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Master P Can Now Be Dr. P Thanks To Receiving An Honorary Doctorate Degree

Master P is a rapper, producer, actor, philanthropist, and entrepreneur, but he can now add one more qualifier to his title: Doctor. In order to recognize all of Master P’s accomplishments, Pennsylvania’s Lincoln University has awarded him an honorary doctorate degree.

Master P received the degree on stage over the weekend to a crowd of over 400 graduates from Lincoln University. “I guess I got to change my name to, Dr. P. Miller,” he wrote alongside a video of him receiving the honor. “From the projects to getting a Doctoral degree from @lincolnuniversityofpa Don’t be afraid to change, grow and educate yourself. I did it ! You can do it. #GODISGOOD #Nevertoolate #hbcu #NoLimit There is NO limit to your dreams.” The clip shows the crowd erupting in applause and Master P offering up some of his wisdom to recent graduates.

Ahead of being given a doctorate degree, Master P has been working on a number of entrepreneurial endeavors. Earlier this year, Master P announced plans to launch a Black-owned supercar company under the brand name Trion Supercars. The line of cars is made in partnership with Richard Patterson, a former engineer at Tesla, and the company’s first design was unveiled in January.

Watch Master P accept his honorary doctorate degree from Lincoln University above.

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Anya Taylor-Joy Is An Unsettling 1960s Vixen In The Trailer For Edgar Wright’s ‘Last Night In Soho’

After offering a very brief tease over the weekend, Focus Features just dropped a wild trailer for Edgar Wright’s new movie, a time-traveling horror thriller called Last Night in Soho. While bursting with Wright’s penchant for musical beats, the trailer features Thomasin McKenzie as Eloise, an ambitious young fashion designer who’s not adapting well to life in London. However, things take a turn when she’s suddenly able to travel back to the 1960s where she seemingly becomes, Sandy, a glamorous night club singer played by Anya Taylor-Joy.

While this new time travel adventure seems sexy and exciting at first, things quickly take a turn towards the horrific as the situation spirals out of control. Here’s the official synopsis via Focus Features:

Edgar Wright’s psychological thriller about a young girl, passionate in fashion design, who is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences…

Like most films making their way into theaters, Last Night in Soho saw its release delayed a year because of the pandemic. But in an interview from 2020 when the film was still on schedule, Joy promised Edgar Wright fans a great time.

“It’s very claustrophobic. The colors are so intense. It’s a really well-directed acid trip,” Joy told the Happy Sad Confused podcast. “I think people will really like it. You definitely will not be bored.”

Last Night in Soho hits theaters on October 22, 2021.

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The Local News Stations Fooled By John Oliver’s ‘Sexual Wellness Blanket’ Are, Uh, Looking Into Things

John Oliver’s had his eye on local news stations for years (2017, to be precise) after the far-right empire, Sinclair Broadcast Group, began taking over stations and requiring trusted local figures to recite scripted right-wing rhetoric. And on Sunday night, Oliver brought a related issue (involving local news trustworthiness) to the forefront: sponsored content that can include enormously fake (and possibly dangerous) medical products. In short, Last Week Tonight shelled out $7,200 (total) to local stations in Denver, Austin, and Utah. In return, the news programs aired segments on a fake product that claimed to be the “world’s first sexual wellness blanket” (called the “Venus Veil”).

The local news stations in question were more than happy to give airtime for an actress to promote this sexy blanket (for which the HBO show set up an actual website, VenusInventions.com, to make it look more legit) that claimed to “fix erectile issues and improve vaginal lubrication” through “magnetogenetics.” Yikes. As Oliver declared, “the integrity of local news is crucially important… The f*ck are you doing?” Well, these local news stations (Utah’s KTVX-TV, Austin’s KVUE-TV, and Denver’s KMGH-TV) are now apparently examining whatever “the f*ck they are doing.”

As Deadline reveals, representatives from two of the stations have issued statements:

A spokesperson for Tegna, owner of the Austin station, said that the segment aired on FYI Austin, is a two-minute commercial spot that is not a part of the KVUE newscast. “While it is a commercial spot, it was an error to air it, and we are reviewing our processes, so this doesn’t happen again,” the spokesperson said.

A spokesperson for The E.W. Scripps Co., owner of the Denver station, said that they “take the integrity of our content very seriously.” The segment ran on a sponsored show called Mile High Living…. We are vetting our review processes for non-news segments to ensure our stations follow the proper standards.”

The representative for the Denver station added there are “clear distinctions” on their programs to differentiate news and lifestyle programming, and that sponsorships are identified with the rep stating, “We believe our viewers understand the differences” between the two types of programming. Still, the “Venus Veil” segment is prompting a review process, which can only be a good thing (in the long run) for local news watchers. As Oliver pointed out, these stations are “doing massive harm to their credibility,” and it doesn’t really matter (in Oliver’s eyes) that sponsorships are labeled as such. “There are certain businesses local stations should not be selling themselves out for,” he pointed out, and that includes sexy blankets that look like insulation while promising “claims that are, to put it charitably, medically dubious.”

(Via Deadline)

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French street artist fills ugly, jagged potholes with gorgeous, colorful mosaics

If you’ve never heard of “flacking” as an art form before, you’re not alone. The term, based on the French word for “puddle”—flaque—was coined by the artist known as Ememem, who has been “flacking” the streets of his hometown of Lyon, France, as well as other European cities.

What Ememem does is make “puddle” mosaics, filling in ugly potholes and missing chunks of walls with bright patterns. The effect is as striking as it is delightful—imagine walking down the street and suddenly seeing what used to be a broken chunk of sidewalk now filled with someone’s colorful creativity.

The people of Lyon call Ememem “the pavement surgeon”—a fitting moniker for the artist who covers the city’s cracks and crevices with beautiful bandaids.


“I’m just a sidewalk poet, a son of bitumen,” Ememem says. (Bitumen is another word for asphalt.) “My work is the story of the city, where cobblestones have been displaced; a truck from the vegetable market tore off a piece of asphalt. Each becomes a flack.”

Sometimes his canvas is the street, sometimes it’s a sidewalk, sometimes it’s a wall. The effect almost creates a sense of mystery—as if the cracking of the cement or pavement is actually revealing the mosaic, instead of the mosaic filling it in.

Sidewalk poetry, indeed.

Ememem shares his work on Instagram, and scrolling through his photos like taking a delightful walk through the streets of Lyon.

He even includes some before and after photos. (Click the arrow on the right to see the after.)

Follow @ememem.flacking on Instagram for more flacking beautiful street art.

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‘F9’ Is Completely Ridiculous And It Feels So Good To Have This Ridiculousness Back

I think, maybe, I’ve figured out what makes the Fast and Furious franchise work – it’s secret formula, if you will. Or, at least, after watching movies at home for 14 months, it all feels just a little more in focus. Even though these movies kind of promote themselves on how much they are pushing the limits with each installment – hey, this time they are going to space! – there’s something very retro about the Fast and Furious movies. They feel a lot like ’90s action movies. (And I’ve watched a lot of ’90s action movies over the past year.) The heroes are earnest. The villains are hamming it up. Nothing is realistic. The plot doesn’t really matter, at least in that we, the audience, can be told anything and we’ll go along with it. It is about as far away from a “dark and gritty” movie as a movie can get, during an era where “dark and gritty” became the tiresome norm. (The only thing that’s really missing is being “casually rated R.”)

Is Vin Diesel the only true action star? At least in the classic ’90s sense? Because in the late ’90s when the Arnold and Sly and Jean-Claude style of movies all seemed to fade, the action star who could sell a movie on name alone went away and the box office was replaced by franchises: At first some superhero stuff (X-Men, Spider-Man, etc), some not (Lord of the Rings, Pirates of the Caribbean, Harry Potter), before the superhero genre really took over when the MCU started. And it seems, through all this, the only actors still trying to do pure action movies are Tom Cruise (but he’s known for other things than just “action,” he does have three Oscar nominations) and, frankly, actors who came from the world of professional wrestling. And then there’s Vin Diesel. Who this whole time just seems to be unfazed by the changing times and just keeps doing what he does best: being Vin Diesel, action star.

So you have Vin Diesel, basically one of the only prototypical action stars there are, who keeps making these overly earnest movies that are nonstop action. No wonder people love these movies. People loved ’90s action movies, too, but Hollywood just stopped making them. It’s a wonder while watching F9 why more studios just don’t make more ’90s style kinda dumb action movies. People obviously love them. And these Fast and Furious movies have pretty much cornered the market on the genre. It’s pretty remarkable. (Obviously the Mission: Impossible movies are still going strong, but there’s a difference. Those movies don’t have the “wink wink, we know this is ridiculous” tone that the Fast and Furious movies have, which is kind of a key to the ’90s action movie vibe. The first Mission: Impossible came out in the ’90s and even then didn’t feel like a typical ’90s action movie.)

Anyway, yes, the Fast and Furious gang goes to space now. They literally fly a car into space! It’s funny, I missed an exchange that explained a key plot point about what the main gizmo, that can destroy the world, even does and I didn’t care. It doesn’t matter. Everything we want out of these movies is all so baked in we will accept any amount of ridiculousness. All we want is someone to tell Dom Toretto that the jump he’s about to do can’t be done, then have Dom do it anyway, crash in a fiery explosion, then walk away unscathed. Perfect. I’m sitting here debating if I should really get into the intricacies of the plot and I’ve decided against it beyond saying there’s a gizmo the team has to find, and outer space is involved and the team hooks up some powerful magnets in their cars to do a bunch of crazy stunts.

Justin Lin returns to direct for the first time since Fast and Furious 6. These seem like very hard movies to make. And it’s telling that other directors, other than Lin, never make more than one. I’m tempted to say this feels like a more “back to basics” approach to the story, but with this franchise I don’t even know what that means. But a lot of the road stunts do look quite real, where I assume a lot of actual stunt work was done, as opposed to Dom fighting a CGI submarine. It’s a pretty thrilling race through the streets, as the aforementioned magnets push and pull items and cars every which way as Vin Diesel scowls his “Dom Toretto face” the whole way through. (Though, sadly, I don’t think Ludacris and Tyrese Gibson were actually in space.)

Or take the return of Sung Kang’s Han, who had been killed off at the end of the sixth movie, but is now back in this movie. (This is not a spoiler, he’s in the trailer.) I won’t spoil the explanation why Han is alive, but if I did, would it even matter? Honestly, in the movie, Dom could just solemnly look at the screen and say, “He’s alive because he just is. He’s family,” and that would have been good enough. I don’t care. No one cares. Just give us the goods.

I mean, this is a movie in which John Cena plays Vin Diesel’s brother! What? But yes, Dom and Mia’s (Jordana Brewster, who is back in on the action) brother, Jacob, who has never been mentioned before. The movie gives us a bunch of flashbacks to Dom and Jacob’s youth and tries to explain why Dom has a brother who looks nothing like him that he’s never mentioned before and it doesn’t matter. I appreciate the attempt at an explanation, but I don’t need it. I’m all in. After this past year, I just wanted to watch something ridiculous. And not in my own apartment. And as long as these movies keep their earnest, fun, ’90s action movie tone, there is no ridiculous plot point these movies could come up with I wouldn’t believe. By this point they’ve earned that. They are family.

‘F9’ hits theaters on June 25th. You can contact Mike Ryan directly on Twitter.

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All 12 Of J. Cole’s ‘The Off-Season’ Songs Are In ‘Billboard’s Hot 100 Top 40

We already knew that J. Cole’s new album The Off-Season was going to dominate the Billboard charts but now that the charts have been published today, we can get a sense of just how dominant his latest effort really is. Yesterday, Billboard tweeted its usual snippets of information, telling us that The Off-Season was No.1 on the albums chart and that Cole had four songs in the top ten of the Hot 100 and in the top five of the most-streamed songs charts.

Today, with the charts released in full, we’ve learned that all 12 songs from J. Cole’s album have charted in the Hot 100 Top 40, an accomplishment that makes him the first since Juice WRLD’s posthumous album Legends Never Die also landed 12 songs in the Top 40 the week of its release. While it was previously reported that “My Life,” “Amari,” “Pride Is The Devil,” and “95 South” had debuted in the top 10 (at No. 2, 5, 7, and 8, respectively), we now know where the remaining tracks from the album fall: “Applying Pressure” is No.13, “100 Mil” is No.14, “Interlude” (which previously debuted at No.8) is No.17, “Let Go My Hand” is No.19, “Punchin’ The Clock” is No.20, “The Climb Back” returned to the chart with a new peak at No. 25, “Hunger On The Hillside” is No.28, and “Close” is No.33.

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Jesse Plemons Joins Elizabeth Olsen In ‘Love And Death,’ One Of Two Dueling Series About Axe Murderer Candy Montgomery

Jesse Plemons may be most recognizable from his work in such ensemble series as Friday Night Lights, Breaking Bad, Fargo, and Black Mirror, but he’s always one of the best parts of any show he is in. And his two Emmy nominations—for Fargo in 2016 and Black Mirror in 2018—are certainly proof of that. Now, The Wrap reports that this lucky charm of an actor is joining Elizabeth Olsen in Love and Death, the new HBO limited series that tells the story of axe murderer Candy Montgomery, who captured the national media’s attention in the 1980s when she murdered her neighbor and BFF Betty Gore.

Plemons will play Betty Gore’s husband Allan, whose affair with Candy was the catalyst for the brutal murder. Love and Death is based on John Bloom and Jim Atkinson’s book Evidence of Love: A True Story of Passion and Death in the Suburbs, as well as a series of Texas Monthly articles. The logline for the series, which is being written by David E. Kelley, is: “Two church going couples, enjoying small town family life in Texas, until somebody picks up an axe.” Oh, those church going couples!

Perhaps most interesting about Love and Death is that much like in 1993, when viewers were treated to not one but two stories about “The Long Island Lolita” Amy Fisher—Alyssa Milano’s Casualties of Love: The Long Island Lolita Story and Drew Barrymore’s The Amy Fisher Story—there are dueling Candy Montgomery stories in the works. In addition to HBO’s Love and Death, The Handmaid’s Tale star Elisabeth Moss will play Montgomery in the Hulu limited series Candy, which is being executive produced by The Act’s Nick Antosca and Robin Veith (with whom Moss worked on Mad Men).

Only time will tell whether Elizabeth or Elisabeth reigns supreme—but at least The Scarlet Witch has Plemons on her side.

(Via The Wrap)

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Doja Cat, HER, Charlie Puth, And More Sign On To The New Sustainable NFT Marketplace OneOf

The rise of NFTs in the music industry has been rapid over the past several months, with seemingly every big artist breaking into the cryptocurrency art market. But the prevalence of NFTs have also caused some backlash among fans who have noted the massive amount of energy it takes to use cryptocurrency. But a new NFT marketplace aims to offer an environmentally-friendly option, and artists like Doja Cat, H.E.R., and Charlie Puth have already signed on.

OneOf is an NFT marketplace aimed specifically at musicians and their fans. The platform uses Tezos blockchain, which they claim in press materials uses “over 2 million times less energy than other networks such as Ethereum, and requires the same energy as sending out a tweet.” Along with reducing energy consumption, OneOf has committed to donating a percentage of their platform’s revenue from every sale to charity.

Doja Cat has already signed on to be one of the first artists to mint an NFT on OneOf’s platform. “I cannot wait to release my first Juicy Drops collection,” she said in a statement. “However, I want to be mindful of environmental concerns and accessibility to all of my fans before we go live. Happy to now be working with OneOf who is addressing both of these issues.”

This isn’t the first time Doja Cat will be minting NFTs. Back in April, the singer launched her first collection of NFTs through her own curated NFT marketplace, Juicy Drops. The cryptoart was designed by toy designer BOOMTRONIC and was inspired by her 2021 Grammys performance.

Along with Doja Cat, H.E.R., and Charlie Puth, other artists that have signed onto OneOf’s platform include Quincy Jones, John Legend, TLC, Jacob Collier, G-Eazy, AURORA, The Kid LAROI, and Alesso. It was co-founded in partnership with Quincy Jones and Quincy Jones Productions, and raised over $63 million in funding so far.

OneOf officially launches to the public in June. Find out more information here.

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Lena Headey And Karen Gillan Are A Mother-Daughter Assassin Duo In The ‘Gunpowder Milkshake’ Trailer

I’ve said it before and I’ll say that again: there are not enough movies about a team of female assassins starring Karen Gillan, Lena Headey, Angela Bassett, Michelle Yeoh, Carla Gugino, and, uh, Paul Giamatti. In fact, there’s only one: Gunpowder Milkshake.

It sounds like an expression born on Urban Dictionary, but it’s actually a fun-looking action movie directed by Navot Papushado (Big Bad Wolves) starring Gillan as a hit-woman raised by a crime syndicate who reunites with her mom (Headey) to protect an eight-year-old girl. “There’s not a single person on Earth I’d rather kill people with.” “Thanks mom.” It looks like a blast.

Here’s the official plot summary:

Sam was only 12 years old when her mother Scarlet, an elite assassin, was forced to abandon her. Sam was raised by The Firm, the ruthless crime syndicate her mother worked for. Now, 15 years later, Sam has followed in her mother’s footsteps and grown into a fierce hit-woman. She uses her “talents” to clean up The Firm’s most dangerous messes. She’s as efficient as she is loyal. But when a high-risk job goes wrong, Sam must choose between serving The Firm and protecting the life of an innocent 8-year-old girl, Emily. With a target on her back, Sam has only one chance to survive: Reunite with her mother and her lethal associates: The Librarians. These three generations of women must now learn to trust each other, stand up to The Firm and their army of henchmen, and raise hell against those who could take everything from them.

Gunpowder Milkshake comes out on Netflix on July 14.

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Frankie Cosmos’ Greta Kline Turns In An Intimate Bedroom Cover Of Taylor Swift’s ‘Invisible String’

Frankie Cosmos is a beloved group in the indie scene, but less renowned is the YouTube channel the band’s Greta Kline runs. On her “floponyourbelly” account, she has a hair over 300 subscribers and has been sporadically active, uploading a few dozen videos over the past decade. Her two latest uploads, though, are pretty great: Over the weekend, she covered Taylor Swift’s “Invisible String” and Guided By Voices’ “Game Of Pricks.”

Both renditions are simple bedroom recordings, with Kline wearing comfy clothes, sitting cross-legged and playing guitar. The finger-picked melodies of “Invisible String” work nicely when played on electric guitar by Kline.

She wrote in the description of the video, “challenging myself to play covers and to view myself as a player, not just a writer. i never really think of myself as a performer (especially after the past year of not touring), so I like to do covers purely because they feel good to play. also learning from filming myself that what feels good doesn’t always sound good, but sounding good doesn’t really mean anything?” In the description of the Guided By Voices cover, Kline also noted that her new videos are her just “playing songs in my house for fun and learning only.”

Check out Kline’s Swift cover above and her Guided By Voices cover below.