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Liz Cheney put country before party in new essay chastising GOP for promoting the ‘Big Lie’

Republican Representative Liz Cheney of Wyoming sits on the wrong side of a rift in her party that her career may not survive. Her refusal to believe and promote the “Big Lie,” as she calls it, has not only put her leadership role as the third-ranking House Republican in jeopardy but her place in politics altogether.

The Big Lie is the right-wing conspiracy theory that the 2020 election was stolen from Donald Trump and that the insurrection on January 6 wasn’t incited by GOP lawmakers.

Cheney has also become persona non grata in her party for being one of the few Republican lawmakers to vote to impeach the former president for his role in the Capitol riot.


Unfortunately for Cheney, and Democracy, her reluctance to kowtow to the Trump cult of personality that’s overtaken the Republican Party has put her on the outside looking in.

“The conflict here does not stem from Cheney’s refusal to move on from the lies that sparked the Capitol riot, but from the fact that the Republican Party has embraced those lies as foundational to Republican identity in 2021,” Adam Serwer writes in The Atlantic.

Cheney made her position clear in an op-ed published by The Washington Post on Wednesday. Cheney argues that “The Republican Party is at a turning point, and Republicans must decide whether we are going to choose truth and fidelity to the Constitution.”

The op-ed was a brave move for the Representative who may be on the right side of history but the wrong side of the GOP rift. Given the damage that the Big Lie is doing to American politics, her decision to fight back is a clear example of someone putting country before party.

Cheney believes that Trump’s behavior is not only beyond the pale for a former president but dangerous to democracy itself. “Trump is seeking to unravel critical elements of our constitutional structure that make democracy work — confidence in the result of elections and the rule of law. No other American president has ever done this,” she writes.

via Wikimedia Commons

The daughter of former Republican Vice President Dick Cheney believes that the GOP’s current antics is putting a fragile democracy at risk.

“I have worked overseas in nations where changes in leadership come only with violence, where democracy takes hold only until the next violent upheaval. America is exceptional because our constitutional system guards against that,” she writes. “At the heart of our republic is a commitment to the peaceful transfer of power among political rivals in accordance with law. President Ronald Reagan described this as our American ‘miracle.’

Her reference to “The Gipper” shows she still believes the GOP can be the party of Reagan which is probably wishful thinking. Her distancing from the rest of her party shows how incredibly loyal it still is to Trump. The party’s decision to demonize immigrants, scuttle free trade deals, embrace authoritarian leaders, support Trump’s vulgarity, and denigrate democracy shows how far it has moved from Reagan.

Cheney suggests three ways that the party can move forward. First, by supporting “the ongoing Justice Department criminal investigations of the Jan. 6 attack.”

Second, by supporting a “parallel bipartisan review by a commission with subpoena power to seek and find facts” relating to the January 6 attack. And finally, “to stand for genuinely conservative principles, and steer away from the dangerous and anti-democratic Trump cult of personality.”

Cheney’s plea for the GOP to return to its traditional values probably won’t change many minds in a party that is still under the spell of Trump. But it’s a valiant effort that puts her on the record for being on the right side of history.

Her family name is synonymous with Republican politics, so standing against a strong political headwind at a time when she could easily go with the flow is commendable.

“History is watching. Our children are watching,” she writes. “We must be brave enough to defend the basic principles that underpin and protect our freedom and our democratic process. I am committed to doing that, no matter what the short-term political consequences might be.”

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‘Wrath Of Man’ Reteams Jason Statham And Guy Ritchie In A Compellingly Weird Clash Of Styles

Guy Ritchie made Jason Statham a star, with memorable turns in Ritchie’s acclaimed, Tarantino-esque British crime movies Lock Stock and Two Smoking Barrels and Snatch. But it was Luc Besson (and Robert Kamen) who made Statham a superstar in The Transporter. From then on, Jason Statham wasn’t just an actor but a name brand, synonymous with a particular type of character — a sort of hooligan James Bond, who drove flash sazz wagons, bedded fit birds, and delivered proper thrashins. (Ain’ dat roight, Tommy?)

Wrath of Man‘s intriguing project is to re-team Jason Statham as we now know him with his old pal Guy Ritchie as we now know him — director of everything from 2019’s Alladin to The Man From U.N.C.L.E. (the best Bond movie of the last 20 years, if you ask me). They’re together for an English remake of the 2004 French film Le Convoyeur, by Nicolas Boukhrief (whose English title, “Cash Truck,” is infinitely better than “Wrath Of Man”).

Wrath of Man is crystal clear on which version of Jason Statham it wants to present, but the movie around him is a strange, fitfully compelling muddle. It’s a film that’s alternately odd and entertaining, but ultimately doesn’t quite translate, stuck halfway between The Transporter and Heat.

Jason Statham plays a character named Hill, a strong silent type applying for a job at a weirdly garrulous armored car company. His chummy evaluator, played by Holt McCallany from Mindhunter (an Easter Island statue of a man whose rough-hewn features are just fun to look at) tells Hill he needs to get at least a 70 on his shooting/driving/lifting test in order to get the job. Hill scores a 70 on the dot, in an evaluation that he’s clearly muffing on purpose. McCallany’s character welcomes him to the team with a handshake and a new nickname, “H.” McCallany, aka “Bullet,” introduces H to all the fellas — Boy Sweat Dave (Josh Hartnett), Hollow Bob, and Dana (girls don’t get nicknames, apparently).

It’s a great sequence, mostly thanks to the oddball tone, in which eager actors gamely attempt to chew their way through wildly unnatural dialogue that’s like neon marbles in their mouths. Every scene at the armored car company is so curiously over-written that it feels almost like a Yorgos Lanthimos movie, or Don Delillo remaking Troy Duffy. Sample dialogue:

Hey, is that coffee still hot?

Yeah, it’s hot enough.

You ever thought about uh, buying a coffee maker?

A coffee maker?

You know, one that’s got that, milk, uh froster thing?

Oh yeah, frother, I gotcha.

That way you can, uh, make your own cappuccino.

It’s like the script was written by a French man whose only model for Americans was cereal commercials.

Hollow Bob, incidentally, is played by British stunt actor Rocci Williams, one of a handful of actors in Wrath of Man doing American regional accents so badly that you can’t tell if they’re supposed to be meatheads or just hard of hearing. Ball-busting, unnecessary exposition, and masculine threat behavior combine in this Wrath of Man dialect-unto-itself, which I like to call “Crimespeak.” Crimespeak is miles from naturalistic, but weirdly entertaining, like a normal action movie refracted through the lens of a Frenchman not quite getting it. This surreal quality gets turned up to 11 when “H” fearlessly defuses a hostage situation by shooting all the bad guys in the head, and Rob Delaney shows up as an armored car company executive who wants to give H a promotion.

None of this is what you’d call “believable,” exactly, but it is thoroughly compelling in its uncanny valley oddness. The big question of the film is “who is this H, and why is he such a badass?” The biggest flaw of the film is that it goes to the ends of the Earth explaining H’s motivation, without ever getting who he is. Turns out, it all goes back to another armored car robbery, teased in the film’s cold open.

We end up seeing this opening robbery a handful of different times from different characters’ perspectives, Snatch style, including title cards. These scenes explore who did it, how H was involved, and his motive for taking the job at the loquacious security company. Curiously, the latter half of the film essentially drops the style of over-written dialogue established in the first half of the film and essentially turns into an orgy of violence.

Though perhaps “orgy” is the wrong word. People at an orgy are generally having fun. These scenes are utilitarian, more like the filmmakers going through the motions of killing off enough characters to get the movie finished than enjoying themselves. Which is a shame, because “fun action” is traditionally something Guy Ritchie has been pretty good at.

Act 3 of Wrath of Man seems to exist on the premise of “more bullets better,” and it’s not dull, exactly, it’s just hard to go from pitter-patter dialogue about milk frothing and handjobs to grimacing guys firing sub-machine guns and not have it be a bit of a letdown. Who is H? Why is everyone talking like that? Why did we stop having fun all of a sudden? I may have to go back and watch Cash Truck to figure it out.

‘Wrath of Man’ opens in theaters nationwide May 7th. Vince Mancini is on Twitter. You can access his archive of reviews here.

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Marvel Comics Has Unveiled The First Native American Captain America

Back in March, Marvel Comics announced it will introduce the first gay Captain America in a brand new mini-series starting in June, and now, the comics giant is back to unveil another new Cap who will make his debut in the road-traveling story. In another historic first, Joe Gomez will be introduced as the “Captain America of the Kickapoo Tribe.” This new Native American Cap will meet up with Steve Rogers, Bucky, Sam Wilson, and John Walker (yup, the guy from The Falcon and the Winter Soldier) as the four travel across the country on a mission to find Cap’s stolen shield.

Created by geoscientist and Lipan Apache writer Darcie Little Badger and Qalipu Mi’kmaq First Nation artist David Cutler, the new Native American Cap will appear in The United States of Captain America #3, which will explore Joe’s origin story as he finally gets a chance to meet Steve Rogers. Here’s how Darcie Little Badger described this new addition to the Captain American pantheon to Marvel:

“See, Joe Gomez is a construction worker, a builder in a world plagued by destruction. Every time a spaceship crashes into a bridge or a supervillain transforms a whole city block into rubble, people like Joe make things whole again. Work like that may seem thankless, but Joe genuinely enjoys helping his community survive and thrive. That’s why he won’t charge elders for home repair services (the Joe Gomez senior discount is 100%). That’s also why he’s willing to risk his life to save others. I know lots of people like Joe–many of them my Indigenous relatives–so it was wonderful to help develop a character with his values, strength, and extreme crane-operating skills.”

You can scope out artwork for Joe Gomez’s Marvel Comics debut below:

(Via Marvel Comics)

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EA Has Released A ‘Mass Effect Legendary Edition’ Cover Art Customizer

In just over a week, Mass Effect fans and newcomers alike will get the chance to climb aboard the Normandy and experience a newly-enhanced version of Commander Shepard’s epic story in Mass Effect Legendary Edition. To celebrate the upcoming release, and those next-gen character models, EA has provided fans with a Mass Effect Legendary Edition art creator. According to the website, the creator allows players to spotlight their “best friends, true loves, and favorite squaddies” and turn them into desktop background or even printable cover art they can insert in their game case.

Due to the nature of the Mass Effect series, which allows players a great deal of control over their character’s look, past, morality, and relationships, the art creator satisfies the want for a cover that reflects individual experiences. Regardless of how you play, who your battle-ready bestie is, and who Shepard is smooching, the art tool allows you to reflect your personal preferences.

The creator is simple to use, and guides players through, prompting you to insert your morality, favorite squamates, most trusted companion, cavalry members, back-ups, and favorite Mass Effect location. Once you’ve finished creating your very own Mass Effect Legendary Edition art, you can download it as printable cover art, a 4k background, or simply as a social media post. For those choosing to post theirs on social media, the site encourages fans to include the hashtag #MyShepard in their posts in order to partake in the creator community. Honestly, the hardest part of the experience is simply selecting your favorites.

And hey, if you still can’t pick, some fans have created their own alternative covers. While the tool does not allow users to select the same character repeatedly, anything’s possible with creativity, Photoshop, and a deep appreciation for the game’s best companion.

In addition to the cover art customization tool, EA is also giving away a variety of bonus content previously available in the Deluxe Editions of Mass Effect 2 and Mass Effect 3, as well the original Mass Effect soundtrack, complete with new track “Resynthesis.” The bonus content consists of two digital art books, two digital comics, a digital lithograph of the series spaceship, The Normandy, and the aforementioned soundtrack. However, this giveaway is limited. According to the site, the promotion is available until May 31, 2021 or “until download capacity is reached.”

Mass Effect Legendary Edition comes to PC and both next and last generation consoles on May 14.

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Gleyber Torres Scored A Run On An Infield Single Because The Astros Forgot To Cover Third And Home

Here’s the thing with an infield shift: Yes, it is almost always going to be the right move, because baseball players are usually going to hit into it and make your life as a defense much easier. But when it backfires, the whole thing has the potential to backfire spectacularly, as evidenced by Thursday’s game between the New York Yankees and Houston Astros.

Yankees outfielder Aaron Hicks was up at the plate with a runner on first, so the Astros put shortstop Carlos Correa on the other side of second base and had third baseman Alex Bregman fill in at short. Hicks did hit the ball up the middle, but Correa failed to corral it, meaning that baserunner, Gleyber Torres, was able to take second pretty easily.

Then, Torres realized something: The Astros left third base wide open, so he did what any sensible baseball player would do and took it. He then realized that Houston catcher Martin Maldonado tried to cover third, but didn’t get there in time, which meant no one was covering home, so Torres took off and scored.

It ended up not costing the Astros too much — they went on to topple the Bronx Bombers, 7-4 — but it did mean that Torres will forever be included in YouTube compilations of baseball players who exhibit heads-up base running from now until the end of time.

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What’s On Tonight: ‘That Damn Michael Che,’ ‘Girls5Eva,’ And ‘From Cradle To Stage’ Bring Their Energy To Streaming

That Damn Michael Che (HBO Max series) — This show’s title kindly tells us which SNL star will be front and center. However, several other SNL stars from today and yesteryear shall be right beside him, and that includes Colin Quinn, who previously admitted that he wasn’t the best fit for Weekend Update, but he seems to be a good fit for a priest who’s gearing himself up to hear all of Michael Che’s sins. Are those limited to comedic sins (recently, he did tell a controversial joke about Israel’s vaccine rollout), or sins in general? This season also won’t shy away from tackling the all-too-timely issue of policing. Yes, the series promises appearances from Cecily Strong, Heidi Gardner, Ellen Cleghorne, and Colin Jost. Also expect to see Billy Porter, Method Man, Omari Hardwick, and Geoffrey Owens as part of the lineup.

Girls5Eva (Peacock series) — Tina Fey and Robert Carlock haven’t swung and missed yet while executive producing together, and here’s their latest joint project about a one-and-done, Spice Girls-esque 1990s girl group who get one more shot at stardom. Unfortunately, they’re all balancing real-life stressors like family, day jobs, and aches and pains that one doesn’t exactly deal with during early-20s life when abusing one’s body simply comes with the territory. Busy Phillips stars alongside Sarah Bareilles, Paula Pell, and Renée Elise Goldsberry.

From Cradle To Stage (Paramount+ series) — The premiere episode of this Dave Grohl-directed series following Dave and his mom, Virginia, taking a pilgrimage of sorts to Las Vegas, where they meet with Imagine Dragons frontman Dan Reynolds and his mom, Christine. It’s the first of six similarly-themed installments that will warm the hardest of hearts.

Walker (CW, 8:00pm) — Walker, Stella, and August wanna put their fingerprints all over Sidestep, and Liam’s looking for career advice while Micki and Trey work things out.

Legacies (CW, 9:00pm) — Hope and Landon attempt to launch a mission after feeling inspired by Cleo, and after an unexpected turn, Josie and Wade must step in to help.

Clarice (CBS, 10:00pm) — Clarice finds herself emotionally drawn to a case after a medical student apparently commits suicide.

Rebel (ABC, 10:00pm) — Rebel and Grady are teaming up against corruption, and Sharon’s cause of death comes to light while Cruz deals with a medical emergency.

Jimmy Kimmel Live — Julianna Margulies, Daniel Dae Kim, Amythyst Kiah

The Tonight Show With Jimmy Fallon — Jessica Alba, Marc Maron, Sech

Late Night With Seth Meyers — Mariska Hargitay & Christopher Meloni, Ziwe, Foo Fighters, Mario Duplantier

The Late Late Show With James Corden — Alec Benjamin

In case you missed these picks from last Thursday:

Looney Tunes Cartoons, Season 1D (HBO Max series) — This new batch of episodes couldn’t come soon enough. Tune in for Bugs to evade someone besides Elmer Fudd and Yosemite Sam while Daffy can’t cope with a photocopier, and Elmer Fudd’s looking for some legal advice. All in all, you’ll be able to stream 10 new shorts, and you’ll probably be left wanting more.

Yasuke (Netflix series) — Netflix will up its anime game with this dazzling series from Japanese animation studio MAPPA (Attack on Titan: The Final Season), and the project arrives with quite a pedigree, given that LaKeith Stanfield executive produces on lead voice work. Stanfield voices a character who’s based upon the real-life first African samurai, who struggles to shed his past life of violence while striving to keep a peaceful existence. However, he must reluctantly pick up his sword again when a war-torn, feudal Japanese village becomes ground central for warring daimyo. The score will arrive courtesy of Flying Lotus, who also produces, and creator/director/producer LeSean Thomas will build upon his proven track record (The Boondocks, Cannon Buster, and Black Dynamite) of interweaving anime and Black culture.

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The Indiana Pacers And The Challenges Of Rebuilding Without Tearing Down

There is something admirable about the Indiana Pacers. As a franchise — with players, coaches, and executives coming in and out — they have only missed the playoffs five times since 2000. They’ve done so without landing a high pick in the Draft (Paul George at 10 is their highest pick since 1989), and were successfully able to transition from the Paul George era to the Victor Oladipo era with little drop-off, which few thought possible.

That level of consistency — even if it hasn’t yielded a title — is difficult. By comparison, their divisional neighbor in Cleveland has only had a pulse when LeBron James suited up for the team over the last two decades. For a variety of reasons, the Pacers have avoided that fate, but this path — no bottoming out, playing the middle on purpose — eliminates the margin for error when it comes time to turn the roster over.

The two ways to build a championship roster in the NBA are, broadly speaking, having stars come to your team (whether that be in free agency or trades) and lottery luck. The former isn’t happening in Indianapolis. The latter has been off the table by virtue of their playoff consistency. Building in-between is extremely difficult, and the 2021 Pacers are feeling those pains as they go through their latest transformation.

Right now, the Pacers are 10th in the Eastern Conference at 30-35, reaching a new low point on Wednesday when they lost to the Kings by 11. Sacramento was on the second night of a back-to-back and without De’Aaron Fox and Tyrese Haliburton. They are tied with Washington, which owns the tiebreaker with Indiana, and are likely to finish at the bottom of the play-in. In terms of net rating, they are exactly even and 18th overall, just a tad below even. That’s fine and, in the East, probably good enough to at least make the play-in year after year, but there is a bit of a hard ceiling on what this version of the franchise can accomplish.

How Indiana got to this point is the byproduct of some unfortunate missteps and even more unfortunate injuries. After just one year, it seems like coach Nate Bjorkgren could be on the way out. Hiring him made plenty of sense — he’s a Nick Nurse disciple who promised a more modern offense when compared to what Nate McMillan, now thriving in Atlanta, designed. But it hasn’t worked out for, apparently, a variety of reasons, chief of which being that he has been able to take hold of the locker room. The internal dysfunction was on display in Wednesday’s loss to the Kings, with Pacers assistant Greg Foster having to be held back from second-year big man Goga Bitadze during a timeout.

Those frustrations are the product of losing, and the Pacers are losing in part due to stagnation. A major reason why the Pacers have remained relevant in recent years is getting good return in trades. Turning Paul George into Oladipo and Domantas Sabonis, for example, quickly led to a new All-Star core for a dangerous mid-seed in the East. Making savvy moves when able (or, in the case of George, forced) has allowed the Pacers to keep moving forward, and the value that comes from being able to do this cannot be overstated.

In theory, that should have happened with Myles Turner. For whatever reason — maybe the market wasn’t there, maybe Indiana was asking for too much — that hasn’t happened despite years of speculation that he could be on the way out. Trading Turner is perhaps the cleanest way to get another ball-handler and fully embrace the benefits of Sabonis at the five. Holding onto him prevents a possible evolution.

There were benefits to the Sabonis-Turner pairing. That duo was elite defensively in 2018-19, elite again in 2019-20, and have been solid so far this season. Maybe this happened because teams started to figure out the pairing and how to attack it with more success. Maybe it’s scheme changes from McMillan to Bjorkgren, who has tinkered more this year than McMillan ever did. Maybe it’s just a grind of a season eating away at the Pacers, which have been hammered by injuries, and causing a drop-off.

Whatever the reason, Indiana is going to have decide whether or not those two can be elite together again or if there’s a way around it. If the promise of Bjorkgren had been realized — increased offensive flow, more three-pointers, etc. — this might not matter quite as much. But that hasn’t happened and the Pacers need to weigh whether it’s worth it to try and put the pieces back in place under a new coach.

To be fair to the Pacers, they reportedly tried to lean into more of an offense-first mindset by exploring a Turner-for-Gordon Hayward swap over the summer. But the Hornets came in, offered Hayward way more money than anyone else on the market, and a possible sign-and-trade with the Celtics — the only way to bring Hayward in and make the salary cap math work — fell through.

Hayward offered a change in approach that makes sense. Another ball-handler with Sabonis at the five offered something that not only fits the modern NBA, but also probably fits what Bjorkgren wanted to do. Plus, it would allow for Bitadze — who the team used a first-round pick on and has barely played in two seasons — to get more acclimated to the rotation and let them see if he was a piece of their future. While the jury is still out on Bitadze, the Pacers have also not helped themselves by missing on the vast majority of their picks in recent years. The last player they drafted that became a starter was Turner in 2015, and only Aaron Holiday (2018) has been a consistent rotation player. Their most most recent first-round pick (Cassius Stanley) has played in only 21 games and had his best moment of the season in the dunk contest.

Being unable to fill out depth with late first and second round picks has limited their down-the-bench depth and exacerbated issues they’ve faced with injuries, which have been a major part of their unraveling this season. They also haven’t hit on G League developmental pieces a la the Raptors to fill out the roster and mask Draft misses.

Oladipo getting hurt after he hit his All-NBA apex was entirely out of their hands. He was the closest thing they had to a franchise player and his quad injury changed his career. By the time he wanted out, there was no gigantic return waiting and, to give credit to them, given what Houston got for him at the deadline, landing Caris LeVert for Oladipo seems like a serious value. T.J. Warren hardly playing this year after being one of the stars of the Bubble is another unfortunate break that has taken needed punch out of the offense. Turner’s recent foot injury sealed their fate of limping to the finish line this season.

But unlucky breaks are also part of life in the NBA. Every single team has injuries and bad bounces that impact their seasons in ways they don’t expect. The very best teams in the league are good enough to be insulated from those mistakes, while others can take a season like this and look to the future. The Pacers don’t have the depth to weather their injury woes and don’t have the young players to throw minutes at. They are stuck right in the middle. There’s no padding for the fall.

Maybe, in their heart of hearts, the Pacers really thought Sabonis and Turner could work under a new coach who would modernize the offense. Instead, that hasn’t worked thus far, and they’ve chosen to roll with more established younger players like LeVert and their only real big-money signing in recent years, Malcolm Brogdon.

LeVert is good and offers needed ball-handling and scoring, but he’s a level below a franchise level player. Indiana has benefited from his ability to handle the ball, but LeVert is probably best suited as a No. 2 who can take the reins with bench units instead of a player who boasts one of the highest usage rates among wings, but is not particularly efficient. That’s a really useful player to have, but it’s not enough to change what the team is, especially when Brogdon fits a similar mold. The upside on LeVert isn’t as a high as if Indiana were able to end up with a top-five pick for one year. Not every rebuild needs to be a full-on, Thunder style tank where the losing is blatantly, shamelessly intentional. But it helps considerably to get a chance at a player or two who could be that guy.

Look at how a franchise in a similar market like the Grizzlies pivoted, turning franchise pillars in Mike Conley and Marc Gasol into picks and endured one miserable season to get near the top of the lottery. Their first reward was Jaren Jackson Jr. and then some of that needed lottery luck to jump up and be able to take Ja Morant, but they also nailed their non-lottery picks as well, filling out their roster with young, productive players. Now, they have the potential to make a real run again sometime soon. Had they just held on, the future would certainly not look as bright.

There’s something admirable about being able to pivot from era to era and be something resembling competent and competitive year after year. It would not be a shock if a Sabonis, LeVert, and Brogdon-led team next year settles in as a top-seven seed in the East and is a pain to play in the first round, because this is just what Indiana does. At best, maybe things break right and they end up with home court advantage in the first round one year. That’s better than a lot of franchises ever do.

Having a defined floor of competitiveness is a worthy cause to strive for. The Pacers do seem content to be solid and hope the right string of moves kickstarts a deep playoff run. This has worked before — the George-era Pacers came close. But that can also put a limit on how high your ceiling can be, even if it means never going all the way to the bottom.

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Justin Bieber Unveils Dates To His Rescheduled 2022 ‘Justice’ World Tour

Justin Bieber fans can rejoice as the singer has finally revealed the dates to his rescheduled tour. The singer had intended to hit the road in 2020 in support of his comeback album Changes, which he postponed last year in April. One pandemic, one album, and one EP later, Bieber is once again ready to hit the road.

Bieber’s Justice World Tour spans 52 dates. It kicks off in San Diego in February of 2022, almost exactly two years after the release of Changes, and comes to a close at Milwaukee’s Summerfest that June.

In a statement about his rescheduled tour, the singer said he’s attempting to make it as engaging as possible. “We’re working hard to make this tour the best one yet,” said Justin Bieber. “I’m excited to get out there and engage with my fans again.” Per press materials, $1 from each ticket sold will benefit the singer’s Bieber Foundation, which is “committed to supporting causes that embody justice in action.”

Check out Bieber’s Justice World Tour 2022 dates below

02/18/2022 — San Diego, CA @ Pechanga Arena
02/20/2022 — Las Vegas, NV @ T-Mobile Arena
02/22/2022 — Glendale, AZ @ Gila River Arena
02/23/2022 — Inglewood, CA @ The Forum
02/26/2022 — Tacoma, WA @ Tacoma Dome
02/28/2022 — San Jose, CA @ SAP Center at San Jose
03/02/2022 — San Jose, CA @ SAP Center at San Jose
03/04/2022 — Sacramento, CA @ Golden 1 Center
03/07/2022 — Los Angeles, CA @ STAPLES Center
03/08/2022 — Los Angeles, CA @ STAPLES Center
03/11/2022 — Portland, OR @ MODA Center
03/13/2022 — Salt Lake City, UT @ Vivint Home Energy Arena
03/16/2022 — Denver, CO @ Ball Arena
03/18/2022 — Tulsa, OK @ BOK Center
03/21/2022 — Atlanta, GA @ State Farm Arena
03/22/2022 — Atlanta, GA @ State Farm Arena
03/25/2022 — Toronto, ON @ Scotiabank Arena
03/28/2022 — Ottawa, ON @ Canadian Tire Centre
03/29/2022 — Montreal, QC @ Bell Centre
03/31/2022 — Newark, NJ @ Prudential Center
04/01/2022 — Brooklyn, NY @ Barclays Center
04/04/2022 — Pittsburgh, PA @ PPG Paints Arena
04/06/2022 — Greensboro, NC @ Greensboro Coliseum
04/07/2022 — Jacksonville, FL @ Vystar Veterans Memorial Arena
04/09/2022 — Tampa, FL @ Amalie Arena
04/11/2022 — Orlando, FL @ Amway Center
04/13/2022 — Miami, FL @ AmericanAirlines Arena
04/19/2022 — Cincinnati, OH @ Heritage Bank Center
04/21/2022 — Indianapolis, IN @ Bankers Life Fieldhouse
04/24/2022 — DesMoines, IA @ Wells Fargo Arena
04/25/2022 — St. Louis, MO @ Enterprise Center
04/27/2022 — Austin, TX @ Moody Center
04/29/2022 — Houston, TX @ Toyota Center
05/01/2022 — Dallas, TX @ American Airlines Center
05/04/2022 — Kansas City, MO @ T-Mobile Center
05/06/2022 — Minneapolis, MN @ Target Center
05/09/2022 — Chicago, IL @ United Center
05/10/2022 — Chicago, IL @ United Center
05/12/2022 — Grand Rapids, MI @ Van Andel Arena
05/14/2022 — Buffalo, NY @ KeyBank Center
05/16/2022 — Columbus, OH @ Schottenstein Center
05/17/2022 — Nashville, TN @ Bridgestone Arena
06/05/2022 — Detroit, MI @ Little Caesars Arena
06/07/2022 — Toronto, ON @ Scotiabank Arena
06/08/2022 — Toronto, ON @ Scotiabank Arena
06/10/2022 — Washington DC @ Capital One Arena
06/13/2022 — New York, NY @ Madison Square Garden
06/14/2022 — New York, NY @ Madison Square Garden
06/16/2022 — Philadelphia, PA @ Wells Fargo Center
06/18/2022 — Uncasville, CT @ Mohegan Sun Arena
06/20/2022 — Boston, MA @ TD Garden
06/24/2022 — Milwaukee, WI @ American Family Insurance Amphitheater

Justice is out now via Def Jam. Get it here.

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Isaiah Rashad Once Wrecked Top Dawg’s Car But Got It Fixed Before He Found Out

TDE rapper Isaiah Rashad is set to return soon after a nearly five-year absence from the spotlight that began after his 2017 tour for The Sun’s Tirade and only sporadic appearances since. He’s bringing with him a new album, The House Is Burning, as well as a new outlook courtesy of a stint at a rehab facility and a bout with COVID. As he reveals in a new cover story for The Fader, his alcoholism was at one point so bad that he not only wrecked his own car, but he also wrecked his benefactor, Anthony “Top Dawg” Tiffith’s, as well.

Although story author Jeff Weiss doesn’t go into details, Isaiah explains that his drinking problem, which he openly copped to while promoting The Sun’s Tirade, nearly got him arrested boarding a flight, caused him to wreck his Jeep, and sent him back home to Chattanooga after he spent nearly all of his rap money buying expensive clothes, supporting family and friends, and buying “really expensive sandwiches.” But through it all, the TDE CEO patiently stuck it out with his mercurial second-wave signing, even after Zay wrecked his Honda — but that might be because the rapper paid to have it fixed before his label boss could find out.

Eventually, though, he came clean, which resulted in a stay at Dana Point Rehab facility, where he learned to cope and secretly signed autographs for the staff members’ kids. Now, he’s back on track for another run at rap superstardom, with The House Is Burning set for release any day — although fans are convinced it’s this Friday after Top Dawg tweeted out “the wait is over” with that release date.

You can read the full profile here.

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Bebe Rexha Wanted A Metal Song On Her New Album, But Her Team Shut It Down

In a matter of hours, Bebe Rexha’s new album, Better Mistakes, will be out. The album has a handful of guests and likely a number of memorable moments, but one thing it won’t have is a metal song, even though Rexha really wanted to include one.

In a new interview with Billboard, Rexha said she hoped to include a metal-influenced song on the album, but her team apparently shut that idea down:

“It’s more exciting to me, it keeps me on my toes, trying different things musically. If I could, I would have a metal song on the album, but everybody was very against that. It’s hard, because a lot of time you’ll work with other people in the industry, and people are very safe. It’s not only about the artist, but about the people that are surrounding the artist and working with the artist. I’ll say, ‘I want to do a metal-esque song and put a pop song over it,’ because I love guitars. When I listen to Nirvana, when I listen to Red Hot Chili Peppers, those songs do something to me, where the darker songs make me feel good. I wanted it to be guitar-based, but a lot of times when I try new things, people get really scared and they go do the safest thing. It’s really annoying.”

She went on to expand on the point that a metal song of hers wouldn’t be strictly metal, but would still have a pop influence:

“I think I just automatically make more pop-leaning stuff. If I say something like, ‘Oh, I want to do a metal-type vibe,’ I’m going to write a pop song to it, you feel me? But to me, the way that I think of it is doing something to shake it up a bit, so it doesn’t feel so obvious. A pop song to me is just a really catchy song, no matter what the genre is — dance, hip-hop, country. If it’s a song that most people like, it’s a popular song. So I’m going to write something that’s more pop-based anyway, but when I collaborate with people I just try different things, and it does get annoying sometimes when I feel like I can’t make them budge.”

Check out the full interview here.

Better Mistakes is out 5/7 via Warner Records. Pre-order it here.

Bebe Rexha is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.