Before earning four Grammy Awards, over a dozen nominations, and an Oscar, HER has been perfecting her artistry since a very young age. Along with making a name for herself with her moving music, the singer is also known for her ever-present sunglasses. In fact, some people apparently don’t recognize her without them.
HER recently chatted with Variety for their cover interview. During the conversation, HER spoke about her decision to take on a moniker, sport shades, and appear only as a silhouette on the cover of her debut project:
“Honestly, the reason I wanted to be HER is because I felt people tended to focus on the looks of things instead of music — listening with their eyes and not their ears. It was a social media time of the whole package: ‘This is what an artist should be; this is what a woman should be.’ So when I first released music, I wanted to be a silhouette — these truthful stories were what I wanted to show, not me.”
The singer added that when she walks around her Brooklyn neighborhood, “people don’t recognize me without my glasses. Sometimes I feel like Clark Kent.”
Elsewhere in the conversation, HER described the ups-and-downs of starting her career at such a young age. “It was tough, honestly,” she said. “I would leave school for a few days every month or every other month to travel to New York, and I’d be doing independent study in the studio. There were a lot of sacrifices made, especially by my parents.”
But even with the sacrifices, HER always knew she was striving to make it big. “I’m thankful I was able to go to school, but honestly, I’d be sitting in class like, ‘I can’t wait to get back to New York and work toward my future,’” she added. “Everybody else was thinking about the weekend, but I was thinking about the next ten years.”
Check out HER’s full conversation with Varietyhere.
When the original Space Jam premiered in 1996 one of the elements that made it so iconic for kids of the era was its accompanying soundtrack, which is widely regarded as one of the best-produced film soundtracks of all time. Its eclectic collection of hip-hop, R&B, and pop artists was a hit, highlighting the increasing popularity of rap and its influence over the basketball world. So, naturally, for LeBron James’ sequel, Space Jam: A New Legacy, the bar is rather high — both for the film itself and for its soundtrack, which will likely be instantly compared to its groundbreaking predecessor.
Today, exactly one month before the film’s release — the soundtrack drops one week before — Warner Bros. pictures introduced the soundtrack’s “starting lineup” with a fun reveal video showing which of today’s stars have earned placement on what will undoubtedly be one of the more listened to soundtracks of the year. The video also shows off each star’s relative level of hoop skills and let’s just say it’s a good thing LeBron has the Looney Tunes on his team because some of these passes are looking rough.
Of course, stars like 24kGoldn, Aminé, Anthony Ramos, Big Freedia, Brockhampton, Chance The Rapper, Cordae, Duckwrth, G-Eazy, John Legend, Jonas Brothers, Joyner Lucas, Kash Doll, Kirk Franklin, Leon Bridges, Lil Baby, Lil Tecca, Lil Uzi Vert, Lil Wayne, P-Lo, Saint JHN, Salt-N-Pepa, Saweetie, Symba, and White Dave are here to rap or sing and not hoop — although Dame D.O.L.L.A. is in there, pulling double duty as he also plays one of the villainous Goon Squad players in the movie.
The New Legacy soundtrack is due 7/9 via Republic Records and WB Watertower Music. The film itself hits theaters 7/16.
Watch the reveal video above.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
After being absent from The View for two days, which led to some eerily calm discussions and Whoopi Goldberg actually having a good time, a noticeably under-the-weather Meghan McCain returned on Wednesday where she attempted to bring her trademark fire-and-brimstone to the G7 Summit.
During a long rant about how no American president since Ronald Reagan has stood up to Russia, and that she doesn’t think Joe Biden’s meeting with Vladimir Putin is a good idea, McCain blasted the G7 for not expelling Russia over human-rights violations “especially while Alexei Navalny is sitting in a Russian prison simply for seeking democracy.”
There’s just one small problem with McCain’s rant. The G7 is called the G7 because Russia was booted out seven years ago, and Joy Behar relished the opportunity to correct McCain, who blamed being sick for her mistake. Via The Daily Beast:
“Well, since I’m not an expert on Russian international information, but I do know one thing and that is that Putin was kicked out of the G8 which is why it is now the G7. He is not in the G7 at this point,” Behar boasted.
“That’s correct. That was my mistake. Sorry. That was my mistake, Joy,” McCain conceded before seemingly blaming the faux pas on her being “very sick.”
“I apologize. You’re right,” she added.
“That’s fine,” Behar responded. “Happy to correct you!”
You can watch McCain’s rant at the 1:40 mark below, and/or Behar swooping in with the correction at the 5:36 mark:
WHAT’S AT STAKE IN BIDEN & PUTIN MEETING? The co-hosts weigh in on Pres. Biden’s high-stakes summit with Russian Pres. Putin in Switzerland amid rising tensions over allegations of Russian election meddling, cyber terrorism, and human rights violations. https://t.co/9UjaNyrI83pic.twitter.com/eJSZY4CxtW
I guess my biggest issue with Dave, the FXX comedy that returns for its second season this week, is that I sound like a lunatic whenever I try to explain it to someone. This is a problem, generally, but also for me specifically because explaining shows to people is kind of my job. And yet, whenever I recommend the show to someone and they say, “Hmm, what’s it about?” I begin doing this deranged verbal lambada…
Well, okay… it’s this comedy about an aspirating rapper and he… do you know who Lil Dicky is? Okay, you don’t, you’re not online that much. Okay. So he’s this guy who makes like jokey rap songs, and he’s playing a thinly-fictionalized version of himself, and the character has like outsized self-confidence and an embarrassing urological situation, and there are so many famous musicians making cameos. It’s really childish and gross — there’s a ridiculous CGI diarrhea scene in the first season — but also really sweet and thoughtful. It’s good. There are a million dick jokes. But it’s sweet. And good. It’s good.
None of which is incorrect, I suppose. It is all of those things. And really much better than you’d expect if you focus too hard on the “YouTube joke rapper with a urological condition who finds himself in awkward positions a lot, occasionally due to explosive bowel movements” part of it. The first season caught me completely by surprise. It was this silly little show full of childish goofs and then suddenly it started examining mental health and anxiety and getting deep, in a good way, with the childish goofs still sprinkled in. By the end of the finale, I found myself wondering if it was the best show I watched all year. It was a journey. So, in the interest of professionalism, I’ll try to explain it again.
Dave is about a guy named Dave, played by a guy named Dave (Dave Burd aka Lil Dicky), who is starting out a career as a rapper named Lil Dicky (stay with me). He has a hype man named GaTa (played by his real-life hype man GaTa), and a roommate/manager named Mike (whose real name is Andrew Santino, not Mike), and he has this deeply rooted belief that he’s going to be the greatest rapper of all-time. This outsized self-esteem, coupled with a handful of physical and psychological issues (both Daves, real and semi-fictional, are neurotic messes when dealing with people and/or stress), results in about three of four different kinds of comedy, ranging from gross-out belly laughs to awkward cringe to heartfelt little rom-com moments. It’s a lot at once and it still somehow works.
Did that help? Was that any better? I don’t know. I guess what I should have said was just something like “Dave is kind of like Curb Your Enthusiasm if Larry David were an aspiring rapper with a surgically repaired penis.” And I wouldn’t have been far off. I know this because the show’s co-creator, Jeff Shaffer, also worked on Seinfeld and Curb Your Enthusiasm and said this to GQ in a recent profile of Dave, the real person, not the character or the show:
The flipside of his neurosis is stratospheric confidence. The co-creator of Dave, Jeff Schaffer, remembers the first time he met Burd: “He’s talking to me, a stranger, about how he’s going to be so huge. He’s telling me he’s going to be the biggest entertainer in the history of entertaining. And I’m like, Oh, he’s delusional. This is great. I love this.” Schaffer, who’s also worked on Seinfeld and Curb Your Enthusiasm, adds that he sees “a lot of Larry” (that would be David) in Burd.
Okay, now we’re getting somewhere. This is good. Now I can get into season two. The first season followed Dave’s rise, with his joke raps becoming viral crazes as his personal life fell apart. He split with his long-term girlfriend and dealt with the issues one deals with as they achieve the kind of fame that does not immediately come with a paycheck. He bumped into a slew of celebrities, assorted Kardashians and Justin Bieber and Young Thug and Macklemore and Charlamagne tha God and more. The second season picks up from there, with him signed to a label now and living in a beautiful rented mansion and cavorting with more assorted Kardashian/Jenners and Biebers, as you can see here.
fxx
But also, as you probably guessed, chaos. The fancy house has pest control problems and Dave has crippling writer’s block on his new album and he’s struggling in the wake of his breakup and more. The second season premiere starts with Dave in Korea attempting to film a music video for a song that ends up being super culturally insensitive and he offends a slew of people in the process, including real-life K-Pop star CL, who continues the show’s impressive run of cameo appearances. Kareem Abdul-Jabbar shows up later in the season, too. It’s a whole thing.
If the first season of Dave was a revelation, a shocker of epic proportions both in the quality of the story and the lengths the show will venture to for a laugh, then the second season is a continued journey on that upward path. The surprise of it all is gone for the most part because we already know the show is good, but it’s also still there a little bit because… well, the show is still good, even now that it’s showed us all its hand. That’s not nothing. It’s not easy to continue success after a big splashy debut, especially when your show starts with a premise that looks this thin at first glance. But Dave appears to be pulling it off through the first few episodes of season two. I mean this in the best possible way, but I can’t believe how well it all works. It’s a good show. It’s good. I swear.
Which brings me to my conclusion. I will try to sum everything up in three simple bullet points:
I think you will like Dave if you haven’t seen it yet, and I think you will like season two if you liked season one
It is kind of like Big Mouth in the way it balances the tender moments with the grosser stuff and, yes, I do like that this is becoming its own genre now
Please do not ask me to explain Dave in person because I did not even do a great job here with the benefit of time and an actual editor helping me
Thank you.
The second season of Dave premieres on FXX on Wednesday, June 16, with each week’s episode dropping on Hulu afterward
The official plot summary for The Suicide Squad describes the film as being a “superhero action adventure” with “a collection of the most degenerate delinquents in the DC lineup.” That’s not inaccurate, but I prefer director James Gunn’s unofficial summary.
Gunn told Entertainment Weekly that he thinks of The Suicide Squad as being “a war-caper movie with sh*tty supervillains.” I’ve seen a lot of war movies. I’ve seen my fair share of caper movies. But rarely have I seen a war-caper movie, let alone one with Harley Quinn, John Cena as the anti-Captain America, and a shark voiced by Rocky. I’m trying to keep my expectations in check, considering what happened the last time I was excited for a Suicide Squad movie, but too late: The Suicide Squad sounds great.
It was a lot of fun to film, according to star Margot Robbie.
“The first set we shot on was this beach,” the Birds of Prey actress said. “It was so amazing. Palm trees. An ocean with a wave machine in it. Pyrotechnics. Special effects. Explosions everywhere. It was like being in a proper, crazy war movie.” I’ve always said Dunkirk could have used more giant starfish monsters.
The Suicide Squad hits theaters and HBO Max on August 6.
Indie rocker Torres (whose real name is Mackenzie Scott) released a new single and video from her forthcoming album, Thirstier, today. “Hug From A Dinosaur” is an eccentric headbanger juiced up on Scott’s sour intensity. Her declarations tumble out in Dali metaphors (“Clock is sinking into quicksand disappearing fast”) over careening drums-and-guitar. Basically, if there was any question about what kind of L7 fan Scott is — she’s team Suzi all the way.
The general mood of the “Hug From A Dinosaur” video is Jefferson Airplane meets Little Foot. Scott said the song title came from a dream. “The song’s theme is that truth is eternal, and it’s also about never stopping,” she said. “The song’s also about being ready to drop everything to do something essential for someone you love. In this instance, it’s bringing my girlfriend lunch so she can keep painting.”
Scott and her girlfriend, visual artist Jenna Gribbon, were recently profiled by CBS This Morning, talking about how they inspire each other’s art. Interviewer Anthony Mason was so moved by Gribbon’s work, he purchased one of her paintings of Scott, sitting scrunched up on a beige couch.
Watch the “Hug From A Dinosaur” video above.
Thirstier is out 7/30 via Merge Records. Pre-order it here.
The 2021 XXLFreshman cover has arrived! Each year, rap fans wait and speculate in anticipation to find out which artists made the coveted list, mostly so we can all speculate and wait on their activities for the future — or debate whether they deserved placement.
But this post is just to let our readers know who all made it. This year’s cover includes plenty of Uproxx favorites like Blxst, DDG, and Pooh Shiesty, as well as 2020 fan favorites like 42 Dugg, Flo Milli, and Toosii. There’s plenty of female representation on this year’s list, with Coi Leray, Lakeyah, and Rubi Rose holding it down for the ladies. And breakout artists Iann Dior and Morray round out the list after some attention-grabbing features introduced them to a whole new audience.
This year’s list looks pretty well-rounded, as the breakout artists included have all made impressive debuts, charted highly, or garnered plenty of viral attention in the past year. Many regions, races, and styles are represented, from Fayetteville, North Carolina, to South Central, Los Angeles, with many of the entries hailing from oft-overlooked origins when it comes to hip-hop such as Milwaukee, WI, Lexington, KY, and Corpus Christi, TX.
Last year’s cover included breakouts like Chika, Jack Harlow, Mulatto, and Rod Wave. And for those who didn’t make it, there’s always next year — or the chance for a surprise breakout.
Meanwhile, XXL is gearing up for the usual slate of Freshman programming, including freestyles, Cyphers, and profiles on these up-and-coming artists. Stay tuned.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Antonoff and Dunham broke things off in 2018 following a five-year relationship. In a recent interview with Rolling Stone, Antonoff said he was feeling “darkness and depression” at the time, but began writing Take The Sadness Out Of Saturday Night after finally seeing the light:
“I was writing for a long time. The early process was, I got out of a relationship [with Lena Dunham], and I felt an amazing amount of darkness and depression. I fell in there. But the moment it starts to open up and you see a piece of light is a really amazing place to write from. There’s a lot of desperation in these songs, and I realized, ‘Oh, that’s the same feeling of being from New Jersey, that desperation of wanting out, of I want to break through into another part of my life.’ So that’s when I started to see the framework. And then a really amazing thing happened when the pandemic hit. It was like the final piece of the album, because everything I’m talking about in the songwriting is about sort of dreaming of a next place.”
Elsewhere in the interview, Antonoff mentioned that he always plays his music to Taylor Swift, Lana Del Rey, and Lorde for approval before finalizing it, but this time around, Bruce Springsteen also stepped in. “The best records are made with a small group of people that really believe in something,” he said. “My group is like me, my manager, my A&R person who doesn’t even work on my label anymore — he’s just a really close person to me. Then my family, and some artists like Lana. I always play some for Ella [Lorde]. Taylor, of course. Bruce [Springsteen] is deeply in the group. I played him the whole record the other day. We took a drive and listened to it.”
Take The Sadness Out Of Saturday Night is out 7/30 via RCA. Pre-order it here.
There’s no bigger beer in the world than the classic lager. Even if it feels like IPAs are everywhere, the sales of those niche beers don’t even come close to the power of the lager on a global scale. And while there are many different types of lager to choose from, the adjunct lager is the most popular, by far.
Very quickly, “adjunct” simply means the lager is made with barley and corn or rice as adjunct (added) ingredients in the base of the beer. This makes the beer cheaper to produce by providing more accessible sugars from less expensive grains, which the yeasts then convert into alcohol. Popular adjunct lagers are known for being super light, crisp, clean, dry, and only subtly hoppy, which all adds up to these beers being very refreshing.
No wonder they shine during the summer months. Because if we’re being honest, as much as we’re all geeked on craft brews and whatever style the hype machine is raving about lately, seeing a Bud, Coors, Miller, Corona, or Pabst at a backyard party is nothing to dread. Especially when the temperature crosses 85-degrees. The numbers don’t lie.
The blind taste test below is based on aroma and flavor alone. We didn’t want labels messing with our rankings. We’ve also thrown in a ringer to see it if stands out. We added a classic Heineken — which is a European pale lager — to the mix, to see if the old-school recipe of only barley, hops, yeast, and water is noticeably different than the corn and rice fueled American and Mexican adjunct lagers.
Part 1: The Taste
Taste 1:
Christopher Osburn
Tasting Notes:
Upon the first sniff, I notice a fairly skunky smell. After that come hints of bananas, sweet malts, and subtle, floral hops. The flavor is surprisingly bitter but somehow palatable. There are more banana-like notes and just a hint of malt sweetness.
Overall, this has an exciting flavor profile that I would definitely come back to.
Taste 2:
Christopher Osburn
Tasting Notes:
This beer smells very cheap. There’s a lot of corn and bread on the nose and not much else. There are maybe some mild, floral hops, but that’s pushing it. The flavor is in line with the nose. I noticed a lot of corny sweetness that is almost overwhelming paired with hints of barley and some floral notes.
All in all, it’s not a very memorable sip.
Taste 3:
Christopher Osburn
Tasting Notes:
I was surprised at the complexity of this beer’s nose. I smelled a bready sweetness, fresh corn, wet grass, and just a hint of floral hops. The palate was similar to the nose with a mix of freshly baked bread, flowers, citrus, and subtle bitter hops at the very end. Though, all of the flavors were fairly muted.
Still, this was … a decent beer that I would drink again. Nothing to write home about, but not unpleasant.
Taste 4:
Christopher Osburn
Tasting Notes:
I took a few moments to breathe in the aromas. I noticed a slight corn smell along with sweet malts, and just a hint of floral hops. The palate is swirling with a good combination of sweet corn and rich caramel malts along with a slightly bitter, piney finish. The finish is crisp, dry, and refreshing.
Taste 5:
Christopher Osburn
Tasting Notes:
There isn’t much going on with this beer. Honestly, all I smell is corn and metal. It smells like a cheap beer. The flavor is overly sweet with cloying sugary sweet corn.
Honestly, this beer tastes like it’s supposed to be a corn-flavored beer. It is refreshing and light, but not much else.
Taste 6:
Christopher Osburn
Tasting Notes:
Breathing in this beer’s aromas, you can immediately tell it’s an adjunct lager. I noticed smells of fresh-baked bread, wet grass, sweet, almost corn-like malts, and subtle floral hops. The flavor is similar to the aromas with earthy grass, and bread with sweet malts taking center stage. The only difference is the slight hoppy bitterness at the very end.
While not the most complex beer ever, this is highly drinkable and surprisingly flavorful.
Taste 7:
Christopher Osburn
Tasting Notes:
A lot is going on with this beer’s nose. I smelled caramel malts, crisp apples, and fresh, sweet corn that ended with a nice floral scent. The flavor is all corn sweetness, caramel, subtle hops presence, and a very welcoming fruity flavor. It all ended in a smooth, crisp crescendo that I won’t soon forget.
So far, this is my favorite sip.
Taste 8:
Christopher Osburn
Tasting Notes:
This beer smells kind of… stale. The first scents I noticed were subtle sweet malts and maybe some floral notes. Sadly, it was all kind of muted as it smelled like an old beer that had been opened and left out in the sun for a few hours.
The flavor was much better than the aromas with a good deal of sweet malts and very light citrus notes. But that’s about all that’s going on with this one.
Busch made this list because it’s a classic, cheap, refreshing, no-frills beer. The beer made simply with hops, malted barley, corn, and water.
Bottom Line:
There’s nothing wrong with Busch. It’s a cheap, easy-to-drink beer. But there are definitely no bells and whistles with this one. It tastes the way you imagine super cheap beer tastes in your mind.
Corona is a classic beach beer. In fact, I’d go as far as saying that it’s the greatest warm weather beer of all time. The brew is made with water, yeast, malted barley, corn, hops, vitamin C, and a food stabilizer.
Bottom Line:
Corona Extra is fine on its own if you want to drink a fairly flavorless beer that you can crush on a hot day. You need to add a lime wedge though. Otherwise, it’s pretty bland with very few redeeming qualities.
Coors Banquet beer, as the name suggests, is the kind of beer you want to pair with a grilled, likely meat-filled, meal. This five percent lager is brewed using Rocky Mountain water and Moravian barley. But it also contains hop extract and corn syrup. So… there’s that.
Bottom Line:
You don’t crack open a Coors to compare notes on its broad flavor profile. You open one to drink it fast while you stand beside a grill in your backyard. It works perfectly for this purpose.
Budweiser is known as the “King of Beers.” Of course, that’s just Mad Men-level advertising. Sure, it might be one of the most popular beers (hence the moniker), but it’s far from the most elevated. In essence, it’s a crisp, thirst-quenching, one-dimensional beer made with malted barley and rice alongside yeast, hop extract, and (what feels like a lot of) water.
Bottom Line:
Budweiser is popular because it appeals to passive beer drinkers. You don’t have to care about beer to drink Budweiser. You just drink it and get a refreshing buzz with no judgment or artifice.
Heineken is also among the most popular beers in the world. This Dutch pale lager comes in its classic green bottle adorned with a red star. The beer in the bottle is made with hops, malted barley, and water with Heineken’s signature fruity “A-Yeast” strain.
Bottom Line:
As you can see by my tasting notes, this one stood out for being so distinct from the others. Definitely a solid way to switch up your BBQ beer routine.
This crisp and very refreshing beer gets its name due to an award it claims to have won way back in the 1890s. Whether this is actually true doesn’t matter. This iconic beer stood the test of time and remains just as beloved today thanks to a recipe of 2 and 6-Row malted barley, a mix of cereal grains, and American and European hops mixed with PBR’s own proprietary yeast.
Bottom Line:
PBR is cheap, easy to find everywhere, and always there for you. It’s not the fanciest beer, but hipster craft drinkers and old folks playing horseshoes agree that it hits the spot on a hot day. That pure drinkability pushed it all the way to #3 in this tasting.
This beer is more than the beer that Captain Quint drinks in Jaws (although that’s pretty cool). The New England classic has been brewed since 1890 and has racked up awards ever since. The brew is made with 6-row malts, seedless hops, corn, Narragansett’s own lager yeast strain, and water from Lake Ontario and Lake Hemlock.
Bottom Line:
Whether you grab a Jaws throwback can or one of its iconic tallboys, this is a refreshing, light sipper well-suited for pairing with a day at a coastal beach or in your backyard with your feet in a kiddie pool. The balance and a nice note of hops, plus the fact that the corn wasn’t as overwhelming as it was in some of the others scored this a top spot.
Miller High Life is referred to as “The Champagne of Beers,” but that’s a bit of misdirection because this is the epitome of a no-frills, simple, refresher. It gets its refreshing flavor from the use of malted barley, proprietary yeast, Galena hop extract, and corn syrup.
Bottom Line:
While the “King of Beers” didn’t live up to the hype, the “Champagne of Beers” absolutely did. While it’s filled with sweet corn flavor, there were enough other fruity, thirst-quenching notes to make it the most well-rounded beer on this list.
I went into this with no real expectations — I’ve been focused on craft beer for so long that all of these were sort of off my radar. What I found is my new absolute go-to cookout beer.
As a Drizly affiliate, Uproxx may receive a commission pursuant to certain items on this list.
Tyler The Creator has been teasing new music all week, first with a billboard in LA bearing the phone number to a cryptic message from his mom, then with a video snippet called “Side Street” that appeared to be teasing a new aesthetic for his latest rollout. Yesterday, he updated the preview phone number with more new music, but he saved the biggest surprise yet for today, releasing the “Lumberjack” video to YouTube and DSPs.
The video opens with Tyler reading car magazines in bed while eating a pastry, with a mellow track backing Tyler’s narration from what sounds like a diary entry. Then, out of nowhere, the scene, music, and overall vibe take a hard 180, as we see Tyler standing atop a tower of designer trunks rapping like a madman over a gritty, ’90s-style beat, complete with ad-libs being screamed in the background by none other than DJ Kay Slay. And just in case you’re wondering, he does explain the meaning behind the title, with a bar that should have rap connoisseurs reaching for the rewind button with a sour lemon expression on their face.
The video concludes once again with the sitcom-y outro teasing “Call Me If You Get Lost,” which suggests that this is just the first salvo from a barrage of new music Tyler has ready to go.
Watch Tyler The Creator’s “Lumberjack” video above.
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