Saweetie fans were disappointed to learn that the “Fast (Motion)” rapper’s album wasn’t coming out as promised last week when she delayed her album Pretty B*tch Music again to “reconstruct some songs.” Now, thanks to Billboard, those fans know who they can (partially) blame: None other than music icon Cher, who Saweetie met to work on a “really big campaign.” After the Bay Area rapper met the pop goddess, she realized her album wasn’t done and needed just one more thing.
As Saweetie told Billboard, I thought [the album] was done, but after I met her, I had an epiphany. This album needs to have feelings, it needs to have soul, it needs to have spirit. And I have a lot of room for improvement, so I’m gonna work on that. And once it’s done, the album will be released.”
At this point, that strategy might end up paying big dividends, as it shows the care and deliberation with which she’s been proceeding. Certainly, fans have been pretty patient with the rollout, which began sometime last year with the release of “Back To The Streets” and has since included “Best Friend” and “Fast.” In the meantime, she’s sustained her pop-culture dominance with illuminating performances (for which she’s attending an artist development boot camp to help her improve), TV and commercial appearances, features with pop queens like Gwen Stefani, and her Pretty Summer Playlist Vol. 1 EP, as well as an impromptu bout of busking at the Santa Monica Pier.
Saweetie is a Warner Music Group. Uproxx is an independent subsidiary of Warner Music Group.
True Crime continues to dominate the zeitgeist. HBO Max, Netflix, and every other streaming service are flush with documentaries and series with true crime bents. Then there’s the world of podcasting. There are hundreds of podcasts that focus on true crime in one way or another. You can choose from a one-off mini-series about a single case presented by a bona fide journalist with real investigative rigor. Or you can indulge the armchair experts, who just love the genre and like re-telling the stories of serial killers, mysteries, and all things true crime. Then there are the comedians chopping it up for laughs (and sometimes serious groans).
This is all to say, that finding a good podcast to devote your precious listening time to can be tough. There’s just so much to wade through. The 35 picks below offer a wide range of choices. Some of these are a little bit older mini-series while others are long-running shows that go in a lot of different directions. Whatever true crime path you’re looking for, you should be able to find something that fits!
Hosts Kari Martin and Adam Tod Brown take deep dives into tragic celebrity tales with this pod. The show takes its time covering the life and death of figures like Anna Nicole Smith and Whitney Houston but also peppers in one-off episodes about tragedies like the death of Dimebag Daryl. Where the show really rises above is in the excellent research put into the series, alongside a deep empathy from both Martin and Brown.
This is never about wallowing in someone’s tragic life. Instead, it’s about understanding why their lives ended up filled with all that tragedy.
Where To Start:
Jump in with episode one of the Anna Nicole Smith series. It’s an enlightening look at the star’s beginnings and sets up the whole vibe of the show nicely.
This follow-up to Dirty John and Dr. Death is a wild pod. Journalist Joe Nocera tells the story of the titular shrink next door, Dr. Isaac “Ike” Herschkopf, who seemingly took over one of his patient’s lives (and wealth) in the 1980s. The story is so wild, it’s been turned into an Apple+ miniseries with Paul Rudd (playing the malfeasant doctor) and Will Farrel (playing his victim).
There’s good buzz around the show, so now really would be the time to catch up on this podcast. Unless you don’t want the upcoming series spoiled.
Where To Start:
While it’s best to start from the beginning of the mini-series, you can jump around a bit. We started with My Dinner With Ike to get a sense of the show and the wildness of this story.
It’s hard to know where to begin with this podcast. There are a lot of stories being told and they all center around cyber-related crimes, terror, money, slavery, and heists. And then all of that is built around North Korea, its secretive regime, and its cyber-attack policy towards the western powers. All that only really scratches the surface of this very active true crime story about cyber thieves attempting to pull off a billion-dollar heist.
Where To Start:
You can truly pick and choose any episode without losing the thread. We’d recommend starting with Cyber Slaves to get a taste of the intensity of the show.
There’s an interesting conceit to this pod in that it’s about grisly murders that take place in state and national parks (or outdoor recreation spots in general). It’s sort of like the great outdoors meets true crime scene investigation with host Delia D’Ambra telling a stand-alone story in each episode.
Where To Start:
With two seasons worth of shows to listen to, you can jump in with any episode that piques your interest. We’d say start with The Unknown about the disappearance of National Park Service ranger Paul Fugate in Chiricahua National Park down in Arizona.
The Piketon Massacre was one of the biggest murder stories in Ohio’s modern history. The pod follows the ongoing investigation and now the trail of the Wagner family and their assault on and murder of eight members of the Rhoden family in Pike County, Ohio.
Where To Start:
You really need to start all the way back at episode one to get the full story.
This new show looks into the brutal murder of Betty Ann Sullivan by her own teenage son. The show is still unfolding this ridiculous and terrifying story of how a young boy got involved with the occult and ended up murdering his own mother before taking his own life. The pod also dives into how that event shook the small New Jersey community (Jefferson) that had to deal with the fallout and is still doing so, almost 30 years later.
Where To Start:
Paradise Lost is the best episode to start with. The podcast guest is the current mayor of Jefferson who was a rookie cop when the murder-suicide took place.
Netflix bringing back Unsolved Mysteries in all its true crime and mysterious glory was a pretty big win for true crime fans. There’s also a companion pod that dives into even more unsolved mysteries that you can listen to when you get done binging the new show over on Netflix. Host Steve French follows the same format as the TV series with a very polished story-telling throughline with eye-witness testimony and that iconic Unsolved Mysteries music.
Where To Start:
You can jump in anywhere since each episode is stand-alone. It’s actually pretty easy to binge this one on autoplay too. If you just have to have a recommendation, start with The Haunting of Ball Cemetery for that classic Unsolved Mysteries vibe and story-telling.
This is a fascinating listen with real star power at the helm. Hosts Hayley Atwell (Marvel) and Vanessa Kirby (Mission Impossible) host interviews with the people who actually spy for a living. The show is very produced and unfolds like a narrative rather than Atwell or Kirby cutting up with a guest.
Where To Start:
The Boiling Frog is a good spot to jump in. Kirby builds a story around CIA spymaster Jack Devine and his work overthrowing the socialist-leaning regime that came to power in Chile in the 1970s. Like most of these episodes, it’s pretty harrowing.
Dateline has been in the true crime game for a very long time. This pod is classic episodes (and segments) from the show’s archive alongside new stories. The show balances out a bit of nostalgia with plenty of fresh material to hook you pretty quickly.
Where To Start:
While it’d be easy to say start with a new episode, you should really start with a Dateline Classic. The Devil and Bobbi Parker is a great classic Dateline that tells the story of an escaped prisoner and his hostage/possible collaborator while on the run.
Journalist Justin Ling’s podcast looks at how transgender women are “marginalized, overpoliced, and underprotected,” especially when it comes to sex work. The show focuses on stories of murdered trans women whose murders were not taken seriously by local authorities due to blatant anti-trans discrimination.
Where To Start:
Start with How Can You Not See This? The episode opens the series with a look into a string of disappearances from Toronto’s gay village.
Back in 1985, two bodies were discovered in Bear Brook State Park in New Hampshire: An adult and a child. Then, two more bodies were found and it became clear that this was the work of a serial killer. Bear Brook cracks open the cold case files and dives into figuring out who the victims were and who killed them.
The show is a masterclass in investigative podcasting and grabs your attention from the very first moment.
Where To Start:
Start at episode one and work your way through the whole series. With each episode clocking in at around 45 minutes, it’ll be hard not to binge them all at once. There are also shorter “update” episodes that range in the 20 to 30-minute mark.
There’s something rotten in America’s “Most Beautiful Small Town.” Five murders have rocked the small community of Bardstown, Kentucky since 2013. Hosts and investigative journalists Shay McAlister and Jessica Noll tear into the unsolved murders to figure out who might have committed them and why. Where the show really shines is in revealing Bardstown’s seedy underbelly, while maintaining compassion for its residents.
Where To Start:
Start with “The Most Beautiful Small Town in America.” Episode one is the only place to start this journey. Once you’ve binged the first season, start in on the second — with the mystery of Nanette Krentel in Lacome, Louisiana.
If you earn the moniker “Dr. Death,” you’re probably a monster. Host Laura Beil investigates the story of Doctor Christopher Duntsch — a Dallas neurosurgeon who like doing back surgeries. We bet you know where this is going. Dr. Duntsch was all about getting rid of his patient’s back pain and billed himself as the best surgeon in Dallas. Problem was, 33 of his patients became his victims. Then, tragically, those victims found out there were very few repercussions for the doctor through the medical establishment. At least until other doctors started to take note and take Dr. Duntsch to task for his malfeasance. And that’s when things really start to go crazy in this story.
Where To Start:
This is a serialized podcast. You’re going to need to start at episode one and listen your way through the eight episodes — all of which are currently free on Apple Podcasts. Each episode clocks in at around 45 minutes, making this one the perfect work out or commute listen. Maybe just don’t listen to it right before major surgery.
Writer and host Robin Warder takes listeners down the ol’ Unsolved Mysteries path via The Trail Went Cold. Each episode of the podcast focuses in on a cold case with plenty of mystery wrapped around the crime. There isn’t really a supernatural element like Unsolved Mysteries but Warder more than makes up for that with the depth of reporting and how engagingly he tells these stories. It’s just good podcasting, all around.
Where To Start:
Each episode is a stand-alone. Our recommendation is to start with the most recent episode. This will give the best POV on the show and its vibe. From there, you can jump around.
The Last Podcast on the Left blends true crime, paranormal, and comedy into one delicious smoothie of madness. Hosts Ben Kissel, Marcus Parks, and Henry Zebrowski play the straight man, enthusiast, and wild card respectively as they retell some of the craziest stories humanity has encountered. Each episode is banter and riff-heavy as they talk serial killers, sex cults, crimes of passion, close encounters, ghosts, and the straight-up odd. It’s a refreshing way to parse the true crime world by taking it seriously enough to tell a great story but not so seriously that you can’t have a good laugh.
Where To Start:
If you’re looking for a solid entry point, we recommend starting with episodes 269 and 270 titled Kurt Cobain Part I and Part II. It’s deep dive into the death/suicide/maybe-murder of the Nirvana frontman.
Criminal is one of the best podcasts out there regardless of genre. Each episode is expertly researched and presented in a straightforward, no-nonsense way. It’s spell-binding story-telling at its best. And it drives deep into the heart of the human stories behind the headlines and police reports.
Where To Start:
You can start from the beginning or start at the most recent episode. You’ll get hooked either way.
S-Town is a spin-off of the insanely popular Serial — which sort of felt like all anyone could talk about as 2014 turned into 2015. This iteration finds This American Life producer Brian Reed heading to Alabama to do some true crime digging at the behest of one John B McLemore, a resident of “Shittown.” After someone ends up dead, “the search for the truth leads to a nasty feud, a hunt for hidden treasure, and an unearthing of the mysteries of one man’s life.” Add in some southern gothic characters and Spanish moss and you have yourself a must listen.
Where To Start:
This is a serialized story, so start with Chapter One. And good luck not binge-listening to the whole thing.
The minds behind HBO’s hit The Jinx conceived of the brilliant Crimetown as their follow-up. The podcast’s first season follows the life of a Providence, Rhode Island prosecutor as he fights organized crime, becomes mayor, and has his soul whittled away by the realities of America’s criminal underworld.
Where To Start:
This is a fully serialized story, start with Chapter One so you get a proper introduction to the whole affair.
Comedy and true crime have a dynamic relationship. It’s hard to say why. Maybe it’s because we need to laugh to quell the terror. Whatever it is, it works and Pretty Scary — part of the Unpops podcast network — hits the perfect mark of being both terrifyingly apt and hilarious. Co-hosts Adam Tod Brown and Caitlin Cutt cover everything from owl murders to flesh-eating diseases with a nice dose of don’t-give-a-fuck-oh-shit-I’m-terrified vigor. It’s a great one-hour listen any day of the week.
Where To Start:
How to Die in a Corn Silo is a solid point to jump in. The episode looks at the all-to-common deaths of people in corn silos and it’s pretty terrifying.
The premise of True Crime Garage is pretty simple: Two friends sit in their garage, drink beer, and talk true crime. Every week Nic and The Captain delve into new true crime stories that span the ages. They offer a fresh and well-researched perspective into old and new stories, unsolved mysteries, and plenty of craft beer.
Where To Start:
We recommend hitting their 100th episode first. The guys go over their Top Ten Unsolved Cases. The episode offers a solid glimpse into their personalities and the show.
Comedians Georgia Hardstark and Karen Kilgariff host this lovingly rambling examination of true crime stories from the American mythos. My Favorite Murder’s often silly and always gripping coverage of grisly crimes has spawned a close-knit community of Murderinos who send in hometown murders which get covered on mini-episodes and posted up on the show’s blog.
Where To Start:
You can really jump around anywhere in the episode list. But if you have to have a recommendation, Episode 60: Jazz It Up is a great benchmark of the series.
Sword and Scale is no laughing matter. Each episode is a deep dive into a darkly fascinating crime, it’s always well-researched and often comes with great interview subjects to bolster the episode’s validity. It’s a comprehensive look at some incomprehensible crimes, cover-ups, and some conspiracies that turned out to be more than just theories.
Where To Start:
We recommend trying episode 86 which reexamines the Heaven’s Gate cult on the 20th anniversary of their (spoiler alert) mass suicide.
Hosts Greg Polcyn and Vanessa Richardson decided to take a different route with Serial Killers. Instead of chatting about a case, they tell a straight story by narratively voicing segments and characters. It makes for an audiobook-like experience and helps to raise the stakes of each story.
Where To Start:
Start with episode five titled “The Vampire Of Dusseldorf.” The two-parter tells the story of Peter Kürten who went on a murder spree in 1929 and drank the blood of some of his victims.
Generation Why is an insanely addictive podcast. Two buddies, Aaron and Justin, spend around an hour recounting various crimes of the past and present. Each episode is well-researched and presented though banter that’s educational without making you feel like you’re in school.
Where To Start:
A starting point is episode 229 about the Belcher Islands Massacre when an Inuit man read the bible for the first time and decided he and his buddy were Jesus and God, respectively. As the episode title suggests, it doesn’t end well.
Richard O Jones is a great true crime narrator. His podcast, True Crime Historian, takes a look at some of the most gripping crimes of the past and brings them back to life in the present. Jones’ retelling of big cases from the past and those that have long been forgotten offer a glimpse into the minds behind the madness, the way cases were investigated and possibly solved, and why they were important back then while still resonating to this day.
Where To Start:
Each one is about an hour and covers one story — so you don’t have to worry about jumping in at any point. Our recommendation is to find a story that piques your interest and start there.
Casefile True Crime is one of the most engaging podcasts out there right now. Maybe it’s the Anonymous host’s Australian accent helping us listen more and more. The true crime stories are truly stellar here. The production value is high, the stories are amazingly researched, and the narration pulls you right into the madness of it all.
Where To Start:
There is a couple of multi-episode series in the mix. The three episode arc about Jonestown is a great place to dive in and get a sense of the quality of this pod.
Most Notorious is another chance to take a sprawling dive into the crimes that have shook us and shaped us throughout history. Host Erik Rivenes has been obsessed with solving crimes for as long as he remembers and that enthusiasm makes this podcast shine. Rivenes often invites experts on to talk about their books which cover whichever crime is being highlighted in the episode, providing a very deep take on the subject. It’s conversational, engaging, and chilling.
Where To Start:
We suggest the episode titled “1897 Chicago’s Sausage Vat Murder.” Simply because who doesn’t want to know what’s up with that story immediately??? Spoiler alert, it’s grisly.
Indigenous women in the U.S. and Canada (and Mexico) are the most at risk of being raped and murdered daily. The numbers are off the charts. With so little reporting in the mainstream media, podcasting has picked up the slack to tell the stories of women and children who otherwise would be forgotten forever. The story of Cleo Nicotine Semaganis, who was taken from her family in the 1960s to be “re-educated” in a boarding school, is a chilling portrayal of how colonial powers destroy Indigenous lives and, then, refuse to come to a reckoning, even today.
Where To Start:
Missing and Murdered is another pod where it’s essential to start from episode one and work your way to the finale.
The Last Days of August hits that perfect sweet spot of the true crime podcast’s ability to report and entertain. It takes a story you think you know and upends it into something so much more. With Jon Ronson at the helm, the podcast never drifts into speculation or hearsay. It stays locked in on the mysterious suicide of adult actress August Ames and never sensationalizes for dramatic effect. This is a story that sticks to the facts because, well, the facts are interesting enough.
Ronson and co-producer Lina Misitzis tackle the story of porn star August Ames’ untimely death with a grace and precision that touches on how we ostracize porn actors and use social media while making the story painfully human.
Where To Start:
You really need to start this one from episode one and listen through.
Southern Fried True Crime takes the idea of true crime and zeroes it in on a region. Host Erica Kelley tells stories exclusively from America’s South. It’s a part Gothic nightmare and part classic true crime, filtered through Kelley’s excellent storytelling style. The podcast is all about Kelley telling a story in acts with a beginning, middle, and (not always satisfying) end. She’s able to draw you by sticking to the facts of the case because, put simply, facts are often far stranger than any fiction.
Where To Start:
Drop in at episode 33. The biggest reason here is not a shift in content but in quality. The recordings get crisp and clear at this point, making them a dream to listen to. Once you’re hooked, you can go back and give the earlier episodes a listen.
Small Town Dicks is a hell of a unique show. For starters, hosts Yeardley Smith (yes, the voice of Lisa Simpson) and Zibby Allen work with actual detectives in planning and hosting each episode. Oh, and those detectives happen to be twins. It’s a cool crew that allows the show to bring on the actual detectives from the cases they explore, giving the show a sense of gravitas and realism rarely found in the true crime podcasting world.
Where To Start:
Episode 15 and 16 from season two are a great place to start. The two-parter walks the audience through a crime and a first-hand account, step-by-step of how the detective solved it.
Esther Ludlow’s Once Upon A Crime is a fascinating listen that flies by. Ludlow’s voice draws you in and her storytelling directness keeps you tuned in. Each episode is a 30-minute (or so) stand-alone tome of tragedy and travesty. A nice ripple that Ludlow employs is using themes to explore true crime stories over multiple episodes, making it even easier to binge a couple of eps in a row.
Where To Start:
Ludlow’s “Bad Sports” themed run ended with episode 128: Ten Cent Beer Night. The episode tells the tale of a Cleveland baseball game that descended into chaos when the team decided to sell ten-cent beers to their fans. It’s a great introduction to the show.
In the spring of 2018, the Golden State Killer — Joseph James DeAngelo — was captured. A random family DNA test finally led to the arrest of one of California’s most prolific and elusive serial killers after 44 years. Man In The Window from the LA Times and Wondery takes a deep dive into not only how DeAngelo was finally captured but how he carried out so many burglaries, rapes, and murders and what, if anything, we can do to stop people like him.
It’s a comprehensive investigation into a harrowing reign of terror that spanned decades.
Where To Start:
This is the sort of show that you have to listen to from episode one. That episode, “Phantom and the Fog“, opens the series with an investigation into a spat of brutal dog killings in a small California town that unknowingly at the time would lead to a brutal killing spree.
Root of Evil: The True Story of the Hodel Family and the Black Dahlia
Root of Evil
The Podcast:
Root of Evil takes a two-pronged approach to the infamous murder of Elizabeth Short — later dubbed the Black Dahlia. The 70-plus-year-old cold case has led to endless theories but the most common is that a man named George Hodel was responsible for the brutal dismemberment. While the podcast does look into the case of the Black Dahlia the real focus is on Hodel and his family history — past, present, and future. Through Hodel’s great-granddaughters, we get a deep look into a disturbing man and his family.
This podcast is also a companion piece to the TNT show I Am the Night directed by Wonder Woman’s Patty Jenkins and starring Chris Pine.
Where To Start:
Interestingly, you can kind of skip around with this series. While there is a sense of story building towards a climax, a good place to get a taste is with episode six, Supposin’ I Did Kill The Black Dahlia. The episode follows Steve Hodel, George Hodel’s son, as he looks into the piles of evidence against his father and reckons with his family’s unsavory history.
Reveal isn’t a classic “true crime” show per se. It’s an investigative podcast that uses the classic tactics of investigative journalism to tackle issues affecting all us today. Through The Center for Investigative Reporting and in collaboration with The Washington Post, ProPublica, APM, The Marshall Project, and The Investigative Fund, Reveal looks at crimes that span everything from political corruption to suicide to silencing scientists over climate change to imprisoning migrant children. It’s a vast podcast that takes the time to tell stories right.
Where To Start:
We’d suggest starting with Sins of the Fathers. The episode investigates how the Catholic church in the Pacific Northwest and Alaska relocated sexually abusing priests from white, Asian, and black communities to Indian reservations to hide the abuse.
Of course, the abuse continued once the priests arrived in Indian Country. This can be a pretty tough listen.
The Tour de France announced that the organization would sue the woman who caused the massive crash with her big cardboard sign, which drew international headlines in the aftermath of the wreck. As The Washington Post reported on Monday, police continue to search for the woman, who went missing after the wreck injured some spectators and quite literally broke some bikes.
“We are suing this woman who behaved so badly,” Pierre-Yves Thouault, the tour’s deputy director, told Agence France-Presse. “We are doing this so that the tiny minority of people who do this don’t spoil the show for everyone.”
One problem, though: multiple reports say she has fled the country in order to escape the hunt for her that started on Saturday after the crash. As CBS reports, French media outlets are reporting that the woman hopped on a plane and abruptly left the country as outrage grew.
However, French publication Ouest-France reported the woman, who is believed to be German, got on a flight and is untraceable, according to CBS Sports.
It’s entirely unclear why this person would be untraceable or what kind of punishment they’re now avoiding by being on the lam, but things are quickly escalating here to say the least. Hopefully things come to a swift conclusion and everyone who was injured in the wreck recovers. And unless using a cardboard sign to disrupt the Tour de France was the start of a very elaborate heist or international crime thriller, the person on the run comes to their senses and heads back to France soon.
Ben Simmons is entering the offseason with a clear task facing him to improve as an offensive player after the way the season ended for he and the Sixers in the conference semis against the Hawks.
Simmons’ reluctance to shoot has long been a point of contention for his detractors, but that conversation reached a fever pitch after Game 7. The 24-year-old All-Star has always had a unique offensive game, less predicated on scoring and more on running the offense as a facilitator, but in crunch time that can get exposed as the Sixers’ best on-ball creator for others becomes a complete non-threat. That was exasperated this postseason by his free throw shooting woes, which seemed to lead to him shutting down as an attacker to avoid getting fouled.
This offseason will be about building up those scoring skills as well as working on being more mentally prepared for what comes his way with teams fouling him and sending him to the stripe. Figuring out how to shrug off the misses to keep attacking, as Giannis Antetokounmpo does, will go a long way towards that, but it is much easier said than done. All of that is to say, this offseason for Ben Simmons is all about working on Ben Simmons, and the star is apparently taking that seriously, officially withdrawing from the Australian Olympic team on Monday (something that’s been rumored for more than a week), with coach Brian Goorjian offering a statement supporting Simmons’ choice.
“I have spoken with Ben and whilst we wanted him to be a part of our team, we understand and support his decision and he has made it clear that this is something that he wants to be a part of in the future. It is a pretty rough time for him right now and I know it is something that he wanted to do, but the timing just hasn’t worked. The best thing for everybody right now is for him to go on and develop that skill package and improve in a couple of areas for his next season in the NBA, but the Boomers are always here for him. We wanted him to know that in his time of need, the culture and the guys here are behind him and support him.”
Australia was understandably excited about their prospects in the Olympics with Simmons, Joe Ingles, Patty Mills, and potential lotto pick Josh Giddey leading the way, but will now be down a star. That doesn’t mean a deep run is an impossible task for the Boomers, but just a more difficult one. As for Simmons, he’ll look to bounce back for next season with plenty of attention and scrutiny sure to come his way when he steps on the NBA floor again in October.
To the surprise of absolutely no one, when Helen Mirren finally gets behind the wheel in F9, she practically steals that entire chunk movie, which is fitting given that her character, Queenie, is an accomplished thief. After first appearing in The Fate of the Furious, Mirren has now shared two fan-favorite scenes with Vin Diesel‘s Dom Toretto, and when asked if she’d be open to taking their on-screen relationship to the next level, the honorable Dame Mirren was on board, but with one very specific condition. Via The New York Times:
Let me double back on my first request: If a chaste kiss can be arranged in the next movie, would you be open to it?
With Vin? Oh my God, of course I would! But only if he talks to me before and after, because it’s the voice that I really get off on, quite honestly.
Wow, and there you have it. Helen Mirren is all about that deep Diesel bass, and she doesn’t care who knows it. In fact, when asked who she’d want to play her ex-husband (and father to Luke Evans, Jason Statham, and Vanessa Kirby’s characters) in the Fast and Furious films, Mirren couldn’t help but gush about Diesel’s casting choice.
“I don’t know if I’m allowed to say but apparently Vin had the idea of Michael Caine,” Mirren said. “I mean, wouldn’t that be fantastic? That would be just so cool and absolutely perfect. So we’ll see.”
Relentless (Discovery+) — This Blumhouse Television/Stick Figure Entertainment series releases three episodes of this journey by an obsessive filmmaker (Christina Fontana) to uncover what really happened to a missing young woman (Christina Whittaker), a 21-year-old who left a 6-month-old child behind in Missouri. Less than a year later, Fontana touched base with the family and soon found herself staring down a trail of conspiracies and betrayal while becoming part of the story. Fontana soon realized how accounts lacked consistency across the board during interviews, and it’s fair to say that the filmmaker risked her own career and safety while bringing this story to her audience.
The Republic Of Sarah (CW, 9:00pm) — This show follows the ending of tranquility of Greylock, N.H., after a stash of valuable coltan leads to new overlords, and a rebellious teacher (Sarah Cooper) steps in to halt the madness. Soon enough, there’s the prospect of Greylock becoming a sovereign nation, which will present problems of its own. This week, Sarah enlists a trio of spunky teenagers when New Hampshire’s governor attempts to seal Greylock’s borders.
All American (CW, 8:00pm) — Spencer starts to look toward the future with his high school football career coming to a close, as Jordan and Asher are also feeling similar anxiety.
In case you missed this pick from last Monday:
I’ll Be Gone In The Dark: Special Episode (HBO series on HBO Max) — The one-year anniversary of Joseph James DeAngelo’s guilty plea as the Golden State Killer fast approaches. So, HBO’s revisiting the dogged investigating efforts of true-crime blogger Michelle McNamara after the revolutionary docuseries of 2020. Original series director Liz Garbus will be back to produce alongside Patton Oswalt (McNamara’s husband at the time of her death) and true-crime writers Paul Haynes and Billy Jensen (who helped piece together McNamara’s research into the book) for a special episode, which contains revelations about another case that informed McNamara’s true-crime obsession.
Here’s a worthy selection from over the weekend:
False Positive (Hulu film) — Hide your uteruses! Pierce Brosnan is the worst fertility doctor. As if being a woman wasn’t hard enough, Hulu (through this A24 film) will give us even more fuel to dread going to a gynecologist, or baby doctor, or fertility whiz, or whatever term you want to use. Ilana Glazer stars as one half of a couple, alongside Justin Theroux, who seeks to become pregnant, and things aren’t exactly going well with the natural route. And from there, things get all Rosemary’s Baby in a very 2021 way, and in an entertaining way, too, while everyone slowly realizes that something is simply not right with Brosnan’s Dr. Awesome. From there, the this trailer shows how the gaslighting really kicks in, and could it be… Satan?
As more former Trump loyalists begin to expose the administration’s inner workings we’re getting a clearer picture of what the environment inside the White House looked like and guys, things were hilariously bad.
Journalist Michael Wolff’s new book, Landslide: The Final Days of the Trump Presidency, got quite a few staffers to go on record recounting their workplace experiences, and in his latest excerpt, we learned that most of the people serving under Trump preferred to avoid him… like the plague. No, really. According to Wolff’s reporting, everyone from KellyAnne Conway to Stephen Miller purposefully chose to have their offices on the second floor because, and we’re paraphrasing here, Trump hates taking the stairs.
He hates them so much that those hoping for a bit of separation from the reality TV tyrant — who was known for throwing temper tantrums on the regular — decided to eschew setting up camp outside the Oval for a second floor Trump-free oasis.
“Working on the second floor of the West Wing allowed aides to avoid dealing with former President Donald Trump because he never walked up the stairs to get to the upper floor,” Business Insider reported, citing key details from Wolff’s book.
Aides who resided on the second floor apparently knew that, in doing so, it “meant a degree of exclusion but also protection,” for “Trump would never climb the stairs (and, by the end of his term, he never had).” That’s one way to steer clear of your boss’s childish outbursts.
Speyside is one of the smaller whisky regions in Scotland. The whole area is surrounded by the Highland region, which makes the definition of the region’s style of whisky a little harder to get a handle on. To top that off, Speyside is home to Dufftown, which has the most distilleries of any town in Scotland and is the official “Whisky Capital of the World” — producing more single malt than any other place on the planet.
So what makes Speyside special? The thrust of the style is the River Spey and how it combines with the northeastern coastal and interior dry climates of Scotland. It’s close to barley fields. But it’s really the water from the Spey and surrounding springs that inform the local whisky. It’s reported that the water has a very low mineral content, which is good for the single malts made there. Lastly, while the Highland whiskies can range from peat monsters to fruity and honeyed, Speyside tends to lean a bit more towards the sweet and fruity end, with peat used sparingly.
To get a better grasp on this hyper-specific region of Scotland’s whisky scene, we decided to call out ten bangers for under $100. Sadly, that leaves out one of our all-time favorite single malts, Mortlach, since their whisky tends to always be north of that price point in the U.S. Otherwise, these are all whiskies you should be able to source pretty easily that will also give you a handle on region’s nuances.
If any of these bottles interest you, make sure to click on the prices to try them yourself.
This is an entry whisky not only to Speyside but to single malts in general. The juice is aged in a combination of used American and European oak before it’s married, rested, proofed with Speyside’s iconic water, and bottled.
Tasting Notes:
This dram is creamy like a vanilla pudding with a bright pear orchard and some mild toffee. That leads towards a very easy and soft woodiness with a touch of candied pear and more vanilla cream. It’s also very light and approachable while still feeling like a solid whisky.
Bottom Line:
This is most people’s gateway to scotch in general. Overall, this is a really well-rounded whisky that’ll easily help you fall in love with sweet single malts of Speyside.
Glenfarclas is a bit of an outlier. The whisky is distilled with old-school fire-heated stills (most stills use steam) to this day. The juice is then aged exclusively in ex-sherry casks for 12 long years.
Tasting Notes:
There’s a rumminess to the nose that touches on molasses, prunes, nuts, and jam. The taste holds onto that vibe to the point of having an almost spiced rum sweetness and clear notes of holiday spices, plenty of dried fruit, and a roasted almond element. The end long and spicy, leaving you with a Speyside hug.
Bottom Line:
This is a great bottle for a dark rum fan who’s looking to test the waters of Scotch whisky. The whisky on its own also plays well in cocktails while holding up as an easy sipper on ice.
This single malt is a crucial component of Jane Walker Black Label, thanks to its subtle sweet notes and to the fact that two women created this whisky. Helen Cummings made this whisky in the early 1800s and sold bottles to passers-by from her house. Emily Cummings, Helen’s daughter-in-law, took over the stills in the mid-1800s and sold the old distillery to Glenfiddich to finance a new one, which eventually became part of the Johnnie Walker family.
Tasting Notes:
There’s a softness that starts with a nose of purple heather flowers, ripe pear, and homemade oatmeal cookies made with honey and sultanas leading towards this touch of cinnamon sticks and pine resin. The palate really delivers on the malts via that oatmeal cookie while the pear amps up to a subtle pear candy with a little spiced tobacco buzz. The end is short and leaves you with a lingering sense of that tobacco leaf spitting thin lines of smoke at the back of your throat.
Bottom Line:
This is hugely popular in Spain but only starting to get a foothold in the U.S. The juice is super easy to get into and understand while being very well-rounded and almost … cooling on the tongue.
BenRiach The Twelve Speyside Single Malt Scotch Whisky
Dr. Rachel Barrie’s reimaging of BenRiach has been a stellar success. This dram is a marrying of 12-year-old malts that matured in ex-bourbon, ex-sherry, and ex-port casks before vatting, proofing, and bottling.
Tasting Notes:
This has a bold nose full of apple and pear candy next to maple syrup, plenty of blooming heather scrubs, and blueberry juice and stems with a hint of dark orange chocolate balls. The taste boils everything down to a silken palate of stewed pears with cinnamon sticks, sherry-soaked prunes, freshly milled oats, orange-infused marzipan with dark chocolate frosting, and a slight espresso bean oily bitterness (especially with a little water). The finish combines the coffee and chocolate to create a creamy espresso macchiato vibe that’s spiked with that dark orange chocolate note and a final hit of those stewed fruits.
Bottom Line:
This is a velvety dram of whisky. It’s also a great insight into Speyside whisky with its pure fruit, sweet, and citrus notes next to those oaty malts.
This is a new release from a classic Speyside distillery. The juice in the bottle is a 14-year-old malt that matures in a combination of ex-bourbon and ex-sherry before it’s finished in cognac casks to add that final x-factor.
Tasting Notes:
There’s a sense of cinnamon toast made with sourdough bread with plenty of butter and brown sugar next to a jar of peach jam with a touch of honey and black licorice. The palate, on the other hand, dances between baked pears with eggnog spices, Raisinettes, and orange-spiked maple syrup next to a stack of oatcakes. The end is soft and short-ish with a focus on the fruit and syrup that almost becomes honeyed by the end.
Bottom Line:
This is a new and interesting release from a well-known brand. It might not be everyone’s jam but it’s a good example of something different (or new) on the shelf. This release also supports U.S. military veterans with profits from the sales of this bottle going to veteran support groups.
Where many scotches spend time in ex-bourbon and then ex-sherry casks or some combination therein, this expression spends all 12 years of its maturation just in sherry casks. The barrels are imported from Jerez, Spain, and hand-selected for their excellence to mature this much-beloved whisky.
Tasting Notes:
Apple cider cut with cinnamon and clove greets you, with a clear sense of vanilla, nuts, and plums tagging along. Those plums turn into prunes as orange peels mingle with sweet oak and a hint of tobacco spice. The end is long, full of that sherry-dried fruit sweetness, and returns back to the chewy tobacco spice.
Bottom Line:
For a lot of folks, this is their first step into the wider world of premium whisky. Overall, this bottle is just that: A gateway to a wider world of high-end whisky that’ll get your palate ready for more.
The Balvenie is renowned for doing everything in-house, grain-to-glass, and for being the distillery that spearheaded the whole “finishing whisky in a different cask” movement. In this case, the juice spends 14 years maturing in ex-bourbon barrels. The whisky is then batched and transferred to barrels that The Balvenie aged their own blend of West Indies rum in.
Tasting Notes:
There’s a welcoming rush of buttery toffee up top with hints at brown spices, bright red berries, and a touch of sweet malts. The palate brings around creamy vanilla dotted with those sweet and slightly tart red berries next to a very soft and sweet oakiness. The finish is medium-length, full of soft wood and vanilla cream, and a touch of that spice.
Bottom Line:
This is some quality whisky that’s really hard to beat at this price point. It’s a great sipper that’s soft enough to drink neat.
Cragganmore is an iconic Scottish distillery. The whisky is matured in sherry casks for 12 years. It’s then transferred into American oak casks that held port for a final maturation phase before proofing and bottling.
Tasting Notes:
Fennel leads to some dried fruits and fresh apples on the nose. The taste, on the other hand, leans into sweet oak, figs, pear candies, and a softness that’s almost hard to believe. The end is full of sweet fruits and has just the right touches of oak, vanilla, and savory greens as it fades at a good clip.
Bottom Line:
We’re getting into phenomenal whisky territory with this expression. Every single aspect of this dram is so nicely dialed in, it’ll be hard to go back to drinking anything else. The balance of herbal, sweet, and floral in this whisky is exemplary.
This small Speyside distillery has been producing quality whisky for over 200 years. This expression is aged 16 years in both ex-bourbon and ex-Olorosso sherry casks. It’s then married and proofed with soft Speyside water from the Highlands and bottled.
Tasting Notes:
There’s a matrix of dried dark fruits next to powdery dark spices with hints of walnuts and dried florals that draw you in on the nose. The taste delivers on those notes while adding a deep plummy jam cut with clove and slightly sweet wood. The end really holds onto that jammy fruit and spice as it slowly fades across your senses, leaving a velvet texture in your mouth.
Bottom Line:
Again, this is really damn dialed in. Though, this expression of Aberlour tends to lean a little sweeter than herbal, unlike the Cragganmore above.
Benromach is built to highlight fruit, spice, sweetness, and very subtle smoke in every drop. The 15-year-old whisky is aged in a combination of ex-bourbon and ex-sherry before it’s masterfully blended, proofed, and bottled.
Tasting Notes:
The nose opens with a sense of smoked plums next to pears and bananas stewed with a handful of barks and spices and then drizzled with floral honey and dusted with dark cocoa powder. That dark chocolate flavor amps up on the palate towards an almost roasted coffee maltiness with more stewed pears, holiday spice, buttery toffee, smoked oats, and a spritz of orange oils. The end is dry yet creamy as the pear and banana become dried out with that smoked plum making a final appearance at the back of your palate.
Bottom Line:
When we say smoke or peat is used “sparingly” in Speyside, this is what we mean. There’s a mild hint of smoke to this that’s attached to the malts, fruit, and sweetness as a supporting act and it never overstays its welcome. That makes this a dynamic dram of whisky.
As a Drizly affiliate, Uproxx may receive a commission pursuant to certain items on this list.
There are still a few guest hosts left to take the reigns for Jeopardy!, but LeVar Burton’s impending fortnight at the podium has many fans excited about the man a considerable group of fans would like to see host the show full-time. That decision, of course, is up to the Jeopardy! staff and producers, who have essentially auditioned several notable names like Ken Jennings, Aaron Rodgers, and Katie Couric in recent months.
None of those hosts got serious traction with a petition to host the show, though, which is why the stakes are high for Burton when his episodes air later in July. And much like Rodgers, he’s been extremely forthcoming about why he wants the gig full-time. But his reasons are much different than a Jeopardy! champion or All-NFL quarterback. Namely, that it would matter for minority representation and continue what Burton has framed as a career full of service for others.
It’s difficult to explain, but there’s something inside me that says this makes sense. I feel like this is what I’m supposed to do. I have been watching “Jeopardy!” more or less every night of my life since Art Fleming was host. “Jeopardy!” is a cultural touchstone, and for a Black man to occupy that podium is significant. Look, I have had a career for the [expletive] ages. “Roots,” “Star Trek,” “Reading Rainbow.” Won a Grammy. Got a shelf full of Emmys. I’m a storyteller, and game shows are tremendous stories. There’s a contest, there’s comedy, there’s drama. If you don’t know your [expletive] on “Jeopardy!” you’re sunk in full view of the entire nation. The stakes are high. I love that.
Burton discussed his relationships with Fred Rogers and even Steve McQueen in the piece, explaining what they meant to his career and what they taught him. It’s a lovely discussion, if only to add a bit more context to Burton and his desire to add Jeopardy! host to what he himself called a “career for the f*cking ages.” Burton later admitted that he would be disappointed if the gig wasn’t his at the end of the guest hosting rotation, but that he’s doing his best to put things into perspective ahead of his tapings.
It will hurt. I’m not going to lie. But if that happens, I will get over it. I will be fine. Remember: Everything happens perfectly and for a reason. That is my default. It’s all going to be OK. Because it always is.
We’ll have to see how well he does once he’s actually on stage, but Burton is certainly making good points about why he would make a great pick for the job.
Manifest fans appear to be hell-bent upon saving the series, even though Netflix said nope to resurrecting the show for after NBC cancelled it following three messy seasons. For sure, this is a strange situation: it’s not every day that a network axes a show while it’s sitting at #1 on Netflix’s most-popular list, and it’s really saying a lot that Netflix resurrects cancelled shows with some frequency (including the very popular Lucifer) but didn’t want to take a stab with this one. Granted, the show’s not objectively good, but it’s wildly popular, even though there’s so much head-scratching to be had.
On one hand, I do feel for the Manifest fans. I’m still very upset about not learning more about the recent Santa Clarita Diet cliffhanger (before Netflix cancelled the zombie-comedy show) and what happened during a Melrose Place spinoff when someone got killed at a wedding altar back in the late 1990s. Being a TV fan isn’t always easy, but it’s worth the occasional pain, which is the feeling that Manifest creator Jeff Rake — who’s envisioned and planned the series for a six-season run — is having while urging viewers to keep the faith because… he’s still plugging away at a solution?
“Manifesters!” Rake wrote on Twitter. “Your support is awe-inspiring. We’re trying to find a way to conclude the series. Could take a week, a month, a year. But we’re not giving up. You deserve an end to the story. Keep the conversation alive. If it works out, it’s because of YOU.. #SaveManifest”
Manifesters!
Your support is awe-inspiring. We’re trying to find a way to conclude the series. Could take a week, a month, a year. But we’re not giving up. You deserve an end to the story.
Keep the conversation alive. If it works out, it’s because of YOU. ⁰⁰#SaveManifest
So… can anything be done? Short of another streaming service picking up the show, it’s difficult to envision what Rake wants to happen. That is, unless someone wants to privately fund another round of confusion, since the series, which revolves around a flight that disappears off the radar (and is presumed lost) before touching back down on Earth’s surface five years later, perplexes people. Maybe, just maybe, a script could be pulled together for a “finale,” followed by a table read. That’s not a glamorous prospect or the one that anyone necessarily wants to settle for, but it would be a nice gesture to the fans who’s supported the show all along.
#GiveManifestATableReadFinale has a decent ring to it, right?
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