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Donte DiVincenzo Is Giving His ‘Absolute All’ In A Key Role For The Bucks

It takes a special kind of humility to handle the NBA’s fraught equilibrium of being necessary while also constantly remembering that you are disposable. It’s why some players prefer easier situations or less pressure. Donte DiVincenzo has handled his career completely opposite of that.

After nearly being traded to Sacramento over the offseason and being thrust into a starting role for a Milwaukee Bucks team with championship aspirations, DiVincenzo has put together a career-best season while staying grounded and deriving confidence from his teammates and coaches rather than the business or media circus of the NBA. With the playoffs approaching, the third-year guard is likely to be an important piece for a squad with title aspirations. Despite being a relatively unproven (at the NBA level, at least) and hungry youngster, DiVincenzo’s performance in big moments could determine whether the Bucks can finally win a championship.

Led by reigning back-to-back MVP Giannis Antetokounmpo and standouts Khris Middleton and Jrue Holiday, Milwaukee has a clear pecking order. DiVincenzo isn’t this team’s primary option for much of anything. Instead, he is deployed to take advantage of the attention paid elsewhere on the floor.

“What they love and value that I can bring is no matter what, I’ll go get rebounds, I’ll go get the loose ball, go get the steals,” he tells Dime in the lead-up to back-to-back wins over Brooklyn this week. “(Teammates) know if the shot’s not falling, they can rely on me to do that stuff and continue to win games.”

This mentality has earned him the respect of his veteran teammates, including the Greek Freak himself.

“He’s so competitive, so competitive,” Antetokounmpo recently said. “Goes out there and gives 100 percent every single night. Now he’s going to make mistakes, but always, we know that he’s going to give 100 percent and he’s going to try to make the right play.”

Added Middleton: “He’s a guy that continues to find a way to get better, try to take advantage of his opportunities and get better. You can see that his confidence is growing.”

DiVincenzo is increasingly taking on playmaking responsibilities in his third year. The 2018 Final Four Most Outstanding Player had to wait a while to get more touches and join the starting lineup, but now that he’s there, he knows the best way to stay is to make the stars better.

“I take a lot of joy into getting those guys easy shots,” he says. “Giannis has the ball in his hands a lot, he takes a lot of beating from other teams, so if I can get downhill, get him easy dunks in transition just to get him 8-10 points real quick in a game and get him feeling good, or get Jrue or Khris open threes or slashes, that’s where I think I’ve grown this year is getting those guys shots where they want the ball.”

This mindset has led to a career-high assist rate as well as an uptick in three-point shooting volume and efficiency. Like many NBA players, the clarity over when his minutes will come, where his shots will come from, and his role has helped DiVincenzo become a better overall player — while it may seem unnatural that his three-point shooting has jumped more than three percentage points, he was a 38 percent shooter in three seasons at Villanova. That’s where he learned to impact the game without the ball in his hands and embrace the lesser-heralded plays that contribute to winning basketball.

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DiVincenzo had to be quick on the uptake with the Wildcats and upon joining the Bucks. He joined winning situations where he was expected to contribute in specific ways or hit the bench. It was a humbling process, but one that’s familiar to any player who was part of Villanova’s program last decade.

“At Nova, Coach Wright just taught me how to be mentally tough, how to carry myself as a professional,” DiVincenzo explains. “We have way different games but we always go back to the same core values that we learned at Villanova, doing the little things for our team to win games.”

That learning curve hardened the bonds between DiVincenzo and his college teammates, many of whom can be found on winning teams — Dallas’ Jalen Brunson, Phoenix’s Mikal Bridges, Golden State’s Eric Paschall, New Orleans’ Josh Hart. The stubborn positivity with which DiVincenzo handles himself was in large part forged from the culture created by his teams. Villanova was a heck of a start, and the Bucks have embraced him in a similar way. Not only did Milwaukee’s culture help make DiVincenzo comfortable personally, it trickled into his development as a player, too.

“They give you simple tasks to focus on, to do every day, so that when you get onto the court, you’re not thinking about 7-8 different things, you’re thinking about one or two that I have to do to be impactful,” he explains. “Throughout the last couple years, it’s just grown and grown and grown for me.”

Still, this offseason threatened to light ablaze the entire relationship that had been built between DiVincenzo and leadership. As Antetokounmpo neared eligibility for a supermax extension, one he would ultimately sign, the Bucks readied deals for both Holiday and then-Kings wing Bogdan Bogdanovic in order to bolster their rotation. Holiday became a Buck, but a Bogdanovic-for-DiVincenzo trade fell through in spectacular fashion, resulting in an investigation from the NBA and both parties moving on.

It was the talk of the league for days. Bogdanovic would later sum up his response with an apt “What the f*ck?” With a few months’ distance, DiVincenzo believes the Bucks’ culture helped him and the front office move past it. Confidence from his teammates and coaches made him feel as if he could still be successful in Milwaukee.

“I truly never did think about it this year,” DiVincenzo says. “You see a lot of stuff about a Revenge Game and all that, I literally do not think about it. That’s all for the media. For me, it’s focusing on my coaching staff and my team and trying to give them everything I got every single night.

“While I’m here,” he continues, “I give my absolute all to the team I have, the organization that still has trust in me to be the starting 2-guard right now, and honestly the players on the team.”

It’s helped that he gained one heck of a teammate in Holiday, who has looked like an All-Star running the offense and hounding the opposing team’s best perimeter player on defense every night. For a player like DiVincenzo, Holiday has proved to be invaluable both on and off the court, a rising tide that has lifted all boats.

“I don’t think anybody’s ever talked about him in a negative way,” DiVincenzo says. “So I just strive to be that good of a teammate to other people and have that impact on other people, because it goes a long way. He may not realize it, but the confidence he puts in everybody on the team and me personally, is through the roof.”

Take for example the Bucks’ win over New Orleans on Feb. 25, a game in which DiVincenzo had the hot hand. While some teammates were chirping at DiVincenzo about what not to do — don’t stop shooting, don’t hesitate — Holiday stayed upbeat. The veteran reminded his young backcourt mate to stay aggressive and keep making the right play. The never-ending positive reinforcement led to DiVincenzo scoring a career-best 24 points.

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A few weeks later in a frustrating loss to Houston that saw Kevin Porter Jr. light the Bucks up for 50, head coach Mike Budenholzer went to backup Bryn Forbes in DiVincenzo’s usual fourth quarter spot in the rotation. As disappointment bubbled up in him, DiVincenzo reminded himself of how supportive Holiday had been during his own big night and pushed Forbes to stay confident. Forbes would go on to score 30 in the game, including seven in the fourth quarter.

When DiVincenzo missed the next game against the Bulls, DiVincenzo stayed on Forbes to focus on rebounding, an area where DiVincenzo strives to make an impact (he’s up to a career-high 5.7 boards per game). In a 10-point win, Milwaukee narrowly out-rebounded Chicago in large part due to Forbes’ career-high 13 rebounds.

That contagious camaraderie has helped DiVincenzo and the Bucks excel all season, even as their winning percentage has taken a step back from the past two campaigns. Two big wins over Brooklyn has everyone looking at them again, but Milwaukee is facing far less pressure and expectation than they did in last year’s NBA Bubble.

“When the target’s not on our back, I think we play the best,” DiVincenzo says. “We like to just focus on ourselves, stay in house and focus on how to get better in terms of our team.”

Despite nearly being traded and then leaping into the starting lineup, DiVincenzo has excelled. A humble mentality and consistent approach have helped him put together a career-best season, one that could lead to more responsibility and dazzling plays in the postseason.

In order to win four consecutive series and avoid the mistakes that have cost them in the past, the Bucks will need a release valve and committed warrior like DiVincenzo. The team already knows it.

“He is the heart of this team,” Antetokoumpo said in March, “Hopefully he can keep it up.”

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Billy Crudup Will Star In A New Apple Series That Will Be Produced By NBA Star Blake Griffin

After bringing home an Emmy for The Morning Show, Billy Crudup and Apple TV are joining forces again for a new series, Hello Tomorrow, from executive producer and NBA star Blake Griffin. Labeled as a “dramedy,” the new series will go into production after Crudup wraps season two of The Morning Show, which is scheduled to arrive later this year. Instead of playing a morning anchor, Hello Tomorrow will feature Crudup in a more sci-fi role as a door-to-door salesman trying to convince people to live on the moon. Via The Hollywood Reporter:

From writers and creators Amit Bhalla and Lucas Jansen (Bloodline), the half-hour dramedy is set in a retro-future world and centers on a group of traveling salesmen hawking lunar timeshares. Crudup will lead the cast as Jack, a talented and ambitious salesman whose unshakeable faith in a brighter tomorrow inspires his co-workers, revitalizes his desperate customers, but threatens to leave him dangerously lost in the very dream that sustains him.

This latest move follows an Emmy win for Crudup in The Morning Show, and on that same subject, one of that show’s producers previously floated a theory as to why the show was so harshly dinged.

“I thought there were a lot of Apple haters who just wanted Apple to fail,” The Morning Show producer Mimi Leder told The Verge. “The reviews felt like an attack on Apple.”

(Via The Hollywood Reporter)

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Nirvana Fans Can Own An Actual Piece Of Kurt Cobain As His Hair Goes Up For Auction

Over the years, plenty of pieces of Kurt Cobain memorabilia have found themselves on the auction block, including but not limited to his MTV Unplugged cardigan, his Unplugged guitar, and his non-Unplugged (but perhaps stolen) credit card. Now there’s a new piece of Cobain up for sale, and I phrased it that way because it’s a literal piece of the late singer: Later today, a strand of his hair will go up for auction.

Bidding on the six strands of hair will start at 8 p.m. ET through Iconic Auctions, who describes the item:

“Unique presentation on a 8.5″ x 11″ sheet includes six strands of Cobain’s blonde hair, the largest measuring approximately 2.5,” and housed in a small card with plastic overlay 1.75″ x 2.” This one-of-a-kind artifact is entirely fresh-to-market, and accompanied by an impeccable lineage of provenance including images of Kurt posing with the woman who cut this hair, scissors in hand, and a fantastic shot of the hair actually being cut! The lucky friend who trimmed the Nirvana frontman’s iconic blonde locks, was an early confidant, Tessa Osbourne, who cut his hair in 1989 — well prior to his Nevermind breakthrough — whilst on the Bleach Tour.”

The page also includes a note from the hair’s owner, Seattle artist Nicole DePolo, who writes:

Tessa had known Kurt back in England, and they had hung out during the Bleach Tour. Nirvana had broken in England first, and she must have had a sense that Kurt would become a musical force. When it came to Kurt, Tessa was kind of what like Astrid Kirchherr had been to the Beatles — the woman who had given him his iconic haircut. She even had a series of pictures to prove it: a snapshot of her and Kurt with long straggly hair while she held a pair of scissors high, then a shot of the scissors going through about 7″ of hair. The rest was history. Kurt was known for his bleached blond pageboy, and she’d given him his first one back in October of 1989, just before his image began to circulate throughout the world.”

Check out the auction here.

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Childish Gambino Has Reportedly Been Hit With A Copyright Lawsuit For ‘This Is America’

Childish Gambino‘s “This Is America” was one of the most talked about videos of 2018. It has over 772 million views to date and as most famous musicians would agree, a song is bound to get hit with a copyright infringement lawsuit once it becomes popular enough. “This Is America” is apparently no different. After previously facing plagiarism claims about his video, Childish Gambino is reportedly being sued over the song.

According to TMZ, Emelike Nwosuocha, who raps under the moniker Kidd West, is the source of the “This Is America” copyright lawsuit. Per the report, Nwosuocha uploaded his song “Made In America” to SoundCloud in 2016 before registering it with the US Copyright Office in May of 2017.

Nwosuocha is now claiming Childish Gambino ripped him off, saying the hook of “This Is America” is “unmistakably substantially similar, if not practically identical” to his own track. Gambino’s track features the lines, “This is America/ Guns in my area/ I got the strap/ I gotta carry ’em.” But Nwosuocha says Gambino’s lyrics are strikingly similar to his own, “Made in America/ Flex on the radio/ Made me a terrorist/ Pessimistic n***as/ You should just cherish this.”

As a result, Nwosuocha is reportedly suing Gambino, the co-writers of “This is America,” the record label, Roc Nation, and even Young Thug who is credited for singing the backup vocals on the track.

Listen to West’s “Made In America” and Gambino’s “This Is America” above.

Young Thug is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Naomi Osaka takes her girls’ sports academy global, expanding it to Los Angeles and Haiti

Naomi Osaka was only 20 years old when she won the U.S. Open tournament, and she is the first Asian player to hold the highest singles ranking. The tennis star moved to the U.S. from Japan at age three and she has held both Japanese and American citizenship.

Her U.S. citizenship has been a topic of discussion as the Japanese exemption that allows her to hold both passports expired at age 22—which Osaka turned in 2019. At that time, she announced she would choose to give up her U.S. citizenship to keep her Japanese citizenship and compete for Japan in the 2020 Olympics. However, Osaka has said that she feels “more like a global citizen” than one particular nationality—a sentiment supported by her latest endeavor.

In partnership with Nike and Laureus Sport for Good, Osaka launched a program to support girls in sports in Japan last year. Her Play Academy is committed to leveling the playing field for girls through physical play and sports, giving girls opportunities and encouragement to get moving.

Now, she is expanding Play Academy to Los Angeles, where she currently lives and trains, as well as to Haiti, where her father is from.


“The beauty of Play Academy is that it reflects all of the communities where Naomi has a personal connection,” says Caitlin Morris, Nike VP, Social & Community Impact. “We share her belief that play is for everyone. Young girls in places like Los Angeles and Haiti may have different social and cultural reasons for why play and sport have been difficult to access, but in the end, they all need an opportunity to play – as well as authentic role models like Naomi, who fully embrace who they are and what they believe in.”

Osaka is working toward the goal to make play and sports more accessible by partnering with local organizations dedicated to youth engagement who can bring Play Academy to communities that could benefit most from it. According to a news release from Nike:

In Los Angeles, Play Academy will partner with organizations that support young girls’ participation in play and sport, especially those from Black, Asian and Latino communities. The Expression of Interest from organizations is now open (Click here to learn more). The first group of partners will be announced later this summer. In Haiti, Play Academy is partnering with GOALS Haiti, a grassroots organization working to advance youth leadership through soccer and education to create stronger, healthier communities in rural Haiti. The funding will specifically be applied to sport accessibility for girls, the hiring of more female coaches and the introduction of nuanced curriculum on how to encourage girls to create positive, healthy habits.

“We believe that all kids — especially girls — deserve a chance to play, no matter where they come from or what they look like,” Osaka told PEOPLE. “The more we provide girls with opportunities to get active, the more opportunities we are giving them to become leaders in their communities.”

How great to see a truly global endeavor to uplift and empower girls in various countries. Also great to see someone so young and talented taking up a leadership role for upcoming generations and using her fame and resources to create greater opportunities for young people. Keep up the inspiring work, Ms. Osaka.

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Blvc Svnd Showcases Multiple Talents In HIs ‘Uproxx Sessions’ Performance Of ‘U Foine’

In this week’s episode of UPROXX Sessions, genre-bending LA artist Blvc Svnd (pronounced “Black Sand”) pulls a neat trick, strumming out his backing music on his electric guitar as he raps the raunchy, melody lyrics to “U Foine.” His wardrobe is pretty eye-catching as well; with his blue hair, pink spotted fur coat, and lime green aloha shirt, he’d be hard to miss in a crowd. All the elements combine to perform a quirky, unexpected performance that refuses to constrain itself to one vision of what music should sound like or what artists should look like.

Hailing from Los Angeles and spending extensive time in the Bay Area, the 22-year-old Blvc Svnd may not be on many radars, but he’s working hard to change that. He’s released over a dozen self-produced mixtapes and EPs beginning with 2015’s Nag Champa, pushing out the majority of his music on SoundCloud, much like rock-rap forebearers such as Juice WRLD and fellow Sessions guest Kamiyada. He also plays all the instruments on many of his projects himself, including bass, drums, and piano, while genre-hopping between electronic, pop, R&B, rap, and even metal.

Watch Blvc Svnd’s UPROXX Sessions performance of “U Foine” above.

UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.

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Donald Trump Tried To Worm His Way Back Onto Twitter, But The Platform Wasn’t Having It And Immediately Suspended The Account

Donald Trump, a man who has been shouting from the rooftops about how great press releases are and how he definitely doesn’t miss social media, just got caught trying to log back on Twitter with a different handle.

The disgraced former president was banned from nearly every major social media site, including Facebook, Instagram, and Twitter after he used the platforms to incite a violent insurrection on Capitol Hill earlier this year. Recently, Facebook’s Oversight Board upheld the ban, agreeing to review the ruling in a few months’ time, but Twitter has permanently banned Trump, something the celebrity mogul seems to be having a hard time accepting. Not only did he launch a new social media site — and by that, we mean just a basic LiveJournal knockoff where he reblogs his press releases and rants about the stolen presidential election — to compete with Twitter, it seems his team (or at least the coalition that funds his new site) tried to create a handle that would circumvent Twitter’s ban.

The account @DJTDesk was shut down on Wednesday after it became apparent that the handle was broadcasting Trump’s missives and re-posting content from press releases on his blogging site, From the Desk of Donald Trump.

Obviously, this is a big blow to Trump’s team, whose main job right now seems to be trying to find some way for the former president to remain relevant while he holes up in Mar-A-Lago, crashing weddings and giving bizarre monologues about his loss in 2020. It feels like Trump might be just one embarrassingly obvious secret Twitter account away from becoming society’s weird uncle who retired to Florida where he regales strangers with tales of the “good ol’ days” when he almost carried out a successful coup.

Get a hobby, Don.

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Meghan McCain Declared That Will Smith ‘Can Get It Anytime He Wants,’ And People Are Freaking Out

In an unusually thirsty moment for the typically conservative co-host, Meghan McCain didn’t even try to hide her lust for Will Smith while talking about the actor’s recent Instagram post. During a panel discussion on Smith declaring that he’s in the “worst shape of my life,” McCain made it very clear that she’ll Jazzy Jeff his Fresh Prince right here and right now.

“I love Will Smith and, I mean, not to be crass again but like, he can get it any time he wants,” McCain proudly announced (via The Wrap). “I love Will Smith. He is my long-term crush since I was like, 12, and I don’t care what his body looks like.”

McCain seemed to be particularly turned on by Smith’s embracement of “body positivity,” which is a topic that McCain has been very vocal about over the years. (Here’s McCain talking about Will after the 1:30 mark.)

Of course, it’s not everyday that Meghan McCain offers herself on a silver platter to one of the biggest movie stars on the planet. The uncharacteristically horny moment caught people off guard, which is rare for McCain who often gets perturbed when panel discussions start getting risqué. She’s repeatedly abstained from discussions about her sex life, but apparently, her lust for The Legend of Bagger Vance was too strong.

The Will Smith thirsting marks two days in a row of McCain not acting like her usual self. On Wednesday, the conservative co-host blasted the GOP, which she called a “sausagefest” for its recent moves to oust Liz Cheney because she won’t bend the knee to “Cheeto Jesus,” a.k.a. Donald Trump.

(Via The Wrap)

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A Shirtless Beefcake Photo Of The ‘Saw’ Puppet Has Caused Mass Confusion And Inspired Thirsty Tweets

Thanos was so last year and Colossus was so last month — this week, the internet is thirsty for a new fictional character, Billy. Who is Billy? He’s the creepy, bike-riding clown puppet from the Saw horror movie franchise, of course. He’s also shockingly ripped.

Do you want to play a game? You shouldn’t. (I’m sorry in advance.)

“Do I have your attention now?” the tweet reads, along with the handle for Saw Quotes. The account, which launched in January, is to Saw as Emo Kylo Ren is to Star Wars, with tweets like, “Hey, listen, I know the news media is all ‘Jigsaw Killer’ and ‘murderer’ but like it’s actually like — you never hear about the people I helped. Nobody calls me the Jigsaw Guy Whose Traps People Survive. Don’t let’em get you discouraged, you could absolutely get through this.” The sexy Billy pic (which already existed as a meme) appears to be part of a marketing campaign for Spiral: From the Book of Saw.

“We apologize for our latest tweet, we believe our social media account has been compromised and we’re working on a solution,” the official Saw account tweeted after posting the pic (I can’t stop staring at the spiral nipples). Saw and Saw Quotes then started tweeting at (threatening) each other, which is not at all confusing.

The response to the photo was, let’s say, divided.

The hottest movie of the spring, Spiral: From the Book of Saw, comes out on May 15.

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Kehlani Says She’s Getting Hate For Returning To Her Former Style Of Baggy Clothing

Kehlani has switched up her style several times since she began releasing music several years ago, but apparently some listeners aren’t okay with that fact. She began leaning more into form-fitting fashion after giving birth to her daughter in 2019, but Kehlani has since returned to wearing baggier clothes. The singer took to Twitter to call out the hate she’s gotten for her baggier looks, saying she feels as though her style versatility makes her all the more “powerful.”

In a pair of now-deleted tweets, Kehlani addressed the criticism she’s received since pivoting back to her previous style: “i feel like there’s a group of people who just started finding me attractive or paying me mind after i had a baby when my body changed and i was more ‘feminine’ and me putting back on the same baggy jeans i had all my life prior is….shocking y’all”

Kehlani via Slack

Following up on her previous tweet, Kehlani added that she received similar criticism after she started wearing more feminine clothing: “it’s ok tho cuz i distinctly remember this happening when i started getting long nails and lashes & wearing heels. people was like ‘this isn’t you’ ‘i miss the old you’ i’m starting to feel like this is perhaps POWERFUL”

Kehlani via Slack

Fans flooded to Kehlani’s support after seeing the hate she was getting online, pointing out how versatile the singer’s style has been over the years.

This isn’t the first time Kehlani addressed how her perception of her body has changed after giving birth. Earlier this year, the singer said she has since discovered that being a mom is the “sexiest thing ever” in an interview with Playboy. “I think something happened to me when I became a mom; I just became sexier,” she said. “I was this quirky little person before — not super in touch with myself, a super tomboy. Then I became a mom, and all of a sudden I got these mom hips. I got this mom sensuality and grown-woman attitude and in-touch-ness with my body that I never had before.”

Kehlani is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.