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The ‘Fox & Friends’ Gang Clashed Over Whether TV Hosts Should Be Doling Out Medical Advice

Fox News is going through some things when it comes to the COVID vaccine. Despite the Delta variant spiking numbers across the country by ravaging the unvaccinated, the network has been extremely disjointed when it comes to its stance on the vaccine, which has unfortunately been politicized. While Tucker Carlson has been pushing anti-vaxxer conspiracy theories on the network, other hosts have been twisting themselves into knots by attempting to “both sides” the issue by not encouraging vaccination, and instead, suggesting that viewers talk to doctors. This approach was particularly evident when Sean Hannity walked back his vaccine endorsement and told his radio listeners that he’s “not urging people to get the COVID vaccine because I’m not a doctor.”

It’s exactly that sort of wishy-washy approach that led to a confrontation between Fox & Friends hosts Steve Doocy and Brian Kilmeade on Thursday morning. For his part, Doocy has been one of the Fox News hosts who has openly encouraged viewers to get vaccinated, and he defended that approach despite objections from Kilmeade and Ainsley Earhardt, who think anchors shouldn’t give medical advice.

You can see the relevant portion of the argument around the 9:00 mark above, and here’s what they said, via Mediaite:

Kilmeade then echoed comments made last month by Tucker Carlson, saying “I don’t think anchors should be recommending medical advice,” to which Earhardt agreed with “yeah, I agree.”

“But a lot of people have been tuning in to the show for 25 years to see what we think about different things,” Doocy gracefully replied. “I think if you have the opportunity, get the shot.”

“Right. But shouldn’t you see a doctor to give you expertise to what they are seeing?” Kilmeade stubbornly replied.

Kilmeade and Doocy have disagreed on a lot lately regarding the pandemic, so the fireworks should continue.

(Via Mediaite)

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Charli XCX Is Launching A Podcast With The BBC Called ‘Charli XCX’s Best Song Ever’

Charli XCX is launching a podcast, and you better believe some of the best new musicians from around the world are going to be involved. As NME reports, the new project with the BBC is called Charli XCX’s Best Song Ever, and early confirmed guests include people like Beabadoobee, Mark Ronson, Tove Lo, Christine and the Queens and Caroline Polachek (whose latest single, “Bunny Is A Rider” is absolutely a rider!). The first episode launches next Monday, August 9, as Charli will “chat to friends and celebrity guests from around the world to discover the songs that have been instrumental in shaping their lives.”

Music recommendations from the musicians Charli XCX is friends with? That’s better than an algorithm any day. The podcast series is slated for a 20-episode run for its first season, and Charli cited emotional connections with people over music as one of the driving forces for the project. “The reason I wanted to do this podcast is because I love talking to people, and I love exploring the emotional connection any person can have with music,” she said in a statement. “Songs that soundtrack specific moments in life can amplify and affect a moment drastically and so I wanted to explore what those moments and songs are with some of my favourite creative people. In every conversation I’ve had, I’ve learnt something brand new about each guest and I feel like I’ve gotten to know each and everyone one of them a little bit more.”

This all comes right before a new song from Charli, her new single “Good Ones” is set for release on September 3.

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PWRFWD Is Building A Place For Athletes To Thrive Beyond The Margin Of Sports

Luke Bonner felt restless upon moving back to his hometown of Concord, N.H. eight years ago. From 2009-12, Bonner played overseas for clubs in Hungary and Lithuania and had a cup of coffee with the Austin Toros, the Spurs’ G League team. He was a self-proclaimed nomad every summer, splitting his time between Austin, Boston, and Concord. Bonner grew up the youngest of three siblings in a basketball-inclined family — his brother, Matt, is a two-time NBA champion; his sister, Becky, played overseas before becoming the Director of Player Development for the Magic — and had an intuitive understanding of the disruptive beat careers in the sport can have on the rhythm of a regular life.

Concord, settled in what once was the watershed of the Merrimack River that winds through the city, is hugged by gently climbing hills that roll into woods daisy-chained with lakes, downtown still a snapshot of the Neoclassical and Federal-style architecture of the 1800s with its grecian columned and gold-domed State House and downtown stretches of tall, shoulder-to-shoulder snug redbrick buildings. One time, Bonner recalls, Kwame Brown and Brian Scalabrine came to visit when Summer League was held in Boston and only had one person politely approach them with the advice that they might want to try basketball some day. It’s the sort of place, Bonner says, “where if you were super famous, everyone would just be like, ‘Hey, that guy looks like Brad Pitt.’ You would never be like, ‘Oh, that’s Brad Pitt.’” The sort of place where Bonner could let the rhythm of his life settle, at least a little.

Two summers ago, when Matt was back in Concord to run the annual Bonner Basketball Camp, he and Luke struck up a conversation with a local developer who was fixing up some of the older buildings around town. The developer, Mark Ciborowski, owned one particular historic building that piqued the Bonners’ interest.

“I have these vague memories of when I was little, really little, of there being a random gym, meathead fitness club thing, right downtown,” Bonner recalls of the space where his dad once taught aerobics and his mom would sign people up for classes. The brothers’ minds instinctively went to one thing.

“We asked him, ‘Hey, is there a court in that building?’” Bonner says. Ciborowski confirmed and took them into the building’s abandoned upper, open floors to see. Bonner’s voice still lifts in quiet awe when he remembers what they saw, a court tinged with a fair amount of dust and debris, light spilling onto it from floor to ceiling windows, “We were just like, ‘Are you kidding me?’”

The space would sit vacant for a little longer. Bonner occasionally used it to host one-off events for the work he did with his ad agency, like welcoming candidates during the last presidential election to come shoot hoops when they were in town. But it stirred up something in him. It seemed like the place where the fervent, occasionally restless passions that had driven him since he stepped off the court could come together.

Long before individuals who participate in college sports became able to profit off of their name, image, and likeness earlier this year, Bonner championed the rights of college athletes.

“I grew up in very unique circumstances. I’m five years younger than Matt and four years younger than Becky. They were both All-American players,” Bonner says. “But [I] also saw what the experience was like for my parents and how stressful it was. Even though my brother and sister were both full scholarship, top-tier college basketball players, there’s a lot of things that stood out to me even when [I was] in middle school thinking, ‘Oh, wow, this is really cool, there’s 20,000 people chanting my brother’s name on this game on CBS on a Saturday afternoon.’”

Bonner pauses a beat, “And then you think about it and you’re like, ‘Wait, there’s 20,000 people at this game chanting my brother’s name on CBS in the afternoon [and] my parents can’t even afford to go see him play.’”

In 2014, Bonner co-founded the College Athletes Players Association (CAPA) alongside a pair of college football players, Ramogi Huma and Kain Colter, with the intention to unionize the Northwestern football team. They had the additional support of United Steelworkers and were initially successful, but the ruling was overturned by the National Labor Relations Board in 2015. While various reforms to college athletics have since been brought forward, including the College Athlete Right to Organize Act tabled by U.S. Senators Bernie Sanders and Chris Murphy, there are many former athletes, like Bonner, who consider the more public-facing amendments like the NIL rule “easy and obvious.”

“Every incremental positive for players at the collegiate level of the United States has been the result of, basically, a lawsuit,” Bonner says. “A lot of the rhetoric from the NCAA side, or the administrative side, is that it’s only going to help the top one percent of college athletes. And I find that really offensive and it almost fires me up a little bit.

“By saying that it’s only gonna help the top one, you’re basically saying the other 99 percent of your athletes in college sports have zero value as human beings, ‘cause NIL isn’t just influencer posts and paid posts and stuff like that. It’s everything you do,” Bonner gives the example of his brother’s basketball camp, or an athlete appearing on a podcast. “The default stance from NCAA is always, there’s only interest because you’re an NCAA athlete, which is bullshit.”

The legal system moves slow. Against behemoths like post-secondary institutions and the college athletics system the schools are entrenched in, that pace can be glacial. Bonner knew there was more he wanted to be doing, but the vehicle in which to do it didn’t pull up on him until he began fiddling with its eventual engine.

Bonner had been working with an athlete on a personal project and started to look at the search analytics their name returned on a monthly basis, finding the numbers to be “really high.” At the same time, Bonner had been watching the endorsement space and, when he realized the athlete was delivering high search returns despite no personal website or e-commerce in place, he went to his friend and former coworker in the agency space, Allen Finn.

“And I just kind of said something like, ‘Somebody should build a thing where it’s really easy to stand up the shop, sell stuff that’s meaningful, and that can be an easy digital hub for an athlete,’” Bonner recalls, noting that it didn’t need to be a “full on personal site” but a one-stop spot outside of a team contract. “Basically like Etsy for athletes.”

As is often the case when an idea stubbornly settles, Bonner and Finn realized that they should be those somebodies. Bonner was already fired up with how far he felt changes like the NIL rule fell short, and Finn, who is in Bonner’s words, “one of those people where they’ll figure anything out,” pushed his friend past talking around the idea of something that could quickly be a difference-maker in the lives of athletes at the college and professional level.

Bonner began to share the idea for the new project, called PWRFWD, with agents he knew through the wide-ranging network of the Bonner siblings both as a way to put the feelers out and to “make sure I wasn’t crazy.” The response was overwhelmingly positive, something Bonner attributes to being honest and transparent with what he and Finn wanted to build, which helped them establish a sense of trust early on for the four people who would join them from the beginning as founding athletes: Sue Bird, Mo Bamba, Breanna Stewart, and Tacko Fall.

“What appealed to me most about PWRFWD, and working with Luke, was just the fact that the players, the athletes, were put first,” Stewart says over the phone. “I feel a lot of times for athletes to have logos on a shirt, or names on a shirt, it seems always really, really difficult. And Luke was just like, this is what we’re going to do. And whatever design we want, we’ll come up with the concept, and we’ll get your gear out there so people can represent you.”

“PWRFWD allows me to build out my brand in a way that I can retain ownership and control over the messaging, creative, and product types. I think there’s a substantial opportunity for us to provide value to athletes and fans that are too often underserved or overlooked,” Bamba echoes.

Though Bonner originally envisioned focusing on basketball for the first year, PWRFWD now hosts 68 athletes across basketball, football, baseball, soccer, tennis, MMA, swimming, as well as media. Kelsey Trainor, for instance, has a popular ‘Invest in women. Pay women. Hire women.’ shirt and hoodie.

With so many different athletes signing up for the kind of commercial and creative space Bonner was offering, he and the PWRFWD team, now made up of 10 full-time employees scattered from Concord to San Francisco and interns at various colleges throughout the year, realized quickly that the creative process had to be hands-on for everyone to reflect the myriad backgrounds, sports, and interests each person brought to the table. And that process extends to the physical items each athlete wants to offer, the design process, and the quality of the final product which utilizes only on-demand production practices to decrease overall waste.

“One of our responsibilities is ensuring that we’re creating something with the athlete that is true to what they want, whatever that is,” Bonner says. “Athletes will do this for different reasons. It might be to make a statement. It might be to support a cause that’s near and dear to them. It might be for fun and for vanity. So understanding that is kind of key.”

That creative process starts as soon as an athlete decides they want to join PWRFWD in a kickoff call with Bonner and the design team. It’s an intriguing spectrum where some people come with a full aesthetic in mind or designs in hand, while others may only allude to glimmers of personal interest that Bonner and his team have become experts at panning for creative gold.

“It almost always emerges organically, somehow,” Bonner says, mentioning the initial call his team had with WNBA player, Sylvia Fowles, whose lockdown obsession with houseplants gave way to her Plant Parenthood line of merch, with hoodies and t-shirts showing tropical houseplants nestled in basketball planters.

Bonner says that those conversations have been some of the most fascinating, and while he almost wishes he could put them into the world, he also acknowledges that when anyone is getting involved on the creative side, “you are vulnerable at the same time. And being able to make people feel comfortable, and to be honest about what they’re trying to accomplish. It’s a really cool experience, personally, for me to have.”

One of the first faces on the PWRFWD team that new athletes get to know is Hannah Nelson, the company’s first Athlete Success Coordinator. Nelson, who grew up outside of Concord, played basketball throughout college and knew Luke and Matt through the Bonner Basketball Camp. She had been a supporter of PWRFWD since it started, oftentimes directing people on social where to buy merchandise or talking up the company in her networks.

“And I guess they noticed that,” Nelson laughs.

Bonner contacted her and asked if she’d be interested in joining the new team as an intern, but Nelson quickly found herself doing “a little bit of everything,” from administrative organization, to number crunching, to the hands-on creative process with athletes. It was that process that appealed to her most because it was apparent each piece of merchandise had come from the mind of the athlete, there was no sign of the too often ubiquitous last name and number. Now, in her full-time role, Nelson values helping athletes “figure out who they are, what kind of merchandise they would like, that’s personal to them” all with the end goal of letting people know they’re more than just an athlete.

“We definitely collaborate as a team,” Stewart says, giving a soft chuckle, “Funny, I just got off a Zoom meeting with the team, and just talked about what we liked from the last line.”

For Stewart, her first release was a series based on a photo she’d taken on her phone of all her rings lined up, that the PWRFWD designers turned into a punchy, effervescent graphic of Stewart from behind, tying up her hair for a game with a ring on each finger. These shirts, along with shirts for Storm teammate Jewell Loyd have popped up around Seattle, which Stewart calls “awesome.”

That sense of ownership is crucial to the company’s, as much as Bonner’s, business model, in that every item listed on the site as a finished product belongs to the athlete, not to PWRFWD.

“I don’t know if consumers or fans necessarily understand that when I buy this Charli Collier t-shirt from PWRFWD, I’m literally buying it from Charli Collier,” Bonner stresses. “And it’s either going to the cause that she wants to give it to, or it’s going to support her to do her thing.”

Athletes who have existing partnerships are encouraged to highlight them and build fulfillment, like the partnership Bamba has with Detroit-based jewelry designer, Rebel Nell.

“We can sell that product on our shop homepage,” Bamba says, “and PWRFWD handles all the backend stuff to get the product in the customer’s hands and get Rebel Nell the cash from the sale.”

It also allows athletes like Bamba to think beyond the traditional avenues of athlete merch, as he already has ideas percolating for future additions to his shop. “Candles! I love a good candle,” Bamba says. “Soon you might even be able to buy one where the wax has my signature haircut that sorta melts over time.”

In this way the PWRFWD model is unique. Athletes aren’t plugged into existing campaigns led by a parent brand, whatever they want to sell is being created by and with them or, if it exists already in a previously established partnership, isn’t restricted but helped to grow. It’s an almost aggressive approach of reclamation when considering that many are, for the first time, exercising that kind of absolute control, especially for athletes who came up through the same exploitive system Bonner did.

“I think that as athletes, we see there’s a lot going on and I would say what we do on the court is important, but not the only thing we do,” Stewart says. “So to be able to have control, to be in those meetings for off the court things, for continuing to help build our brand, is something that’s really exciting just because we’re able to lead the charge and not just be the ones following a big company or something.”

“You see it with the NCAA now, and when I was in college,” Stewart adds. “We didn’t have control over our own likeness and image. And now working with Luke, he makes sure that we do.”

Bamba finds it empowering, being in control over each step, noting how straightforward the actual business transaction part of the process is. “Everything is simple and transparent. I get a report each quarter showing exactly how much I sold and what the margin was on it.”

Bonner acknowledges that creating a business “where the athletes win before the company does, might be stupid short-term,” but thinks it can set them apart long-term as they build that trust with athletes. The importance of a company with an ethos like PWRFWD’s is simple, maybe, in the way that most life-altering inventions often are, but not, stupid. In an era of athlete autonomy and empowerment that has been too often put in air quotes by leagues and organizations like the NCAA virtue signaling with optics and lip-service rather than listening to insight from the athletes driving these businesses, Bonner and PWRFWD have come in like a quiet corps of utilitarian engineers, building a direct bridge from athletes to the people who happen to be their biggest and loyal consumers — their fans.

At a recent practice on the road, Stewart saw a young player wearing her Rings hoodie. “That’s cool because she went out of her way to get that. To see these fans finding ways to represent us, and now Luke has created that with PWRFWD. He has given them a place to get easy access to connect with the athletes, to represent us and to help build women’s basketball up.”

Bonner’s vision for the company’s future is likewise simple and straightforward, to continue doing what they have been with a focus on transparency and trust that’s geared toward growth for an athlete’s brand, platform, and entire person.

“Catering specifically to what is the life of an athlete outside of a team contract and how can we help facilitate income and more engagement, and allow them to own all of that themselves. What I have been drawn to is areas where there’s an underserved fan base and overlooked athletes, is where I think that there’s a lot of power to what we’re doing,” Bonner says, his usual affable tone shifting serious. “I’d love to see, if you go to an athlete’s shop, that doesn’t just mean t-shirt and hoodie anymore. It’s, sign up for camp registration, an experience, so on and so forth.”

PWRFWD’s founding athletes share those same hopes. Stewart says she hopes the company will “continue to be an outlet for people to express themselves as an athlete, as an activist, as an ally, and just in as many ways as possible.” Bamba believes it will become a go-to for athletes at all levels who want to build something with their personal brand that will be unique to them — “Pro athletes. College athletes. Anyone with any following, really.”

Building on the cause has remained keen and close for Bonner. It’s what propelled the idea for PWRFWD in the first place, and there’s the full-circle hope that the company can be a place for college level athletes to reclaim themselves, eventually reflecting the self-actualization players in the next generation will have known all along.

“Part of my theory is that you don’t necessarily know who’s going to be very good at the internet. You don’t necessarily have to be an All-Star to be that. Especially when you think of college sports, there’s a lot of people,” Bonner says. ”And there’s a lot of really interesting, inspirational personalities in that realm who may get overlooked for certain types of deals, but may actually be able to drive a lot of that on their own. College is definitely an area that we’re looking at as that world opens up.”

It took Bonner returning to where he came from, both physically in the world as much as what’s been most important to him, to start PWRFWD, and that those roots weave through everything is clear.

There’s a vision that Bonner has for Concord and the PWRFWD HQ, a place he can invite athletes to come hang and shoot hoops, and it parallels the vision he and his team have for how they can accelerate total autonomy for those same people to exist past the margins of their sports and athletic skills.

“That’s part of the driving force in what we’re doing,” Bonner says. “there’s a lot of athletes that, I think, hold value. And I think we have a tool that we’re building that’s really helpful for everyone, and simultaneously, I think it’s going to have an impact on the landscape, big picture, eventually.”

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Rappers Are Really Bad At Retiring

Logic is back — and we never even had a chance to miss him. Just a year removed from the declaration of his retirement, the Maryland rapper turned video game streamer (technically) bounced back last week with the release of his return mixtape, Bobby Tarantino III. Though technically, he did work out some of his itches to rhyme earlier this year with Planetory Destruction, the thinly-disguised, Kool Keith-like endeavor he dropped as Doctor Destruction, and the YS Collection Vol. 1, a collection of older songs cut from the Young Sinatra mixtape series that he was able to clear after a decade.

And look, we understand. When you have a long-lasting love for a thing that has been your whole life — literally, your job, your hobby, and your semi-living arrangement — for over a decade, it’s hard to let go. Logic is hardly the first rapper to have gone through separation anxiety upon realizing that retirement would upend his entire way of being. It was Jay-Z who first coined the bar, “Can’t leave rap alone, the game needs me,” nearly 20 years ago on “Izzo (H.O.V.A.)” from his career-defining album The Blueprint. Yet, just two albums later, Jay had decided to gracefully bow out with The Black Album, only to return two years later with Kingdom Come.

Rappers, it seems, have a hard time committing to retirement in general. While they love to announce that they’re stepping away from the hustle of the rap game and hanging up their mics for good, they’re rarely able to stay on the wagon for very long. Here’s a short list of the rappers who have retired only to unretire shortly thereafter when they realized that while the game may not actually need them, they most certainly need the game.

The Game

The Compton rapper said he was done with the rap game with his 2019 album Born 2 Rap (a threat he’d already made once before), but it looks like he may have taken the title pretty literally. His manager Wack 100 recently told AllHipHop that Game’s been back in the studio working on a new album titled 30 For 30. He also dropped the single “A.I. With The Braids” in November of 2020, implying more material on the way, which would bring his total collection of projects to 30, including studio albums, mixtapes, compilations, and independent releases.

Jay-Z

The most infamous rap retiree on the list, Jay-Z famously delivered his swan song, The Black Album, in 2004, accompanying the farewell project with a massive show at Madison Square Garden, a documentary titled Fade To Black recording the creation of the album, and a press tour that saw him collecting his flowers ahead of his final curtain. However, it didn’t take long for him to feel the hunger again. After remixing a number of his songs for the Linkin Park mashup album Collision Course, Jay began popping up on other artists’ songs to find his sea legs before dropping the uneven (but still criminally underrated) Kingdom Come, garnering plenty of both fanfare and criticism, as the brevity of his retirement made it seem more like a gimmick to sell records.

Nicki Minaj

Midway through 2019, Nicki decided that she was finished with the rap game, deciding to trade in her lucrative career for the family life, despite a number of recent examples of women in music who have apparently been able to do both, such as Beyonce and Teyana Taylor. However, it took her all of a day to begin backtracking, posting on social media that she was “still right here” before making her unofficial return in February 2020 with “Yikes.” Although that song didn’t make much of a splash, she renewed her cultural ubiquity with appearances on Doja Cat’s “Say So” and Tekashi 69’s “Trollz,” and recently began teasing a new album after re-releasing her breakout mixtape Beam Me Up Scotty to DSPs for the first time.

Young Dolph

March 2020 was an eventful month for the Memphis mogul, who recanted just 15 days after making his initial retirement announcement by teasing the upcoming release of his album Rich Slave. Then, he followed up the release of his joint project with protege Key Glock, Dum And Dummer 2, with another retirement in March of this year before coming out and admitting straight up in a July interview that he can’t commit to it. “I can’t do it, real talk,” he said. “I’m the spokesperson for all of the street n****s.” His most recent release wound up dropping the same day as Logic’s own comeback, with the Paper Route Empire compilation album Paper Route Illuminati.

Meanwhile, even more rappers, from Denzel Curry to NLE Choppa to T.I., have announced their own intentions to walk away from the rap game after releasing a few more projects. T.I. is said to be working on Kill The King, his final album, while Denzel Curry said that he had three more releases planned before punching the clock for good. NLE Choppa wants to switch to selling natural health products, Chika and Noname are over the poor treatment they feel they’ve received at the hands of the industry, and even DaBaby gave himself a five-year limit — although recent events may have forced him to unwillingly accelerate those plans.

Time will tell whether any of those names manage to stick to it, or transition into other outlets for their creative faculties. But as long as rappers’ retirement announcements make headlines, it seems that they’ll keep making announcements — even if they can only stay retired for a few months at a time.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Taylor Swift May Have Teased A Phoebe Bridgers Collaboration And Fans Are Beyond Excited

Taylor Swift is continuing with her plan to re-record each one of her albums in light of the drama with her former label. Since releasing her Fearless (Taylor’s Version) album, the singer confirmed that her Red album is next on the list. Today, she returned with an insanely cryptic preview of the upcoming effort, and fans are convinced Phoebe Bridgers will make an appearance on the LP.

Swift, who’s known for dropping Easter eggs and vague clues about her music, posted a short video to social media depicting a number of jumbled words. After putting the letters into various crosswords and word search puzzles, fans think they’ve successfully cracked the code. Many speculate that Swift’s video confirms Bridgers’ involvement on a song, and they’re beyond excited.

Fans rushed to Twitter to trade their conjectures and revel in their collective anticipation about the Bridgers collaboration.

Others remarked that adding Bridgers to the album may give it a “sad girl” sound.

Bridgers lending her vocals to a Swift song wouldn’t be the first time she’s collaborated with a major pop star this year. The singer may be known for her wistful indie music, but she joined forces with Lorde for the singer’s sunny comeback single “Solar Power” in June. “So talented, so cool and I’ve never had any other voices on my songs,” Lorde said about Bridgers’ contribution. “This is the first time people were singing with me.”

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The Chicago Bulls And The Virtues Of Just Going For It

The Chicago Bulls missed the play-in last year, a fate they seem determined not to repeat in 2021-22. After making a win-now move at the trade deadline by dealing for Nikola Vucevic (and trading what became the No. 8 pick in this year’s Draft to Orlando), Chicago entered this offseason with a plan in place to not just shuffle the deck, but buy an entirely new set of cards.

That started with a sign-and-trade for Lonzo Ball, a point guard they long coveted as a counterweight to their superstar two-guard in Zach LaVine, at a price tag of $85 million over four years. To get Ball, they had to ship out Tomas Satoransky, leaving a hole at backup point guard they quickly filled with the defensive-minded Alex Caruso, who was pried out of L.A. on a 4-year, $37 million deal. At that point, it would have been reasonable to assume the Bulls would be done with major moves, but rumblings lingered about their continued interest in DeMar DeRozan via a sign-and-trade as his market seemed to be drying up due to cap space evaporating around the league.

The result was a sign-and-trade in which Chicago sent a 2025 first-round pick to San Antonio along with Thaddeus Young and Al-Farouq Aminu for the right to give DeRozan a 3-year, $85 million contract and build out a core that immediately vaults them into the thick of the Eastern Conference playoff race.

There will be ample debates to be had in the coming months about where exactly these deals place Chicago in the hierarchy of the East, but the likely answer is somewhere in the second tier with the Hawks, Heat, and Celtics, all vying for the non-play in spots behind the trio of expected favorites in the Nets, Bucks, and Sixers.

That, of course, begs the question: What is the value of going all-in for what figures to be a mid-seed?

The Bulls have certainly paid the price to get here, but once they made the Vucevic move at the deadline, their bed was made. There were no half measures to be taken once you’ve shuttled off picks and youngsters. It was full steam ahead and, considering the circumstances, they’ve done admirably to build the best possible roster available to them. Risk aversion seemed to be the preferred path for the Bulls in the GarPax era, because you can never lose it all if you hold something back. Arturas Karnisovas seems ready to show Bulls fans that won’t be the case anymore, swinging for the fences in his first full offseason in charge where he had some money to spend.

Chicago will not be the favorites, but there is so much more joy in building something worthy of at least an inkling of hope compared to a resignation to fate. This Bulls team will get buzz as a dark horse capable of a run, a team poised to pounce on an opportunity if it presents itself, even in the face of an apparent juggernaut in Brooklyn and the reigning champs running it back in Milwaukee.

It’s easy to point to the Nets and Bucks and kick the can down the road, promising to give it a go once the current super teams age out, but the secret is, there’s always a new one to fill the void. For years, it was, “Well, when LeBron leaves, that’s when the East will be gettable.” Within two years, the East had new overlords in the form of a two-time MVP in Giannis Antetokounmpo and a dormant superteam in Brooklyn, just waiting for health to arrive. Now, those teams seem fully formed and the Bulls still were willing to push chips in, because their own opportunity to do so had a finite window.

The Bulls have an emerging young superstar in LaVine, set to hit free agency next summer and needing the Bulls to prove why he should stay in Chicago, which meant giving him a roster to believe in. They have at least shown the effort this offseason in doing so and for the first time since the Thibs era, there seems to be real belief from the Chicago faithful that the Bulls may just be back.

Far too often the conversation about basketball shifts to the financial costs, as we’ve been conditioned to show concern for the bottom line of ownership by celebrating savvy cap moves to skirt the luxury tax or discussing how much an addition would “actually cost” once in the tax. In reality, the only people who should be concerned about that should be the owners and the people they pay to worry about that, while fans should be concerned with whether their team is putting together a product they can enjoy. The Bulls have done that this summer and there is something welcome about that, seeing a team say enough is enough and put together something new and exciting, fully understanding that there are no guarantees it works.

There are some odd fits and questions to be resolved with rotations and backcourt/wing combinations, but Billy Donovan gets paid handsomely to find those answers. For now, they are a team with ample talent and an opportunity to vault into the conversation in the East, something Chicago’s been waiting for over the past five-plus seasons.

Ultimately, what the Bulls have done this summer will be judged by the results of this season, but in the moment they have captured the attention of the NBA in a way no team outside of Miami and L.A. has done during this offseason, and there’s something to be lauded about that effort.

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Quentin Tarantino Has An Idea For A ‘Good Movie,’ And It Involves Adam Driver As Rambo

Before Adam Driver became an Oscar-nominated actor and centaur, he was in the United States Marine Corps, so presumably he has experience with firearms. That could prove handy if Quentin Tarantino ever makes a Rambo movie.

While promoting the Once Upon a Time in Hollywood novel on The Big Ticket podcast, Tarantino discussed wanting to adapt David Morrell’s Vietnam War novel First Blood, the basis for Sylvester Stallone’s Rambo franchise. He would stick closer to the source material, however. “If I just wanted to make a good movie, that I knew would be good, I would take David Morrell’s novel for First Blood and do the novel. Not the movie that was made out of First Blood. I would do the novel,” Tarantino said. He continued:

“Kurt Russell would play the sheriff, and [Adam Driver] would play Rambo. Every time I read it, the dialogue is so fantastic in the David Morrell novel that you’re reading it out loud. It would be so good. But now I want to do more than that. But if it was just about to make a good movie, that’s out there.”

Tarantino has long said that his 10th movie will be his final movie. Guess what? His next movie is his 10th movie. Adam Driver as John Rambo is undeniably intriguing, but it would be a let down for QT to bow out with an adaption, instead of an original idea. He acknowledged as much (“I want to do more than that”), so maybe he has something else planned for Driver. I’d say the same for Kurt Russell, but of course Kurt Freaking Russell will be in Tarantino’s final film. It wouldn’t be right otherwise.

(Via Indiewire)

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Kathy Griffin Revealed Her Battle With Painkiller Addiction While Updating Followers On Her Cancer Prognosis

While updating fans on the successful surgery to remove a portion of her lung following a cancer diagnosis, comedian Kathy Griffin revealed that she’s already stopped taking painkillers out of fear of falling back into addiction. After the 2017 controversy surrounding the infamous photo of Griffin holding Donald Trump’s severed head, the comedian went through a period of addiction that culminated in a suicide attempt in 2020. It’s not a struggle that the comedian is looking to repeat, and Griffin opened up to fans about switching to Tylenol after her cancer surgery. Via Twitter:

To be honest, this cancer surgery was a little more than I had anticipated. Tonight will be my first night without any narcotic pain killers. Hello Tylenol, my new best friend! The last time I was in a hospital in June 2020 when I tried to take my life and overdosed on prescription pills. With over a year clean and drug free, I now know I can do this and anything I want without those devil pills Y’know what? I fear drugs and addiction more than I fear cancer. So, I think I’ll be ok.

Considering she’s never been a smoker, Griffin’s lung cancer diagnosis arrived as a surprise, but the comedian has remained optimistic throughout the ordeal. In her initial announcement, she also made it a point to tout the importance of the COVID vaccine, which prevented her situation from being far worse.

“Of course I’m fully vaccinated for Covid,” Griffin wrote. “The consequences for being unvaccinated would have been even more serious. Please stay up to date on your medical check ups. It’ll save your life.”

(Via Kathy Griffin on Twitter)

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Big Red Machine’s Latest Single ‘Mimi’ Features Ilsey On Another Dreamy Collaboration

Big Red Machine have already released a handful of singles from their upcoming album, How Long Do You Think It’s Gonna Last?, including one of the best songs of the year, “Renegade,” a collaboration with none other than Taylor Swift. But as much as fans love Taylor collaborating with, you know, just about anyone, there’s a lot more going on with Big Red Machine than the Swiftian angle. Other previewed tracks include Fleet Foxes And Anaïs Mitchell joining in on “Phoenix” and Aaron Dessner unexpectedly taking over lead vocalist duties on “The Ghost Of Cincinnati.”

Of course, every song here includes Dessner and Justin Vernon, but today they’ve shared “Mimi” which features yet another collaborator, Ilsey, and both artists shared a bit about what the song means to them.

Aaron Dessner said he named the song for his youngest daughter:

“I named this song Mimi for my youngest daughter… I was thinking about how grateful I am for my children and how they light up even the darkest days. Justin, Ilsey and I wrote words and melodies to this in isolation and we decided to interweave them, like characters in a book, full of longing and gratitude. Later James Krivchenia came to visit and brought the song further to life with his drums. Musically I feel like maybe we were seeking the open air and road of a Tom Petty song, just accidentally in an odd meter. So grateful to Ilsey for joining this collaboration — it felt so natural and joyful.”

And Ilsey shared that the song mirrors the way it was created:

“This song is almost a mirror to the process of how we made it. Aaron, Justin and I wrote and recorded all of the parts separately. The lyrics of the chorus reflect a longing for closeness and connection, but that longing is made to feel safe and less pained next to Justin and Aaron’s lyrics which have this strong theme of gratitude. All of this to say, what could have been a lonely chorus was made hopeful, and what could have been a lonely process was made joyful in getting to work with these two wonderful people.”

Check out the new single above.

How Long Do You Think It’s Gonna Last? is out 8/27 via Jagjaguwar/37d03d. Pre-order it here.

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Bartenders Name The Most Underrated Scotch Whiskies For Late-Summer

The spirits world (whisky in particular) is extremely complicated for the newcomer to wade through. There are some overrated expressions out there that get a ton of press based on name recognition alone. On the flip side, many expressions are deserving of adoration and grab headlines because of their high quality, flavor, and craft. Then on the flip-flip side, you have underrated whiskies that don’t get the mainstream love they deserve.

Today is their time to shine.

Since we’re in the business of helping you along on your drinking journey, we’re going to highlight some of these lesser-known offerings today. To offer the assist, we asked a handful of our favorite bartenders to tell us their picks for the most underrated Scotch whiskies to drink this summer. If nothing else, it’s intriguing to see how they define “underrated” — because some very big brands get shouted out.

Check their answers below!

The Glenlivet Founder’s Reserve

The Glenlivet

Michael Parish, head bartender at Jia in Miami

ABV: 40%
Average Price: $40

Why This Bottle?

The Glenlivet Founder’s Reserve is my pick. If you’re a fan of single malt Scotch whisky, then try The Glenlivet Founder’s Reserve and I guarantee it’ll become your new go-to. Deliciously smooth and sweet from hints of citrus fruit.

Aberlour 12

Aberlour

Andy Shannon, co-founder of Candra Drinks in London

ABV: 40%
Average Price: $59

Why This Bottle?

It’s difficult to say if this is underrated or not, but it should be in even more bars and homes. Aberlour 12 is an all-time favorite Scotch whisky. With toffee and spice notes it packs a lot of flavors and won’t break the bank. It’s always a win.

Bruichladdich Islay Barley 2012

Bruichladdich

Daniel Yang, lead bartender at Rosina inside The Venetian Resort in Las Vegas

ABV: 50%
Average Price: $65

Why This Bottle?

Bruichladdich’s unpeated Islay Barley any day of the week. While it’s not the most well-known Scotch — especially since they’re an unpeated Islay scotch — the light notes of oak and barley make this selection exquisite. I enjoy this either on a single rock or even in Penicillin.

Chivas Regal Mizunara

Chivas Regal

Rustyn Lee, beverage director at Atomic Saloon Show in Paradise, Nevada

ABV: 40%
Average Price: $49

Why This Bottle?

Chivas Regal Mizunara is my pick. Utilizing the Mizunara barrels leaves this Scotch a little lighter in style and shows some interesting flavors, including heather and anise.

The Balvenie Caribbean Cask 14

The Balvenie

Adam Mason, cocktail specialist at LouVino in Louisville

ABV: 43%
Average Price: $85

Why This Bottle?

The Balvenie Caribbean Cask is aged in rum barrels and is under-peated so it’s one of the most approachable Scotches to help whisky drinkers dip their toe into something new. It’s not commonly found in the American market but is easily one of if not my favorite Scotches to drink.

The Glenlivet Nadurra Oloroso

The Glenlivet

Source: Michael Lay, assistant director of bars for MINA Group in San Francisco

ABV: 60.3%
Average Price: $90

Why This Bottle?

Glenlivet Nadurra Sherry Cask is a great pick for summer sipping. It has no age statement but it’s cask strength so you can throw a big ice cube in it. It’s rich and nutty. Very flavorful.

Glenfarclas 17

Glenfarclas

Young Kim, beverage director at Fine & Rare in New York City

ABV: 43%
Average Price: $100

Why This Bottle?

If you like sherried and non-peaty Speyside single malts, try Glenfarclas 17. It is complex yet balanced with dried fruit, baking spices, butterscotch, toasted nuts, and even some coffee on the finish. It’s been owned by the same family for 6th generations, and they focus more on making family whisky than marketing which brings the cost down.

Glenfiddich 12

Glenfiddich

Jeremy Williams, mixologist at MDRD at the Amway Grand Plaza in Grand Rapids, Michigan

ABV: 40%
Average Price: $49

Why This Bottle?

With so many terrific single malts available today, I find it easy to stray from the classics. Glenfiddich 12 is a wonderful example of what makes the Speyside so special. Sophisticated notes of pear leather, dry citrus, and shortbread are met with wood spice and biscuity barley. The finish is long and oh so smooth.

Johnnie Walker Black Label

Johnnie Walker

Lyndee Sadler, bartender at Bamboo Willie’s Beachside Bar in Pensacola, Florida

ABV: 40%
Average Price: $39

Why This Bottle?

Johnnie Walker Black Label is the most underrated Scotch whisky. The price point sometimes makes customers change their minds, but the combination of fruit and vanilla allows for a very smooth taste. You can taste the oak in it as well.

Dalwhinnie 15

Dalwhinnie

Jacob Mata, bar manager at Garden & Grain in Pensacola, Florida

ABV: 43%
Average Price: $79

Why This Bottle?

Scotch whisky is a category of whiskey that is filled with heavy hitters. When it comes to Scotch, people tend to be very particular and usually know what they like to drink. One bottle that gets passed over more than it should have to be Dalwhinnie 15. This Scotch is something that can be enjoyed by seasoned scotch enthusiasts and novices alike. The delicate flavor is crisp and clean. Dalwhinnie 15 has a bright aromatic nose with notes of apple blossom, honeysuckle, and a touch of smoke. On the palate, you get a balanced malt character and a gentle smoke note. This Scotch has a lasting finish of malty and nutty flavors. A small measure of water will go a long way to open up all the flavors this Scotch has to offer.

Chivas Regal Extra

Chivas Regal

Chaz Gallo, director of food and beverage at The Bristol Hotel in Bristol, Virginia

ABV: 40%
Average Price: $40

Why This Bottle?

Chivas Regal has been doing this for a long time and recently released Chivas Regal Extra. This creation from legendary master blender Colin Scott has handpicked and rare whiskies aged in Oloroso sherry butts with a perfectly balanced sweet and spice.

Bruichladdich The Classic Laddie

Bruichladdich

Liam Odien, beverage director at Playa Provisions in Playa Del Rey, California

ABV: 46%
Average Price: $59

Why This Bottle?

Bruichladdich The Classic Laddie. I’m not sure if I’d call it underrated, so much as underknown– everyone who tries it enjoys the heck out of it. Bruichladdich focuses explicitly on terroir, and they source their barley entirely from Scotland. The Scottish barley showcases malt and molasses. The Classic Laddie is an unpeated Islay, so you get all the nice coastal minerality and salinity without having to wrestle with peat to find it.

Springbank 12 Cask Strength

Springbank

Ryan Anderson, complex director of beverage at Ace Hotel in New Orleans

ABV: 56.1%
Average Price: $100

Why This Bottle?

During summer I want to drink lighter Scotch. I usually go for Springbank 12 from the Springbank distillery located in Campbeltown, Scotland. They make lighter expressions of Scotch that focus on the natural quality of the water and barley being used. It’s so smooth and packed with subtle flavor. Campbeltown is an underrated area for Scotch production, losing sales to its more famous neighbors like Islay or Speyside. This is fine with me because there’s usually more Springbank to go around on the shelves.

Compass Box Glasgow Blend

Compass Box

Matt Nicholas, bar manager for The Kennedy Bar in Pensacola, Florida

ABV: 43%
Average Price: $39

Why This Bottle?

Glasgow Blend By Compass Box is a bold, lightly peated, sherry finished blended Scotch whisky with a wonderful price for what is in the bottle. Rich, sweet, slightly smoky, perfect for summer evenings.

Cutty Sark

Cutty Sark

Scott Wenger, bartender at The Continental in Tampa

ABV: 40%
Average Price: $15

Why This Bottle?

I have long been a fan of Cutty Sark. A blended whisky, it is not as heavy on the peat and very smooth and even a little bit citrusy. Really great with just soda water or your favorite soft drink. I tend to go for the original blended Scotch, but the Prohibition Edition is great too.


As a Drizly affiliate, Uproxx may receive a commission pursuant to certain items on this list.