While Clairo’s debut album, 2019’s Immunity, was co-written in part with Rostam Batmanglij, on her latest, the newly released Sling, she teamed up with Jack Antonoff. That connection allowed her to get acquainted with Lorde, who provided background vocals on the single “Blouse” (and in turn got Clairo to feature on her own “Solar Power“). In a Rolling Stone interview published last week, it was revealed that Lorde also contributed vocals to the Sling cut “Reaper,” and now that the album is out today, so too is the new Clairo/Lorde collaboration.
On the gentle folk-y tune, Clairo sings about the societal pressure she feels to become a mother: “I’m born to be somebody, then somebody comes from me / I’ll tell you about the Rabbit Moon and when to keep walking / I’ll spare you pain, I can feel my shame come through that door / I can’t f*ck it up if it’s not there at all.”
In the aforementioned Rolling Stone piece, Clairo said of working with people like Lorde and Antonoff, “It’s still really hard for me to wrap my head around these people giving me the time of day. Without that support, I don’t know if I would have been able to finish the record. And they like it, which is sick. They’re not bullsh*tting me. I’m just recently starting to accept it, because now I actually believe in this music.”
Listen to “Reaper” above.
Sling is out now via Fader Label/Republic Records. Get it here.
It has been more than 10 years since Community debuted its pilot episode on NBC. While the comedy hit more than a few rough patches over its six seasons, it managed to earn a cult following that continues growing to this day. And they’re not ready to say goodbye to the gang from Greendale Community College—especially when shows like Nash Bridges are getting rebooted. While the show’s cast members and creators have moved on to other projects, series creator Dan Harmon isn’t counting out the idea that a Community movie could be in the cards.
In an interview with Vulture’s “Good One” podcast, which was spotted by Syfy, Harmon talked about the “philosophical” questions he needs to answer before truly digging into the possibility of a Community movie:
“Here’s the biggest philosophical question: Are you supposed to service a mythical new viewer? The obvious, dogmatic, practical, off-the-street answer is like, No, you don’t. It’s fan service. Why would there be a Community movie? Who do you think is going to walk in off the street and buy popcorn and sit and watch a Community movie like that? They deserve to be punished. Why are they doing that?…
Formalistically, you owe a movie that I think the fans can not only enjoy, but they can stand back and go, You know, the crazy thing about this Community movie is that if you didn’t know there was a show, this is an insanely good movie.”
As surreal as the show itself could be, Harmon himself cannot help but apply basic logic when thinking about how to make a Community reunion work. Also, given how much time has passed, he wants to create a situation in which all of these characters come back together in a way that feels organic.
“Do you want to see these people play dress-up in their old outfits and come in and go, ‘Look at me. Meep meep, moop moop. Look what I used to do’? Yes, to some degree; no, to some degree. And contrary to that, do you want to see these people not doing that and coming in in pantsuits and going, ‘I’m an adult now. Meep meep, moop moop. Remember when we did this?’”
It’s a question that only Harmon can answer, and it looks like he’s getting there—even if the process is taking longer than fans would have hoped. “I am, at least once a week, thinking about it, because the gears are turning,” Harmon said. “There is, like … a thing is happening. Logistically, the locks are coming away. And the only problems are becoming the creative ones, which is great, because I love those problems. I love having these conversations, and they’re being had.”
Though David Harbour is currently making the PR rounds for his role in Marvel’s Black Widow, he’s still best known for his role as the lovable Sheriff Jim Hopper on Stranger Things. And while the 46-year-old and his young co-stars on the megahit Netflix series have had nothing but wonderful things to say about each other since the show began, there is one former colleague who Harbour harbors no love for: the pooch who had the misfortune of being cast as the Byers’ family dog in season 1, as The Hollywood Reporter noted.
Blame it on the capsaicin if you must. Earlier this week, Harbour appeared on the popular YouTube series Hot Ones to chow down on some spicy wings and talk about a range of topics, from Shakespeare to Stranger Things. When someone brought up the fact that Harbour had previously had some harsh words to say about the pooch that played the Byers’ pup on Netflix’s ode to the ’80s, the actor did not hesitate in admitting: “I hated that f***ing dog so bad.”
The way Harbour tells it, the dog in question was not as well-trained as the showrunners had been led to believe, which made working with him rather impossible.
“Take after take it would wander off or do something,” Harbour said. “And then I remember the trainer on the sidelines going, ‘Come on! We got to make our money!’ Yeah, I walked up to them, and I was like, ‘You know, the Byers should probably have that dog put to sleep next season.’”
Whether it was Harbour who made the poor pupper disappear or a decision made independently by the powers that be, the dog hasn’t been seen since season 1—and no one’s even made mention of it since. But Harbour has an idea of how to creatively address the mystery of Chester’s disappearance: “We should find it in the Upside Down in one of these future seasons.”
Whether or not Donald Trump understands the definition of the word “coup” is up for debate. That he incited one on January 6, 2021 is not. And while Stephen Colbert has preferred not to speak the Orange One’s name since the former president shuffled off to Florida ahead of Joe Biden’s inauguration earlier this year, there are moments and situations that call for Colbert to lift his moratorium. This week provided one of them.
Earlier this week, portions of a new book, Carol Leonnig and Philip Rucker’s I Alone Can Fix It, were published by New York Magazine. One of the biggest bombshells was that chairman of the Joint Chiefs of Staff General Mark Milley was alarmed enough by Trump’s behavior during his final days in office that Milley sounded the alarm to his colleagues. According to Leonnig and Rucker, Milley “believed Trump was stoking unrest, possibly in hopes of an excuse to invoke the Insurrection Act and call out the military,” leading Milley to issue a warning that: “This is a Reichstag moment.”
While Colbert had no problem declaring that “Donald Trump is a fascist,” what he really wanted to talk about was Trump’s public response to these claims—which somehow managed to read like a rejected letter sent to Penthouse Forum.
“Clearly the forum president didn’t like the tea that Milley spilly, because earlier today the ex-pres released a statement declaring, ‘I’m not into coups!’ Adding: ‘If I was going to do a coup, one of the last people I would want to do it with is General Mark Milley.’
Ok, you’ve clearly put some thought into this thing you’re ‘not into.’ ‘Honey, come on, I’m not into three-ways. But if I was, I wouldn’t do it with our neighbor Alice. Your sister is way hotter.’”
At the Ted Lasso season two premiere on Thursday, the show’s Emmy-nominated star Jason Sudeikis wore a shirt that read “Jadon & Marcus & Bukayo.” This was a reference to soccer players Jadon Sancho, Marcus Rashford, and Bukayo Saka, who faced racist abuse after missing penalty kicks during England’s lost to Italy in the UEFA Euro 2020 final. At least four people have been arrested as part of a hate crime investigation.
“To the social media platforms Instagram, Twitter, and Facebook, I don’t want any child or adult to have to receive the hateful and hurtful messages that me, Marcus, and Jadon have received this week,” Saka wrote in an open letter posted to social media. “I knew instantly the kind of hate that I was about to receive and that is a sad reality that your powerful platforms are not doing enough to stop these messages.” He added, “There is no place for racism or hate of any kind in football or in any area of society.”
Prince William, who is president of the Football Association that governs the game in England, condemned the attacks in a statement Monday, saying, “I am sickened by the racist abuse aimed at England players after last night’s match. It is totally unacceptable that players have to endure this abhorrent behaviour,” the royal said. “It must stop now and all those involved should be held accountable.”
This isn’t the first time that Sudeikis has used his clothing to make a powerful message during a high-profile event. At the SAG Awards earlier this year, he wore a sweater that read “My Body My Choice” in support of reproductive rights.
The first posthumous album from Pop Smoke, last year’s Shoot For The Stars, Aim For The Moon, had a who’s-who of talent in its tracklist. The rapper’s latest posthumous effort, the newly released Faith, brings even more people into the fold. Among those is Dua Lipa, who lends her vocal talents to “Demeanor.”
The track has a funky groove (which would feel at home on Lipa’s recent disco-inspired output) that is accompanied by some woozy vibes and rhythmic verses from Pop Smoke. Instead of providing a hook, as might be expected on this sort of collaboration, Lipa gets her own verse, on which she confidently sings, “You can’t say pop without smoke / So fill up with your lungs, my diamonds will make you choke / You like the way I move / My demeanor is meaner than yours / So clap for the encore.”
Aside from Lipa, the album also features Kanye West, Pusha T, Rick Ross, The-Dream, 42 Dugg, 21 Savage, Rah Swish, Travi, Beam, Bizzy Banks, Takeoff, Lil Tjay, Swae Lee, Future, Pharrell, Kid Cudi, Quavo, and Kodak Black.
Listen to “Demeanor” above.
Faith is out now via Victor Victor Worldwide/Republic. Get it here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Although we’re not even halfway through summer, Netflix realizes that the novelty of stepping outside might already be wearing thinner than expected. To that end, the streaming service is serving up several new series and films to keep you occupied in all four quadrants. First up, a set of female assassins takes down the powers that be with leading ladies from Game of Thrones and Guardians of the Galaxy. Next, the Fear Street franchise wraps up a trilogy of films, and then we’ve got plenty of heist-based drama, religion-focused cultural implications, and a sports icon to get the ball (literally) rolling. Also, check out the latest batch of episodes from Mindy Kaling’s semi-autobiographical show. We’ve rounded up the most bingeworthy queue additions this week, since it’s (realistically) too hot for most of us to make decisions in the heat of July.
Here’s everything else coming to (and leaving) the streaming platform this week.
Gunpowder Milkshake (Netflix film streaming 7/14)
Look, Netflix original action films might seem like they’re in plentiful supply these days, but this one’s worth particular notice. Karen Gillan portrays the assassin-daughter of an elite assassin, portrayed by Lena Headey, and the pair come back together again to help protect a young girl from an organization known as The Firm. Nope, Tom Cruise does not make a cameo in this picture, but there’s a group called The Librarians, who are played by Michelle Yeoh, Angela Bassett, and Carla Gugino. Essentially, we’ve got three generations of badass ladies here, doing their best to wipe out pesky henchmen and raise a lot of hell.
Three of America’s greatest heists shall be examined in the finest of detail here by the people who did the heisting. These adventures include a Vegas casino heist, a Miami airport heist, and a a Kentucky bourbon heist. The shooting style here aims for Ocean’s Eleven and Catch Me If You Can, and the planning of these heists is flat-out meticulous, so it’s no wonder that the initial heisting went well. However, one must realize that these heisters were eventually busted, so there’s that part of the story, too. Crime doesn’t pay in the long-term, kids.
Fear Street Part 3: 1666 (Netflix film streaming 7/16)
The trilogy’s final installment brings the franchise to a head when Sarah Fier’s curse finally gets its origin story. In the end, you’ll see how Shadyside’s residents all feel their lives changed on one fateful night, which will reverberate from many generations to come. R.L. Stein’s stories light up here with a a climactic hurrah.
Never Have I Ever: Season 2 (Netflix series streaming 7/15)
Mindy Kaling’s brainchild (one of them, at least… there are so many) returns with more coming-of-age comedy. Devi’s making more questionable decisions along the way (that’s obligatory) while fumbling around through the finer points within new relationships. She does, however, face an out-of-her-control dilemma at school when “another Indian girl who is prettier, cooler” arrives on the scene. Expect more drama at home, too, as this beloved series continues to celebrate the awkwardness of adolescence.
Naomi Osaka (Netflix limited series streaming 7/16)
One of the world’s greatest tennis players skipped Wimbledon this year, but she’s still seizing the spotlight in this three-part series. In the end, she’ll emerge (in all viewers’ eyes) as one of her generation’s most influential and gifted athletes, and she’s doing it all inside a pressure-cooker or a sport while honoring her Haitian roots.
My Unorthodox Life: Season 1 (Netflix series streaming 7/15)
A fashion mogul belongs to an ultra-Orthodox Jewish community, which doesn’t exactly jive with her CEO job. No matter, she manages to revolutionize her world and still pull off motherhood, which makes me freaking exhausted to think about. Still, the promise of an untamed and unpredictable heroine, who’s struggling to balance her upbringing and her actual life, is an intriguing premise to pursue.
Here’s a full list of what’s been added in the last week:
Avail. 7/11 American Ultra
Avail. 7/13 Ridley Jones
Avail. 7/14 A Classic Horror Story
The Guide to the Perfect Family
Gunpowder Milkshake
Heist
My Unorthodox Life
Private Network: Who Killed Manuel Buendía?
Avail. 7/15 A Perfect Fit
BEASTARS: Season 2 Emicida: AmarElo – Live in São Paulo
My Amanda
Never Have I Ever: Season 2
Avail. 7/16 The Beguiled
Deep
Explained: Season 3 Fear Street Part 3: 1666
Johnny Test
Twilight
The Twilight Saga: New Moon
The Twilight Saga: Eclipse
The Twilight Saga: Breaking Dawn: Part 1 The Twilight Saga: Breaking Dawn: Part 2
Avail. 7/17 Cosmic Sin
And here’s what’s leaving next week, so it’s your last chance:
Leaving 7/21 Oh My Ghost
Oh My Ghost 2
Oh My Ghost 3
Oh My Ghost 4
Leaving 7/28 The Croods
Leaving 7/30 Spotlight
Leaving 7/31 A Clockwork Orange
Bride of Chucky
Child’s Play 2
Child’s Play 3
Eat Pray Love
Four Christmases
Freak Show
Fred Claus
Friends with Benefits
G.I. Joe: The Rise of Cobra
Grand Designs: Season 10 Grand Designs: Season 15 Hardcore Henry
Hinterland: Seasons 1-3 Hook
Horns
Jupiter Ascending
King Arthur
Little Baby Bum: Nursery Rhyme Friends: S1 The Little Rascals
Mad Max
My Best Friend’s Wedding
Nacho Libre
Nights in Rodanthe
The Patriot
Remember Me
Seed of Chucky
Step Up: Revolution
Your Highness
Zombieland
While her most recent work with The Internet, the band for which she serves as a lead vocalist, came in 2018 with Hive Mind, Syd’s lone solo album arrived in 2017 with Fin. Now, it appears that the singer may have another solo effort on the way as she returns with her second song of the year. Syd drops “Fast Car” with a breezy video that finds the singer and her partner enjoying intimate moments together from the comfort of a Jeep. After finding a comfortable spot, the pair seems to find a quiet spot to enjoy each other’s company, that is, until Syd’s friend arrives to interrupt their peace.
Speaking about the song in a press release, Syd shared her intention behind the song. “I wanted to make something for the gay Black girls,” she said. “I want them to see themselves in this and in me.” Her new single comes five months after she dropped “Missing Out,” an effort she released back in February and labeled as an “anti-Valentine’s Day ode.” On it, she spoke and her struggles with a lover and their inability to “spend the proper time trying to work it out.”
Prior to “Fast Car” and “Missing Out,” Syd linked with Kehlani and Disclosure for “Birthday” and contributed to Lil Uzi Vert’s “Urgency” and Free Nationals’ “Shibuya.”
Press play on the video above to listen to “Fast Car.”
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Look, there are a ton of streaming platforms competing for your attention right now so we totally get it if Peacock slipped under your radar.
But we’re going to rectify that right now because there are some truly terrific TV shows that call the streaming service home, and you deserve to be watching them. Sure, there are workplace comedies galore — we list a bunch of them in our roundup of funniest shows on the streamer here — but there are also crime dramas and Viking-era epics and musical fantasies and more.
Here are the best shows worth watching on Peacock right now.
We’re not going to wade into the war over which version of this seminal workplace comedy series is better. There’s just no right answer, and the two shows are different enough to stand on their own merit. That starts from the top-down, with Steve Carrell putting a twist on the clueless managerial character first embodied by Ricky Gervais. David Brent was a bit of an a**hole, whereas Michael Scott is an equally awkward, incredibly more sympathetic simpleton. And the rest of the cast that makes up the Scranton branch of Dunder Mifflin carries just as much star power as the show’s lead with talents like John Krasinski, Rainn Wilson, Mindy Kaling, and Jenna Fischer cutting their teeth on the show. Iconic characters, quotable dialogue, a theme song that just doesn’t quit. What more can you ask for in a show?
Friday Night Lives caught the attention of critics and fans alike when it premiered on NBC in 2006. Its gritty, unapologetic look at football culture in the deep red of Texas felt authentic in a way most dramas just didn’t at the time. Kyle Chandler and Connie Britton became household names thanks to their on-screen romance as Coach Taylor and his feisty wife Tami Taylor, but it was the Dillion Panthers, a football team that shouldered the burden of greatness while its members dealt with more immediate issues (like high school relationships, graduation worries, and career-ending injuries) that really fueled the story.
Sure, this is a show that jumped the shark in its final season, but damn if the original premise of Heroes wasn’t a masterclass in sci-fi world-building on TV. The show follows a group of people with special abilities who fight to understand the reason for their powers as government agencies and superpowered villains make their own grabs for power. Milo Ventimiglia, Hayden Panettiere, Zachary Quinto, and a host of other A-list talent play in this comic-book-inspired sandbox, and even though the final destination is a bit “meh,” it’s one hell of a ride to get there.
Yes, Amy Poehler was exceptionally funny during her early years on Saturday Night Live, but it’s her run on this comedy series that really showcased her talents. As idealist public servant Leslie Knope, Poehler proved being funny and being relentlessly optimistic weren’t mutually exclusive. She surrounded herself with a cast of actors destined for their own greatness, from stone-cold weirdos like Aubrey Plaza and future superheroes like Chris Pratt, to names like Aziz Ansari and Rhetta, who would go on to have their own TV shows, and the series crafted a small-town setting that was both ridiculous and hilariously relatable. And if nothing else, Parks gave us Ron Swanson, a pyramid of greatness unto himself. You had us at “meat tornado.”
The first (but certainly not the last) spin-off series of Dick Wolff’s police procedural remains the best, mostly because of the chemistry between the show’s leads, Mariska Hargitay and Christopher Meloni. As SVU detectives Olivia Benson and Elliot Stabler, the duo investigates all kinds of terrible crimes, normally tragedies involving rape, child molestation, and murder. The formula gets tired after a while, but Hargitay and Meloni keep things interesting.
It should be fairly obvious as to why this sketch comedy series makes our list of best Peacock offerings but we’ll break it down anyway. First, a majority of the comedic talent found on other hit NBC series — 30 Rock, Parks and Rec — got their start here. Second, few shows have the kind of lasting pop culture values that SNL does. Whether you enjoy the classic seasons lead by the likes of Chris Farley, Eddie Murphy, and Gilda Radner or you’re into the more contemporary work from Kristen Wiig, Maya Rudolph, Kate McKinnon, and Kenan Thompson, there’s something for every kind of comedy fan here.
8 seasons, 177 episodes | IMDb: 8.8/10
Binge watchers love their medical dramas, and you’ll be hard-pressed to find a show about the ill that’s as fun as House. Hugh Laurie plays the episodic’s anti-hero, an opioid-addicted, dry-humored, uncaring genius, and doctor with a knack for solving unsolvable cases. He’s joined by a rotating team of famous faces (Olivia Wilde, Jesse Spencer, and Jennifer Morrison all starred on the show at some point), but they usually just end up getting in the way of his natural prowess with mysterious illnesses.
Justin Spitzer churns out sitcom gold on the regular, so it shouldn’t be a surprise that his latest workplace comedy — a look at the hilarious happenings of a big box department store in the Midwest — is a hit. The show stars America Ferrera, Ben Feldman, Lauren Ash, and Mark McKinney among others, and mostly centers on workers at a Cloud 9 store whose lives intersect in ridiculously funny ways. It’s got a lot of heart, plenty of humor, and surprisingly, a knack for tackling some serious issues.
Loosely based on the exploits of the 9th century Viking ruler and king, Ragnar Lodbrok, Vikings doesn’t match the level of complexity in Game of Thrones — the universe is smaller, there are fewer characters, and the plotting isn’t as dense — but it’s a solid, if not sometimes spectacular drama that gets progressively better over the course of the series. There’s crunching violence, lots of ax play, and frequent battles as Ragnar extends his rule over parts of Europe. Compared to Game of Thrones, it’s less about mind games and schemes, and more about brute force, and Ragnor’s victories are seldom in doubt. Nevertheless, it’s entertaining to watch the unrelenting violence unfold and revel in the demise of Ragnor’s rivals. While Travis Fimmel is excellent in the lead role and Gustaf Skarsgård’s Floki provides the often necessary comic relief, it’s Katheryn Winnick (as Lagertha) who is the show’s biggest draw.
We refuse to believe that two seasons is all the TV Gods will give us when it comes to this recently canceled musical comedy series. But, if that’s what fate — and the out-of-touch executives over at NBC — has in store, then at least we can relive all of the brilliant, harmonious humor of this hidden gem starring Jane Levy as a woman who can hear people’s inner-most thoughts in song form.
The antics of this New York police precinct are endlessly hilarious, with every character getting their moment to shine. Brooklyn Nine-Nine has one of the most wonderful casts currently on television, and it hasn’t slowed down a bit from its banner freshman season. While it is technically Jake Peralta’s (Andy Samberg) show, it’s one of the few true ensemble shows on television right now. It’s not that Samberg isn’t good, he is, but the same could also be said of Stephanie Beatriz’s Rosa or Terry Crews’ Terry or almost every other character. A workplace comedy at its core, Brooklyn Nine-Nine proves that showrunner Mike Schur is on a hot streak that shows no sign of slowing down.
Before This Is Us captivated fans with tragic stories of crockpot sabotage there was this family drama that managed to toe the line between sentimental melodrama and damn good storytelling. The show follows the Braverman clan — consisting of an older couple, their four children, and their families — as they battle heartbreak, loss, finding new love, and all of the other joys and hardships of life. This series has a good amount more humor to it than its predecessor, and a giant, uber-talented ensemble cast.
For the eight seasons that Psych was on the air, it entertained a kind of cult following. Fans tuned in religiously to watch this buddy-cop drama about an eccentric police detective who claimed “psychic” abilities and his reluctant, by-the-book partner. Stars James Roday and Dule Hill have incredible chemistry on the show, which pushes the worn-out, fun-cop-boring-cop trope past its usual limits.
Few shows have as many jokes per minute as 30 Rock. The brainchild of Tina Fey, 30 Rock shows the daily madness of an SNL-like variety show, which Fey’s Liz Lemon at the helm. As she tries (sometimes failing) to wrangle her writers and her actors (Tracy Morgan and Jane Krakowski), Lemon also attempts the ever-elusive dream of “having it all.” Her quest will feel very, very familiar to viewers, particularly women, as they try and balance, work, life, love, and even a small bit of success. With Alec Baldwin turning in his best performance to date as Jack Donaghy, Lemon’s boss, mentor, and eventual friend, 30 Rock has the perfect blend of weirdness, sharp writing, and genuine laughs that will make it a favorite for years to come.
In the early 2010s, you couldn’t have a conversation about favorite TV shows without someone in your friend group mentioning Downton Abbey. The British series about the inner workings of an aristocratic English family and their manner full of servants became the biggest thing to invade America from across the pond since The Beatles. Watching the crusty Crawley family navigate historic events like the sinking of the Titanic and the First World War while their servants dealt in gossip, intrigue, and scandal below stairs was as entertaining and juicy as any good British drama should be.
Fans of Lorde have waited four long years for the singer to return with a brand new album and finally, they know when that would happen. Next month, she’ll release her third album, Solar Power. Lorde has already released the title track for the project and it’s one that’s built additional excitement for the upcoming album. With a little over a month until Solar Power arrives, Lorde stopped by The Late Show With Stephen Colbert to perform the title track. For her performance, she stood atop the Ed Sullivan Theatre for an elegant set backed by a cast of instrumentalists and backup singers.
Speaking about the upcoming album, Lorde said, “The album is a celebration of the natural world, an attempt at immortalizing the deep, transcendent feelings I have when I’m outdoors.” She added, “In times of heartache, grief, deep love, or confusion, I look to the natural world for answers. I’ve learned to breathe out, and tune in. This is what came through.”
Solar Power is confirmed to arrive on August 20 and continue her streak of fairly short albums as it comes with just 12 songs. In addition to the upcoming project, Lorde announced a world tour in support of Solar Power that beings on February 22, 2022 in Chirstchurch, New Zealand, and continues for four months before coming to an end on June 23 in Berlin.
Press play on the video above to watch Lorde perform “Solar Power.”
Solar Power is out 8/20 via Republic. Pre-order it here.
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