Categories
News Trending Viral Worldwide

The Best New Hip-Hop This Week

The best new hip-hop this week includes albums, videos, and songs from GoldLink, Gucci Mane, Vince Staples, and more.

Friday saw the releases of Don Toliver’s “Drugs N Hella Melodies,” Isaiah Rashad’s “Headshots (4r Da Locals),” and Vince Staples’ “Law Of Averages,” along with the releases listed below.

Here is the best of hip-hop this week ending June 18, 2021.

Albums/EPs/Mixtapes

Bbyafricka — Bigafricka

Bbyafricka

After catching a lob from Saweetie on the Bay Area rapper’s Pretty B*tch Playlist Vol. 1 earlier this year, Bbyafricka drops her debut project, led by the singles “Baby Mama Coochie” and “Young Thug.” The LA model turned musician positions herself as a cocky artist on the rise, who should appeal to fans of boastful, sex-forward party rap.

GoldLink — Haram!

GoldLink

Returning after a two-year hiatus, the DMV area genre-bending rapper/producer once again taps a wide-ranging array of collaborators, bringing them into his world and proving equally adaptable to a large variety of styles. Flo Milli, NLE Choppa, and Santigold are among the more recognizable names, but there are still plenty of surprises to uncover from Bibi Bourelly, Fire London, LukeyWorld, and more.

Gucci Mane — Ice Daddy

Gucci Mane

Gucci’s had a taste for collaboration in the years since he returned home from a long prison bid in 2016, and here, he gives that impulse free reign, working with his own artists (BIG30, Pooh Shiesty), marquee stars (Lil Baby, Lil Uzi Vert), long-established veterans (E-40, Sir Mix-A-Lot), and underground favorites (Peewee Longway).

Metro Marrs — Popular Loner

Metro Marrs

As Quality Control Music branches out from its core acts (City Girls, Lil Baby, Migos) and begins to promote its second wave (including XXL Freshman Lakeyah), the spotlight now turns to the hit-making label’s youngest member, who just graduated high school. He takes advantage, too, going completely solo for his debut project’s 10-track runtime.

Rah Swish — Mayor Of The Streets

Rah Swish

Brooklyn Drill has yet to lose its swaggering momentum, as yet another of the scene’s buzzy, underground leaders takes his first steps into stardom.

Singles/Videos

Bankroll Freddie — “Dope Talk” Feat. 2 Chainz & Young Scooter

Take thumping trap production and three of the genre’s most clever poets and you get an undeniable banger.

Enny — “I Want”

British rapper-singer Enny has been accumulating quite the buzz over the past year, and “I Want” is a perfect argument that she deserves it.

Fenix Flexin — “NDS (Nerd, Dork, Square)”

Try not to fall into any of these categories, because Fenix Flexin has little to no respect for any of them.

Kalan.FrFr — “Pray”

Compton rapper Kalan is still promoting his TwoFrFr mixtape, which bodes well for his burgeoning popularity.

Rejjie Snow — “Disco Pants”

An aptly-titled comeback track for the Irish rapper who wowed critics with his 2018 album Dear Annie, Rejjie Snow’s latest continues to strengthen the bond between hip-hop and dance music.

Travis Thompson — “Parked Cars” Feat. Kota The Friend and Kyle

Three of indie rap’s strongest advocates create naturalistic chemistry on a celebratory track.

Wacotron — “Perfect Example”

Texas rapper Wacotron continues to strike a strong balance between mechanically perfect, bars-first lyricism and trap brashness, with an unconventional but neck-snapping beat.

Wale — “Angles” Feat. Chris Brown

The PG County favorite makes his long-awaited return with a smooth ballad.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Categories
News Trending Viral Worldwide

A Bongo-Wearing Matthew McConaughey Fired Up Fans Before His Soccer Team’s First Home Game

Amidst all of the talk about Matthew McConaughey maybe running for governor of Texas, and the recent release of his memoir, it’s easy to forget that he’s part-owner of a soccer team. So on Saturday, he reminded the world in the most Matthew McConaughey way possible.

While wearing his trademark bongo around his neck like a giant percussion medallion, a green-suited McConaughey fired up the crowd at the first home game for his Major League Soccer team, Austin FC. You can see video of a very amped McConaughey below, and if you’re curious about what he’s yelling, it’s the team chant of “Verde! Listos!”

Much like his flirting with gubernatorial politics, McConaughey’s part ownership of Austin FC is all about establishing his “legacy.” Ahead of the season opener, he explained to the Austin NBC-affiliate KXAN News his reasoning behind buying into the team back in 2019:

“I’m investing my time, money and self into things now that are legacy choices. Things that I want to build in the long run, that I want to have alive when I’m on my death bed… that I want to hand off to my children that they can hand off to their children, stuff that will outlive me, that’s what I’m trying to put my time into now,” McConaughey said.

Of course, McConaughey is upfront that he’s always been a big fan of the team, but he doesn’t think that will impact his business decisions, or more importantly, his bongo-playing. “I’m not switching hats, I can make business decisions with my green headband while I’m beating my drum as well,” he said back in April and has clearly lived up to that promise.

(Via ESPN FC on Twitter, KXAN News on Twitter)

Categories
News Trending Viral Worldwide

The Strokes Debut A New Song Called ‘Starting Again’ In A Political Campaign Ad

It’s been a bit over a year since The New Abnormal, the 2020 album from The Strokes that was the band’s first album since 2013. Now they’ve shared some additional new music, premiering a song called “Starting Again” in an ad for New York City Mayoral candidate Maya Wiley.

Julian Casablancas wrote the song with Gregg Alexander of the New Radicals and the pair said in a joint statement:

“In an era of voter suppression and mega donors dismantling democracy, it’s crucial to remember New York City is too important to risk handing the reins of America’s most diverse metropolis to the same kind of party machine that’s controlled NY’s governance for most of the 20th century… one of Brooklyn clubhouse politics, big real-estate money, and mutual back-scratching. It is time we elect Maya as the city’s first woman mayor to make things better for ALL of our futures.”

The Strokes have been Team Wiley for a few months now. In May, the band performed at a virtual fundraiser for the candidate, which also featured a conversation between Wiley and Casablancas. Then, last month, they performed an in-person concert at New York’s Irving Plaza in support of Wiley’s campaign.

Watch the ad above.

Categories
News Trending Viral Worldwide

The Supreme Court Torched The NCAA In A Unanimous Ruling: ‘The NCAA Is Not Above The Law’

On Monday, the Supreme Court issued a ruling in the NCAA v. Alston case, which alleged that the NCAA’s rules against schools being able to offer student athletes better benefits tied to education violated antitrust laws. The decision from the court was unanimous, with all nine justices ruling against the NCAA.

Neil Gorsuch wrote the majority opinion, which limited the scope of this ruling to education benefits in particular, but Brett Kavanaugh wrote a concurring opinion that opened the doors for a deeper look into the NCAA’s rules as they pertain to anti-trust laws in future cases. Kavanaugh’s opinion was particularly scathing in its critique of the NCAA, stating flatly that “the NCAA is not above the law” when it comes to fair compensation for players.

To be sure, the NCAA and its member colleges maintain important traditions that have become part of the fabric of America—game days in Tuscaloosa and South Bend; the packed gyms in Storrs and Durham; the women’s and men’s lacrosse championships on Memorial Day weekend; track and field meets in Eugene; the spring softball and baseball World Series in Oklahoma City and Omaha; the list goes on. But those traditions alone cannot justify the NCAA’s decision to build a massive money-raising enterprise on the backs of student athletes who are not fairly compensated. Nowhere else in America can businesses get away with agreeing not to pay their workers a fair market rate on the theory that their product is defined by not paying their workers a fair market rate. And under ordinary principles of antitrust law, it is not evident why college sports should be any different. The NCAA is not above the law.

Earlier in his argument, he pointed to how out of place the NCAA’s practices would look in any other field, which seems to open up the NCAA to more litigation regarding player compensation beyond just education-related benefits in the future — with lawsuits already out and being added to as we speak.

The NCAA couches its arguments for not paying student athletes in innocuous labels. But the labels cannot disguise the reality: The NCAA’s business model would be flatly illegal in almost any other industry in America. All of the restaurants in a region cannot come together to cut cooks’ wages on the theory that “customers prefer” to eat food from low-paid cooks. Law firms cannot conspire to cabin lawyers’ salaries in the name of providing legal services out of a “love of the law.” Hospitals cannot agree to cap nurses’ income in order to create a “purer” form of helping the sick. News organizations cannot join forces to curtail pay to reporters to preserve a “tradition” of public-minded journalism. Movie studios cannot collude to slash benefits to camera crews to kindle a “spirit of amateurism” in Hollywood.

Price-fixing labor is price-fixing labor. And price-fixing labor is ordinarily a textbook antitrust problem because it extinguishes the free market in which individuals can otherwise obtain fair compensation for their work. Businesses like the NCAA cannot avoid the consequences of price-fixing labor by incorporating price-fixed labor into the definition of the product. Or to put it in more doctrinal terms, a monopsony cannot launder its price-fixing of labor by calling it product definition.

It is as damning a condemnation of the NCAA’s concept of amateurism as you will find anywhere, and that it came from a Supreme Court justice (albeit in a concurring opinion rather than the majority opinion) seems to not bode well for the NCAA’s future in running as it does currently. After bipartisan name, image, and likeness legislation stalled at the federal level, the unanimous decision of a rather famously divided Supreme Court would seemingly provide incentive for both parties to return to the drawing board to figure out a national NIL law, particularly now that the Court has provided even more guidance on what they view as legal with regards to the NCAA’s rules.

In the meantime, it’s going to be very interesting to see how far schools are able to stretch the “education-related” benefits umbrella, in what should be a major win for athletes.

Categories
News Trending Viral Worldwide

‘Raw’ Director Julia Ducournau Returns With The Unnerving ‘Titane’ Trailer

Julia Ducournau made her feature-length debut with the teen cannibalism drama Raw, one of the best horror movies in recent memory. That was five years ago, but the French filmmaker’s follow-up, Titane, is debuting at the Cannes Film Festival in July.

This is where I’d usually describe the plot of the film, but the Titane teaser, which you can watch above, is a series of context-less, dialogue-free scenes. There’s gyrating, cars, a buff dude in unflattering light, nudity, fire, and a late appearance from “She’s Not There” by the Zombies. Neon’s official plot synopsis isn’t much help either: “TITANE: A metal highly resistant to heat and corrosion, with high tensile strength alloys, often used in medical prostheses due to its pronounced biocompatibility.” Like Homer Simpson watching Twin Peaks, I have absolutely no idea what’s going on, but it looks brilliant.

“My scripts are very precise, and when I write a scene, I know exactly what the shots should be,” Ducournau told the AV Club about her filmmaking process. “I see them all in my head already. Sometimes I even start cutting scenes in the script. When I’m writing a scene I know I’m going to keep, I start cutting it mentally so I have it in my head… I actually have nightmares about seeing myself on set and not knowing where to put the camera. It really freaks me out.”

Titane, which stars Agathe Rousselle, Vincent Lindon, Laïs Salameh, and Garance Marillier (who was also in Raw), does not have a release date in America yet.

Categories
News Trending Viral Worldwide

USA Basketball Announced The 12 Players On The Women’s Olympic Roster For Tokyo

We are just weeks away from USA Basketball camps in Las Vegas for both the men’s and women’s teams, with the women’s squad getting tune ups against not only Nigeria and Australia, but also the WNBA All-Stars who don’t make Team USA.

The women will head to Tokyo looking for their record seventh straight gold medal, and will be the heavy favorites to do so given the immense amount of depth and talent on the roster. That 12-woman roster was finalized on Monday morning, with head coach Dawn Staley joining Today to announce the roster and break down how they landed on the 12 players they did.

Among the biggest cuts made was the Sparks’ Nneka Ogwumike, who was on the 2018 FIBA World Cup winning team, was the MVP of the 2020 FIBA Olympic Qualifying Tournament, and played extremely well during USA Basketball’s college tour in 2019-20. Her sister, Chiney, was not pleased with her exclusion, to say the least.

Ogwumike is currently injured with a timetable that should have her back playing before camp begins, which may have played a role but Taurasi — who is certainly in a different category as a legend — is similarly out currently with an injury. The omission of Ogwumike was the chief point of controversy regarding the roster, but with so many talented bigs, someone was getting left off that was going to stir up some serious questions.

Full Olympic Roster

Sue Bird
Diana Taurasi
Sylvia Fowles
Tina Charles
Brittney Griner
Breanna Stewart
Jewell Loyd
A’ja Wilson
Ariel Atkins
Chelsea Gray
Napheesa Collier
Skyler Diggins-Smith

There is a solid mixture of veteran talent who have been to past Olympics and will bring the requisite experience to the squad, along with some fresh faces in Atkins, Gray, Collier, and Diggins-Smith, who are each going to get their first taste of a major competition.

Categories
News Trending Viral Worldwide

‘Dexter’ Is Hinting At An O.G. Character’s Return In A New Revival Teaser

Revival shows (and reboots and relaunches and retoolings and reunions) won’t quit. Most of them are, as you are well aware, not fantastic and fail to recapture the magic. Occasionally, we receive an exception like the infuriatingly good Cobra Kai, yet can we dare to hope for a similar experience with Showtime’s Dexter? I’ve got my fingers crossed. It’ll definitely be better than that hurricane-survival ending, right? No more Mr. Lumberjack, after all.

Before we get real answers, there’s speculation, and a lot of that curiosity involves whether any O.G. cast members will return. James Remar (who played Dexter’s dad) already poured cold water on the idea of any original cast members returning, but the forensic evidence of Debra Morgan’s striped shirts would suggest otherwise. Also! My hunch all along is that we might see a return from Dexter’s son, Harrison, and a confrontation with dear old dad.

Enter the newest Dexter teaser (released on Father’s Day), which has a burning photo of the pair with this caption: “Wanna know a secret? Daddy kills people. #Dexter”

So… is this mere Father’s Day serial-killer humor, or something more?

This is exciting stuff, if the suggestion of Harrison’s return turns into the real deal. The original show ended with Harrison, who had been abandoned by Dexter in an apparent effort to cut-off the serial killer cycle, in Argentina with Hannah. Harrison’s approaching adulthood if we’re working in real-time (the show ended in 2013), and he’s presumably still alive. Not only that but back in 2015, the young actor who played Harrison (Jadon Wells) was an 8-year-old who was seriously into CrossFit. Sure, he’s probably 14 or 15 years old now, but maybe he could kick Dexter’s butt these days? Or Showtime could have decided to totally recast the Harrison role, given that 10 years have supposedly passed between the original finale and the limited series revival.

Whatever the case, my fingers are duly crossed for a real showdown.

The Dexter revival will likely arrive in late 2021.

Categories
News Trending Viral Worldwide

‘Stranger Things’ Season 4 Will Help Set Up The Show’s ‘Definite Ending,’ According To David Harbour

While promoting his pandemic-delayed debut as Red Guardian in Marvel’s Black Widow, David Harbour opened up about the heavily anticipated return of Stranger Things. While Season 4 probably won’t make its debut until early 2022, fans can’t wait to see where the show goes next, and Harbour definitely knows how to work that crowd.

According to the Chief Hopper actor, Stranger Things Season 4 is his “favorite season,” and he’s very excited that the ’80s-infused horror/sci-fi series will finally start working towards its endgame. Via Collider:

“I mean, it’s bigger, that’s the first thing. In scope, in scale, even in the idea that we’re not in Hawkins anymore. We, locale-wise, we’re bigger. We’re introducing new stuff, but we’re also tightening and wrapping up in a certain direction to make it have a clear, clean specific, and definite ending at some point, which I can’t really talk about.”

Despite Harbour’s character seemingly dying at the end of Season 3, the cat’s completely out of the bag that he survived, and the actor has developed a penchant for equating Chief Hopper’s return with the legendary resurrection of Gandalf in The Lord of the Rings.

“We were always interested in that idea of the Gandalf resurrection – Gandalf the Grey who fights the Balrog and then becomes Gandalf the White,” Harbour told Total Film back in September 2020. “It’s the idea of the resurrection of the character. And mythologically, Hopper, in a sense, had to change. I mean, you couldn’t go on the way he was going on. He has to resurrect in some way.”

(Via Collider)

Categories
News Trending Viral Worldwide

A Door In ‘Call Of Duty: Warzone’ Is Racking Up Kills Thanks To A Hilarious (And Frustrating) Glitch

On a technical level there are few things as impressive as a battle royale map in a video game. It needs to be large enough to support typically 100 players, if not more, all at once. This means that objects can’t be hidden behind loading points, or that areas can’t just appear once the player gets close enough, because players are spread out everywhere on a map. Not to mention the amount of stress this puts on servers. With so much going on it’s no surprise that sometimes parts of the map are going to break, or that glitches are going to be discovered. It’s just part of the experience.

All of that said, this recent glitch discovered in Call of Duty: Warzone might be the weirdest one. There’s a door in Karst Salt Mine that upon entry will immediately send a player into a bleeding out state. If the player is in a group then they can be revived, but if they’re by themselves it’s an auto loss. Via Reddit.

As the video above shows, the door will knock down anyone no matter their current health. So you can be at full health, with all the armor in the world, and that door will still put you to the ground. An impressive display of power from our new door overlords.

Obviously, the doors are finally revolting against the players of Battle Royale’s that have abused them for so long. We’ve used them for cover as we’ve been shot, kicked them open while we enter rooms, and shown a total disregard for door safety. Now they’re fighting back and we must hope this stays contained to Call of Duty and none of our other games. If the doors in other franchises hear of this they may too revolt. If that happens, then God help us all.

Categories
News Trending Viral Worldwide

Get Out The Paint: The Story Behind NBA Twitter’s Most Artistic Account

If you’ve been in or around NBA Twitter since December 2020 then you’ve probably had the experience of being watched. There you are, minding your own business, having a hard time remembering what highlight you just zoned out watching when two beady little eyes stop you mid-scroll. You pause, instantly caught, and scroll slowly down to reveal an oblong, pixelated body awash in crayon-bright primary colors, or maybe an ice cube tray wearing a Hawks jersey, a cantaloupe with a headband on, or a sentient slice of cherry pie with legs, but whatever you land on you can be sure is smiling guilelessly back at the mirror expression now playing across your own face. You aren’t seismically changed, but you’re happier than you were a second ago.

“I love making everyone smile on the drawings,” NBA Paint (well, the person behind NBA Paint, who asked to remain anonymous) says over Zoom. “Like, they all have this blank eye little smile expression. There’s probably like, 10 drawings I’ve done where the faces are either frowns, or straight-line face.”

NBA Paint created their Twitter account in early December, posting drawings sprung from inside jokes initially conceived in their fantasy basketball group to a handful of followers mostly from their fantasy basketball group. But the plucky, unabashedly cheerful drawings soon drew engagement from fan accounts, including the occasionally mercurial Aron Baynes Fan Club with its nearly 70k followers, and “it started to pick up a ton of speed.”

“It kind of hurled it into this space where all of a sudden I went from having, like, 10 followers that were close friends of mine, to a couple of hundred,” NBA Paint says. “When I began to notice like, alright, maybe I shouldn’t do them all on my phone. It was getting a little exhausting, hunching over.”

There are now nearing 50k engaged followers awaiting each day’s drawing, illustrations that range from cute to knowingly hammy phonetic twists on players names, interpretations of that day’s (or hour’s) big story, and most recently, reimagined game highlights.

“If you look back at the first drawings I’ve ever done in NBA Paint, I was actually using Microsoft Paint browser on Safari on my phone. So I was drawing them all just with my finger on the phone. You can see I’m not really connecting all the lines and they’re coming out really choppy, but that was kind of my initial intention.”

It’s the pared down, deceptively simple style that lends an immediate sense of connection to each drawing that NBA Paint does. Part of that is appreciation of the medium itself.

“I feel like everyone past the age of 25 has dabbled in Microsoft Paint at some point when they’ve run out of wifi or internet, or [were] on dial-up and they got kicked off the internet and they either had the option of messing around in Microsoft Paint, or playing that pinball game,” NBA Paint laughs. “So I feel like they get that sense of nostalgia from both of those aspects.”

Aside from technical recognition, there’s an in-on-the-joke literalism that comes across in every illustration. If you’re an active patron of the NBA’s unique theatre of drama and intrigue you’ll recognize its ongoing storylines and if you’re not, you’ll probably still get the obvious breakdowns of player names to phonetically assigned animal, plant or mineral. And regardless of which category you fall into, there’s the underlying current of how an instantaneous, irreverent platform like Twitter has created a short-hand, hive-mind sense of humor. You kind of just need to glance at the chubby, smiling little stick person to get it.

“I’ve been on Twitter a long time and am pretty obsessed with it, and feel like a lot of my humor and things I like have been developed from, overall, how Twitter feels about things,” NBA Paint says of how the drawings’ mode of delivery has shaped their ideation, and later their evolution. “Definitely for the first couple of videos, or the first video ever, I was like, ‘Wait, I can — cause I was just dragging around something — I can just record my screen and make Zion doing a dunk, and record that.’ And it would look pretty funny cause it’s so obviously bad, but it’s so bad that it’s pretty good.”

The ideas for the drawings themselves largely come from the brain of their creator, others come from a steady stream of requests (“I always feel a little bad about that, people actually think that I’m out there not giving them credit, I try to give credit where credit’s due”), but once an “idea is settled, it probably takes 15 to 20 minutes max on my standard ones,” NBA Paint says. “The videos take a little longer. But again, the videos aren’t necessarily more complex. It’s just, I’m drawing an extra guy or two. And then I drag them around and edit the video.”

The NBA Paint universe has grown so large that it’s become self referential. There is the tender spin on the “Are Ya Winning, Son?” meme, with a diminutive Doc Rivers walking in, play in hand, on a sunnily determined Seth Curry has been reshared every Sixers playoff game, a cameo on the StatMuse account, and a drawing of Devin Booker as a book that was recently rejigged upon commentary by CJ McCollum and that Booker then posted in a slideshow that also included photos his girlfriend, Kendall Jenner, on Instagram.

“When I created the account, I never would have thought that a player would one, even like something, but two, retweet it or post it on their own social media, and share it with literally their entire following,” NBA Paint says a little dreamily.

Even though the account has now done official collaborations with the Portland Trail Blazers and NBA All-Star, and has fans in Jarrett Allen, CJ McCollum and Enes Kanter among others, NBA Paint says every time a player finds, likes, or shares their work, “I still get blown away.”

For the most part, NBA Twitter and the NBA share a balanced symbiotic relationship, but there are times when the cycle begins to feel especially claustrophobic, if not outright draining. An echo chamber of takes, a cursed infinity loop forever missing the larger point, every single media outlet screaming the same pull quote in unison — if only there were an innocuous wedge to shove into the feed and disrupt the cycle. Oh, wait.

“Recently, I’ve been focusing on timely moments where I’ll hop on Twitter that day and see in the morning, accounts like SportsCenter or ESPN talking about, like it’s been two years since Kawhi Leonard hit the shot. And your whole feed is just filled up with the same exact footage of Leonard hitting the shot, and it builds up and builds up ‘cause all these other sports accounts are like, ‘Oh, we got to tweet this out,’” NBA Paint says of the déjà vu timeline. “I want to mix it up a little bit so that all of a sudden, it’s the same six shots, but now on the seventh one you’re hit with this really poorly done rendition of Leonard hitting the shot and it’s a little exaggerated.”

Like anything the account does, poking fun at sports media’s race for takes and perpetual feedback loop comes across as a friendly nudge than anything more critical, and they use the same approach with fans. NBA Paint — the account — doesn’t align itself with any particular team or player (the person behind the account does, but like their identity that allegiance stays confidential), in keeping neutral they provide a kind of easy, noncombatant online reprieve.

“It’s nice to, especially in a time where your Twitter feed can be so aggressive, have something out that’s like zero controversy behind it,” NBA Paint says of their safe space designation. “People will comment that a lot. Like this is so refreshing on Twitter, which I totally get because I guess I feel the same way when I make it.”

“It doesn’t feel like work, and people ask me all the time, are you tired? I basically post once a day, or do one drawing a day, since December, and that was five months ago,” NBA Paint says. “I get the same sense of enjoyment and like it’s kind of therapeutical slash relaxing to do it while I’m watching a game, and just like go into the zone and draw something out. It’s just like my whole life I’ve been doodling and it’s kinda just like doodling. I can turn my brain off and create this drawing and put it out into space.”

In terms of what’s next, the main goal of NBA Paint is to stay as “accessible as possible” while sticking true to their image. They have a web shop they “slowed down on” because their love for vintage t-shirts made it too difficult to find the right quality of shirt to use, initially going through 12 different mock-ups before landing on what’s currently in use, and a tentative dip into NFTs felt prohibitive given that only “0.05% of my audience can afford something like that”.

They admit that a dream collaboration would be with Nike or “it could be Crocs,” where a tiny, specific brand of shoe would be drawn carefully onto the sticked foot of each drawing they do over a period of time, or how fun it would be to collaborate with any of the sports media outlets they diligently follow and engage with writers of, to create digital art for stories, not necessarily specific to the NBA.

“I don’t want people to think that I’m just in this for the money, cause I’m not. I’m in it cause I love the sport and I have a great time drawing,” NBA Paint says. “My number one goal is just continue pushing growth, get this out to as many people as possible, because I think from hearing stories of people sharing it with their friends or their girlfriends or boyfriends or their family, and I would get like DMs of dad sharing it with their kids, and they’re like, ‘Yeah, we send each other’s drawings every day.’ It’s hilarious. [It] just like makes my day reading stuff like that.”

Asked about what made them love basketball and NBA Paint says it was the phenomena of Linsanity, and seeing a player who was then largely unknown “completely electrify the world”, that really turned them into a “diehard fan”.

“All of a sudden he can get hot and go off and have this huge movement that not only affects fans of his team, but inspires people all the way across the world,” NBA Paint recalls. “I was like, alright, basketball is pretty cool.”

That feeling evolved into an affinity for underdog stories, like the Fred VanVleets or Duncan Robinsons, players that come to encapsulate more than just the game played on court, but triumphant stories, human stories, overall.

Though not at the same scale, it isn’t difficult to draw parallels between those long shot, darkhorse stories that inspire and the small, smiling, and unflagging stick person that’s become the quick and central characteristic of NBA Paint. We all want to believe we’ll never find a mountain too high, and NBA Paint’s drawings, inanimate objects with facial expressions or not, make it feel like when staring up at something potentially insurmountable, the bravest face is always going to be a smiling one.