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Beabadoobee Kidnaps A Wealthy Executive In Her Heist Film-Inspired ‘Cologne’ Video

UK songwriter Beabadoobee has captured audiences with her stunning down-to-earth ballads and trademark 90’s-era indie sound. Now following up on her 2020 debut LP Fake It Flowers, the singer unveils her 2021 North American tour dates and celebrates the release of her EP Our Extended Play with a captivating video to her track “Cologne.”

Directed by The Rest, Beabadoobee’s “Cologne” video is inspired by classic heist films. She and a group of her pals take a road trip to the mansion of a wealthy industry executive, tricking him into letting her band perform. Once inside the building, Beabadoobee and her bandmates kidnap the executive and hold him ransom while stealing various items from his opulent home.

In a statement about the EP as a whole, Beabadoobee praised her collaborators Matty Healy and George Daniel, both of The 1975:

“This EP was made in a really collaborative way during a time where it was really difficult to do that and I feel so lucky to have gotten to make it with my band and Matty and George. I hope it can bring people together in some way, that’s really what these songs are about, that feeling of togetherness that’s been missing a lot in the last year. It feels like a bridge to what’s coming next too.”

Listen to Beabadoobee’s “Cologne” above and find her 2021 North American tour dates below.

11/01 — Washington, D.C. @ 9:30 Club
11/02 — Philadelphia, PA @ Union Transfer
11/04 — New York, NY @ Webster Hall
11/05 — Boston, MA – Royale
11/09 — Carrboro, NC @ Cat’s Cradle
11/10 — Charlotte, NC @ The Underground
11/11 — Atlanta, GA @ Buckhead Theatre
11/13 — Birmingham, AL – Saturn
11/15 — Houston, TX @ White Oak Music Hall
11/16 — Austin, TX @ Emo’s
11/19 — Phoenix, AZ @ The Van Buren
11/20 — San Diego, CA @ The Observatory North Park
11/21 — Los Angeles, CA @ The Fonda Theatre
11/22 — Los Angeles, CA @ The Fonda Theatre
11/23 — San Fransisco, CA @ The Fillmore
11/26 — Portland, OR @ Crystal Ballroom
11/27 — Seattle, WA @ Neptune Theatre
11/28 — Vancouver, BC @ Rickshaw Theatre
11/30 — Salt Lake City, UT @ The Depot
12/01 — Denver, CO @ The Summit Music Hall
12/04 — Kansas City, MO @ The Truman
12/06 — Chicago, IL @ Metro
12/08 — Detroit, MI @ Majestic Theater
12/09 — Toronto, ON @ Danforth Music Hall
12/10 — Columbus, OH @ Newport Music Hall
12/11 — Pittsburgh, PA @ Stage AE

Our Extended Play is out now via Dirty Hit. Get it here.

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Bernie Sanders Shut Down Meghan McCain After She Tried To Make Him Throw The Squad Under The Bus

Bernie Sanders stopped by The View, where the Vermont senator made short work of Meghan McCain‘s attempts to tie him to controversial remarks on Israel made by the left-leaning congresswomen in The Squad. During her first question, McCain asked Sanders what he thinks about comments calling Israel “an apartheid state” and “akin to terrorist organizations,” but he didn’t take the bait. Instead, he side-stepped McCain’s jabs at The Squad (Democratic U.S. Representatives Rashida Talib, Ilhan Omar, and Alexandra Ocasio-Cortez) and reiterated his stance that America should have an “even-handed role” in bringing peace to the sensitive conflict between Israel and Palestine.

However, McCain wasn’t going to quit until she could make Sanders either condemn The Squad or endorse their (in her words) views on “exterminating Israel.” She then asked, “Do you think the movement, which you started, has moved away from what you envisioned?”

But, again, Sanders wasn’t playing, and this time, he shut McCain down.

“Well Meghan, first of all, I don’t believe that’s what they’re saying, and second of all, it’s not my job to have to defend every member of Congress, any more than it is their job to defend every statement that I make,” Sanders said before not giving McCain the satisfaction of seeing him throw The Squad under the bus.

“I think the progressives in the House are doing a very good job in standing up for working families,” Sanders continued. “It’s not my job to comment on everything that any member of the House says, any more than it is for them to comment on what I say.”

(Via The View on Twitter)

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Give An Oscar To This Video Of Stephen A Smith And Michael Wilbon Reacting To Deandre Ayton’s Game-Winning Dunk

Basketball fans were treated to an absolute gem of a game on Tuesday night between the Phoenix Suns and the Los Angeles Clippers. It had a little bit of everything — huge performances from role players, some unreal shotmaking by stars down the stretch, the Clippers battling back to take the lead late, the referees reminding us they were there a lot (“everything” doesn’t necessarily mean “good”) — but ultimately, Phoenix came out on top due to the heroics of Deandre Ayton to take a 2-0 series lead.

In a throwback to the Tyson Chandler era with the franchise, Monty Williams drew up a play for Jae Crowder to take the ball out of bounds, lob it to Ayton, and let him throw it down, taking advantage of the fact that you can’t be hit with a goaltending on an inbounds play. Unsurprisingly, the fact that it led to a 104-103 win caused the stadium to nearly implode on itself.

As is oftentimes the case when these sorts of things happen, videos popped up from in the arena. Here is one of them. I implore you, wait for the twist.

Yes, the angle we get of the final play rocks, and the very end — it pans to show the duo of Stephen A. Smith and Michael Wilbon, both of whom are totally gobsmacked — is extremely funny. But the person who recorded it deserves tons of credit for some spectacular camerawork and letting things build and build instead of cutting right to Stephen A and Wilbon. It helps contextualize, to an extent, the level of amazement both feel in that moment, to the point that both look frozen for a moment or two as they attempt to reckon with what they just saw. It’s beautiful. Give it an Oscar.

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A Former NRA President Was Duped Into Giving A Speech For A Fake High School By A Gun Safety Organization

David Keene, the president of the National Rifle Association (NRA) from 2011 to 2013 and current board member, was asked to give the graduation speech at James Madison Academy in Las Vegas, Nevada. “Let me begin by telling you what an honor it is to be here to help celebrate your graduation,” he said to kick off his address in front of thousand of socially distanced chairs. There was no one in the chairs, however.

There’s also no James Madison Academy — Keene, as well as More Guns, Less Crime author John Lott, had been tricked into attending the phony graduation by Change the Ref. The gun safety organization was formed by Manuel and Patricia Oliver, whose son, Joaquin, was one of 17 people killed during the mass shooting at Stoneman Douglas High School in 2018. “Ironically, had the men conducted a proper background check on the school, they would have seen that the school is fake,” a spokesperson said.

“These two guys are part of the problem,” Manuel told BuzzFeed News. “We need to call them out, we need to show everyone. This is how they process the logic behind the gun industry. We need to show we’re brave and we’re not afraid of these guys. We’ve already felt the worst possible situation. There’s no threat that can make me feel different.” Change the Ref’s goal is to “give the young generation of survivors and victims a disrupting voice to help lead the way to change – a more peaceful future.”

After filming, Keene and Lott were told the graduation was canceled and were not informed before the videos were released on Wednesday that the events were fake… Both Keene and Lott traveled to Vegas and were excited to speak, said Oliver, who did not meet either of them to make sure the stunt did not get disrupted by anyone recognizing him.

Keene spoke to 3,044 empty chairs — the same number of students who should have graduated this year but were instead killed by a gun.

You can watch the powerful videos below.

(Via BuzzFeed News)

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Britney Spears’ Boyfriend Sam Asghari Seems To Have Joined The #FreeBritney Movement

Today is a big one for Britney Spears: This afternoon, she is set to address her conservatorship for the first time in open court. That’s according to a press release from the Superior Court of Los Angeles County, which notes that “all parties, including Ms. Spears, are scheduled to appear remotely” for today’s hearing (as Newsweek notes). Ahead of then, though, Spears’ boyfriend, actor Sam Asghari, has addressed the situation.

In an Instagram Story today, Asghari shared a photo of himself in a white t-shirt with a seemingly hand-painted message. Some of the shirt’s text is cut off in the photo, but it seems more than likely that it reads “FREE BRITNEY.”

@samasghari/Instagram

If this post is in fact meant as a criticism of the conservatorship or the people involved in it, it wouldn’t be Asghari’s first. In February, he expressed his feelings toward Britney’s father, writing in an Instagram Story, “Now it’s important for people to understand that I have zero respect for someone trying to control our relationship and constantly throwing obstacles our way. In my opinion Jamie is a total dick. I won’t be going into details because I’ve always respected out privacy but at the same time I didn’t come to this country to not be able to express my opinion and freedom.”

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Deandre Ayton Laid Out How The Suns’ Run In The Orlando Bubble Led To Their Success This Season

The Phoenix Suns, currently up 2-0 on the Los Angeles Clippers, are closer to the NBA Finals than they’ve been in some time time. Their most recent win was sealed in the last second of the game with a Deandre Ayton dunk on an inbounds play.

The success of this season for Phoenix resulted in the No. 2 seed in the Western Conference and the team’s first playoff appearance since 2010. A lot of the credit has gone to Chris Paul, while adding Jae Crowder in free agency helped too. But Paul currently is out due to health and safety protocols (although he could be back for Game 3 in Los Angeles) and, per Ayton, the Suns’ improvements predate both veterans joining the team. In his eyes, it all goes back to the end of last season.

“Things started turning around in the bubble,” Ayton told The Undefeated. “In the bubble, with the way we handled ourselves, team success comes with individual accolades. I think that is what really happened in the bubble. I saw each and every one of us really grow. We won some games and we started to put the right staff in. That is why we are here, to be honest. Whatever we are doing [now], was built in the bubble.”

The Suns, in case you forgot, went 8-0 in Orlando, but did not make the play-in tournament. Devin Booker was particularly great in the Bubble, averaging 30.5 points and six assists per game while shooting 50 percent from the field. Up until some of the moments he’s had in the playoffs, it was best Booker has ever played in his career. Ayton was also great, playing at a high level at both ends and offering a glimpse of what he’s slowed in the Suns’ current run. Mikal Bridges and Cam Payne, two standouts on this current team, also showed up in big ways.

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Mick Jenkins Relives A Suburban Nightmare In His Time-Looping ‘Truffles’ Video

The 1993 high-concept Bill Murrary comedy vehicle Groundhog Day continues to inspire a generation of artists, even thirty years after its release. While time-looping films had a big year — see: The excellent Palm Springs on Hulu and the horrific, Oscar-winning Two Distant Strangers on Netflix, among others — the originator’s influence resonates and gets a Disturbia– related twist in the video for Mick Jenkins’ new single “Truffles.”

The video, which also takes inspiration from Friday and Get Out sees Mick living out a suburban nightmare — and reliving it, over and over again, as he wakes up each day, heads outside to water the lawn, and is confronted with the contorted faces of his not-so-friendly neighbors. The eerie video is accompanied by Mick’s armor-piercing rhymes, delivered in his signature laid-back deadpan as he reflects on the negative perception of Black people in America — especially in unofficially segregated suburban areas like the one depicted in the video.

“Truffles” is the second single Jenkins has released this year after he collaborated with Kaytranada on the boastful “Designer Frames.” Whether that means the Chicago-bred rapper is gearing up for a larger release remains to be seen, but since it has been over a year since his EP Circus, and even longer since he released his critically hailed Pieces Of A Man, it’d be fair to say that he’s about due.

Watch Mick Jenkins’ “Truffles” video above.

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Taco Bell Has A New Crispy, Plant-Based Chalupa — Here’s Our Review

For vegetarians looking for a good healthy meal in the fast food universe, few menus offer more options than Taco Bell’s. Whether you want to crush a burrito, indulge in some decadent snacks, or feel like tackling a black bean-based Crunchwrap Supreme, the Bell sports over 15 vegetarian options for you to choose from on its bloated menu (and yet for some reason they ditched the Mexican Pizza). If one of those doesn’t strike your fancy, with a few menu hacks you can turn almost any item into a vegetarian or vegan-friendly dish.

Despite all that variety, the chain inexplicably doesn’t have a plant-based taco on its menu. Crazy considering making a plant-based taco should be right in Taco Bell’s wheelhouse (god knows they’ve already dealt with “fake meat” accusations). But over the past half-decade, the Irvine-based company has seemed like they’d rather spend their time inventing whatever the hell the Mountain Dew Baja Blast is.

Thankfully, that approach seems to be shifting. Earlier this year Taco Bell introduced a plant-based version of their famous ground beef taco dubbed the Cravetarian in a small test market. We, unfortunately, haven’t tried that taco, but the Bell seems to be feeling pretty confident because they’re strutting their stuff and testing the waters with yet another new plant-based menu item. This time, Taco Bell is playing off of this month’s earlier new item, the Naked Chicken Chalupa — which we tasted a few years ago and was briefly “a thing” — by testing the Naked Chalupa with a Crispy Plant-based Shell. Yes, you read that right, you’re not high out of your mind, that’s its actual name. Taco Bell spent time figuring out how to turn chicken into a tortilla substitute, and then made a fake version of that chicken but didn’t spend any time figuring out what to call it. Priorities, Taco Bell!

The *deep breath* Naked Chicken Chalupa with a Crispy Plant-Based Shell is being offered for a limited time at a single Taco Bell location in Irvine California from now until June 27th. So, considering most of the world is going to have to wait to try this thing (if they get to try it at all), we trekked out to Taco Bell HQ to eat both Chalupas to see how the fake one compares to the real. Is Taco Bell nailing plant-based meat (shaped like tortillas, which are already plant-based)?

Let’s find out, starting with the Naked Chicken Chalupa.

Naked Chicken Chalupa

Dane Rivera

What’s In It?

Chicken, lettuce, cheddar cheese, tomatoes, avocado ranch

Calories: 440

What Does It Taste Like

Prior to arriving at Taco Bell HQ, all I knew was that Taco Bell introduced a new chicken-based taco to their menu (for the second or third time, for those keeping track at home). I wasn’t quite ready for the shock that I was essentially eating a salad wrapped up in taco shell-shaped piece of fried chicken. The “Naked” refers to the fact that aside from the chicken shell, there is no meat in this taco, just lettuce, cheese, tomatoes, and a generous squirt of avocado ranch, which I have to admit, is kind unexpectedly tame.

Taco Bell could’ve totally doubled down on the meat and put their ground beef in this chicken shell and they probably would’ve gone viral (again) on shock value alone. But they didn’t and they’re probably better for it.

Dane Rivera

The Naked Chicken Chalupa is actually pretty damn good. If you can get past the fact that they had to heavily process some chicken meat and flatten it out until they could fold it, fry it, and shove a bunch of other stuff in it, it provides a good mouthful of flavors. The crispy chicken shell is thick enough to be satisfying and coupled with the cheese, tomatoes, lettuce, and avocado ranch, the experience is akin to eating a heavy chicken salad with one hand.

The chicken shell has a pepper-forward savory flavor that pairs nicely with the avocado ranch, but I think an avocado-based salsa would’ve really elevated the experience by adding a nice spicy sensation to the whole thing. So you’re going to want to definitely hit this thing with your favorite Taco Bell sauce to take it to the next level.

The Bottom Line

If you don’t already frequent Taco Bell is this worth hitting the drive-thru over? Not quite. But if Taco Bell makes a regular appearance in your fast food diet, the Naked Chicken Chalupa is definitely worth indulging your curiosity for. It looks like Frankenstein food made for social media, but it offers more flavor than you’d expect.

Naked Chalupa with a Crispy Plant Based Shell

Dane Rivera

What’s In It?

Plant-based chicken shell, lettuce, cheddar cheese, tomatoes, avocado ranch

Calories: Awaiting Info From Taco Bell

I still can’t get over this mouthful of a name. The Naked Chalupa with a Crispy Plant-based Shell is almost completely identical to its chicken-ed counterpart, the only main visual difference is the plant-based shell is slightly thinner and less craggy, but that’s something only a side-by-side comparison would show.

The plant-based shell is made from a proprietary pea-protein blend that’s breaded and shaped into Taco Bell’s distinct Chalupa form factor, biting into the thing reveals a substance that looks almost identical to white meat chicken.

Dane Rivera

Texture-wise, the plant-based shell has much more chew to it, it takes a bit more effort to finish chewing the food down when compared to its chicken counterpart, which I had to admit, I don’t love. Flavor-wise, the plant-based version is a lot more neutral, the avocado ranch does most of the heavy lifting in the flavor department, so the (here we go again) Naked Chalupa with a Crisply Plant-based Shell is much more in need of sauce or another flavor to really elevate the experience.

Long story, short, you’re going to want to dip this in something.

Dane Rivera

While I enjoyed Taco Bell’s Naked Chicken Chalupa because of its salad-on-the-go form factor, I almost think the plant-based chicken meat would be better if it was cut up and thrown on top of an actual salad, or simply as a crispy plant-based option to go in one of Taco Bell’s burritos.

The Bottom Line

It’s interesting. The pea-protein plant-based chicken recipe is good and passable as chicken, but this feels like the wrong form factor for it. Slices of avocado or the inclusion of potatoes would do a lot to make this meatless Chalupa work, but as it is, I think Taco Bell has better vegetarian options on the menu that’ll leave you more satisfied. Don’t order this as a meal, order it as a side to your meal. For your money, it’s better to grab the Naked Chicken Chalupa, which is good news, because that one is available nationwide while this one isn’t.

You can try the Naked Chalupa with a Crispy Plant-Based Shell at the Taco Bell location at 2222 Barranca Pkwy, Irvine, California.

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The Only Person Who Can Fix Ben Simmons Is Himself

Through three playoff appearances, the Ben Simmons Experience™ has always been a matter of when, not if, the bottom falls out. He’s dominated each of his first-round matchups against the Miami Heat, Brooklyn Nets, and Washington Wizards, only to skew closer toward an offensive ghost than a bruising, 6’11 floor general who blends brilliant passing with interior scoring chops when the second round arrives.

One point in Game 2 against the Boston Celtics as a rookie. Five points in Game 5 against the Toronto Raptors the following year. And then, the potential coupe de grâce, 19 combined points over the final three games against the Atlanta Hawks, a tailspin that played a key role in the top-seeded Philadelphia 76ers falling well short of their 2021 championship aspirations.

The first-year struggles were understandable: A rookie guard encountering a game plan designed by a shrewd opposing defensive coach with apt personnel to slow him. Speed bumps could be expected and dismissed under the justified belief that young players are forged through such trials. The second-year inconsistencies, while more damming, were still understandable — Simmons shifted to an off-ball-centric role as Jimmy Butler assumed grander creation responsibilities during the postseason, while the team on the other side of the floor was a defensive juggernaut.

But this year — nearly half a decade into his career, equipped with the experiences to rectify prior struggles, and fresh off of a regular season when Simmons was the supposed Robin to an MVP-caliber Batman on the team with the best record in the Eastern Conference — there is no legitimate justification for another second-round nosedive.

It was not just the scoring decline that encapsulated this offensive nosedive. For years, Simmons and his ardent supporters have implored critics to examine his game beyond scoring numbers. Whenever the media handed Sixers coach Doc Rivers an opportunity to do so this season, he harped on the concept. And to an extent, the general sentiment is correct, it’s just often applied to an extreme that seemingly devalues scoring altogether for an All-Star who prefers initiating the offense rather than being relegated to off-ball duties.

Simmons is an excellent player largely because of all his non-scoring traits — elite perimeter defense, rebounding, transition firestarter — but the scoring still matters. His deficiencies there, which are not mutually involved with the pesky jumper many groups fixate on, are why he’s failed to translate his All-Star impact after the first round in three consecutive playoff runs.

That talking point aside, a complete erosion of half-court offensive utility served as a much more prominent influence in Simmons’ faults against the Hawks. The scoring totals just provide a synopsis of the hardships. Play after play, he drifted into irrelevance once the ball left his hands.

He failed to roll with purpose after screening in dribble hand-offs or pick-and-rolls, a longstanding issue of his. He did not seek out off-ball screens to spring free shooters or cutters as the dunker spot morphed into his half-court home. He crashed the offensive glass less often than ideal; although in fairness, that very easily could’ve stemmed from a mandate to retreat defensively and slow Trae Young’s early offense profits.

While frequenting the dunker spot opposite Joel Embiid in the mid-post, he did not always seal off his man or attempt to do so and act as a release valve for the big fella. As is the case with many critiques of Simmons, some context helps absolve him — Embiid has not shown a willingness to toss that pass throughout the season, so it might help explain why Simmons’ motor in that realm faded. Either way, the inactivity in that spot further exacerbated his offensive hibernation.

For long periods in the second half of this series, the Sixers’ three-time All-Star and 2019-20 All-NBA guard merely existed in the half-court, failing to wield his size, frame, and basketball instincts for contributions. He floated, a footprint never to be left. He became so wired for passivity instead of aggression that in the fourth quarter of Game 7, he made a decision that will be talked about for years, bypassing an open dunk to feed a cutting Matisse Thybulle, who was promptly fouled and split a pair at the line.

You have likely seen that Simmons attempted three shots in seven fourth quarters against Atlanta, with his last attempt coming in Game 3. More broadly, he’s taken fewer than nine shots in 10 of 19 career second-round games (52.6 percent), an occurrence he’s only registered in 19.6 percent (54 of 275) of his regular season contests. He discernibly downshifts the aggression in these pivotal series and doesn’t compensate in other ways offensively, with the parts of his game that would be relied upon in these moments never being properly sharpened.

Simmons is 6’11 and 240 pounds, a freight train of a player capable of dislodging most opponents when he so pleases. He does not adhere to traditional requirements of the point guard mold. Screening, cutting, fervently rolling, rebounding, and being a connective passer in the half-court (a la Draymond Green) should be things he always does with vigor, not things that are tied to the ebbs and flows of his scoring. Those are low-hanging areas to remain useful offensively in all circumstances and leverage his size and intelligence. Yet while they may appear basic, Simmons hasn’t plucked them through four seasons and it bogs down his and the team’s offense considerably.

The most vocal retort to Simmons’ lack of big man skills is the Sixers’ inhibiting surrounding personnel. Ben Simmons needs to be surround him with shooters!, people declare. They’ll cite the post-centric offense catered for Embiid as a limitation for Simmons.

Yes, this is not the perfect situation for Simmons, but it’s fairly low on the list of problems restricting him. And here’s the thing: this year’s Sixers team, as well as the 2017-18 and 2018-19 versions, are damn good ecosystems for him — in the past, players like Robert Covington, Tobias Harris, J.J. Redick, and Dario Saric served as credible shooters who opened lanes to the paint and were beneficiaries of his drive-and-kick game, while other on-ball scorers like Butler took some of the onus off him to be the hub of the team’s offense. It’s not quite suited to optimize him, sure, but it is constructed rather well to enhance his steadfast strengths and cover for many of his gaps.

This season, his four starting peers shot 45 percent (Seth Curry), 41 percent (Danny Green), 39 percent (Harris), and 38 percent (Embiid) beyond the arc; the latter two were on relatively low volume, but it wasn’t as if defenses were abandoning those guys to mitigate Simmons’ interior scoring chances.

He had three guys commandeering heftier scoring loads. Dribble hand-off and pick-and-roll partners existed. None of them elite, of course, but undoubtedly of the caliber for him to embrace the big man responsibilities, aid his ball-handlers, and remain a terrific player (as he’s long been). More perplexing is that when he sets rugged screens and rolls with purpose, forcing the defense into a difficult decision, success follows. The outline of how well it could work with an elite ball-handler is there — and even how well it could work with the players at his disposal. The outline isn’t accompanied by routine, though, and that’s a much more damaging concern than the absence of an elite initiator.

When he was shifted to a role that demanded he hammer home these nuances against the Hawks, he seemingly treated them as a pass-fail assignment. Make the handoff, stand in front of someone to screen, and the job is complete. That cannot be the case, yet it was far too often — not every time, but at an unsustainable rate regardless.

Simmons likes to refer to himself as “a basketball player” instead of boxing himself into one rigid position, perhaps an ode to his wide-ranging skills. But as this year’s second round progressed, he resorted to a bystander more than a basketball player in the half-court offense. Some of that is tied to personnel, but so much was his own doing.

So, the narrative that Simmons needs a new home because of schematic or talent hindrances just should not and cannot resonate. A fresh start away from Philadelphia certainly could help and seems necessary for all parties at this juncture, but any sort of breakthrough is unlikely to be heavily correlated with on-court skills or factors — the Sixers have largely surrounded him with empowering teammates. Most stars are not entirely optimized, in large part because it is incredibly challenging to do that. Embiid, for example, has never been optimized in his career, yet has become an MVP finalist and displayed growth as a postseason performer.

Simmons has faltered in three separate second-round cameos, against contrasting opponents, with three different iterations of the Sixers. The onus should primarily fall on him for these blemishes, not the continually rotating cast of teammates. Embiid is the lone constant, but he’s a superstar who overwhelmingly simplifies Simmons’ job, one that sees him toggling between point guard and power forward, and unable to truly excel at either position full-time or part-time because of self-imposed sanctions.

Maximizing Simmons requires a daunting checklist, too: A stretch 5 who protects the rim, a lead ball-handler who shoots off the bounce effectively and is a plus distributor, and two more shooters, one of which probably should brandish significant on-ball creation equity. Assembling that quintet is arduous, rare, and likely expensive. Any potential trade suitor who conceivably rosters each of those archetypes probably has to part with one or multiple of them to acquire Simmons, who is a very good player and also owed nearly $150 million over the next four seasons.

Those archetypes are coveted, usually expensive, and would bolster the Sixers sans Simmons, anyhow. Optimizing Simmons better than his current context is pretty dang tough and more idealistic than attainable in almost every scenario, barring a gigantic leap from him to remedy much of the creation requirement. And besides, there’s no guarantee that going all-in on maximizing the skill set of exactly one player on an NBA roster would beget becoming a championship contender.

Some semblance of reliable half-court creation would alleviate many of the concerns that spur these yearly pitfalls and pose incongruity for his fit alongside a superstar big man. Embiid, while a subpar three-point shooter (32.9 percent in his career), commands attention beyond the arc because he’s one of the league’s preeminent scorers and exhibited a money midrange game this season. Ignoring him altogether affords a lethal bucket-getter space and freedom.

If Simmons touted a face-up or post-up game, rather than almost exclusively being a passer in those spots, Embiid could comfortably migrate beyond the arc and let his running mate cook on occasion. If Simmons did not contort himself around contact — instead, powering through with his strength and body control — and predominantly only finished with his right hand, Embiid could clear the lane and let Simmons drive. If Simmons committed to setting space-carving screens and rolling aggressively, rather than wandering into the lane, Embiid could spot up to give those actions room.

But Simmons doesn’t do those things, at least not to the degree in which they genuinely enhance his offensive malleability. That is what makes this inflection point of his career so bewildering, because he has sprinkled in flashes, even prolonged ones, of incredible two-way basketball. The run to end his rookie season. January 2020. His five-week, pre-All-Star Break surge of 2021.

He’s sliced and slashed with physicality, finesse, and craft to thrive as a finisher. He’s skillfully danced in the two-man tango of pick-and-rolls or dribble hand-offs, capitalizing on the scoring gravity of his teammates to convert inside. He’s functioned as a versatile offensive hub from the elbows and post, balancing facilitating and forceful rim attacks. There are multiple month-long stretches of him looking the part of a top-15 player, as if he’ll finally exorcise some second-round demons and turn the corner, waving goodbye to the offensive stagnation that has sat shotgun to his career thus far.

And then, these stretches evaporate. They leave Simmons as he’s always been, a confounding, anomalous star with glaring, detrimental playoff warts and the need to look inward and assess his self-inflicted, albeit correctable, flaws. They’re central to he and the Sixers’ inability to progress since his rookie season, each finding themselves in a similar position to that of three years ago: a second-round flameout. Only this time, there’s a whole lot less optimism and understanding.

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Tate McRae Is The Cool Babysitter In Her ‘Working’ Video With Khalid

After dancing since she was in elementary school, 17-year-old Canadian artist Tate McRae is seeing a successful launch of her singing career. “I always used to say ‘I’m a dancer who sings, not a singer who dances.’ That’s how it always went,” McRae told Uproxx in a recent interview. Now after dropping her debut EP Too Young To Be Sad, McRae has linked up with Khalid to flex some of her choreography skills in the “Working” video.

McRae’s “Working” visual opens with her feeling despondent at a high school graduation party before it gives a look at what she has in store for the rest of her summer vacation. She gets a job as a laid-back babysitter, watching the kids play video games and go for joyrides in the car, all while she can’t help but get a failing relationship out of her mind.

Ahead of the visual’s release, McRae told Uproxx that she doesn’t want to be pigeonholed into just one genre. “The crazy thing is that I’m still trying to find my sound,” she said. “I think there are a million different ways that you can play around, and a different million different artists [to work with] that will shoot you in different directions. But I can’t really define what I do [musically]. I think it changes every month… you can do so many things nowadays.”

Watch McRae and Khalid’s “Working” video above.