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A Belgian farmer moved a border stone, unknowingly making France 3,200 square feet smaller

A farmer in Belgium has caused an international incident by inadvertently redrawing the border between Belgium and France. The farmer moved a border stone that stood on the grounds for over 200 years because it was blocking his tractor.

The two countries share a 390-mile border that was established under a treaty signed in 1820.

The stone, marked 1819, was put in place four years after the defeat of Napoleon at the Battle of Waterloo. Nearly 50,000 soldiers died in the battle that would determine the border.


However, for the farmer, it was much more important for him to be able to move his tractor than to protect the integrity of the Franco-Belgium border.

Two weeks ago, a historian was taking a walk through the Belgian village of Erquelinne and saw that the stone had been moved seven-and-a-half feet. The redrawn border expanded Belgium and diminished France by about 3,200 square feet.

David Lavaux, the mayor of Erquelinnes, was amused by the farmer’s actions, but asked him to please move it back to avoid creating a “diplomatic incident.”

“We have no interest in expanding the town, or the country. He made Belgium bigger and France smaller. It’s not a good idea,” Lavaux told the French TV channel TF1. “I was happy, my town was bigger. But the mayor of Bousignies-sur-Roc didn’t agree.”

Bousignies-sur-Roc lies on the French side of the border and is home to around 400 people.

“If [the farmer] shows goodwill, he won’t have a problem, we will settle this issue amicably,” Lavaux added.

Lavaux knows exactly where the stone should be moved to keep the original border intact. “We know exactly where the stone was before, right next to a tree,” Lavaux told CNN. “In 2019, during the 200th anniversary, they were geo-localized very precisely.”

via Google

If the farmer refuses to move the stone back to its original position, it may cause some tension between the two countries. The problem would have to come before the Belgian foreign ministry. The ministry would then have to call a summit of the Franco-Belgian border commission to determine exactly where the stone goes.

The commission has been dormant since 1930.

“We should be able to avoid a new border war,” Aurélie Welonek, the mayor of Bousignies-sur-Roc, a French town the borders Belgium, said, citing the fact that the two countries get along much better than they did during Napoleon’s reign.

“Our two countries get along well, so there were no great concerns at this point,” she said. “I fully trust my Belgian counterpart who did what was necessary with the farmer. We asked him to move the stone back, and should he not cooperate, then the Ministry of Foreign Affairs would get involved.”

Let’s hope that the farmer does what’s right and moves the border stone back where it belongs. Or, maybe he can petition the Fracno-Belgium border commission to find a way for him to drive his tractor without having to redraw the map of Europe.

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AOC Won The ‘Caption This’ Prize After Ted Cruz Proudly Shared A Photo Of Himself Hanging With Trump At Mar-A-Lago

Ted Cruz continues to make it just too easy for his opponents to drag him on social media, but his latest gaffe sparked a truly entertaining caption contest and we’re officially declaring AOC the winner.

To back up a bit, Cruz earned a lot of eye-rolls and sh*t-posts after tweeting a photo of an intimate dinner he shared with former President Donald Trump at Mar-A-Lago. In the photo, both Cruz and Trump are smiling jovially at the camera. Cruz captioned the pick by declaring Trump was “in great spirits” and hinting they were planning on taking back both the House and the Senate majority in 2022.

Now, a lot of people on Twitter had fun with this embarrassing about-face, calling out Cruz for cozying up to a man who once called his wife ugly and suggested his father killed JFK, but Representative Alexandria Ocasio-Cortez chose to go a different route by reminding voters that both of these bloated potato sacks had a hand in almost destroying our nation’s very fragile democracy — and during a global pandemic, no less.

Not only did AOC call out Trump and Cruz for their part in the Jan. 6th insurrection, but she also included some choice emojis — honestly, we don’t know why we haven’t compared these two to a pair of Japanese ogres before. Hurling daggers at Ted Cruz isn’t really a competition because, at the end of the day, we all win but if we’re being forced to acknowledge a “best dig,” it might be AOC. After all, plenty of Republicans have said truly heinous things about Cruz over the years, but only a handful of them have attempted a full-blown coup.

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Lady Gaga Fans Are Mad At Coldplay For Allegedly Copying ‘Chromatica’ With Their New Era

Although they haven’t officially announced it yet, it’s clear that Coldplay is in the midst of rolling out a new album. They have a fresh single, “Higher Power,” coming this week, and it appears they’re engaging in some world-building as well. They’ve teased something called “Alien Radio,” which included its own written language. Now it looks like a fictional planet named Kaotica is involved as well, which quickly drew backlash from Lady Gaga fans who feel Coldplay’s whole new era feels too similar to Gaga’s Chromatica campaign.

Coldplay have mentioned Kaotica on social media, noting that a CD single edition of “Higher Power” includes a decoder of the aforementioned fictional language and it arrives “courtesy of our friends on Kaotica.” The CD also features an image of the Kaotica planet and Gaga fans aren’t pleased with how much the pink sphere looks like Chromatica.

Fans were quick to accuse Coldplay of copying Gaga:

As at least one Coldplay fan has noted, though, the band has actually used space-themed imagery in promotional material for years.

Check out some more reactions below, including fans imagining what it would be like if the two fictional planets went to war.

Coldplay is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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The World Is Unable To Sleep Following A Mysterious Event In Netflix’s ‘Awake’ Trailer With Gina Rodriguez

Please read the following sentence in the voice of Don LaFontaine: In a world without sleep, a young girl may hold the key to a cure. (I miss Don.) Awake stars Jane the Virgin‘s Gina Rodriguez as Jill, a former-solider who witnesses satellites falling from the sky. The next day, following a car crash, no one in the world can fall asleep — except Jill’s young daughter. “We don’t know what caused it or why it occurred. But what we do know is that none of us can sleep,” a voiceover says in the trailer above.

Awake should not be confused with Awake: The Million Dollar Game, also on Netflix. One is a high-concept thriller; the other is a game show where contestants must stay awake for over 24 hours before competing in various physical and mental challenges. You should probably watch A World of Calm after watching either, though.

Here’s the official plot synopsis:

Global hysteria ensues after a mysterious catastrophe wipes out all electronics and takes away humanity’s ability to sleep. Scientists race against the clock to find a cure for the unexplained insomnia before its fatal effects eliminate the human race. When Jill (played by Gina Rodriguez), a former soldier, discovers her young daughter may be the key to salvation, she must decide: protect her children at all costs or sacrifice everything to save the world.

Awake premieres on Netflix on June 9.

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Report: Chris Webber May Not Return To TNT Next Season

TNT’s broadcast teams may look very different in the 2021-22 season as rumors have swirled for some time that this will be Marv Albert’s last season, but word emerged on Wednesday that his partner in the booth, Chris Webber, may also be on the way out from Turner after this season.

According to Andrew Marchand of the New York Post, Webber, like Albert, has his contract run up at the end of this season and the feeling has been “building” that he will depart the network as well.

As for Webber, he has been on TNT’s No. 1 team for a few seasons now, but has yet to fully connect with the audience. The feeling that Webber may not return has been building for a while.

It would be a major shakeup at TNT, with Kevin Harlan and Reggie Miller likely moving up the ladder into the No. 1 spot, with veteran play-by-play announcers Brian Anderson and Ian Eagle splitting duties on the second unit and Tuesday nights amid their other obligations doing Brewers and Nets games, respectively. The more interesting question is who would step into the No. 2 analyst role.

Marchand notes that when Webber pulled out of the NCAA Tournament bubble (which he apparently did late, ruffling some feathers at Turner), Grant Hill’s performance in a two-man booth with Ian Eagle impressed inside the Turner building. Hill’s contract is likewise running up, but he’s been doing NBA TV broadcasts and some TNT games this year and would be a strong candidate. Jim Jackson has also become a terrific game analyst and is plenty deserving of the opportunity as well. With Tuesday and Thursday games, Turner also could look to bring in some new blood to their building and Marchand notes that Richard Jefferson’s deal with ESPN is up at the end of this year and his rise as a game analyst could make for an interesting bidding war between the two national NBA networks.

Webber’s tenure at TNT has been an interesting one. He was initially beloved but has steadily seen his approval drop among NBA fans as his long-winded stories that often seem to spiral off track have become a running joke for fans. His work in studio has always felt stronger than his work in the booth, evidenced by his powerful commentary after the NBA ceased play in the Bubble last year following police shooting Jacob Blake in Wisconsin. He has a great mind for basketball and when he’s succinct, as is required in the studio setting, he can be tremendous. The issues arise when he goes long on tangents and circles the point, seemingly trying to fill time.

Webber’s future in the NBA television space is unclear, but few NBA fans would be sad to see a shakeup of the top TNT booth given Webber’s approval and the acceptance from just about everyone that Albert has lost his fastball.

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End Of The Road’s 2021 Lineup Includes Arlo Parks, Whitney, And Little Simz

After nearly all live music events were canceled in 2020, music festivals everywhere are setting their sights for a return in the fall. UK’s End Of The Road festival is no different. Officially unveiling their 15th anniversary 2021 lineup, End Of The Road announces headliners like Arlo Parks, Whitney, and Little Simz.

This year’s event takes place from September 2 to 5 at the Larmer Tree Gardens in Dorset, England. End Of The Road festival’s lineup, along with Arlo Parks, Whitney, and Little Simz, includes indie acts like Hot Chip, King Krule, Sleaford Mods, Tune-Yards, The Comet is Coming, Tinariwen, Arab Strap, Songhoy Blues, Girl Band, Shirley Collins And The Lodestar Band, Field Music, Squid, Black Country New Road, Dry Cleaning, Richard Dawson, Warmduscher, Anna Meredith, Jane Weaver, Kikagaku Moyo, Altin Gun, and many more.

In a statement about this year’s festival, End Of The Road said they tried to keep their 2021 lineup as similar as possible to their canceled 2020 event, but some musicians weren’t able to make it:

“We worked really hard to bring you our 2020 line-up in 2021, but the world had other ideas. Much has changed since we announced our 2021 line-up in December and some of our pals from across the pond are no longer able to make it. Determined to bring you the best party this summer, we rolled up our sleeves and got to work curating an exciting new line-up. Feast your eyes on our new additions for 2021 and already familiar names.”

Check out End Of The Road festival’s full lineup below.

End Of The Road Festival

Late release tickets to on sale May 20 at 6 a.m. ET. Get them here.

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Jayson Tatum’s Latest Step Forward, And More Musings Around The NBA

Ed. note: Every now and then, we’ll publish a piece from the Patreon account of our own Jackson Frank. This week, we’re running with his series of musings from around the NBA titled “To Be Frank,” in which Jackson identifies a number of trends in the league that have piqued his interest. If you’d like to follow along with everything he publishes, subscribe to his Patreon.

All stats are accurate before games played on May 1.

Bruce Brown, The Tiny Big Man That Could

This season, there is no offensive environment more conducive to experimentation and optimization than the Brooklyn Nets. They tout three elite ball-handlers and a bevy of floor-spacers, fostering a setting in which unusual players who do not adhere to a traditional mold can thrive, if needed (spoiler: it is).

Enter Bruce Brown, a defensive-minded, 6’4 guard who has netted just 29.9 percent of his 244 career triples. During his first year with the Nets, Brown has emerged a critical fill-in starter while their three stars rotate in and out of the lineup. And despite his wonky jumper, he’s excelling as a complementary offensive player, thanks to his own savvy and some creative offensive usage.

Often, Brown is stationed in the corner or wings, tracking events as they unfold, aware of how starkly defenders will ignore him to offer help elsewhere. To counter that, and operate in tandem with the immense gravity guys like KD, Harden, and Kyrie elicit, he’s become a cutting merchant, darting along the baseline or from the arc at the perfect opportunities for finishes.

Cuts are not the only method for Brown to generate assisted scores around the basket. The Nets have treated him as a pick man in ball screens. It’s typically as an outlet when defenses employ aggressive coverage to deter the pull-up threat of Kyrie or Harden. Those 4-on-3 sequences are a runway for the sprightly Brown to convert or create on the short roll.

Nearly 12 percent of his possessions are as a pick-and-roll roll man, per Synergy, where he ranks in the 78th percentile in PPP (1.255). Among 101 players with 40+ possessions this season, he is the lone guard and his 1.255 clip places him 17th.

According to Cleaning The Glass, a career-high 58 percent of shots are coming at the rim, where he’s converting a career-high 66 percent of his attempts (previous best was 54 percent). The spacing Brooklyn places around him on his cuts and rolls, and general team quality upgrade compared to his time in Detroit, are contributing factors, but Brown himself is molding himself to complement a title contender.

He is no longer just a pestering on-ball defender with scarce offensive utility. He is Bruce Brown, The Tiny Big Man That Could.

NBA, you have a Kelly Olynyk problem

The Houston Rockets are very bad. They’re 16-47, three games clear of any rivals for the league’s worst record. Cade Cunningham certainly might be in their future. But a jigsaw roster and focus on youth development have provided Kelly Olynyk the freedom to display his offensive versatility and credentials, just in time for free agency this summer, when he will be on the market.

In 19 games with the Rockets, he is averaging 18.8 points, 8.3 rebounds, 3.1 assists, and 1.2 steals on 70.7 percent true shooting (.587/.396/.881 split). Long a multifaceted big man, Houston is the platform for him to flourish and he is seizing the moment.

Thirteen percent of his offense is coming via post-ups, compared to 3.8 percent with the Heat pre-trade, per Synergy, and he ranks in the 92nd percentile. He’s crushing switch-heavy defensive schemes by punishing mismatches in the post with physicality and deft touch. Once an undersized guy latches onto him, the Rockets make it a priority to feed the sweet-shooting Canadian:

In pick-and-rolls, he’s a master at timing slips to the rim, knifing into openings amid Houston’s well-spaced offense:

And he even gets to wield greater self-creation savvy, whether it be the occasional pull-up long ball, a corkscrew finish or a keeper on a DHO (long a favorite of his):

Increased offensive usage has also established chances to derive playmaking from the attention he commands on a nightly basis. His 16.3 percent assist rate with the Rockets is the second-highest of his career. He’s threading dimes to cutters and spraying passes to shooters, serving as a viable, prominent fulcrum for the Rockets:

Every team in the NBA can bring joy while watching their games, you just have to find the reasons. Olynyk’s emergence as a versatile scorer and facilitator is high on the list for Houston. He is fun. I encourage everyone to watch this blossoming before the season concludes and Olynyk parlays this stretch into a lucrative, well-deserved contract on a new team asking less of him offensively.

Jayson Tatum, taking another leap

Jayson Tatum scored 60 points on Friday in a dazzling performance to lead his Boston Celtics back from a 32-point deficit against the San Antonio Spurs. It was a brilliant outing, yet as I watched through his 20 buckets, I was most impressed with his approach as a driver and interior scorer.

He had patience and craft, and played through physicality. These are sustained improvements that date back to well before his career-high explosion. Over his past 29 games, since Feb. 28, he has a rim frequency of 25.6 percent, where he’s converting 72.4 percent of his attempts. In the prior 28 games, his rim frequency was 21.7 percent and he was only shooting 60.6 percent there. So, not only was he struggling to pressure the basket, he was also failing to score at a high level around the rim.

A 25.6 percent frequency is still fairly low, but 72.4 percent shooting is borderline elite for a wing. It ranks 33rd among 180 players with 50+ shots in the restricted area over that span and 21 of the guys ahead of him are centers. For reference, his 60.6 percent clip ranked 130th among 189 within the same parameters.

Early in the year, and for much of his career, Tatum lacked a reliable plan on his rim forays. He’d bank on length to finish around defenders or burrow his head into them without any sort of counter once swarmed. Contact aversion was far too popular in his approach:

Over the past couple months, he is blending extension finishes and an embrace of contact. He’s simplifying his attempts by leveraging space creation or advantages with a functional East-West handle and applying his 6’10 frame to battle through contract. Fewer of his finishes are overly difficult. He can get off cleaner looks.

On the year, per Cleaning The Glass, he is shooting a career-high 67 percent at the rim, which ranks in the 71st percentile. This second-half stretch isn’t an aberration. It’s an entire half of his fourth year in his age-23 season. He is developing in-season, seemingly a hallmark of his at this stage.

The results are evident and encouraging, but most pertinent is how he’s producing them, operating with improved patience, guile and physicality. The pull-up 3 arrived last season. The ambidextrous, live dribble playmaking surfaced shortly before the 2019-20 hiatus and solidified itself in the bubble. Competent interior scoring is the next step in his development Since late February, it has come to life.

Every year, Jayson Tatum identifies necessary areas of growth and manifests them. This particular plotline is another natural evolution of his basketball journey and is critical to attain his ceiling as a scorer.

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Emma Stone Explains Why It’s Good To Be So Bad In A New ‘Cruella’ Featurette

Cruella de Vil is getting her origin story soon, and even though it didn’t entirely feel like we needed one, the trailers sure feel like a damn good time. Lots of mayhem and a cackling Emma Stone (hanging off a garbage truck in a billowing dress) look like sheer fun, if only we can look past what she does to those poor puppies. We’ll get to see rebellious early days of this villainess, while she’s Young(er) Estella, literally setting the fashion world on fire and gaining some vague semblance of “revenge.”

In the above featurette, Emma Stone discusses why she had such a blast filming this character, in what she calls a “wholly original” story about Estella’s late 1970s chaos, all set against the punk-rock revolution of London. Here’s what Emma offered as behind-the-scenes footage rolled:

“As we know, Cruella de Vil is pretty villainous. In this film, we get to see how she became the villain we know today…. The character is so much fun and so kind of intoxicating. Once you put this wild black-and-white hair, this incredible make-up, and these completely unique costumes on, you feel like Cruella de Vil. The villains are always kind of fun ones.”

Estella’s grifting hard during part of this film, and she’ll go up against Emma Thompson’s Baroness von Hellman, which will give both actresses a chance to remind everyone why they’re worth their Oscar clout. I doubt there will be much argument to that point, if what we’ve seen so far is any indication.

Cruella will stream on Disney+ (via Premier Access at an additional charge) on May 28 with a simultaneous theatrical release. Here’s a shambolic new poster.

Disney+
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SNX DLX: Featuring The Return Of The Jordan 7 Flint, Supreme Air Max 96s, And The Legend Blue Jordan 11s

Welcome to SNX DLX, our weekly roundup of the best sneaker drops to hit the market. This week is a sneakerhead’s dream, with the relaunch of some classic Jordan colorways, a new Supreme and Nike link-up, new Dunks, some more luxurious-leaning footwear from Rick Owens, and probably the most colorful iteration of the Yeezy 500 to date. We’re burning through spring and rapidly approaching the summer season, which means if you want to rock a dope look at the BBQ, you’re running out of time. Cop those kicks you’ve been eyeing and get your summer fit on lock already!

If you’re looking for an outfit to complete your look, be sure to hit up last week’s apparel roundup after you scan this week’s best sneakers. Let’s dive in.

Air Jordan 1 Rust Shadow

Nike

You probably already took an L on this one early this week, but the Air Jordan 1 Rust Shadow is still alive and kicking (see what we did there) over on the aftermarket, so if you saw this rugged and worn slightly Old Western-esque version of the Air Jordan 1s and thought “I got to have them” there is still a chance. Featuring a mix of Nike’s Rust Shadow and Light Army colorways, this Air Jordan 1 is nicely rounded out with its off-white Sail midsole.

This is such a harmonious color combination that we’re surprised it’s coming straight out of Nike and isn’t some skate shop retailer exclusive. Now if only Nike would’ve released enough pairs that we didn’t have to turn to the aftermarket to cop a pair. Nike… do you own StockX? What’s the deal here?

The Air Jordan 1 Rust Shadow is out now and hovering around $220 on aftermarket sites like StockX.

Nike

Supreme x Nike Air Max 96 Collection

Supreme

Remember the Nike Air Max 96? Yeah, we don’t blame you, the silhouette doesn’t quite have that iconic shape of the Air Max 95, and isn’t quite as next level as the Air Max 97, but it’s still a pretty dope design and we can’t be mad at Supreme for choosing it for their latest collaboration with Nike. It gives us the opportunity to appreciate an often forgotten design and Supreme really bumped things up here with a modern upper of mixed materials and translucent PVC, which acts as a window for Supreme’s classic box logo.

Basically, the sneaker gives Supreme heads the chance to rock the famous box logo on their feet. Don’t think about it that way though, because then the collaboration starts to seem lame and not as cool. Sorry.

The Supreme x Nike Air Max 96 Collection is set to drop on May 6th for an unannounced retail price. Pick up a pair exclusively at the Supreme online store.

Supreme
Supreme
Supreme

WMNS Air Jordan 11 Low Bright Citrus

Nike

Jordan bros, I know this is hard news to take but deal with it — we’re getting a new tropical summer-ready Jordan 11 Low but this one is dropping exclusively in WMNS-sizing. Before you get all hot and bothered, remember that almost every big sneaker release ever drops almost exclusively in big sizes that smaller-footed sneakerheads don’t get to enjoy.

The Bright Citrus features a pristine white upper with bold tropical Brith Citrus accents on the outsole, tongue, and insole. Somehow this colorway managed to take the luxurious high-end design of the 11 and inject a little summer fun into it.

The WMNS Air Jordan 11 Low Bright Citrus is set to drop on May 6th for a retail price of $185. Pick up a pair via the Nike SNKRS app.

Nike
Nike

Air Jordan 11 Low Legend Blue

GOAT

Remember when we said that Jordan bros needed to chill (we literally just said it!)? This is why. Presenting the Legend Blue Jordan 11, a low-top version of a mid-top classic colorway that launched back in 2014. Check out that icy color scheme juxtaposed against that pure white upper? This is the type of Jordan 11 that belongs on a Best Of List.

Are they dropping this dope design in a full-size run? Nope — which is why the large-footed amongst us should never complain about size exclusivity, we’ve got it made.

The Air Jordan 11 Low Legend Blue is set to drop on May 7th for a retail price of $185. Pick up a pair at GOAT or Flight Club.

GOAT
GOAT

Adidas Yeezy 500 Enflame

Adidas

This week brings what is easily the Yeezy 500s most wild colorway with the Enflame. Featuring a mix of bright orange, signature Yeezy earth/barf-toned browns, and a mix of dusty blue and cool grey, we’ve never seen a 500 this colorful before. In between some pretty standard Yeezy drops, Ye has been taking the time to offer radically reimagined colorways of the Yeezy classics this year and we’re not complaining.

These louder colorways are really allowing us to see these designs in a whole new light. Generally, the 500 looks like some sort of alien blob, but this colorful iteration really helps to bring all the curves and contours alive.

The Adidas Yeezy 500 Enflame is set to drop on May 8th for a retail price of $200. Pick up a pair at the Adidas webstore or via Yeezy Supply.

Adidas
Adidas

Air Jordan 7 Flint

Nike

Of the single-digit Jordans, the AJ7 has got to be the most slept on. Actually no, it’s the 2, definitely the 2, but the 7 is a very close second. It’s transitional design, not as sleek and luxurious as the double-digit Jordans that would soon come after it, but not as boxy and 90’s indebted as what came before. As such, it looks like it’s floating between eras, but we like it’s not easy to place.

Despite its slept-on status, the Flint colorway is probably its most appreciated on the 7 and it’s easy to see why with its elegant mix of tumbled white leather, suede accents, and subtle purple details that lend a nice contrast to the design.

The Air Jordan 7 Flint is set to drop on May 8th for a retail price of $190. Pick up a pair at Flight Club.

Nike
Nike

Dr. Martens x Rick Owens Collection

Dr Martens

Last month Rick Owens linked up with Dr. Martens to drop a reworking of some of the boot brand’s most iconic silhouettes and now for the duo’s second collaboration Owens is offering up two iterations of the 1461 Bex Boot and the Gladitorial Gryphon sandal. We’re pretty convinced that Dr. Martens has found the perfect collaborator in Owens, we’ve never seen the ‘ol Doc looking this high fashion and luxurious.

The Dr. Martens x Rick Owens collection is set to drop on May 8th for an unannounced price. Pick up a pair at the Dr. Martens or Rick Owens webstore.

Dr. Martens
Dr. Martens

Stingwater x Nike SB Dunk Low Magic Mushroom

Nike

Nike and playful skatewear brand Stingwater are joining forces this week to deliver one of the most exciting takes on the SB Dunk this year. No, it doesn’t quite reach the level of last year’s Chunky Dunkys or the Grateful Dead dunks, but look at this thing — it looks like Amanita Muscaria, the psychedelic mushroom that inspired Super Mario’s own iconic mushroom, which is hilarious when you remember that Super Mario is largely for children.

This design features the Dunk Low in a spotted safari-print University Red colorway with an icy midsole, hidden zip pockets for storing your power-ups (wink wink) as well as an inner design that is meant to mimic the gills of a mushroom.

We’re finding this incredibly hard not to love, definitely our cop of the week.

The Stingwater x Nike SB Dunk Low Magic Mushroom is set to drop on May 10th for a retail price of $125. Pick up a pair via the Nike SNKRS app or select skate retailers like Berric’s Canteen.


Disclaimer: While all of the products recommended here were chosen independently by our editorial staff, Uproxx may receive payment to direct readers to certain retail vendors who are offering these products for purchase.

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Netflix Reveals The Trailer And Some First Looks At The Final Season Of ‘Castlevania’

With just over a week left until Castlevania season four hits Netflix, the streaming service has released some first look images of the upcoming — and final — season. Each of the eight photos tease a tense and trying time for the characters we’ve come to know and mostly love over the course of the past three seasons, with Trevor and Sypha looking battle-ready, Carmilla looking even more unhinged, and Alucard looking like a silver-haired snack. But seriously, look at this deep V.

Known for being grim, gory, and beautifully animated, the final season appears to be keeping in line with what we’ve come to expect from the studio. These first images are undeniably gorgeous, and based on Netflix’s season summary, will lead to some scenes that are gore-filled. In Castlevania season four, warring factions will clash for control over Wallachia while others seek to resurrect and reinstate Dracula. According to Netflix, “nobody is who they seem, and nobody can be trusted. These are the end times.”

Here’s the trailer:

The final season of Castlevania will be available to stream on Netflix starting May 13. Below are the rest of first look images from the upcoming season: