Month: July 2021

The 2021 WNBA All-Star Game will be like none before. In a new format, the 12 players who are set to compete for Team USA in the Tokyo Olympics will play against the 12 All-Stars, who were selected by WNBA head coaches from a pool of 36 following media, player, and fan votes. The game will tip on July 14 at 7 p.m. ET on ESPN in Las Vegas, which is the site of Team USA’s men’s and women’s basketball exhibition tours.

Team USA’s roster includes Ariel Atkins, Sue Bird, Tina Charles, Napheesa Collier, Skylar Diggins-Smith, Chelsea Gray, Sylvia Fowles, Brittney Griner, Jewell Loyd, Breanna Stewart, Diana Taurasi, and A’ja Wilson. They will be coached by Dawn Staley.

The WNBA All-Star roster: DeWanna Bonner, Liz Cambage, Kahleah Copper, Dearica Hamby, Brionna Jones, Jonquel Jones, Betnijah Laney, Arike Ogunbowale, Candace Parker, Satou Sabally, Courtney Vandersloot, and Courtney Williams. They will be co-head coached by Lisa Leslie and Tina Thompson.

Here’s a few reasons why you should be excited for Wednesday’s game.

1. This is probably the best competition Team USA will have all summer

Team USA’s women’s basketball team is super stacked. Like absurdly loaded. There’s a reason they’re pursuing a seventh consecutive gold medal. Who has the size, talent, and range to contain Griner, Stewart, Wilson, Charles, Fowles, and Taurasi?

The answer might only be the All-Star team, which is stocked with a couple players who could give Team USA serious trouble, including Parker, Cambage, Jones and Bonner. There’s an argument to be made for the All-Star’s starting five as a better group than the Olympic team’s five depending on how the coaches decide to stagger players.

Regardless of who starts, if the players take this game seriously, it should be one hell of a competition.

2. Candace Parker gets to play against Team USA

Parker, who won gold medals in 2008 and 2012 with Team USA, two WNBA MVPs, and a WNBA championship has nothing left to prove. But it’s no secret she shares no love for USA Basketball after she was inexplicably cut from the roster in 2016.

Though she has no beef with the players on the team, she recently spoke against the program after another controversial decision was made to cut her former Sparks teammate, Nneka Ogwumike, who is now the only WNBA MVP to not play in the Olympics.

It’ll be fun to see if Parker treats this opportunity as something more than an All-Star Game.

3. This is an audition for several Team USA hopefuls

While Parker’s interest in competing for Team USA is long gone, some of her teammates will be hoping their game is recognized.

Arike Ogunbowale, Betnijah Laney, Kahleah Copper, Brionna Jones and more could be in competition to make the cut in 2024. With this year’s version of Team USA set to be one of the oldest, there could be a couple of openings in three years.

4. We get to see MVP frontrunner Jonquel Jones play against the best team in the world

There’s no pressure for Jones to do anything other-worldly against Team USA, but it’d be a real statement if she’s able to stand-out. Jones is having a ridiculously great season, averaging 21.1 points on 54.2 percent shooting from the field and 44.8 percent shooting from 3-point range with 10.2 rebounds, 3.1 assists, 1.5 steals, and 1.2 blocks with just 2.9 turnovers. That’s after she dominated at EuroBasket in June.

This is a massive stage for one of the game’s quickest risers. Remember she was the WNBA’s Most Improved Player just four years ago.

5. We get to watch Breanna Stewart and A’ja Wilson play on the same team

The last two WNBA MVPs on the floor at the same time! Heck yeah!

Stewart and Wilson have quickly risen as the faces of the league and the stars of the two best teams in the WNBA, and now we’ll get to see them shred competition together. Cherish opportunities to watch greatness like this, because it won’t happen often. Though hopefully, this is just the first of many Olympic showings for the pair.

As a newly independent artist, Tinashe has a lot more leeway with what she releases and when. In the case of her new song “Bouncin,” the day is today, and its release is stripped-down and no-frills. Without releasing a video or putting out a whole bunch of fanfare, Tinashe keeps the attention squarely on the music itself rather than its visual presentation or the circumstances of its rollout — a kind of old-school way of going about things that suggests she may be saving those components for a later date.

As far as the song itself goes, it fits firmly in her usual lane of futuristic-sounding, pop-leaning R&B. A flirtatious, dancefloor-ready song, “Bouncin” finds her enjoying the physicality of seducing a potential paramour. “Watch it bouncin’ on the ground / Got my edges sweating out / Turn it up extra loud,” she croons. She also jokes that she hopes her dirty pics “make it to the cloud,” which seems like the opposite of what most stars want, but hey, more power to her if it’s true.

“Bouncin” joins the Buddy-featuring “Pasadena” as the singer’s only two single releases of the year, and while that might constitute a slow rollout for a signed artist, it actually gives Tinashe more room to work her singles without the pressure of the arbitrary deadline and release schedule that might constrain her art and keep it from flourishing. She gets to take her time, which is alright with her fans because the music she’s put out lately has been stellar.

Check out “Bouncin” above.

The Office premiered 20 years ago today on BBC Two. The influential mockumentary sitcom would turn co-creator Ricky Gervais into a comedy mega-star (only famous people get to duet with evil Kermit) and inspire an American adaptation that’s still ridiculously popular, despite ending eight years ago. But would The Office get made in 2021? That was a question posted to Gervais, who played oafish manager David Brent, in regards to political correctness during a 20th anniversary retrospective with BBC:

“I mean now it would be canceled. I’m looking forward to when they pick out one thing and try to cancel it. Someone said they might try to cancel it one day, and I say, ‘Good let them cancel it. I’ve been paid!’”

Gervais later clarified his meaning on Twitter. He was ‘aving a laff.

“Just to be clear, I did not say The Office would be canceled if it were made today. That makes no sense. It’s still around. This is my actual quote. ‘Someone said they might try to cancel it one day, and I said, ‘Good, let them cancel it. I’ve been paid!’ Clearly a joke,” he wrote. Gervais was also asked by one of his Twitter followers if he would leave in the “same material” from the original series if it was made today. The five-time Golden Globes host replied, “There are even more ridiculous things to ridicule these days.”

Stephen Merchant, who co-created The Office with Gervais, did not comment on cancel culture, but he did tweet about Spider-Man doing an Office parody. For that, I respect him.

(Via BBC)

Cryptocurrency and the non-fungible artwork purchased with it has been the talk of the Internet in 2021. Though crypto had been around for years, its rising and falling slipped into the mainstream conversation thanks to Elon Musk and others going viral and bringing new evangelicals into the fold.

There have been a lot of tie-ins with crypto and other entities as the space continues to grow, starting with the explosion of NFTs. But now we’re also seeing specific coins minted with pop culture references in mind. So perhaps it’s not surprising that The Office is now among those shows.

Leslie David Baker teamed up with Rocket Bunny to make Stanley’s Nickels, a reference to his character on The Office. If you’d like to hear Baker describe the coin and try to figure it out for yourself, you can hear him read a script explaining the coin, how it works, and some potential benefits from owning nickels for yourself.

The announcement seemed to slip under the radar, which is reasonable because there’s simply a lot of noise in the crypto space and plenty of new coins simply go nowhere until they are all at once a big deal. And even then, some just crash and burn right as they become popular. But at the very least, this one is certainly going to a good cause. If you can manage to parse all the complexities of the digital version of Stanley’s Nickels, that is.

In a Medium post announcing the coin, Baker explained that the coin’s proceeds will go to The Actor’s Fund, which has been crucial to helping out of work entertainers during the COVID-19 pandemic.

If you’ve ever watched The Office, you already know who Stanley Hudson is. Well, Leslie David Baker (Stanley Hudson) and Sardar Khan (Stanley’s nephew, Lucky, in the upcoming show Uncle Stan) have decided to release a real live version of the “Stanley Nickel”! That’s right, the official Stanley Nickel is coming to the blockchain. To make matters even more exciting, it will initially be available exclusively on our Rocket Drop staking platform.

In other words, the coin is more charitable with some fun benefits than a get rich quick scheme. But The Office tie-in is clear here.

British rapper Little Simz has a blistering new song out today called “I Love You, I Hate You,” which is the latest offering from her forthcoming album Sometimes I Might Be An Introvert, her first full-length release since 2019’s critically acclaimed Grey Area. Unrolling pointed verses over swells of horns and strings, with a sung chorus of “I love you, I hate you,” Simz addresses her father on the Inflo-produced track.

She says in a statement, “Flo asked me, ‘What do you love and what do you hate?’ I knew the answer immediately, but I was adamant I didn’t want to talk about it.” The song’s lyrics echo her inner-conflict, as Simz asks, “Is you a sperm donor or a dad to me?” Later, she gets even more blunt: “You made a promise to God to be there for your kids […] You made a promise to give them a life you didn’t live / My ego won’t fully allow me to say that I miss you / A woman who hasn’t confronted all her daddy issues.”

Prior to this, Little Simz released the singles “Rollin Stone,” “Woman,” and “Introvert.”

Listen to the poignant “I Love You, I Hate You” above.

Sometimes I Might Be An Introvert is out 9/3 via Age 101. Pre-order it here.

The Tampa Bay Lightning established themselves as a modern hockey dynasty of sorts this week by winning their second straight Stanley Cup Final over the Montreal Canadians. The club did this on home ice in Florida, and very soon, their fans will be able to drink that ice if they’re willing to give it a try.

Shortly after Bolts captain Steven Stamkos lifted the Cup for the second year in a row on Wednesday night, Coors Light announced that’s been taking some of that ice surface at Amalie Arena and will turn that into a celebratory beer for people in the Tampa area to drink at select bars.

Coors Light has been quietly scraping and collecting the actual ice from the rink and transporting it to its hometown brewery in Golden, Colorado to craft the game-winning Champions Ice brew. Coors Light will be filtering the ice during the brewing process, ensuring a refreshing, fully purified drinking experience.

It’s certainly a unique promotion, laid out on a website that listed 15 bars in Florida where the beer will be available. Starting on July 12, fans can get cans or a limited supply of 32 oz crowlers of the Coors Light made with rink water, which the company stressed will be filtered and made potable. Beers have certainly been made with weirder ingredients, as craft beer has made everything from glitter to oysters to even Rocky Mountain oysters part of the industry.

But filtering aside, hockey water is really gross: it’s skated on, spit on, snotted on, and remade again and again when it’s scraped, melted down and sprayed on the top surface to make it smoother. When it’s melted, it’s basically floor water. So this is fairly bewildering, to say the least.

It’s absolutely the first beer made with “championship ice” because, well, that water isn’t really reused for anything much. It’s not like a football or baseball playing surface that ends up mounted in a plaque or sold in a vial at a Major League team store. But perhaps this beer is meant more as a collector’s item than something actually worth drinking. If you’re in the Tampa area, well, you’ll be the first to find out.

As a seven-time NBA champion, Robert Horry doesn’t need to come across bigger than he already is. But in an NBA House event this week in Brazil, Horry showed up (remotely, as you might imagine) to answer questions from fans on a screen that cast his face about three stories high.

NBA House, traditionally an in-person, interactive experience for fans that showcases players past and present as well as live entertainment, started in London in 2012 and has since held eight large-scale events in five countries. Horry, who says he’s been an extended part of the NBA family “since I stepped off the hardwood” has taken part in many NBA events abroad. This most recent iteration in Sao Paulo, to showcase the NBA Finals, was exciting for him because, initially, it meant he could get back to Brazil, a place he’d traveled to with the NBA in the past and enjoyed. And Brazil enjoys Horry, and basketball, too — the country, which has hosted three out of eight NBA House events, is second among all international markets for NBA League Pass subscriptions.

On a call with Dime, Horry was quick to laugh and spoke candidly about the Finals, his thoughts on the NBA’s growth globally, the changes to the game he and other league alumni talk about when they get together, team building, dynasties, who he loves to watch and what inspires him about the next generation of players, fashion included.

The NBA House Brazil event ended up feeling intimate even though it was remote for you and for the fans. Maybe because you were answering questions directly to the people who asked, and who were watching from their homes. We’ve obviously lost a lot of opportunities for in-person interaction with the pandemic, but we’ve gained some, too. How do you think the rise of virtual events and online community has helped to grown the NBA’s market in Brazil, and globally?

I think has been tremendous because there’s so many times that there are individuals within the NBA organization, past players, that don’t like to travel. So this is the opportunity for them still to tell their story, be a part of the ongoing mission of the NBA to expand abroad and be a part of it. I know I’ve played with a couple of guys who don’t like to travel abroad because they don’t like to fly anymore. You fly so much during your career as a player, you don’t want to fly when you’re out, and it’s quicker. Think about it. You can be in seven countries in one day and never leave your couch, your dining room table or your office. So it’s great for the NBA. And it’s great for the fans because it’s really and truly opened up a whole new marketability for the players, and for the ex players to talk to people like them, get to know them, so they can really get the inside scoop. So to say, own these guys and own these players and not just players, but GMs owners, anybody who’s involved with NBA.

You’ve done a lot of these NBA House events, do you notice if questions change country-to-country? If questions are really wildly different or if all fans share this same, almost global experience, with what they want to know and what they want to ask you?

You have a lot of questions that are the same. For me, there’s always a question about the Hall of Famers that I played with — you know, Clyde, Dream, Kobe, Shaq, Tim, Manu, it’s always those questions. And it always falls back on my mindset, what am I thinking about when I make all those big shots and things of that nature. So it’s usually those questions and they always want to ask, you know, what do I do on my downtime.

The questions are pretty much similar, but every now and then you get a question that makes you think. Because a lot of these questions are asked so many times that you kind of program, and you know what to say, and you’re always appreciative of those that you don’t have to always answer. Like if someone came over and said, “What was your favorite moment in high school?” Then, well, wow, you know, they know the NBA but they want to go deep, dig deep into your past and how you became who you are and your journey to the NBA. So those are the questions that I find really heartwarming and touching, because they put some thought into it.

Well I hope I can touch on something like that.

[Laughs] No pressure, no pressure!

In the media, and I’m sure you’re familiar with this, we talk a lot about the NBA’s evolution — shifts in how the game is played, or the rise of super teams. And something I’ve always been curious about is how alumni like yourself, who have played through several distinct eras, see these shifts. What do you view as an actual change, and what’s more cyclical, kind of like how fashion trends always come back. Since you left the game, what do you view to be real and significant changes, and what do you view as things that look a little familiar, or have made a comeback?

The game is always changing. And I think for the most part, the game has sped up. The game has really sped up compared to when I played. And I think they’re taking maybe 70 to 80 shots a game, where we took like maybe 50 to 60 shots a game. And in that sense it’s a totally, totally, totally different type of game. But overall it’s still the same. The guys are big, tall, athletic. They shoot more threes now. It’s really that each generation, almost every decade, learns from the previous decade and they add something to it. And that’s the thing about the game, it’s always evolving. It’s always reinventing itself. I mean, I should say the players are always reinventing themselves and learning from their mistakes and expanding on their greatness.

That’s what I like best about what’s going on in the NBA, and to be honest with you, there’s nothing that’s harmful in the NBA. The only thing that did come out of the pandemic, that I think should help the NBA and I wish they would go do it, is more of a baseball schedule. Where you go into a city and you play a team twice before you head out, that way you can take some of the stress off of flying with guys. I know fans might not want to see a team back to back, but it’s easier on the players. So who wants to see, you know, a Damian Lillard, two nights in a row because that’s the night you have free. So that’s the great part that I think that came out of the pandemic, and I hope the NBA continues to do that.

I’m curious, in your conversations with other league alumni, what are you guys noticing and what conversations are you having about the league these playoffs?

We just talk about the speed of the game and how we wish we could, or were allowed to do, some of the things they’re allowed to do with the basketball. That’s about it. Because there’s so many things that go into the handling of the rock that we’re like, man, I wish we could have done that [laughs]. The gather step, some people are like, “The gather step? What’s a gather step?” You know, you get an extra step. So it’s the little things that we old heads sit around, like, man, if I could have done that, I could have averaged 10 more points. We always sit around telling a bunch of lies because we probably wouldn’t have been able to average ten more points in our careers anyway, but it’s fun to talk about. Because when the older heads get together, we talk about how we’ve been able to deal with the social media aspect of it. Because you think about it, these guys, from their phones, they can make a million dollars and not even leave their couch. They have such a huge power. We didn’t have that.

And to go back to what you said about fashion. You take guys like Westbrook, just doing what he wants to do. And if we did that back in our day, you’d get joked out of the room. But now, these guys are so headstrong they’re like, you know what? I’m going to make something fashion just because I am an icon.

Are there any looks that you’ve seen on guys that you wish you could steal?

Nah. I couldn’t. I couldn’t rock the shorts like these guys, my legs were too skinny. I couldn’t rock the loud colors because I just didn’t feel comfortable doing it. I’ve been very basic, like I was when I played, you know, just a suit and maybe a tie and keep it moving.

Keep it classic.

Just a classic man [laughs].

Nothing wrong with that. So, you were obviously a crucial part of some fordable dynasties, and you experienced Jordan’s era with the Bulls as a competitor. I’m curious where you stand on dynasties — do you think they’re good for the league, or is league parity better for competition and growth?

There’s nothing wrong with teams that build a dynasty, like the Lakers with Showtime, like the Boston Celtics, like what the Bulls did. But when these guys, you know, say oh we’re friends, let’s play together. And when guys say I want to go play with this team, trade me there. And then all of a sudden, you become a dynasty? I don’t really count that. Cause you gotta get trades, and all this kind of stuff. I don’t think there’s really ever going to be another dynasty, you know, because there’s so much player movement. Think about it. If everybody would have put— if they had a chance to bet a million bucks — bet a million bucks on the New Jersey Nets, I should say the Brooklyn Nets, winning this year but because of injuries, fell apart.

Only a Suns fan and a Bucks fan would have those two playing in the Finals right now. It’s hard for dynasties to step up this day and age, because of the injuries and the player movement, and the things of that nature. I don’t think there will ever be another dynasty because guys want to get paid, guys wanna play close to home, guys want to play with friends. So it’d be hard for that to ever happen. There’s only really been two dynasties in my eyes, that’s the Lakers and the Celtics, the Bulls pulling in a close third.

A lot of stock is put into the NBA Draft as a change-maker for teams, but we’ve seen where things don’t always work out, or where a team decides to draft for fit and uses development like the G League. There’s also trades, which you touched on with players now moving around quite a bit. What are your thoughts on team building?

It’s hard. It’s so hard. Just look at last year, who won, the Lakers won it and then the next thing you know, they got a whole new team the next year. It’s hard to keep players, it’s just extremely difficult. And then you go through the Draft. And for me, I don’t ever say anything bad about the NBA, because everything’s good, but I think the one bad thing about the NBA is that they allow kids to come straight out of high school and go to the G League. I think kids need to spend at least two years in college so they can develop mentally and physically. I know a lot of these guys don’t get to college until they’re 18 and 19, so they’re just a couple of years away from being physically ready.

Because there’s a lot going on, and it’s not just about the physical aspect, but about the mental aspect. There’s so much that goes on with being a professional athlete. I think they need to at least learn a couple of skillsets that you get in college: getting up, going to class, going to practice, having a schedule, a regimen like that. Because once you get in the NBA, you only have one thing to do, let’s go to practice. And then you’re free the rest of the day. You can do whatever you want. If I was the commish — and I don’t care what anybody says, this is my opinion — and I know a lot people will say you’re taking food out of the mouths of kids, but now, with the new rule in college where kids can make money off their name, if you’re that good, you’ll make money off your name in college. Stay two years.

More personally, who do you love to watch?

I’m a big DeMar DeRozan fan. Because this game has become a three ball game so much that guys jack up threes, and to me, that’s street ball. But you watch DeMar DeRozan, and he shoots threes now because everybody has been on him to do it, and I’m like, dude, you average almost 30 points just doing it your way. Who’s to say they’re right? You’re right. Do what you do. I just like the way he plays. He just has a skillset like no other.

And I’m falling in love little by little with [Mikal] Bridges from the Suns. I think because I gravitate towards people who remind me of myself and I watch him play, he can guard anybody on the court, he can shoot some threes, they run no plays for him, he’s just out there balling and doing whatever the team needs him to do. Him and Cam Johnson are the two guys, since I get to actually see them play now, I’m like, wow, I really like these young heads because they remind me of me. They just go out and play. They get no love and no glory from the media, but they just go out and play the game. They always make a difference somehow in some way on the court.

In case there were any doubts that Donald Trump’s rage knows no bounds, the former president is reportedly angry with Junior’s girlfriend, Kimberly Guilfoyle. The former Fox News host has been working as the national chair for Eric Greitens’ U.S. Senate campaign, which shouldn’t seem like a problem, but there’s just one small detail: Trump hasn’t endorsed him and doesn’t like him. That’s enough for the former president to be “short” with Guilfoyle and repeatedly express his anger with her. Via Politico Playbook:

Aides told Playbook that Trump has been openly griping that Guilfoyle joined ERIC GREITENS’ campaign for Senate in Missouri as national campaign chair, and he’s becoming increasingly short with Guilfoyle.

“Trump thinks Greitens is problematic, and that Kim is annoying,” said one Trump adviser. “He said, ‘Why the f— is she working for him?’”

At reported issue is the idea that Trump doesn’t want Guilfoyle’s presence on Greitens’ campaign to look like an endorsement from him or Junior. So Trump’s really going to love this latest development: Rudy Giuliani will be stumping for Greitens in Missouri this weekend. Despite Giuliani’s mounting legal fees and financial troubles from Trump refusing to pay him for his work in attempting to overturn the 2020 election results, Giuliani is still a loyal member of Trump’s inner circle. America’s Mayor was recently roasted after he boldly claimed that “everyone misses Trump’s policies,” so his endorsement of Greitens could easily be interpreted as a sign of Trump’s support for the candidate.

Maybe get ready for some shouty phone calls, Rudy.

(Via Politico Playbook, Fox 2 Now)

It should go without saying, but the past however many years have been a stressful time to be Britney Spears. As her conservatorship legal battle rages on, the pop star looks for moments to unwind, whether she’s vacationing in Hawaii or posting on her ever-active Instagram page. One of her latest photos turned heads and raised eyebrows, which has prompted Spears to respond.

A couple days ago, she shared a photo of herself sitting on the edge of a bathtub in the nude, wearing just a necklace as she shows off her bare back. Observant followers noticed, though, that the tattoo Spears has on the back of her neck, right below her hairline, was mysteriously missing from the photo.

Enough people called the photo fake that Spears felt the need to respond, sharing an image yesterday that reads, “While you’re talking behind my back feel free to bend down and kiss my ass.” She echoed that point in the caption and addressed the lack of tattoo in the original photo, writing, “Ok so … I edited out my tattoo on my neck cause I wanted to see what it would look like clean … and yeah I like it better so while you guys are talking behind my back go ahead and kiss my ass haters [kissy face emoji] [peach emoji] !!!!!!”

Back in June, Spears showed off the tattoo on Instagram, sharing a photo and writing in a post, “Have you seen the tattoo on the back of my neck before ???? It’s Hebrew, it’s a language written backwards !!!! It says Mem Hey Shin and means healing !!!! It’s my favorite tattoo but ironically you never see it !!!!!”

In celebration of Pride 2021, Romy Madley Croft (who performs under the name Romy) has covered Corona’s “The Rhythm Of The Night” and Olive’s “You’re Not Alone” for a special Apple Music live session. The xx guitarist and solo artist mashed both tracks up in a three-song set that went live today on Apple Music.

Speaking to Apple Music about why she chose these tracks to cover, Romy said:

“I’ve combined two songs into this cover, Olive – “You’re Not Alone” and Corona – “The Rhythm Of The Night”, both songs remind me of when I was about 17 and started going to Gay bars in London. The lyrics of “You’re Not Alone” resonate with the feeling of community I found in those bars and clubs and the friends I made and treasure to this day. I still love dancing to “The Rhythm of the Night” and I’ve always loved the lyrics and melody. It was fun to strip these dance songs down to their core and still feel so much emotion from them. I loved recording this with my very inspiring friend Marta Salogni at her studio in London.”

She also opened up about what Pride meant to her:

“This month I’m reflecting and educating myself about the incredible people who have fought and continue to fight to make the world a safer and more open minded place for the LGBTQ community. There is still so much more work to be done to protect and empower our community. I am proud to be a Lesbian, to me Pride exists all year round, not just for one month or day.”

In November, Romy, who released solo single “Lifetime” last year, spoke to the The Guardian about working on her debut solo album, and her journey to being more public about her sexuality. “I came out when I was 15, and my dad was really cool about it, and I’m very grateful for that,” she said at the time. “But I didn’t feel ready when we put out that first xx album, when we were about 20, to be really, really open about my sexuality. Over time, growing up and also just noticing how the world is changing, I felt a lot more comfortable being more public… To write about loving a woman and not feel afraid or embarrassed […] maybe it’s a growing up thing, and just not caring as much what people think.”

Listen to Romy’s covers above, and check out the rest of her solo set, where she performs “Lifetime” and The xx’s “Angels,” here.