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You Can Now Watch Some Of Your Favorite HBO Shows For Free On Snapchat

If you’ve ever thought Game of Thrones‘ “Battle of Blackwater” would be more enjoyable to watch on your phone with 63 of your closest friends and Bitmojis galore, you might soon be able to do just that. As of Tuesday, July 20, HBO Max has become the first major streaming service to bring full-length episodes of some of their most popular series to Snap Minis, a brand new feature on Snapchat that hosts third-party apps.

Through Snap Mini, Snapchat users can watch various pilot episodes of original HBO programing with 63 other users and share Bitmoji reactions with one another while the drama unfolds. Among the pilots available to watch on Snap Mini are Gossip Girl, Euphoria, Game of Thrones, The Flight Attendant, Genera+ion, Looney Tunes, Lovecraft Country, Selena + Chef, Titans, Craftopia, Love Life, and Warrior and World of Calm. In addition, the season 2 premiere of Betty will also be available. Oh, and if the maturity level of those shows has you a bit worried for Snapchat’s younger crowd, rest assured that HBO will be asking users to verify their age in order to keep them out of age-restricted content.

According to The Hollywood Reporter, executive vice president of direct-to-consumer global product management at HBO Max Sarah Lyons released a statement claiming the move “paves the way for more meaningful discovery” of HBO shows by consumers. Lyons further explained:

“People love to come together to watch their favorite HBO Max shows and talk about what’s unfolding. Our partnership with Snapchat is another step towards fulfilling that desire for human connection and providing our fans with co-viewing opportunities, while deepening their emotional relationship with the brand.”

Based Snapchat’s younger demographic — which reportedly reaches about 90% of those between the ages of 13-24 in the US — it seems likely that HBO Max is trying to appeal to a younger demographic in order to up their already impressive 44.2 million subscribers. Only time will tell how this works out for the streaming service and Snap Mini.

(Via The Hollywood Reporter)

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Meghan McCain Blames Dr. Fauci And AOC For Vaccine Hesitancy Before Telling People To ‘Stop Making This So Political’

While discussing the recent recommendation by the American Academy of Pediatrics that all children and school staff, regardless of vaccination status, should wear masks during the 2021-2022 school year, The View panel, once again, returned to the pressing issue of vaccine hesitancy, and Meghan McCain, once again, attempted to deflect criticism away from Fox News and Republicans. But this time around, McCain pointed the finger at Dr. Anthony Fauci and Congresswoman Alexandria Ocasio-Cortez before launching into an odd plea to stop making the topic of vaccine hesitancy “political.”

Despite fellow co-host Sunny Hostin bringing data to the table that Fox News has demonstrably pushed COVID vaccine misinformation and conspiracy theories, McCain attempted to move the blame away from the news network, where her husband is a regular contributor, to Fauci because one third of hospital workers in New York, “one of the most liberal states in the country,” aren’t vaccinated.

“I’m sorry Dr. Fauci, but if you can’t get your hospital workers in New York in line, how are we supposed to do it in any other demographic in the country?” McCain argued. Of course, that neglects the reality that liberal states aren’t populated solely by liberal voters, but that didn’t stop McCain from then singling out AOC’s district for its 49% vaccination rate.

“If you have a problem in your district, then I don’t understand why this has to be so much about Fox News, because it’s not,” McCain said. This is a problem for our country and I’m petrified right now. Please stop making this so political.”

So in closing, Meghan McCain wants the record to show that Fox News is good, Fauci and AOC are bad, so clearly, there’s nothing political about this topic. It’s so obvious.

(Via The View, Decider)

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AOC Was Not A Fan Of Jeff Bezo’s Shout-Out To Amazon Employees During His Space-Ride Victory Lap

Just a few hours after Jeff Bezos took a ride on a giant, phallic-shaped rocket so he could spend just a few minutes above Earth’s atmosphere, the former Amazon CEO held a press conference thanking his employees and the millions of Amazon customers who made his joyride into space possible.

And you know what? That just didn’t sit well with Alexandria Ocasio-Cortez.

The New York representative and progressive Democrat has held Bezos’ feet to the fire on more the one occasion, calling his company out for the reported treatment of its employees and the many tax cuts it receives, so it should come as no surprise that she tweeted what we were all thinking when it came to the billionaire space race that ramped up today. After Bezos sincerely thanked Amazon employees for “pay[ing] for this” when talking about his suborbital trip to a gathering of capitalist groupies — a comment that earned laughs from the audience — AOC took to social media to explain why this whole billionaire space competition feels tone deaf.

She’s of course referring to the horror stories that have surfaced detailing the working conditions of Amazon employees. That includes tales of delivery drivers having to pee in bottles to meet their deadlines and the alleged harassment that employees have faced while trying to unionize. However, if Bezos really wanted to thank the people that got him to space, he should’ve given the lawmakers and government officials who oppose taxing the rich a shoutout. You can’t reach for the stars without hefty tax breaks that gets you out of paying millions of dollars to the government every year, after all.

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Willow Stage Dives Into A Pop-Punk Fever Dream On The Riveting ‘Lately I Feel Everything’

The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.

If your pop culture memory goes back far enough, you’ll vividly remember when Willow Smith — daughter to Will Smith and Jada Pinkett Smith — exploded into the conversation at just 9 years old with a knowing smirk and the incomparable banger “Whip My Hair.” At the time, most critics greeted the youngest Smith with a mixture of awe and skepticism: a prepubescent capturing the zeitgeist sans Disney contract? Amazing. But, nepotism.

Of course, it didn’t entirely matter how good the song and its paint-splattering video were. (And they were good.) Willow could never entirely escape the chorus of skeptics around her ultra-famous parentage and what that meant for her future as a singer. America loves a good underdog story, despite the reality that most famous people get somewhere precisely due to their proximity to other famous people. Far be it from me to fault Willow — or any child of a famous person — for simply being born and interested in art. Should her famous family cloud the fact that Willow is wildly talented in her own right? Absolutely not.

Since the viral success of “Whip My Hair,” Willow has spent the last 11 years publicly exploring her musical identity, releasing a handful of albums that lean into a wide spectrum of influences: there’s jazz-pop and R&B on 2015’s Ardipithecus, ’90s singer-songwriter vibes on 2017’s The 1st, and psychedelic soul on her 2019 self-titled. On the just-released Lately I Feel Everything, however, Willow stage dives face-first into a hard-rock and pop-punk aesthetic and crowd surfs into the sunset.

This shouldn’t come as a surprise. Willow’s pop-punk pivot is a move that’s been in the works for a while now, perhaps her entire life, given the musical inspiration she’s absorbed from her mother, who was famously in 2000s nü-metal act Wicked Wisdom. Also, just last year, Willow released a rock-driven album, The Anxiety, with her partner Tyler Cole, who oversees production on this LP. On Lately I Feel Everything, Willow gets to really stretch out and smash the patriarchy, mining influence from Black rock music performers like Fefe Dobson, and Alexis Brown from Knoxville metalcore act Straight Line Stitch. The result is 11 tracks of explosive, catchy-as-hell anthems that offer a snapshot of a young yet keenly aware-of-herself woman who knows how to balance style with substance.

This is also an unexpectedly satisfying avenue for Willow’s soaring vocals, which are worthy of comparison to Paramore‘s Hayley Williams and even Miley Cyrus (speaking of child stars who’ve recently adopted a rock aesthetic). On the howling opener “Transparent Soul,” featuring building-collapsing percussion from genre icon Travis Barker, Willow tackles disingenuous, potentially exploitative characters (“I knew a boy just like you / He’s a snake, just like you / Such a fake, just like you”). Like a punk-rock godfather, Barker shows up all over the album, on the similarly frenzied “Gaslighter” and “Grow.” The latter track, a fist-pumping anthem for the ages about personal evolution, contains a full-circle Noughties punk moment with vocals from Avril Lavigne, who today’s youth mostly know from TikTok and dating pop-punk rebirther Mod Sun.

Such big-name involvement from Barker and Lavigne could make Lately I Feel Everything appear a bit one-note, but that’s would be selling the album and its author short. A closer listen reveals a Gen Z-core blend of genres, with alt-rapper Tierra Whack offering a verse on the reverb-heavy ballad “Xtra,” and “Come Home,” featuring Ayla Tesler-Mabe from Canadian jazz-funk outfit Ludic, offering a gritty shout-along anthem that blurs the lines between classic rock, grunge, and nü-metal. Finally, album closer “Breakout” is a heady swerve into riot grrrl territory, featuring assistance from LA garage outfit Cherry Glazerr.

Taken together, Lately I Feel Everything falls right into line with a currently on-trend Y2K pop-punk revival (see also: Olivia Rodrigo, the aforementioned Mod Sun, Machine Gun Kelly, Maggie Lindemann). But that’s no reason to disregard it, just like Willow’s parentage is no reason to dismiss her immense talent and beyond-her-years point of view. Like her Gen Z peers, Willow came of age at a frightening time in America: 9/11, two recessions, a global pandemic, an ever-widening split of political ideals. Most people her age have had to reevaluate what being young and supposedly unencumbered is supposed to look like. Naturally, it feels cleansing to lean into the past (Y2K nostalgia). But, as she mines a path for more women of color to rock out in male-dominated spaces, Willow is innovating with intention. It’s a lot to feel at once, but the catharsis is worth it.

Lately I Feel Everything is out now on MSFTSMusic/Roc Nation. Get it here.

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Nick Jonas Was Worried His Jokes Would Offend ‘The Voice’ Cast When He First Joined The Show

After making his comeback with the Jonas Brothers in 2019, Nick Jonas has been busy. Not only did he join his brothers for a number of televised performances, but he dropped his own solo album Spaceman and also appeared on TV as a coach for the hit NBC show The Voice. Jonas has enjoyed his time on the show and has returned for a second season. But when he first started out, the singer was worried his jokes would be a little too offensive.

Jonas recently sat down to discuss his time on The Voice with his fellow coach Kelly Clarkson on her talk show, The Kelly Clarkson Show. Jonas noted how he now feels like he’s a part of The Voice family, but there were times when he thought he took things too far:

“I know all of you as my brothers and sister and so I don’t really care. I’m just going to let it go and take you guys down a notch. It’s been fun. I obviously love doing the show with you guys and working with these incredible artists, but I learned a lot from the first season interacting with them. We’re coaches, sure, but I think the thing that’s so cool is that we also learned so much in the process about ourselves and the artists we’re working with and how to give each other crap, and that’s been the most fun and rewarding part of being on the show for a second season. […] Day one of my first season, I didn’t know if I was going to offend someone, there’s always that worry. But then I realized you guys are hard to offend.”

Watch Jonas’ full interview on The Kelly Clarkson Show above.

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Justin Bieber Is Now The Youngest Artist To Reach A Major Chart Milestone, Beating Drake

The top 10 spots of the latest Billboard Hot 100 chart (dated July 24) were revealed yesterday, and the main story was BTS’ “Permission To Dance” replacing the group’s own “Butter” in the No. 1 spot. It was also a good week for Justin Bieber, though, as his and The Kid Laroi’s “Stay” debuted at No. 3.

That’s an impressive first week, but how it fits into Bieber’s historical context is an even bigger deal: It’s Bieber’s 100th song to appear on the Hot 100. Therefore, Bieber is now the youngest artist to have 100 songs appear on the Hot 100 chart, as “Stay” pushed him into triple digits when he was 27 years and four months old. The previous record-holder was Drake, who got his 100th Hot 100 hit when he was 28 years and 11 months old in 2015. Bieber is the 11th artist with at least 100 songs on the Hot 100, following Drake (who has 235 of them), Glee (207), Lil Wayne (174), Taylor Swift (137), Future (123), Nicki Minaj (118), Elvis Presley (109), Kanye West (109), Chris Brown (103), and Jay-Z (102).

This comes after Bieber had a big weekend in Las Vegas, as he managed to perform three concerts in just 24 hours. He also made an appearance on the Friends reunion special a couple months ago, but Chinese viewers didn’t get to see him.

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Kalan.FrFr Gives A Charismatic ‘UPROXX Sessions’ Performance Of The Plaintive ‘Never Lose You’

Compton rapper Kalan.FrFr gives a confident, charismatic performance of his plaintive TwoFr 2 single “Never Lose You” on this week’s episode of UPROXX Sessions, demonstrating why he’s rapidly becoming one of the Hub City’s fastest-rising talents.

Giving off a similar vibe to LA area rap crooners 03 Greedo, Bino Rideaux, and 2021 XXL Freshman Blxst (who has produced beats for him), Kalan blends a melodic delivery and emotive penmanship with lush, G-Funk-inspired beats to tell relatable stories of heartbreak, love, and loyalty shot through with the familiar notes of Los Angeles street culture. Starting off making beats in high school, Kalan retired from San Diego State University’s football team (he played defensive back) to focus on rap full-time.

The switch paid off earlier this year when he was signed to Roc Nation in March. He followed up the signing with the release of his debut album TwoFr 2, which has rapidly become a local favorite. With his deluxe version dropping over the weekend and adding impressive features from fellow South LA standouts 1TakeJay (a fellow UPROXX Sessions alum), BlueBucksClan (stay tuned), and Chicago breakout star Lil Durk, Kalan is one hit away from following his song-rap brethren into the mainstream spotlight.

Watch Kalan.FrFr’s UPROXX Sessions performance of “Never Lose You” above.

UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.

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Former NBA Star Alan Henderson Shares The Story Of Birdie Brown And Talks About Black Representation In Spirits

Over the past half-decade, American whiskey has seen a serious reckoning with regards to the erasure of marginalized groups from its history — especially the enslaved Black men and women who helped build the spirit’s foundations. Thanks to award-darling Uncle Nearest (and its superhero founder, Fawn Weaver) and upstart brands like Brough Brothers Bourbon, the white-driven narrative of American whiskey is beginning to shift. We’re finally starting to see a spotlight shone on Black-owned distilleries and blenders and Henderson Spirits Group (HSG), founded by former NBA player and Indiana University legend Alan Henderson, hopes to be next in line for some love.

Regardless of the media attention, though, it certainly seems like Henderson is coming at the industry with the right intentions. His focus is on supporting marginalized voices.

“I’m trying to be intentional about trying to give African Americans opportunities in this industry,” he says. “I really am trying to think about what I’m doing, because my mission is to diversify the box from the drinks we serve, the bottles you see on the shelves, the owners, the workers, the bartenders, to the distributors selling. I want to see more diversity in everything. We’re big consumers. We have stories to tell. We have money to spend. We can learn this stuff as well as anybody.”

HSG focuses on Black history in the spirits industry, beginning with Birdie Brown Plain Hooch — which launched April 2020. Inspired by a Black woman homesteader of the 1800s, Birdie Brown is a Montana-made unaged whiskey (sourced from Dry Hills Distillery, in Bozeman). It’s comprised of wheat, oats, and barley. The toasted cereal palate and hot, lingering finish make for an enjoyable pour all on its own (though it might run a little hot for an unseasoned drinker). As a mixer, it really shines — switch out your favorite bourbon for this hooch and you’ve got a new riff on the classic old fashioned.

Henderson’s company is also in the process of releasing a gin and a flavored bourbon that will come out under their Tom Bullock’s line. The influence behind the brand is based on the story of the first African American cocktail book, released in 1917 — The Ideal Bartender by Tom Bullock. By the end of this year, Henderson also plans to release another expression as part of Birdie Brown Plain Hooch’s portfolio.

Inspired by what Fawn Weaver and Uncle Nearest have done with regards to representation and inclusivity in spirits, Henderson says: “They’re killing it. But they’re also like, ‘How can we also help advance diversity for other people or other companies trying to come up as well?’ There’s room for all of us and we can help each other, so that’s what I’m hoping to see.”

We spoke to Henderson about how he transitioned from a career in basketball to spirits, Birdie Brown, and what he hopes to achieve through his company by way of diversity.

***

You used to play professional basketball. So, what got you involved in the spirits industry?

It’s interesting. As I was playing [basketball], I was involved in a lot of different businesses. It ignited my entrepreneurial spirit. We had some quick-service restaurants. We actually had a recording studio on a label in Atlanta where we sold over 100,000 independent records. We had a recording studio where big acts would come in and record. So, that was one thing we had.

Then, I had some friends that were working on a liqueur. They asked me to take a look at it to see if I wanted to invest. I ended up not investing. But while doing my due diligence, I started looking at the business itself. I really liked the industry. As I was looking at it — this was several years ago — there was a lack of diversity on the shelf. I think that’s really what spurred me to say, ‘Let me see if I can figure out how to get some good spirits, and tell some different stories, and give people a chance to pick something off the shelf with someone that looks like them on the bottle.’

Everything I was picking up was pretty similar — primarily older, gray-haired white men and telling a story of their family history. I was like, ‘Can we get something else?’ That’s kind of what sent me on my mission. It’s taken a while to actually get things together and get things to the shelf. There’s a lot of learning and it definitely was an investment and a process but I’m glad I did it. I’m glad we’re at the point we are now. I think we’re positioned to really grow, tell some great stories, and develop great spirits.

Are you based in Indianapolis or Montana?

So, I’m based in Indianapolis. However, the spirits in the Henderson Spirits Group come from all over. Right now, we do not have our own distillery. It’s something that we’ve looked at and could be something in the future, hopefully, maybe even a destination-type distillery would be the goal. For instance, Birdie Brown was an African American lady from Missouri. She went on to Montana in the late 1800s by herself. It’s just an incredible story of perseverance, risk-taking, and fearlessness. She ended up homesteading in the early 1900s. She was distilling her own spirits and growing her own grains. She had a parlor and had a lot going on out there. She was a real entrepreneur. I was amazed by the story that there was this Black woman that could do that at that time and in that place. It just really excited me. So, we really want to tie into that Montana story.

I actually have a family farm out there and they have a distillery that’s making the Birdie Brown Plain Hooch. So, it’s made in Montana.

Who introduced you to the story of Birdie Brown? How did you stumble upon it? What really resonated with you about the story?

I was reading, researching, looking in books, looking online, and trying to learn as much as I could about where African Americans were involved in the spirits industry. I started looking closely around the time some of the different moonshines were coming out. I started learning that a lot of moonshiners who would have African Americans kept as slaves who’d keep the stills at their house. They were distilling and helping them make the liquids. I started doing more and more research on how we are involved. I was really trying to find stories that I could build a great brand around. I came across [Birdie’s] story and started trying to read as much as I could about it, learn as much as I could, and it just resonated with me. It was an unexpected story at an unexpected time and unexpected place. It just resonated with me — her grit and her willingness to take a chance. I don’t know how many of us would take that.

At the same time, I was looking, reading, and scanning for other stories because I had this vision for Henderson Spirits Group to be able to tell those types of stories. I really wanted to put a portfolio together of products that were just great products built around these real spirits heroes in history. She was the first one we’ve had to the market and I’m really proud to be able to tell her story. I’m glad that it’s something that people enjoy talking about and take some inspiration from.

Let’s talk about the actual hooch. Were you able to find Birdie’s original recipe?

No, we could not find it. We were trying to find as much as we could, like an old recipe book or anything, but what we did find was that we knew that she was growing oats, wheat, and barley. So, we knew she was growing all that on her own homestead and that’s what she would have been using to make her spirits. So, from that, we just set up using that as our inspiration for it, just working on a lot of different mash bills until we got one that we really felt good about.

That’s how we came up with the mash bill of wheat, oats, and barley.

And what do you like most about it?

Though it’s at a higher proof, it still gives you that smooth taste even if you’re drinking it neat. This is a lot different than a regular 100 proof white dog from corn whiskey. I like that smoothness. I like that you can get that oat, cereal-type nose. It’s really versatile. You can use it and swap it out pretty much with any drink you currently were making with another white spirit or vodka especially, and it just gives you a lot of options.

In what ways do you plan to keep the legacy of Birdie Brown alive through your spirits group?

I’m trying to really diversify the bar — the people, the places — and make an impact. I want Henderson Spirits Group to be a place where we brought in employees to come on, learn and grow, and maybe they go onto the big brands like Diageo and work their way up. Maybe they got their start with me, maybe some stay, and some go. We can just really create positions where people can learn and grow and become a valuable part of the industry. We have big dreams for Henderson Spirits Group and Birdie kicked it off for us.

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Dr. Fauci Is Forced, Once Again, To Snatch Up Rand Paul And School Him On COVID Conspiracy Theories

Like Batman and the Joker, it’s starting to feel like Dr. Anthony Fauci and Senator Rand Paul are doomed to battle each other forever. For the record, Fauci is clearly Batman in this scenario while Senator Paul is the unhinged madman who seems hellbent on gunning for Fauci with some sort of nonsense. This time around, Fauci had to dress down Paul during a congressional hearing on Tuesday morning where the senator accused Fauci of lying to Congress about the National Institutes of Health (NIH) funding “gain of function” research that led to the coronavirus pandemic.

To be clear, Paul is attempting to push what’s known as the “lab leak theory.” At its most extreme, the conspiracy theory posits that COVID-19 was created in a lab as some sort of bioweapon and then either accidentally or purposefully leaked. However, most scientific experts say that the prevailing evidence shows that COVID occurred naturally and was not the result of gain of function research.

That didn’t stop Paul from attempting to pull a gotcha move on Fauci by claiming that a 2017 research paper shows that the NIH did fund gain of function research. In reality, the paper did not prove that, and a heated Fauci dismantled Paul’s argument, which eventually led to a shouting match between the two.

As the argument continued, Fauci made it a point to note that Senator Paul has a history of coming at the infectious disease expert with misinformation. In a notable escalation, Fauci then accused Paul of being the one who is lying to Congress. Via USA Today:

“You’re trying to obscure responsibility for 4 million people dying around the world from a pandemic,” Paul said.

After being told to let Fauci speak, Fauci responded, “You are implying that what we did was responsible for the deaths of individuals. I totally resent that, and if anyone is lying here senator, it is you.”

When asked by Sen. Tina Smith if he had any other comments on Paul’s claim, Fauci said, “This is a pattern that Senator Paul has been doing now at multiple hearings based on no reality.”

Having enough of Paul’s outbursts, Fauci ended the discussion. “I have never lied certainly not before Congress. Case closed.”

(Via Aaron Rupar on Twitter, USA Today)

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Inspired By Britney Spears, Legislators Have Introduced A Reform Bill Around Conservatorships

It seems that the case of freeing Britney Spears from her long-running conservatorship is something everyone — from Madonna to embattled Republican Representative Matt Gaetz — can get behind. Now, a bipartisan bill has been introduced that, if passed, would make it easier for people living under conservatorships to request a different guardian other than their court-appointed one in situations of abuse and fraud.

The bill is called the Freedom And Right To Emancipate From Exploitation Act (or, the FREE Act, a reference to the #FreeBritney movement). The bill was introduced by sponsors Representatives Charlie Crist (D-Florida) and Nancy Mace (R-South Carolina).

Speaking to The New York Times, Mace said about the bill, “We want to make sure that we bring transparency and accountability to the conservatorship process. If this can happen to [Britney Spears], it can happen to anybody.” Crist added, “We’ve tried to be very smart and focused. That gives us a much greater opportunity to have success.” It should be noted that while the bill provides a way forward for people living under conservatorships to choose a different guardian (other than their court-appointed ones), it does not actually make it easier for them to dissolve their guardianships.

Last week, Spears scored major a win in a court when a judge allowed her to retain a lawyer of her choice, former federal prosecutor Mathew Rosengart. Until recently, Spears had been working with her court-appointed lawyer, Samuel D. Ingham III, who recently stepped down from his role. While the singer’s conservatorship stating that her conservator, her father Jamie Spears in this case, needs to approve any moves the singer attempts to make, Rosengart argued that it’s the singer’s constitutional right to have the lawyer of her choice. On July 19, Rosengart told news outlets that he and his firm were “moving aggressively and expeditiously to file a petition to remove Jamie Spears unless he resigns first.”