBA career, but also have not carried the mantle of expectations associated with a top-five pick. He should warrant All-Defensive team consideration quite soon because he is that good. It’s not a matter of carving out a consistent roster spot in the NBA, it’s about being good enough to be more than a niche stopper.

He brandishes the caliber of defense that can alter opposing game plans by coaxing them to restructure an offensive hierarchy or blueprint. The hope, and emphasis in his developmental philosophy, must be that his offense is not of a similar vein for his own franchise. Prevent coaches from weighing any offensive vs. defensive trade-off when allocating minutes. Be the exquisite perimeter defender who is not lauded with a repeated “yeah, but” caveat.

Isaac Okoro is en route to defensive preeminence. Yet his offense shall determine what defines his NBA career, answering which side of the ball will overshadow the other. His end goal is to make this type of discussion a footnote, a concern that was never worth actually fretting about. If he does, his defensive preeminence will be displayed for all to see under glowing spotlights in tantalizing scenarios — not just in a mid-week League Pass tilt against fellow lottery-bound squads.

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Indie Mixtape 20: The Dumes Are In Search Of More Information About FICO Scores

On their debut EP, Everything Is Horrible, The Dumes already sound like a veteran alt rock band. With soaring choruses and Elodie Tomlinson’s infectious vocal, the quartet create fuzzy indie rock that has been filtered through the production prowess of Joe Chiccarelli (The Strokes, The Killers), which makes for a musical experience that is simultaneously a look back in time, as well as a peek into the future.

To celebrate the new EP, Tomlinson sat down to talk Courtney Barnett, tacos, and Step Brothers in the latest Indie Mixtape 20 Q&A.

What are four words you would use to describe your music?

Fun, bratty, tude, loud

It’s 2050 and the world hasn’t ended and people are still listening to your music. How would you like it to be remembered?

The iPhone 2050 will come with our album pre-downloaded.

What’s your favorite city in the world to perform?

I loved playing in NYC, Pete’s a Melbourne guy, Liam’s into Austin, Chris is Raleighs #1 fan, Kyle likes performing from the comfort of his own home in LA.

Who’s the person who has most inspired your work, and why?

Feech La Manna, self explanatory.

Where did you eat the best meal of your life?

The Alibi room in Mar Vista!, Kogi truck tacos are life!

What album do you know every word to?

Courtney Barnett- Tell Me How You Really Feel. It’s perfect for any mood, time and place.

What was the best concert you’ve ever attended?

I saw the Spice Girls when I was 7. It was magical. Chris’s favorite was Rage Against the Machine in the early 2000’s and Pete‘s fav was Prince. Kyle’s top three are Sigur Ros, Explosions in the Sky, and Ratatat. I’m not sure if Liam has seen 311, but if he has, I’m guessing that’s his favorite to date.

What is the best outfit for performing and why?

When we perform, I become someone else, which is probably why I wear some kind of dress. The only other time you’ll catch me in a dress is if I’m going to someone’s wedding.

Who’s your favorite person to follow on Twitter and/or Instagram?

@jamesnwatts Instagram is THE BEST.

What’s your most frequently played song in the van on tour?

Why We Drink” – Justin Moore

What’s the last thing you Googled?

“Is a FICO score accurate”

What album makes for the perfect gift?

Astral Weeks – Van Morrison

Where’s the weirdest place you’ve ever crashed while on tour?

My cousin’s floor / the eponymous punk houses of the modern world.

What’s the story behind your first or favorite tattoo?

My sister and I went out for a taco Tuesday once, which turned into too many tequilas and not enough tacos. We then drew a little heart for one another and headed to the nearest tattoo shop.

What artists keep you from flipping the channel on the radio?

DJ Dadmouth or anything off the first two Coldplay records.

What’s one piece of advice you’d go back in time to give to your 18-year-old self?

Give less of a f*ck.

What’s the last show you went to?

Courtney Barnett, March 2020

What movie can you not resist watching when it’s on TV?

Step Brothers.

What would you cook if Obama were coming to your house for dinner?

I would make him breakfast for dinner because, what’s better than breakfast for dinner?

Everything Is Horrible is out 4/25. Pre-save it on your streaming service of choice right here.

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LeVar Burton Will Get The Chance To Guest Host ‘Jeopardy!’

Jeopardy! is still searching for a full-time host, using this season to shuffle through guests hosts before making a decision on who will have the unenviable but exciting task of following the late Alex Trebek. On Wednesday, the show announced the final slate of guest hosts for this season, with one of the folks who will get hosting duties being particularly notable.

The official Jeopardy! Twitter account tweeted out the list, and while some of the names were already known, it turns out LeVar Burton’s campaign to become the show’s full-time host has at least led to him getting the part-time gig for a few weeks.

The list is quite formidable, and features plenty of folks who have tons of experience doing things on television, so it’s hard to imagine anyone doing an especially bad job. Still, Burton has not been shy about the fact that he wants to be the person who follows Trebek — after fans petitioned the show to give him the chance to host Jeopardy!, Burton responded by saying that he believes he’d make a ton of sense if he got the gig.

According to the official Jeopardy! website, Burton will only get a week at the helm of the show, hosting from July 26-30. The final host of the season will be Joe Buck, whose stint will run from Aug. 9-13.

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Moneybagg Yo’s ‘A Gangsta’s Pain’ Tracklist Features Lil Durk, Jhené Aiko, Pharrell, And More

Moneybagg Yo is currently gearing up for the release of his anticipated LP A Gangsta’s Pain, which he officially announced just a few weeks ago. The rapper has offered previews of the upcoming album with “Hard For The Next,” his joint track with Future, as well as his Big 30-featuring song “Go!.” Now, just a few days ahead from the album’s debut, Moneybagg Yo has returned to unveil the final tracklist to A Gangsta’s Pain.

Along with Future and Big 30, A Gangsta’s Pain features notable artists like Polo G, Lil Durk, Jhené Aiko, Pharrell, and more. The album follows a prolific 2020 for Moneybagg Yo, who impressively released two full-length LPs and a deluxe album all in less than a year.

Check out Moneybagg Yo’s A Gangsta’s Pain tracklist below.

1. “Memphganistan” Feat. Kaash Paige
2. “Just Say Det”
3. “GO!” Feat. BIG 30
4. “Wockesha”
5. “Shottas (Lala)”
6. “Hard For The Next” Feat. Future
7. “If Pain Was A Person”
8. “I Believe U” Feat. TripStar
9. “Time Today”
10. “Interlude”
11. “Free Promo” Feat. Polo G and Lil Durk
12. “Hate It Here”
13. “Love It Here”
14. “Clear Da Air”
15. “Projects”
16. “One Of Dem Nights” Feat. Jhené Aiko
17. “FR”
18. “Certified Neptunes” Feat. Pharrell
19. “Change Da Subject”
20. “Least Ian Lie”
21. “Bipolar Virgo”
22. “A Gangsta’s Pain”

A Gangsta’s Pain is out 4/23 via CMG/N-less Entertainment/Interscope Records. Pre-order it here.

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The Eagles Big Draft Test Was Making Prospects Play Rock, Paper, Scissors

When the Eagles hired Nick Sirianni to be their new head coach, it didn’t come with a lot of fanfare as the former Colts OC wasn’t a name widely known by fans around the league. As such, his first offseason and season will create a lot of first impressions for fans who will make a lot of determinations about Sirianni as a coach this year.

The 2021 NFL Draft is the first big moment for Sirianni, as the Eagles will pick at No. 12 after trading back. While he’s not the only one making that decision, it certainly will offer some indication of the type of players he would like to see on the roster. On Wednesday, Sirianni and GM Howie Rosemann met with the media to discuss Draft strategy for next week, and Sirianni offered a nugget of information that gave us a better understanding of who he is.

Yes, Nick Sirianni is, indeed, a Football Guy. There is nothing Football Guys love more than to see the competitive juices flowing, and what better way to do that over a Zoom interview than through rock, paper, scissors and Jeopardy!, I guess. I’m just imagine these prospects entering an interview with the Eagles just trying not to say something dumb and then being very confused after the head coach challenges them to a game of rock, paper, scissors or trivia in which he mercilessly sh*t talks them.

There are so many ways to find out how competitive a guy is that doesn’t involve playing a game via Zoom, namely, uh, talking to their college coaches and watching how they play on all that tape you have. However, Football Guys can’t resist the allure of testing that competitiveness at all times. I can’t wait to learn after the Draft that they passed on some guy cause he just kept throwing paper out there and Sirianni felt that was a soft move or something.

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The Derek Chauvin verdict was historic. But is it truly a turning point for America?

When Black Lives Matter protests arose around the country following the murder of George Floyd last year, many people wondered if the U.S. had crossed a threshold. Though protests over police brutality and racial bias in our criminal justice system had been happening for decades, the movement had never been so widespread or supported by so many. George Floyd’s murder being caught on film on the heels of Ahmad Arbery’s killing, Breonna Taylor’s killing, in addition so many others, led to the largest civil rights movement since the 1960s.

The prior movement, which culminated with the passing of the Civil Rights Act, brought changes to our laws—a vital step toward liberty and justice for all. Despite considerable backlash at the time, that act cut the visible weed of government-sanctioned racism off at the surface and ultimately changed the social acceptance of legal racial discrimination.

Jim Crow laws that blatantly protected and defended racial oppression seem archaic and wrong to most Americans now—but it’s important to remember that that change of heart was hard-won by civil rights activists at the expense of their own safety, security, and in some cases, their lives. It’s also important to acknowledge that while the Civil Rights Act marked an important turning point in this country, it didn’t fix the problem at its root.

The roots of racism run deep, and digging up any root system is messy, back-breaking work. And that work is made even more difficult when a good percentage of the country says, “I don’t see it” simply because the visible part of the weed was cut down when the Civil Rights Act passed.


George Floyd’s murder brought the issue of police brutality against Black Americans into the light of day for all the world to see. And Derek Chauvin’s guilty verdicts offer a glimmer of hope that maybe—maybe—we finally have a chance at starting to dismantle part of that root system.

“This day in history is a turning point,” said Brandon Williams, the nephew of George Floyd, in remarks following the verdict. Many prominent voices, from civil rights leaders to politicians, used that same hopeful phrase.

Dr. Martin Luther King, Jr.’s daughter, Bernice King, wrote on Twitter, “God knew just how much we could bear. This is a turning point. Let’s continue to correct everything that stands against love. That is true #justice.”

Former Ohio state senator Nina Turner wrote, “This needs to be a turning point for America. It does not end here—far from it, but it’s a damn good feeling to exhale and feel that some semblance of justice was served. My heart is with the Floyd family.”

Then she added, “If you ever doubt the power of movements, please remember today.”

Senator Rev. Raphael Warnock issued a statement that included the phrase as well. “As a voice for Georgians in the Senate, and as a Black man, I hope today’s verdict is the beginning of a turning point in our country where people who have seen this trauma over and over again will know it is possible to have equal protection under the law,” he wrote.

Ben Crump, the attorney for the Floyd family as well as other Black Americans killed by the police, and who has won over 200 cases involving police brutality, added to the chorus.

“Painfully earned justice has finally arrived for George Floyd’s family,” he wrote on Twitter. “This verdict is a turning point in history and sends a clear message on the need for accountability of law enforcement. Justice for Black America is justice for all of America!”

Vice President Kamala Harris offered a similar message as she spoke before President Biden about what the verdict means for the direction of our country.

“Because of smartphones, so many Americans have now seen the racial injustice that black Americans have known for generations, the racial injustice that we have fought for generations, that my parents protested in the 1960s, that millions of us— Americans of every race—protested last summer,” she said.

“Here’s the truth about racial injustice. It is not just a Black America problem or a people of color problem. It is a problem for every American. It is keeping us from fulfilling the promise of liberty and justice for all, and it is holding our nation back from realizing our full potential.”

President Biden spoke at length about the reality of racism in America, the need for accountability in policing, and the trauma that has been inflicted for far too long on communities of color. Speaking of George Floyd’s murder and the jury’s verdict, he said:

“Nothing can ever bring their brother or their father back, but this can be a giant step forward in the march toward justice in America. Let’s also be clear, that such a verdict is also much too rare. For so many people, it seems like it took a unique and extraordinary convergence of factors, a brave young woman with a smartphone camera, a crowd that was traumatized, traumatized witnesses, a murder that lasts almost 10 in broad daylight for ultimately the whole world to see, officers stay standing up and testifying against a fellow officer instead of just closing ranks, which should it be commended. A jury who heard the evidence, carried out their civic duty in the midst of an extraordinary moment, under extraordinary pressure. For so many, it feels like it took all of that for the judicial system to deliver a just, just basic accountability…

“No one should be above the law and today’s verdict sends that message, but it’s not enough. We can’t stop here. In order to deliver real change and reform we can, and we must do more to reduce the likelihood that tragedy like this will ever happen to occur again.”

Biden called for the passage of the George Floyd Justice and Policing Act, which would ban chokeholds and carotid holds at the federal level, ban no-knock warrants for federal drug cases, end qualified immunity, make it easier for police accused of misconduct to be prosecuted, prohibit discriminatory profiling, create a national police misconduct registry, improve police training, invest in community programs designed to promote equitable policies, and more.

Biden said:

“The battle for soul of this nation has been a constant push and pull for more than 240 years, a tug of war between the American ideal that we’re all created equal, and the harsh reality that racism has long torn us apart. At our best, the American ideal wins out. So, we can’t leave this moment or look away thinking our work is done. We have to look at it. We have to look at it as we did for those nine minutes and 29 seconds. We have to listen.

‘I can’t breathe. I can’t breathe.’ Those were George Floyd’s last words. We can’t let those words die with him. We have to keep hearing those words. We must not turn away. We can’t turn away. We have a chance to begin to change the trajectory in this country. That’s my hope and prayer that we live up to the legacy.”

Whether the George Floyd verdict will truly serve as a turning point for the U.S. remains to be seen, but it’s also not something that’s out of our control. This is a choice we have to make, individually and collectively. We the people have to decide that enough truly is enough, raise our voices in myriad ways calling for change that will lead us closer to true liberty and justice for all, and dedicate ourselves to the long, hard work of uprooting racism once and for all.

The only question is, will we?

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Meghan McCain Slams Greg Gutfeld Remarks On The Derek Chauvin Verdict: ‘Stop Politicizing This’

In a rare moment for The View, Meghan McCain did not support her conservative brethren at Fox News or attempt to “both sides” a controversial issue. While the panel discussed the Derek Chauvin verdict, which found him guilty of the murder of George Floyd, the co-hosts tackled Greg Gutfeld’s groan-worthy remarks. In a move that audibly rankled the behind-the-scenes crew, Gutfeld said he was “glad” that Chauvin was found guilty because “I want a verdict that keeps this country from going up in flames.” He then doubled down by admitting his concerns are entirely selfish.

“I’m at least being honest,” Gutfeld said. “My neighborhood was looted. I don’t ever want to go through that again.”

McCain, however, did not appreciate Gutfeld’s “honesty.” She fired back at his remarks by pleading with “everyone on the right to stop politicizing this.” Via The Daily Beast:

“A man was murdered in cold blood and we all saw it on the internet. There’s no empathy. It makes me think these people have never experienced loss and grief of any kind. If you don’t have the humanity to not make this about you, and not make this about your neighborhood, then I don’t even know what to say. I wish that family peace, if it’s possible.”

Clearly, McCain was moved by an earlier interview on The View with members of George Floyd’s family, and she emphasized that “we should focus on their pain, their grief, and trauma.”

(Via The Daily Beast)

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Deftones Run A Creepy Club In Their Mysterious Video For ‘Ceremony’

After releasing their album Ohms late last year, Deftones released their latest single from the record, “Ceremony,” in January. Now they’re back with a video for the song, from Australian writer/director Leigh Whannell. The video stars Cleopatra Coleman — who was a main cast member of The Last Man On Earth — and in it, she works her way through a series of mysterious rooms before encountering a creepy fortuneteller.

In an interview on BBC Radio 1‘s Rock Show With Daniel P. Carter from September 2020, Chino Moreno said of the song, “That was one of the first songs that we wrote, but a lot of the stuff kind of comes from jamming. So ‘Ceremony’ was one of those ones where someone was just playing something and then everybody just kind of picks up their instrument like ‘oh!’ [and] starts reacting to each other, and then it just starts to build. I feel like I really connected with the song. Lyrically, that song is pretty dark. I kind of tether with the true meaning of that song, ‘cause it’s really, really, really bad. It’s not good. That’s a hard one to talk about. But as far as the music and the whole vibe, the whole song to me, I think that it’s a special one on this record for sure.”

Watch the “Ceremony” video above and revisit our review with Moreno here.

Deftones is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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It Sounds Like ‘The Falcon And The Winter Soldier’ Deprived Us Of Another Glorious Dancing Scene

The Falcon and the Winter Soldier recently revealed that Zemo’s villainous dancing days are over after we saw him tearing up the dance floor in Madripoor, and thank goodness that Marvel made good on the so-called “Zemo cut” so that we can always behold the marvel-ous spectacle… let’s see it again, shall we?

Art. Well, there was apparently another scene that had “a little dance,” and that moment got cut. This information arrives courtesy of Danny Ramirez, who portrays cop Joaquin Torres, on the show. According to Ramirez, there was a joke about South Korean boy band BTS, and it ended up on the cutting room floor, but not because the dance was bad or anything? Here’s what Ramirez told Collider:

“There’s not much that didn’t make the cut, but there’s a really funny moment in that last episode… I could see why they had to cut it based on, I think maybe licensing, who’s to say. But it’s this little ad-lib about how ‘I wish we were all more like the boy band BTS.’ Because I was like, I thought we could be more like RM. And so it was a fun little thing and there was a little dance that went with it. So yeah, that was a little bit of something where that would have been cool. But [the scene] was more about the dynamic between us and it still got to be a moment between me and Sam, which was the most important.”

That’s a bummer, although the matter certainly couldn’t be helped if the joke (and dance) got pulled. We will always have those Zemo moves.

(Via Collider)