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‘A Hitman’ Sent The Insurrectionists: A Capitol Police Officer Didn’t Hold Back During Jan. 6 Testimony

The January 6th Select Committee met on Tuesday morning to some stunning testimony from Capitol Police Officer Harry Dunn, who revealed how MAGA Insurrectionists repeatedly spewed the N-word at him during their January 6 rioting. During that day, at least 140 police officers reportedly sustained injuries from trampling, tossed projectiles, and other abusive treatment from Donald Trump’s followers during their siege. Later on during his testimony, Dunn made little secret of who he felt was responsible for what transpired at the U.S. Capitol.

He never said Trump’s name, however. Instead, Dunn referred to the “person” who he felt was most responsible for inciting the insurrection. And Dunn believes that this party should be held responsible and dealt with accordingly.

“If a hitman is hired, and he kills somebody, the hitman goes to the jail,” Dunn declared. “But not only does the hitman go to jail, but the person who hired him does. There was an attack carried out on January 6 and a hit man sent them. I want you to get to the bottom of that.”

Prior to Twitter removing Trump from its platform, the loser of the 2020 presidential election tweeted numerous times about an upcoming “January 6” event. On that day, spurred on his followers from the Ellipse (while Congress was certifying the electoral vote) during a “Stop The Steal” rally. He urged them to march on the Capitol building. In doing so, Trump declared, “Nobody until I came along had any idea how corrupt our elections were.” He insisted, “We fight like hell. And if you don’t fight like hell, you’re not going to have a country anymore.”

The January 6 Select Committee continues to hold hearings, and the Justice Department has paved the way for Trump officials to be required to testify, although more developments on that subject shall be forthcoming.

(Via CNN, MSNBC, New York Times & NPR)

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Tyler The Creator Used To Mock BET As ‘A Defense Mechanism’ Before Peforming At The BET Awards

Of all the standout performances at this year’s BET Awards, one of the most surprising and impressive was Tyler The Creator’s — not just because of the scale and production, but also because BET was the last place you’d catch Tyler The Creator during Odd Future’s precipitous rise. In fact, the crew used to rail against the network, among other outlets, as an example of the establishment that didn’t accept them.

Hindsight, as they say, is 20/20, though. In a new interview with Complex, Tyler explained how the mockery was a “defensive mechanism” that allowed him to pre-emptively reject outlets that he thought might reject him. “I was so hype to perform at the BET Awards,” he admitted. “I just never felt like my style of music would ever have been, not even appreciated, but allowed on there. And because of that, I would mock it.”

He continued, “It was like a defense mechanism because I felt like I wasn’t accepted by that audience. But when they asked me this year, man I was enthralled. I was so happy.” He also explained the deeper meaning BET holds for him, recalling, “That channel taught me how to rap. It taught me about just all the stuff I know.”

He also breaks down why he hates making merch, why he just got into watches, and explains his creative process behind the hilarious Converse ad he just directed featuring Tim Meadows, Bill Walton, and Vince Staples.

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What’s On Tonight: The Daniel Radcliffe-Starring ‘Miracle Workers’ Season Takes Satiric Aim At Toxic Masculinity

Miracle Workers: Oregon Trail (TBS, 10:30 pm) — Season 3 of this anthology series continues in 1844, when an idealistic preacher (Daniel Radcliffe) must join forces with a wanted outlaw (Steve Buscemi) as they set off on the eponymous trail by wagon. TBS suggests that the promise and peril that they encounter might remind us of our own times. Last week’s hipster pioneers get a followup when Ezekial goes buffalo hunting to explore his manhood, and Prudence takes bandit-lessons from Benny.

How to Sell Drugs Online (Fast): Season 3 (Netflix series) — The controversially named hit series launches a new season with Moritz feeling alienated yet trying to keep it together as the MyDrugs CEO. Meanwhile, Lenny’s condition deteriorates, so Moritz must step in to assist. This season’s pulling the “one last job” trope with these best friends, and expect some explosive consequences.

Motherland: Fort Salem: Season 2 (Freeform, 10:00pm) — In this world, witches not only enlist in the U.S. Army, but they also use their spells to rule the world and take down terrorists, who are (in turn) hell-bent upon getting witches out of the military. This week, Abigail’s feeling familly pressure, and Raelle and Tally are also experiencing trouble at home.

In case you missed this pick from last week:

Marvel Studios: Assembled:: Season 1 The Making of Loki (Disney+ series, releasing in the wee hours of Wednesday morning) — This immersive documentary-type series brings us a fresh installment to help us feel a little bit better about having to wait for Season 2 of all of the Lokis and their mercurial pursuit of the glorious purpose. Tom Hiddleston has an absolute blast playing the MCU’s trickster god, and hopefully, we’ll hear more about that crushing moment and the new big bad cruising into Phase 4. This is the best Disney+ show so far, and Loki’s so beloved that you might binge the whole season all over again.

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Female gamer gets perfect revenge on sexist troll by telling his mommy on him

The gaming world is not a safe place for women. A British study found that more than half of female gamers have experienced verbal abuse, 40% have received obscene messages, and 10% have been threatened with rape while playing online.

Female game reviewers are prime targets for male harassment as well. “I don’t know any women in the industry who haven’t experienced [harassment],” Kallie Plagge, a reviewer at GameStop.com told The Daily Beast.“It varies by how outspoken you are on Twitter, for example, but I think we all get demoralizing comments, whether it’s about our appearance or about the things we say.”


Recently, Plagge published a review of a new video game called Days Gone that she gave a score of five out of ten. In her critique, she noted that the lead character Deacon was “selfish, and it’s simply boring that the game is uncritical of him.”

Her lukewarm review of the game resulted in a backlash on social media. Plagge received over two dozen Facebook messages and countless tweets. Most of them were from men who complained that she was prejudiced “SJW.”

(SJW stands for social justice warrior and is a pejorative term used against activist progressives.)

“It was very clear [from] very early on that it had nothing to do with the content of our review,” Plagge said. “It was very much just that guys wanted to find an excuse to say sexist things to women.”

One harasser sent Plagge a disgusting message and she found the perfect way to get him back.

via Kallie Plagge / Twitter

Plagge did a quick Facebook search and found the harasser’s mother and shared a screenshot of his disgusting message.

via Kallie Plagge / Twitter

via Kallie Plagge / Twitter

“Hello! You don’t know who I am, but your son does,” Plagge wrote to the woman via Facebook. “I thought you might want to know the kinds of messages he sends to women he doesn’t agree with. He sent me this because I wrote a review of a video game.”

“I am so sorry,” the man’s mother replied. “He is 37 years old and I am so going after him. He definitely has problems. I will straighten him out!!!”

Dude is 37 years old and does this shit. Way to make a mother proud.

Plagge’s revenge had to feel sweet, but it just shows the amount of work that’s to be done before women can feel they can participate in the gaming world without being harassed. But at least there’s one guy out there who’s going to think twice before sending any more disturbing messages to women online.

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Breaking Down Jalen Green, The Best Scorer In The 2021 NBA Draft

Perhaps my favorite part of scouting prospects is garnering an understanding of their games at a young age and tracking their development as they progress through the ranks. Sometimes, that results in disappointing stagnation. Often, though, it produces fascinating arcs in which strengths are heightened and areas for improvement are remedied.

For Jalen Green, an exceptional prospect in the 2021 NBA Draft, the latter storyline defines his rise thus far.

When I first scouted Green in high school, I was disenchanted by his misunderstanding of team defense concepts, decision-making, and poor balance, handle, and flexibility as a downhill athlete. The space creation for pull-up 3s and trampoline bounce were there, but were not enough to override the aforementioned concerns. I did not cobble together a preseason board ahead of the 2021 Draft cycle, but Green surely would’ve ranked lower than consensus.

Following a stellar campaign with G League Ignite, averaging 18.7 points, 4.1 rebounds, 3.0 assists (2.7 turnovers) and 1.6 steals on 61.7 percent true shooting (.461/.365/.829 split) in 16 games, Green alleviated many of those worries and proved my analysis too dismissive of his potential. At 19 years old, he was a good G League player and exhibited substantial strides with his flexibility, balance, off-ball defense and passing vision.

The goody bag of pogo stick slams, effortless space creation, and dazzling off-the-dribble jumpers persisted. They were just accompanied by nifty, newfound interior vision, increasingly seamless downhill forays, and fluency as a team defender.

Green has the outline of a tremendous slasher. He primes advantages with footwork, titling defenders into suboptimal positions to clear driving lanes, and pitches moves with body angles to further ease his burden. Throughout the G League season, he sharpened his footwork and simplified his scoring avenues. His acceleration and capacity for maneuvering through small windows means any sliver of space derived from his series of jabs is available for the taking.

In pairing those faculties with a refined approach to driving, he frequently zooms past defenders, both from a standstill or functioning off the ball. Previously, and largely the upshot of inflexibility, he had a proclivity to just bend at the waist on his drives. Not only did he fail to generate power, it jeopardized his center of gravity and left him prone to Bambi-esque creation attempts or being stonewalled as he burrowed his head into a defender.

This past year, he revolutionized his technique. His shin angle is more conducive to amassing momentum toward the rim and he actually crouches with his lower body rather than hinging at the midsection. He’s a practitioner of the off-arm discard, swiping away handsy defenders or preventing them from sliding in front to counter driving angles.

Adept on and off the ball, he diversely manufactures paint touches and rim pressure. As a lead creator, his athletic advancement and added craft exponentiate the efficacy of his burst. As an auxiliary talent, he excels at claiming advantages on the move.

Even if he collects himself to scan the defense, his footwork is elite in regaining any forfeited separation. The dude eats up space in a hurry and defenders must react to any twitchy movement. He parlays that threat into his own gain, toying with opponents as they fall for his dextrous bait.

Upon arrival in the paint, he touts the body control, deceleration and contortion to improvise against impending help. He wrapped up his G League season shooting 73.8 percent at the rim with a 27.2 percent frequency, a rate that should and could increase to maximize his scoring profile (more on the path to doing so later). The footwork, off-arm guile, enhanced driving style and baseline explosiveness are the prequel to his body control and contortion near the cup.

Green’s knack for getting two feet into the paint, typically a barometer or synopsis of consistently fruitful possessions, is critical in his projection as the centerpiece of a high-level offense. He can collapse defenses in varying ways, and there are an array of avenues to conduct plays through him and feel confident about the end result.

This year’s playoffs (and almost every year) reinforced the necessity for versatility on both ends to handle any matchup and he meets that criteria offensively as a future initiator. It’s not solely as a slasher where he effectively commandeers offense. He’s a very good off-ball scorer, comfortable and lethal flowing off of Floppy actions, Iverson cuts, Flare screens, side pick-and-rolls, Zipper cuts, handoffs and other sets that open with someone else controlling the ball while sending Green on the move.

Eventually, with the proper development, Green can be a tenable primary ball-handler. In the meantime, clarifying decisions by leveraging his athletic tools and bubbling creation savvy for undemanding reads is prudent. Early on, an offensive organizer, someone who can help execute and facilitate possessions without actually shifting the defense routinely — a Tomas Satoransky/George Hill archetype — would drastically aid the 19-year-old. A more developed version might be Lonzo Ball or Tyrese Haliburton, excellent passers who aren’t dribble-drive connoisseurs yet thrive by acting as the vehicle of an action or capitalizing in the latter, less complex stages of a play.

As he reaches his prime, Green can likely backpack the primary scoring and creation load in a traditional manner. But there might be some diminishing returns because he’s rather superb with his off-ball usage, including as a cutter, and the absence of a caretaker alongside him would bar that from shining to its fullest.

Regardless, landing someone like him answers a paramount question of team-building, even if the gaudy usage rate should feature notable off-ball deployment, and warrants a table-setter to discern the options presented on a given play.

His footwork, jitterbug suddenness, and advantage creation extend beyond downhill juice. Send him through screens, into motion that establish a slight edge, or to a place where help defense is a bit harder to frequent. In tandem with his driving and finishing exceptionalism, he’ll routinely locate the spots he wants and compromise the opposition as a shooter.

Factoring in the G League’s professional context and his age, Green’s shooting resume is quite impressive. He drilled 35.8 percent (34 of 95) of his threes and 55 percent (71 of 129) of his twos. He graded out in the 82nd percentile on spot-ups (58 possessions, 1.121 points per possession) and 56th percentile off the dribble (61 possessions, 0.869 PPP). As a reference, Cade Cunningham is rightfully billed as a tremendous pull-up prospect and he yielded 0.865 PPP, ranking in the 65th percentile.

Fifty-five percent on twos is pretty ridiculous for the 6’5”, 19-year-old Green. Alongside the gamut of shooting equity established, it underscores the possibility for him to surface as one of the NBA’s most lethal and diverse scorers.

He’s hinted at some off-movement potential — perhaps eventually able to launch off-balance looks from funky angles at full speed — smartly lifts and shakes around the arc for spot-up volume. He continues to be a masterful space creator for step-backs and pull-ups, given his age.

On the ball, constructing space for him is critical. He’ll dazzle with rarified buckets, and possesses sage patience and cadence as an initiator. Off the ball, he’ll fashion opportunities within his wide-ranging scoring domain. He typically dips the ball below his waist before shooting and his release is somewhat elongated, so the space creation is largely a necessity. Those are tendencies to monitor moving forward and could pose some initial setbacks if he’s not as successful at finding unabated room to fire. While not a death knell, it might be the difference between a high-end and optimal outcome.

Although his handle isn’t an asset as an attacker (more on this later), it enables his space creation as a shooter, where he distances himself working backward via hang dribbles, snatch-back crossovers and between-the-legs step-backs. His balance on these long-jump-style moves helps ensure they’re more substance than flair and are another reason he’s the best scoring prospect in this class.

Do not be duped by the middling assist numbers. Green’s passing utility substantially broadened this past year. Assists may be the most popular public-facing passing statistic, but they are not a good proxy for gauging ability — they’re subjective and heavily contingent on the actions of teammates. Green, anyhow, has emerged as a viable interior facilitator, lasering feeds from the perimeter or serving laydown reads on drives.

Similar to the scoring, he can operate off of screens, where he slithers downhill to draw help or transitions into pick-and-rolls with the defense already a step behind. Traditional spread pick-and-rolls are viable as well. Scalability remains a prominent component of his offense.

Occasionally, he’s unable to complete options he sees, whether it’s identifying openings a beat late or sloppily executing a pass, nor has he shown exterior-heavy vision or live-dribble functionality to this point. Expecting live-dribble playmaking to enter his lexicon is a bridge too far. However, his scoring gravity should provide him hefty usage and plenty of reps and tape to incorporate more reads into his game.

Guys like Devin Booker, Damian Lillard and Kyrie Irving are contemporary blueprints for scoring chops being a prelude to passing development because of the volume of touches the bucket-getting earns them. There’s a good chance Green follows suit. Whichever team drafts him will invest heavily and opportunities will be aplenty. Guaranteeing such a happening is unwise, yet advocating for it is logical when assessing his ceiling.

Passing is certainly not the most daunting inhibitor standing between him and elite initiator status. Though beneficial in backward momentum space creation, his handle is restrictive in most other settings. Defenders who crowd him can force turnovers by disrupting his high handle or knocking him off balance due to poor core strength. As a driver, rarely does he forge advantages with dribble sequences.

He struggles to sell moves because he can’t really extend the ball away from his body. If, for instance, he was trying to use a crossover to open a lane to the hoop, he would encounter difficulty feinting to one side and snapping the ball away from his momentum before exploding once the defender bites on his fake.

Aggressive, timely stunts impede his slashes. Navigating through traffic while keeping his dribble alive is challenging. Most of his poor results on drives stem from this wart, which is why his rim frequency is lower than expected, based on his athletic tools.

He is not adroit at synchronizing his body and handling movements, and that breeds a robotic nature when he blitzes to the paint. Sometimes, his explosive ground coverage compensates, but that will only become a riskier proposition in the NBA. Rectifying this broad yet nuanced shortcoming is priority No. 1 on the developmental to-do list for his future employer.

From my vantage point, it’s the aspect that most differentiates him from rivaling Cunningham and Evan Mobley in this Draft and harkens back to the value of a caretaker in an offense catering to his skills. Shoehorning him into a massive on-ball role isn’t his optimal path. Let him thrive as an off-ball dynamo and afford him on-ball reps in spurts. Assemble a team around him that allows him to toggle between gigs and covers for some of his current handling deficiencies.

Tightening up the handle is imperative. If there was one determining factor that becomes the reason he’s never worthy of the true primary initiator label, it’s likely the handle limitations. Given the scoring profile laid out, assuming positive development, he’s going to face many imposing perimeter defenders who get into his airspace and bother his handle. Containing him will be among the paramount objectives for opponents.

Similarly, off the ball, teams will be physical with him. They’ll top-lock him and direct him away from the waves of screens set for him that he so skillfully flows around. There will be a buffer period in adapting to NBA physicality that slows his early transition; how he adjusts from there could play prominently into his development curve.

Gaining strength, which will better prepare him to deal with that physicality, and evolving his handle are vital. Such strides, if achieved, will considerably amplify the impact of his explosion, footwork and body control, because they’ll coalesce to make him a truly brilliant dribble-drive scorer.

Defensively, Green is best as an off-ball cog flanked by a couple of good on-ball stoppers. Although inconsistent, he’s fairly sound at meeting standard team defense requirements, like tagging rollers, stunting on drives and bumping cutters. He’s alert in passing lanes, tracking a ball-handler’s vision, and even anticipating decisions periodically, to ignite takeaways.

Precise positioning on those sorts of rotations and duties need addressing, as he sometimes goes through the motions and is burned when offenses recognize that. Recovering back to an assignment after an atypical coverage/rotation is unreliable. Multiple complex decisions can overwhelm him. There’s also contact aversion on the interior present in his rotations, trying to alter shots or passes solely with his arms rather than his entire body via technical positioning.

Overhelping on the strong-side may occur. His off-ball recognition and understanding are dramatically more impactful nowadays than they were in high school. It seems as though he knows how to carry out his responsibilities, but the specific timing and execution are still in transit. In essence, he could watch a clip and explain what a defender in his spot should do. The gap exists in putting that to practice every time and performing it to a T.

Fighting through screens and stymying on-ball creation, the former of which influences the latter, are weak points. He’s a much more functionally flexible athlete on offense now than he was a year and a half ago, yet it’s not translated a ton defensively. Screens are his nemesis.

On the ball, he’s too upright, stiff, and slow laterally. Concise changes of directions burn him. He opens up his hips too easily and will play too high on one side of an offensive player’s body. He tends to surrender preferred driving angles or concedes advantages because of his detrimental core strength. Improved flexibility in his hips, glutes and hamstrings should be targeted. Sustained growth in that regard is reasonable after his leap between the 2019-20 and 2020-21 seasons.

He’s displayed some competency Icing screens, though he must take action to more effectively maneuver picks. Switch-heavy schemes are not conducive to his defensive success. The goal should be to maximize his time off the ball and avoid being isolated, leading to outcomes like these.

Green is the third of three franchise-changing players in this Draft. His season in the G League, a league full of professionals, should not be discounted. Quickly shrinking many of the holes in his game — passing, team defense and flexibility — is encouraging and noteworthy for further development.

He’s going to be a fantastic scorer, which might (or should?) accelerate his passing maturation. There’s a foundation of serviceable off-ball defense for NBA tutelage to expand. A good physiotherapy staff could be low-hanging fruit to assuage his on-ball defense concerns.

The handle and strength must improve. The former negatively affects his scoring outcomes and places a greater onus on team-building to acquire more on-ball talent. The latter also negatively affects his scoring outcomes and hinders him defensively.

With Green in the fold, constructing a winning roster is much easier. But the archetypes and schemes to augment him are more strenuous than his rivals at the top of the class. On-ball stoppers, a resourceful defensive anchor, a shrewd, secondary handler to let him work off the ball and a creative offensive scheme to leverage his off-ball artistry are all feasible. It just feels a bit tougher to land all of that, compared to what Cunningham or Mobley ideally need.

That’s much less of a knock on Green and primarily a testament to the quality of those guys. He is a marvelous prospect who will please whoever selects him later this week. Proper rebuilds are paralleled by a confident vision of play-style and archetypes fueling on-court success. Green helps thoroughly crystallize those things for a front office. That is the mark of an elite draftee, a title of which he is entirely deserving.

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You Can Spend Money On This Basketball Training Tool Or You Can Just Wear A Hat And Tape A Piece Of Paper To It

Back in 2018 and 2019, LeBron James started calling out the world of basketball training “frauds.” James would bring attention to weird basketball training tools — stuff like a square ball that claims to make you better at shooting a round ball —and then make fun of them, because they are all very silly.

This is important context in case you see LeBron tweeting about whatever the hell this thing is. You might have seen it going around Twitter, but basically, it’s a thing you put around your head with a hand that goes in front of your face. Do you get it? It’s like a hand in your face. Ha ha.

The product claims to simulate “true game-like situations,” like having a hand two inches away from your nose for every moment of a basketball game, which doesn’t happen. It also claims to help you with shooting over defenders (you could just, you know, have someone/something in front of you while you shoot) and help with “focus, confidence, and muscle memory” (you could just, you know, work on your jumper until it’s at a place where you’re good at it).

If you would like this product, please, do the following: 1. Go grab a hat, 2. Go grab a piece of paper and some tape, 3. Tape that piece of paper to the brim of the hat, 4. Go shoot some hoops. Or don’t do that! Whatever, man.

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On ‘We’re All Alone In This Together,’ Dave Finds A Happy Medium Between Sympathy And Empathy

The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.

“I tell my fans we’re all alone in this together.” These words arrive from Dave towards the end of the intro track on his sophomore album. They’re delivered on a plate that presents equal parts blunt honesty and comforting, yet unorthodox reassurance. It’s a unique way for the British rapper to console those who wake up every morning to take a swing at life with the hope that they can return to bed with things less broken than they were at sunrise. “We’re all in this together” is already reassuring in itself, but the addition of “alone” uncovers something many of us hope to avoid amid life’s greatest qualms: reality.

On We’re All Alone In This Together, Dave reminds us that rap hasn’t exempted him from life struggles. The things that money can’t solve still affect the British rapper daily and he alludes to it on “We’re Alone.” “You can trust me, all the sh*t that you been feelin’, you’re feelin’ with me,” he candidly raps. “We all the took the wrong turns in different streets / We all cry the same tears on different cheeks.” There’s a fine line between sympathy and empathy and Dave is very much aware of it. He creates a middle ground between the two in order to support his fans and quite frankly, anyone who takes a moment to hear his words. Dave may not be able to walk in your shoes but he faintly recognizes them as they’re not too different from the pair that cover his feet.

Dave does so much with cut-throat intention. Not in the sense of placing the necessary piece into a puzzle he aims to solve. The London native is responsible for the landscape that the intricate pieces unveil when connected. He’s the puppetmaster and the puppet at the same time. Dave knows what he’s trying to tell his fans and exactly how to tell it. Take this for example: the first song on the album is titled “We’re All Alone” and the last words Dave utters on it are “in this together.” Through the various topics he touches on throughout We’re All Alone In This Together, it’s clear that the rapper wants to make sure the album title is understood to the fullest capacity by the last time he says it.

In a profile with Ciaran Thapar for GQ, Dave points out that as his 2019 debut Psychodrama was centered around the element of fire, We’re All Alone In This Together shifts its attention to water through the visual representation of the sea on it’s cover. “I’ll probably go wind and then earth and then I don’t know if I’ll go anywhere from there,” he says, speaking about future albums. This is Dave’s world, and while he knows what it looks like in his mind, we as listeners slowly watch it come together with the very things that make it move.

So what is it that Dave feels like we’re alone in together? Long story short, it’s a culmination of everything. There’s the destruction of love far beyond repair on “Both Sides Of A Smile” with James Blake or the frustration with a system that operates with a racist lens on “Three Rivers.” Brighter moments arrive on “System” with Wizkid, an afro-fusion effort that sees the acts showering their partners with equal amounts of love and expensive treatments. “Clash,” the laser-sharp lead single from We’re All Alone In This Together, finds Dave calling on good friend Stormzy to ride beside him and flaunt their top-notch confidence. Lastly, the recruitment of UK rappers Fredo, Meekz Manny, Ghetts (who tears through his verse), and Giggs for a captivating posse cut on “In The Fire” provides fiery raps that render the passion the quintet have while leaving their egos unchecked for a moment. All in all, the album presents emotions and feelings that — at their simplest levels — are relatable to us as listeners as we too have experienced them in our own lives.

The word “alone” presents a negative connotation more often than it does a positive one, but Dave successfully uses both on his second album. He acknowledges and accepts the idea of being a nomad on We’re All Alone In This Together. At the same time, the London native reminds us that while we all have our own nomadic experiences, the loneliness we feel isn’t because no one cares. More times than not it’s because we all have our issues to solve, with most requiring our full attention to complete. On “In The Fire,” Giggs raps, “Can’t walk in my shoes / You could be riskin’ a bunion.” Our shoes are only our shoes to walk in as no one else can live life for us. This is the solo expedition Dave speaks about on his second album, We’re All Alone In This Together. Our hardships may be unique, but the London native reminds us that we all have our own to deal with.

We’re All Alone In This Together is out 7/23 via Dave/Neighbourhood Recordings. Get it here.

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Lorde Explains Why She Takes Such Long Breaks Between Her Albums

Lorde fans are a patient breed, as they have to wait a long time between albums. Lorde’s debut, Pure Heroine, came out in 2013. That was followed by Melodrama in 2017, and then there’s Solar Power, which is set to drop in under a month. So, on average, there are about four years separating Lorde’s albums, and now she has explained why her between-album breaks are so long.

Lorde participated in Vogue‘s “73 Questions” series, and in the video that was shared today (the 73rd episode in the series, coincidentally), she walks around the New York Botanical Garden and talks about her career and life. When asked why her long breaks are important, she answered, “Well, I just have to go and live my life so that I have stuff to write about. So, it’s just sort of mooching and taking time.” She then elaborated on what she likes to do during those breaks, saying, “I like to cook and I like to be very available for my friends and family, because I miss a lot of birthdays when I’m working.”

She also explained her decision to not release Solar Power on CD, saying, “Everything that I make physically, I want it to be something that I would have in my house, and I don’t have any CDs at my house.”

Check out the full video above.

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A Shirtless Adam Driver Turning Into A Centaur In A Bizarre New Ad Is Making People Feel… Things

John Oliver has called Adam Driver many colorful things over the years, including a “rudely large man,” “f*ckable redwood,” and an “irredeemable steer.” But one description that the Last Week Tonight host never got around to is: wet centaur.

Driver is the face (and body) of Burberry new men’s fragrance, which launches next month. “This will be Riccardo Tisci’s first fragrance for the house,” according to the Beauty Influencers. Driver said in a statement that he’s “very happy to be working with Burberry on this campaign, and with Riccardo Tisci in representing his first fragrance for the brand.” And I’m equally happy that the first images and clips from the actor’s campaign are here. In the video, set to “Two Weeks” by FKA twigs, Driver runs shirtless into the ocean, swims to a horse, and exits the water as… a centaur?

I have a lot of questions. The images answer none of those questions.

Don Draper wishes he wrote “centaur Adam Driver” on his whiteboard.

The Star Wars actor is living his best life this year: his “we saw you across the bar” photo for House of Gucci with Lady Gaga went viral, Annette co-star Marion Cotillard raved about his ability to sing while going down on her, he started smoking during a five-minute standing ovation at the Cannes Film Festival, and now this, the Animorphs centaur.

And yes, I already checked: there’s a new Last Week Tonight this Sunday.

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‘When You Motherf*#kers Get Vaccinated’: House Republicans Are Being Torched For A Tweet Complaining About Having To Wear Masks Again

Time really is a flat circle, which means that we’re back where we started in terms of this pandemic: with Republicans complaining on social media about mask-wearing mandates.

This week, the Centers for Disease Control reversed its earlier indoor mask policy. While the organization has always recommended that at-risk and unvaccinated individuals continue to wear protective gear indoors, it was recently deemed safe for vaccinated individuals to forego mask-wearing indoors. Now, however, the CDC is cautioning those who have been vaccinated against going maskless, saying they should be wearing face-coverings in places where COVID transmission has begun to rise again. The reason for this change in messaging is fairly simple: too many people are refusing to get vaxxed which means more dangerous variants like the Delta strain are spreading unchecked, and breakthrough infections are happening. Because of that, we’re not achieving herd immunity as quickly as we should.

Basically, it’s humanity’s own damn fault, but that kind of acknowledgement of personal responsibility in this crisis failure just doesn’t sit well with the House Judiciary GOP. The group’s official Twitter account took to social media to use it’s platform to troll the new CDC mask directives, which sounds almost as bizarre as it actually is:

You’d think with the ongoing investigation into the Jan. 6th insurrection happening, and more and more cases of COVID being reported in red-leaning states, GOP officials would have different concerns than to use a government account to spread doubt and mistrust in the scientists trying to conquer this pandemic. But look, if they’ve got time to complain about wearing a piece of cloth over their nose and mouth again, then Twitter will find the time to absolutely drag them for it:

This is not the “Deja Vu” Olivia Rodrigo sang about, people.