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Queen Guitarist Brian May Calls Eric Clapton A ‘Fruitcake’ For His Anti-Vax Stance

As fall tours roll out in conjunction with rising Delta variant cases, the divide is widening between the artists who request COVID vaccination mandates and “passports” at their shows and artists who feel it’s an infringement on rights. Speaking of the latter, it’s long been reported that classic rock figurehead Eric Clapton is anti-vax; he recently said in response to a UK “vaccine passport” mandate that “unless there is provision made for all people to attend, I reserve the right to cancel the show.” Now, Queen guitarist Brian May is coming for Clapton.

Speaking to The Independent, May, who is very pro-vax, said, “I love Eric Clapton, he’s my hero, but he has very different views from me in many ways. He’s a person who thinks it’s OK to shoot animals for fun, so we have our disagreements, but I would never stop respecting the man.”

He added, “Anti-vax people, I’m sorry, I think they’re fruitcakes. There’s plenty of evidence to show that vaccination helps. On the whole they’ve been very safe. There’s always going to be some side effect in any drug you take, but to go around saying vaccines are a plot to kill you, I’m sorry, that goes in the fruitcake jar for me.”

Clapton has been a longstanding critic of the UK government’s pandemic restrictions. Last December, he and the similarly cranky Van Morrison teamed up for the anti-lockdown track “Stand And Deliver,” which met with significant backlash. He’s also recently lamented that his stances have cost him professional relationships, saying, “I would try to reach out to fellow musicians and sometimes I just don’t hear from them anymore. My phone doesn’t ring very often. I don’t get that many texts and emails any more. It’s quite noticeable.”

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Electronic Duo DRAMA Give Us A Guide To The Chicago’s Must-Visit Locales

Offering some of the best food, endlessly interesting neighborhoods, must-visit museums, ornate architecture that rivals New York City for the country’s best, Chicago is easily one of the handful of cities in the United States that you absolutely must-visit at some point in your life. So before you book a trip overseas — and, let’s face it, with the way the pandemic is heading, that’s a long way out — make sure you hit up Chicago first to take in all the Windy City has to offer. But considering Chicago is the third-largest city in the whole country, figuring out where to start can be daunting, which is why we hit up the electronic duo DRAMA for an intimate guide to the city’s must-visit locales.

DRAMA is a Chicago-based electronic music duo consisting of producer Na’el Shehade and vocalist Via Rosa whose music balances the fine line between sensual pulsing R&B music (think Sade meets Drake) and the more driving rhythms of Chicago House and electronica. DRAMA’s music — especially their latest single “Don’t Hold Back” — combines elegant arrangements with soulful vocals, piano loops, and swirling string-like synths, resulting in two songs that are perfect for soundtracking the late summer nights that we still have left.

Check out the video for DRAMA’s latest single above, and then dive into their guide of Chicago’s best food, drink, and hang-out spots.

Best Late-Night Food Spot?

Chi Cafe

DRAMA

Chi Cafe in Chinatown! Good smoothies and soy sauce noodle rolls are a must-have. We usually go here late at night after we leave the studio for a snack before we go home because they’re open really late and the service is really fast! Being two artists who are also into culinary arts and the restaurant business, good food and good service mean a lot to us.

Best Breakfast spot?

Kanela Breakfast Club

We love a good breakfast/brunch spot. It’s our favorite kind of food to share with each other. The first choice would be Kanela. Great food, great juice, but expect bad service…!

Stax Cafe

And a strong second with great food and service is Stax on Taylor. They serve simple, easy, delicious breakfast food. Not a lot of vegan options but the service is fast and it’s perfect for a quick business meeting.

Best Place to get a good view of the city?

The Point/Shedd Aquarium/Soho House…Everywhere

DRAMA

There are a few, but the two that we would go with are The Point in Hyde Park and the view from the Shedd Aquarium. Or, if you want to be bougie, the Soho House rooftop has good drinks and a view. Chicago skyline is the best skyline in America. Every time we think we’re over it, we leave and come back like “ahhhhh yes!”

You really can’t beat a late-night ride down Lake Shore Drive, just roll the windows down, throw on your favorite jam, and ride from 31st to Montrose.

DRAMA

Best place to party/catch live music?

Metro

Drama

Metro is one of Chicago’s legendary venues. They also have a dope after-hours club right next to it called Smartbar. There are so many venues you have to play in Chicago before you get to headline at the Metro. It’s like a major stop on the yellow brick road to United Center or something, you know? Everyone has played there! They’ve done a really great job at keeping the space’s character and maintaining their reputation of being one of Chicago’s coolest live music venues. You know you’re on the right path when you hit that stage.

Best place to grab a drink?

Juice House

In all honesty we don’t really drink like that anymore but Beatnik on Chicago is definitely one of my fave spots. The vibe is always lovely, the food is delicious, and we’re suckers for adult slushies. Soho House rooftop is also a solid choice. But if you want some real drinks? Hit up Juice House in Pilsen! Fresh juice and smoothies in the heart of Pilsen. It’s family-owned with lots of personality.

Best place to take in the culture of the city?

Take The Blue Line

DRAMA

The best thing to do is hop on the CTA Blue Line and take it downtown. Chicago is huge with so many worlds within worlds, you can take that ride a million times and always find something new at every stop. We highly recommend getting off in Wicker Park and just walking around, you’ll see some gems.

Best place to take in nature?

Hyde Park Japanese Garden

The Japanese Garden in Hyde Park is an excellent spot to escape from the city noise and unwind, and the Quarry over by 31st. Living in the city can take its toll on you, sometimes you just gotta get away from it all. Chicago is amazing at creating little oases for each section of the city, you’re always no more than ten to 15 minutes from a decent park! There’s nothing like taking a break and just talking or talking a walk.

What is your fondest memory of the CHI?

The Surroundings

DRAMA

Via: Animal House Parties 2010-2013, craziest house parties ever! Ten years in Chicago and I can honestly say I’m still learning the city and the things I like about it. I’ve spent the majority of my time here staying home and going to work. Those first three years living here were just carefree wild nights meeting strangers and shit, Chicago is great for that. Every time I go out I usually leave the party convinced I made new friends.

Na’el: Summertime in Chicago is the best part of our city. Something about the air, the smell, and the food.

One thing everyone visiting CHI must do?

Ride the SeaDog

Rent a Divvy bike, take a ride through downtown, hit Navy Pier, and ride the SeaDog! You gotta get on the Red one! It’s like a jet ski speed boat on the lake with loud music, fast turns, a great view of the skyline! If you’re lucky and you go on the right night sometimes they play movies in the park too. Chicago is just a whole experience with so much to offer.

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Machine Gun Kelly Announced His New Album Via Matching Tattoos With Travis Barker

Machine Gun Kelly fully solidified his pop-punk pivot with his 2020 album Tickets To My Downfall. Travis Barker played a major role in bringing that project to life, and now the two are linking up once again for Kelly’s next project, the title of which the pair got creative with announcing today.

In a tweet from this afternoon, he wrote, “i’m gonna announce the album title today i’m tired of hiding it.” Then he followed that with a photo of himself and Travis Barker sporting matching forearm tattoos that reveal the album title and captioned it, “‘born with horns’ the album. back for round two…”

So, the album is called Born With Horns, and presumably, it will feature more of the pop-punk sound that Kelly settled into on Tickets To My Downfall. So far, the title of Born With Horns is the only confirmed info about it, so we don’t yet have album art, a tracklist, or a release date.

Adopting his new pop-punk aesthetic has certainly been a successful endeavor for Kelly, as Tickets To My Downfall became his first No. 1 album after its release. The album also got great TV exposure, as Kelly performed on Saturday Night Live and he and Barker guested on The Late Late Show.

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Some families discovered an unexpected love for homeschooling during the pandemic

When schools shut down in the U.S. in the spring of 2020, parents, teachers, and students alike were thrown into uncharted territory. Now, more than a year later, families are finding themselves navigating murky waters once again as the Delta variants surges and schools and local governments grapple with mitigation measures.

Throughout all of this, millions of families have taken the plunge into homeschooling. For some, that meant helping their kids through virtual learning through the public school system, but others decided to ditch the system altogether.

In fact, a Census Bureau report found that the number of U.S. households that reported homeschooling kids doubled from March 2020 to September 2020, from 5.4% to 11.1%. The jump for Black households was even more significant, from 3.3% to 16.1%. With schools starting up this fall in the midst of rising COVID infections, those numbers could grow even higher.

While some parents are choosing to homeschool because they feel like it’s the safest choice, some parents tried homeschooling during the pandemic and found that they and their kids enjoyed it far more than they expected to.


“Homeschooling was something I always thought my kids would benefit from for many reasons, but I could never wrap my head around how to actually do it and the fear that I would fail as their teacher,” Jennifer G., who homeschooled last year and decided to continue this year says. “Covid gave me the push I needed to put my fears aside and dive in.”

“We struggled at times last year and it took a while to find a good routine,” she adds. “But overall, we learned so much about ourselves, about how we function together as a family, and how to make learning fun. We went on fun educational field trips as often as possible, cooked lots of new recipes together to learn about the world, experienced adventures through reading, & grew together as a family. We are looking forward to homeschooling again and having the flexibility to learn what we want how we want. I never imagined learning could be so colorful!”

Jenny S. says that she’s wanted to homeschool for years but her husband and oldest child were never on board. However, due to COVID, she began homeschooling her third and sixth graders last year.

“My 3rd grader THRIVED,” she says. “When the world shut down we noticed some behaviors that led to us finally figuring out what caused the sensory processing disorder we knew she had since she was an infant. So, we knew she’d be home again this year. She’s so ahead of her peers, I didn’t want boredom to add to the problems she already faced in a classroom. She has also learned that schools white-wash history, and boldly proclaims that she was lied to when asked why she likes homeschool better. She never wants to go back. She’s been able to truly dive into her interests, and has learned snd retained more than she ever has before.”

Her oldest has chosen to homeschool for seventh grade for consistency. “While he misses his friends, he knows this year will be better, socialization-wise,” she says. “He is also ahead of most of his peers, and loves that he can move at his own pace. We love the flexibility, fewer hours, and the outdoor time it has allowed us. Without evening homework, I still get hours to get my work done (I mostly work from home), have more time for prepping dinner, and just hanging out as a family.”

Many parents I spoke to were surprised to find that their children excelled learning from home.

Judi S. spent last school year at home with her 10-year-old grandson while his parents worked, helping him with virtual learning through the school. She says has mild ADHD and he was able to be more kinetic at home, which helped him focus better. But she also acknowledged that that wasn’t the case for all kids.

“Some kids did well, some struggled, and some simply checked out,” she said. “I wish that families still had the option of virtual learning as well as homeschooling and in-person because children have such diverse learning styles. And I dread the return of all those soul-sucking hours of homework. I think a lot of parents have discovered how arbitrary and mostly unnecessary homework actually is. We always suspected and now we know.”

Homeschooling isn’t a magic bullet, of course. Not all parents can make it work, and not all parents should even try to make it work. Having come from a teaching background and homeschooled my own kids for almost two decades, I can attest to the fact that it’s not for everyone. And for many families, it’s simply not an option.

At the same time, the pandemic has provided a prime opportunity to give it a shot for those who want to. Much has been made about the mental health impact of school closures, as well as the kids who will fall through the cracks because of needs that get met at school. Those problems are real and those concerns are legitimate—however, a lot of kids really do fare better academically, emotionally, and socially learning outside of a traditional classroom setting.

The fears and reservations that kept many families from trying homeschooling have been trumped by the fears of viral spread and reservations about kids’ safety in the classroom. Though the circumstances that got us to this point are undesirable, there’s never been a more opportune time to experiment with different modes and models of learning. Schooling has been turned topsy turvy anyway, so why not try something entirely new if you have the desire and the ability?

The educational landscape is shifting quickly and there are more resources for learning than ever before. While broad questions about equity and accessibility loom large across that landscape, parents shouldn’t be afraid to explore the various options that are out there. The opportunity to reexamine what learning looks like for individual kids has been laid at our feet with the pandemic blowing up school as we know it. Might as well take advantage of it while we have the chance.

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De La Soul Have Finally Gained Control Of Their Masters, According To Talib Kweli

Legendary hip-hop trio De La Soul — Posdnuos, Trugoy and Maseo — have been locked in a battle with Tommy Boy Music for years to regain control of their masters. Now, according to Talib Kweli, it’s mission accomplished for The Plugs.

“After years of being taken advantage by the recording industry in the worst possible ways, De La Soul now owns all the rights to their masters and is in full control of the amazing music they have created,” Kweli wrote in an Instagram post over the weekend, writing that Maseo had confirmed the news. “Let’s salute Plugs 1, 2 and 3 for sticking to their guns and showing us that we can all beat the system if we come together as a community. Let’s hear it for black ownership of black art! Congratulations fellas.”

The news may not come as a huge surprise, since just two months ago, Reservoir Media acquired the Tommy Boy for close to $100 million. They also gained ownership of Tommy Boy’s catalog, which includes six De La Soul albums: 3 Feet High And Rising (1989), De La Soul Is Dead (1991), and Buhloone Mindstate (1993), Stakes Is High (1996), Art Official Intelligence: Mosaic Thump (2000), and AOI: Bionix (2001). A spokesperson for Reservoir also confirmed that the new label ownership would mean that De La Soul’s catalog would at last come to streaming platforms. “We have already reached out to De La Soul and will work together to the bring the catalog and the music back to the fans,” a Reservoir rep told Variety.

As Uproxx’s Aaron Williams pointed out recently, the only two De La albums currently available to stream are 2004’s The Grind Date, released under Sanctuary Records, and their crowdfunded 2016 album And The Anonymous Nobody.

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‘Ted Lasso’ And ‘Scrubs’ Creator Bill Lawrence Will Team With Vince Vaughn For A Comic Crime Series Based On A Bestselling Novel

Scrubs creator Bill Lawrence struck gold again with Ted Lasso, somehow turning a commercial for a TV network’s sports coverage into one of the most heartwarming shows on streaming services. And now Apple seems primed to give Lawrence a crack at success with another interesting concept, this one based on a bestselling novel.

According to the Hollywood Reporter, Lawrence’s next project will be turning the novel Bad Monkey into a TV series, with Vince Vaughn in the lead role.

Written by Lawrence, Bad Monkey revolves around Andrew Yancy (Vaughn), a one-time detective who was demoted to restaurant inspector in Southern Florida. A severed arm found by a tourist out fishing pulls Yancy into the world of greed and corruption that decimates the land and environment in Florida and the Bahamas. And yes, there’s a monkey.

THR reported that Vaughn will also serve as executive producer for the series, which will mark his first on-screen TV work since the second season of True Detective. The 10-episode crime drama is based on the 2013 bestseller by Carl Hiaasen, a book that is loaded with the kind of darkly comic moments that should play to both Lawrence and Vaughn’s strengths. This is all very intriguing.

Also intriguing: the report notes that Lawrence’s overall deal with Apple is being “re-negotiated” after the success Lasso has seen, which is currently rolling out its second season in weekly episodes. If things go well with Bad Monkey, well, we’re gonna need a bigger money truck for the writer and showrunner.

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DaBaby’s Credit On Dua Lipa’s ‘Levitating’ Has Been Removed From Some ‘Billboard’ Charts

When last week’s Billboard charts were released, the publication noted that Dua Lipa’s DaBaby-featuring remix of “Levitating” saw a decrease in radio plays following the rapper’s recent controversy. The publication noted, “On July 25, 71% of its plays was via the remix; on July 29, the last day of the tracking week, the share dropped to 59%.” Now, it appears that share has fallen even further, as DaBaby is no longer credited on the song as it appears on Billboard‘s airplay charts this week (dated August 14).

A similar credit change happened last year when Nicki Minaj was removed from the Hot 100 listing for Doja Cat’s “Say So.” At the time, Billboard explained, “After two weeks of Minaj showing as a featured artist on ‘Say So’ on the Hot 100 and other charts that utilize the same methodology, only Doja Cat is now listed, as the original version, without Minaj, is now driving the majority of overall activity for the song; the change does not affect any of Minaj’s achievements on those charts the past two weeks, and she continues not to be credited on the song on any airplay charts, as the vast majority of the song’s airplay is still for the original version.”

The DaBaby version of the song is still doing on other charts, though: On this week’s Hot 100, it rose from No. 4 to No. 3, just one spot away from its all-time peak.

Dua Lipa is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Netflix And Apple Are Reportedly In A Bidding War For Jennifer Lawrence’s New Movie

Jennifer Lawrence hasn’t appeared in a movie since the most contractually obligated movie ever, Dark Phoenix, but that will change soon. She stars in Adam McKay’s asteroid comedy Don’t Look Up, along with Leonardo DiCaprio, Jonah Hill, Mark Rylance, Tyler Perry, Ron Perlman, Timothée Chalamet, Ariana Grande, Cate Blanchett, and Meryl Streep (in my professional opinion, pretty good cast), and she’ll also play agent Sue Mengers in a biopic directed by The Young Pope creator Paolo Sorrentino.

Variety reports that the still-untitled biopic has led to a bidding war between streaming services Apple and Netflix. “Bidding has reportedly eclipsed $80 million and there are some mutterings it has reached $95 million, which means a big payday for Lawrence [and] Sorrentino, one that they likely would not receive from studios interested in pesky things like, say, ticket sales,” it reads.

Lawrence reportedly had a $20 million salary for both Red Sparrow and Passengers, so a decent chunk of that $80-$95 million will presumably go to her bank account. (J-Law isn’t breaking the law — she’s breaking the bank… sorry.) Apple and Netflix can afford it for what Variety calls an “Oscar-baity film,” unlike indie distributor A24, which is working with Lawrence on another “secret” movie where she plays “an army soldier who returns home and struggles with PTSD” with Brian Tyree Henry and Samira Wiley.

Lawrence took three years off and now she’s making $20 million per movie and working with A24. Goals.

(Via Variety)

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Halsey Proudly Shows Off A Picture Of Their Postpartum Stretch Marks

Just a few weeks out from releasing her new album, If I Can’t Have Love, I Want Power, Halsey has shared a few images of new parent life on social media, including photos of their three-week-old baby, Ender, who was born earlier last month. Also, Halsey shared a photo of Ender’s rainbow-colored nursery and a close-up shot of their postpartum belly, which is lined with stretch marks. “Well….this is what it look like,” they captioned.

Earlier in the summer, Halsey shared the now-viral cover art for the Trent Reznor- and Atticus Ross-produced album, which pictures a baby on their lap and an exposed breast:

“This album is a concept album about the joys and horrors of pregnancy and childbirth. It was very important to me that the cover art conveyed the sentiment of my journey over the past few months. The dichotomy of the Madonna and the Whore. The idea that me as a sexual being and my body as a vessel and gift to my child are two concepts that can co-exist peacefully and powerfully. My body has belonged to the world in many different ways the past few years, and this image is my means of reclaiming my autonomy and establishing my pride and strength as a life force for my human being.

This cover image celebrates pregnant and postpartum bodies as something beautiful, to be admired. We have a long way to go with eradicating the social stigma around bodies & breastfeeding. I hope this can be a step in the right direction!”

If I Can’t Have Love, I Want Power is out 8/27 via Capitol. Pre-order it here.

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Roku Is Adding 23 Former Quibi Shows To Its Free Streaming Channel

While the extremely short-lived streaming service Quibi might be long gone, several of its shows found new life — and success — this past May over on Roku’s free streaming channel. Now, Roku is going even more in on the short-form television series and bringing 23 additional Quibi shows to its streaming channel Friday, August 13, including four of which that were previously unseen.

According to Roku’s official blog post announcing the big news, the 23 shows include everything from “new alternative programming to suspenseful scripted shows and feature “some of Hollywood’s biggest names,” which seems pretty accurate based on the star-studded trailer above. Some of the new shows coming to Quibi include Elba vs. Block, which follows Idris Elba and Ken Block as they “go head-to-head to see who’s the best behind the driver’s seat,” Gone Mental with Lior, in which a trained mentalist attempts to read the thoughts of celebrities such as Zooey Deschanel, and Mapleworth Murders, a Murder She Wrote spoof that earned the cast three 2021 Emmy acting nominations.

Among the four new shows Roku is adding to its original line-up are the Josh Groban-hosted cooking competition series Eye Candy, as well as a ten-part docuseries called What Happens In Hollywood that “looks at how Hollywood has framed our ideas about sex and sexuality.” With the addition of these 23 series, this brings the total number of Quibi shows on Roku to 53, meaning the service still has 22 additional programs it purchased from the now defunct Quibi it could still bring over to its own channel. This all comes as an attempt to bolster Roku’s original content and appeal following the success of streaming services such as Disney+, Netflix, Hulu, and HBO Max, and seeing as how much the first wave of Quibi shows boosted Roku’s viewership, it could be a viable tactic. All these new shows hit Roku starting August 13.