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Dave Grohl Is Going On A Brief Book Tour In Support Of ‘The Storyteller’

On October 5, Dave Grohl is releasing a new book, The Storyteller: Tales Of Life And Music. To celebrate the memoir, Grohl will be doing something with which he is intimately familiar: touring. Instead of a Foo Fighters concert tour, though, he’s heading out on a brief book tour.

It’s a brief jaunt, as he’s making appearances in London, New York, and Washington DC, as well as to Los Angeles stops, over the course of a couple weeks in late September and October.

Grohl previously said of the book, “The joy that I have felt from chronicling these tales is not unlike listening back to a song that I’ve recorded and can’t wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child. This certainly doesn’t mean that I’m quitting my day job, but it does give me a place to shed a little light on what it’s like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. […] I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement.”

Check out the full list of dates below.

09/27 — London, UK @ Savoy Theatre
10/05 — New York, NY @ The Town Hall
10/07 — Washington, DC @ Lincoln Theatre
10/12 — Los Angeles, CA @ The Ford
10/13 — Los Angeles, CA @ The Ford

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The Rookie Transition Program Builds Longevity In And Out Of The NBA

Davion Mitchell knew he’d be learning some lessons at Summer League in Las Vegas this past August, with the NBA’s Rookie Transition Program (RTP) taking place for the first time in tandem with the tournament, but he didn’t think he’d be put through lectures both on the court and off. In Mitchell’s first practice with the Kings Summer League roster the rookie ran through the typical reps and drills but when it came time for the team to scrimmage, Mitchell wound up with cramping intense enough in his left hamstring that he had to sit out.

Questioned by his coach, Bobby Jackson, Mitchell admitted that he’d worked out twice already that day, once in the morning and again around noon, before the team practiced at 5pm. Jackson was impressed by Mitchell’s work ethic, but shocked, and let his new star know he’d have to ease off his workaholic approach to training. It was a lesson that would soon be repeated to Mitchell by Cam Johnson of the Phoenix Suns, a 2019 NBA draftee and one of the current players who offered their time and advice to Summer League’s RTP class.

“I remember Cam Johnson saying like, there’s 82 games, you can’t work out like you did in college, like every day,” Mitchell says over the phone, “You can’t do that. Sometimes you got to take days off ‘cause you gotta have a back to back, then you got traveling on top of practices, things like that are going to put wear and tear on your body.”

One of the panels offered in the RTP focuses on sleep and nutrition. Asked if he’d taken any tips from that class and Mitchell chuckles, “For me, being a part of this organization with the Kings, they’re telling me you gotta slow down.”

The NBA’s Rookie Transition Program has been one beam on the bridge the league hopes to engineer for its newest players to give them a smooth and structurally sound a transition as possible to a life, and career, in the pros. A four-day program that began in 1986, RTP is one of the most comprehensive introductions to life management tools, with panels on finances, character building, professional development and new this year, sessions focused on mental health and wellness, as well as social justice. The league runs RTP jointly with the NBPA, and hosts current and former NBAers in order to give as full and realistic a picture as possible when it comes to expectations and reality of an NBA career.

“This is on or about the 35th year of the program, but for at least the last 30 years, the program has been run with with a pretty simple goal: to acknowledge the fact that that rookies coming in are at a moment of significant transition into their lives as professionals,” Jamila Wideman, SVP of Player Development at the NBA says, “And that comes along with both opportunity and challenge.”

After running last year’s program remotely online, the challenge this year was to bring the 2020-2021 NBA rookie class together in person once more, but to limit excess travel in what was a condensed offseason and with the reality of Covid and the Delta variant looming. The decision was made to move RTP to Vegas from its traditional home in Secaucus, New Jersey ahead of the season, where players would attend sessions on their off days from games.

“Our belief is that there’s really a thin, if no dividing line between our ability to acknowledge and embrace players holistically as who they are, both on and off the court, as opposed to just who they are as the athlete, right? So much of our programming is built around this notion that in order for guys to perform at their best on the court that that necessarily requires an intentional focus about who they are off the court, as well. So that connectivity, I think, in a sense became even more literal this year because the program marched alongside the playing experience,” Wideman says, adding, “Summer League is the basketball epicenter.”

“I’ve been watching Summer League all my life, so just to be a part of it, to be a part of it and actually compete in it is a blessing,” Mitchell says, when asked what he was looking forward to most between Summer League and RTP. Turns out it was both.

“And then just the rookie meetings, it was a blessing just to be a part of this group. I learned a lot of things from the NBA vets, NBA current players, and also like Hall of Famers. So just listening to them, and them taking the time out to teach me things that, I mean,” Mitchell pauses, emphasizing, “‘Cause I didn’t know a lot of these things, so for them to take the time out to do that, I’m just thankful for that.”

This year’s RTP guests included Robert Covington, RJ Hampton, Grant Williams, Derrick White, Antoine Walker and Tracy Murray, as well as Johnson, who ended up being the player who stood out most to Mitchell because of the parallels he could draw between them.

“The things that he’s been through, with the mental side when he was a rookie, are some things that came up with me. There’s a lot of things that you got to deal with,” Mitchell says, “Especially being a rookie, you gotta do things for vets, the vets ask you to do things, but also you got to make sure you’re on top of your game. You can’t make a lot of errors, because you’re a rookie. So, you gotta make sure you’re always on top of your game and also be a sponge. He said that he was a sponge coming in and learning from other guys, even though he’s competing for the spot, but he’s still learning and it helped him get better.”

It’s often repeated that the internal community of the NBA is a tight-knit one, given the relatively small size of the league. And while Wideman acknowledges that there can be nothing “more impactful than guys hearing from folks who stood in their shoes”, as with what current and former players offer rookies, that sense of community is also one that the league’s Player Development arm wants to emphasize as starting even before new players walk in the door.

“I think our ability to embrace the fact that in some ways they’ve already built a sense of community among each other and to sort of lean into that strength, is a core part of RTP,” Wideman says, noting that many rookies arrive having known each other for years, “It’s important to highlight to the guys just what a resource they can be for each other.”

Mitchell echoed that same sentiment, and that it was in some ways stronger knowing that the NBA’s previous rookie class didn’t get to have the same experience.

“To be around the guys, like off the court too, just to get a good connection with those guys,” Mitchell stresses, “This is our class, we’ll always remember this class and I think just to do it with them is important too.”

Perhaps because Summer League skipped a summer, or RTP went remote last season, this year’s condensed and back-to-back schedule for rookies didn’t appear to be something that fatigued players, rather, it energized them.

“I don’t look at it as if, oh, I got classes. I’m like, I get to learn something that I didn’t know before, and is going to help me right now as well as help me in the future,” Mitchell says, when asked if the schedule of classes on off-days ever felt hectic, “I mean, of course people are tired from the games and things like that, but we’re here for a reason, to learn things and have fun.”

Wideman says that the rhythm Mitchell described was what her team had been hoping to achieve, and that what she described as the “cadence of on-court, off-court in a scheduled period” is familiar to many players, whether they’re coming from college, the G League or training programs like Ignite.

“That kind of routine is a really helpful thing to have. And it’s actually one of the things that we talk about that rookies should try to create for themselves as they enter into their first seasons,” Wideman says.

Routine, and its undercurrent of rhythm, is something intrinsic to the NBA — in a player’s game, in how their off-court routine compliments that game, in a season’s familiar schedule beats. That rhythm is so ingrained that the league’s programs, especially those offered by its Player Development team, wind up mirroring the same methods. For an incoming player, RTP is just one touchpoint of their player development that for most, starts formally around the draft combine and for some, Wideman gives the example of Scottie Barnes, it goes back even further to their involvement in player development programs in tandem with USA Basketball. Wideman describes that initial exchange as informal, mainly encouraging young players to “take a moment before that spotlight gets as bright as it does” during the formalized process of the NBA Draft, but notes that this past summer her team amplified their focus “around empowering players to think about and tell their own stories”.

“One of the truths that attaches to this transition moment is that the guys are thrust into the public spotlight and are asked to share not only their own stories, but in these days and times, to share their ideas and thoughts and perspective on evolving national and world events,” Wideman says of the way her team’s approach evolved, “and oftentimes events that are sort of uniquely and intimately impactful in their own lives.”

One of the understood but tricky things about programs like RTP, at least to Wideman and the NBPA, is that in terms of success metrics, nothing is immediate. Wideman called engagement at RTP itself, like how many guys were raising their hands or participating in class discussions, “a discreet metric,” but overall the point of development, as anywhere, is that it happens over time.

“Nobody gets this in seven or eight days, nobody gets it in one year,” Purvis Short, former player and current Chief of Player Programs for the NBPA, says, “Our approach to what we do with the players is not designed to be a one-off, if you will. [After] the Rookie Transition Program, we move into doing team meetings year in and year out, reinforcing a lot of the information that we’ve started giving them within the Rookie Transition Program. And so over time, players get it and they understand the information and how to use it, how best to take advantage of the resources that are available.”

“The goal is when they are mid-career, that there’s a relationship and a trust built, which means that we have access to understand what guys are aspiring to next, and that lets us and informs us how we should build something for a mid career guy that’s curated and sort of targeted to his interests,” Wideman says, emphasizing that relationship building itself is another piece and that success is “probably only visible in a larger timescale” and that the result of the partnership between the league and its players is the way in which the NBA itself evolves.

For a 35-year program that caters to rookies, typically young players at the forefront of social, technological and economic trends with ingrained B.S. detectors, evolution is crucial to RTP. For the program to keep current, useful and impactful, it needs to speak to the young men it aims to assist about their actual concerns, in language they understand. This year, it would have been impossible for the program to get underway without a large component looking at social justice and the reckoning NBA and WNBA players have been at the forefront of.

“After the two years that we’ve had, both looking at the COVID pandemic and the racial reckoning that’s been happening in the country. And the fact that current NBA and WNBA voices have played such a big role in conversations around mental health and about social justice. We really felt like if we were going to be where players were, then we needed to come to the table with those conversations,” Wideman says.

“You have your fundamental components that may not necessarily change a whole lot, but then you have new areas over the last several years. The social media component is huge. The mental wellness component, people are more open to talking about it now,” Short says, when asked how questions from RTP participants are changing, “Then, how you manage your relationships and how you manage your time, these things, although they may be constant, they do change somewhat over time because the time that an NBA player has today looks quite different than what it was 10 years ago.”

Short says that when he came through the league in the 80s, many of the resources players have now just weren’t available. It’s been one of his favorite things about working with young players in the capacity he does, and was one of the reasons he made a commitment, once he retired from playing, to “making life better for NBA players”.

“Having been in this environment as long as I have, players evolve,” Short says, “These kids coming in, they’re, in a lot of ways, a lot more knowledgeable just given access to all of the information that’s out there. We just try to fine tune that.”

“Players are after all at the core and epicenter of the league, and who they are, communities they come from and the things that they care about are ultimately going to be the imprint of the league,” Wideman says, “And their passion and their resiliency and how they decide they want to fashion the image of the league is going to be what the league is.”

For Mitchell, one of the biggest surprises wasn’t in what he was learning at RTP, but in the volume of what was to come after. “Just the amount of work you go through, the amount of work that NBA players go through with the mental side and the financial side,” he said, alluding to the not so distant future of his first NBA game and the career expanding beyond it.

More than the classes, or the tangible skills young players gain, it’s the sense of community that young guys get and the confidence that inevitably comes with it that makes RTP as resilient and important as it is.

“We have a lot of different people throughout the course of our life that pour into us,” Short says of conduit RTP offers, “And so we’re just happy to be one of the folks in that line where we can provide these young men with resources and guidance and oftentimes, just an ear.”

“One of the extraordinary things that I get the privilege to see is just how smart, how curious, how open and how willing these young guys are to be vulnerable to themselves, to each other,” Wideman says of the unique view she and her team have of so many careers starting at once, “And I think what’s exciting and inspiring about that is that you realize that the talent that you’re seeing on the court is the beginning of something, and not the full culmination of something. Because every one of those guys, no matter when it happens, and for some it’ll happen in training camp, for some it’ll happen 10 years from now, but their time on the court is going to end.”

While it might seem a cruel cut forward to consider the end of careers just beginning, it’s a realism borne out of understanding not only the stakes at play, but the necessary care required in setting players up for success and longevity, whether that’s in the league or not.

“And the truth is if we can’t find a way to help guys continue to translate during the careers and afterwards, what is truly extraordinary about what they’re capable of then we’d be missing out. And so I think that this preview of what’s possible and what I think that makes possible for our world, and the ways in which we may be able to grow as a community, the basketball road being just one small microcosm of that. I find incredibly inspiring.”

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‘Ted Lasso’ Power Rankings: The Time Has Come To Spend An Evening With Coach Beard

The Ted Lasso Power Rankings are a weekly analysis of who and/or what had the strongest performance in each episode. Most of the list will feature individual characters, although the committee does reserve the right to honor anything from animals to inanimate objects to laws of nature to general concepts. There are very few rules here.

Season 2, Episode 8 — “Beard After Hours”

HONORABLE MENTION: Jane (completely unfair to leave her out of the top ten considering she was the one who gave him the hula hoop that made my entire week, but still); the snooty hotel clerk (do not steal his crypto, not that he has any); the Oxford Bros (I’m glad they got hustled at pool); Thierry Henry (SHUT UP, THIERRY HENRY); various British people on various forms of public transportation (I feel like they have stories); Roy, Nate, Ted, etc. (not this week, boys); Martin Scorsese (this whole episode was an homage to After Hours and I think it’s only fair to mention that); keys (it is 2021, every door should open with an eye scanner now, come on); hula hoop discos located in church basements (please find or start one and put me on the guest list, I am not joking)

10. Mae (Last week: Unranked)

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Assorted Mae thoughts:

  • I love that she runs her pub with an iron fist and her word carries so much weight that she does not appear to need a bouncer or other staff at all
  • I laughed out loud at this joke and then again at the reveal that the stuffy loser was sitting at the bar, still correcting her
  • If we ever do another one-off episode where we follow a character around for an entire episode, I sincerely hope it is her

Mae rules.

9. Coach Beard (Last week: 1)

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I know we just got a full 45-minute episode where we followed Beard all over England, and I know it featured him sneaking into exclusive establishments under false pretenses and getting in fights and revealing himself to be a freaking hula hoop god, and I know I really shouldn’t be taunting fate by demanding more of the universe moments after it gave me everything I’ve been asking for over the course of almost two full seasons, up to and including the thing where he leaped off of a building while wearing sparky pants given to him by a mysterious women in red with a large jealous boyfriend but…

I don’t think I’m being unreasonable when I say that I would watch a full one-hour TED talk where Beard lays out his opinions on the simulation.

8. Sarah Coombes, Hostess at Bones & Honey (Last week: Unranked)

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Please do, just for a moment, picture her face upon realizing that her home was not on fire and it was all a ruse for some rascals to sneak into the club she works at. I know Beard said that would be a wondrous moment of her, and I would never question Beard on matters of human emotion, but picture her, like, two seconds after that passes.

Not a happy woman.

7. Coach Beard (Last week: 1)

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I love these pants. I love that they were given to him by a mysterious woman and I love that he put them on without a question and I love that he rocked them right into work the next day without a word of explanation. I also love the look Ted gave him upon noticing the pants, like a little double-take and acknowledgement, kind of a “Are those… well, I guess they are. Moving on.”

Part of me thinks this is not the first time Beard has shown up to work with a bruise on his face and sparkly pants covering his legs. Part of me wonders if it’s not even the second. Think about it for a second and try to tell me I’m wrong. Or don’t. I can’t have you wasting your time when we have so much else to get to.

6. The Richmond Soccer Hooligans (Last week: Unranked)

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So happy for these dudes. What a night they had. Started it in a pub watching their beloved football club get slaughtered and ended it by running around their beloved football club’s home field like kings after chugging champagne in a limousine and hustling a group of Oxford bros at pool in a club they’d never be invited into in a zillion years.

They’re going to remember this for the rest of their lives. Someone will say, “Ugh, remember that awful Richmond loss,” and they’ll get to jump right into this story. A solid chunk of people won’t believe them until they show off the pictures they took. They will love doing this so much. For as long as they live. They’ll be doing it into their 80s. It might be the best night of their entire lives. Good for them.

5. Professor Declan Patrick Aloysius McManus (Last week: Unranked)

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The fact that this was the alias he pulled in the moment and the fact that he had the full backstory ready to go with zero notice is somehow the most hilarious thing I’ve ever seen and the most obvious. Like, of course, Beard would have this ready to go. I bet he has at least seven or eight more, depending on the situation. I bet one of them is a loose cannon American detective named Wally Toledo and I bet he has used it to get out of multiple speeding tickets.

4. Mysterious Women in Red and Their Large Jealous Lovers (Last week: Unranked)

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This whole situation is fascinating to me. The woman brings strange men home for the purpose of collecting and mending and distributing pants, and she has a monstrous boyfriend who flies into jealous rages on account of his own history of infidelity, and she appears to get great joy from both parts of this. There was a lot of weird stuff in this episode, some of which we’ve discussed and some of which we will discuss shortly, but the weirdest thing of all might be another character coming out of it as more of an enigma than Beard.

I have no choice but to respect it.

3. Coach Beard (Last week: 1)

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The hula hoop has been around for centuries in one form or another, but it became a certified piece of pop culture in the 1950s when Wham-O Toys mastermind Arthur “Spud” Melin took something he saw Australian children doing with bamboo hoops and recreated it with cheap colorful plastic. Wham-O Toys had a history with this kind of thing. The company also ended up patenting everything from the Frisbee to the Slip ‘N Slide to Silly String, most of which good old Spud saw in some original form and recreated for American teens to injure themselves with and/or drive their parents crazy.

But that’s not the point. The point is that it all led to this moment.

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I do not think you understand how many GIFs I have of Coach Beard doing hula hoop things. I had to narrow it down to two. I’m kind of worried my computer will crash under the weight of many many large files I am now in possession of while I’m typing this paragraph. Look at him go. I know I’ve said many times that nothing he does could surprise me at this point, and yet, there I was, mouth agape as he did a masterwork of moving art with his hips and body. It was thrilling to me when it happened and it remains thrilling to me now. And it gets better because the actor who plays Beard, Brendan Hunt, has a deep history of hula hooping.

There is nothing bad happening in any part of this and if any of you attempts to find something bad and show it to me, so help me God, I will hunt to down in the street like Jamie Tartt’s crappy dad.

Thank you.

2. Renee (Last week: Unranked)

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A few Renee notes:

  • I love that he apparently lives at the stadium and guards the door at all hours of the night like some sort of mischievous magical troll
  • If any man with that face ever looks at me with that face, even for one second, I suspect I will turn into a medium-sized pile of dust on the sidewalk
  • I kind of want him and Mae to go on a date now?

This is something I will continue to monitor.

1. Coach Beard (Last week: 1)

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Some people were a little put off by this episode because it hit pause on a lot of the larger arcs and took us on a detour that did almost nothing to advance any ongoing matters the show has dealt with or will deal with, but, and I must stress this in the strongest terms possible, I do not care.

It was fun.

You cannot take it away from me.

Beard rules.

I love him.

The king stays the king.

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All The Best New Music From This Week That You Need To Hear

Keeping up with new music can be exhausting, even impossible. From the weekly album releases to standalone singles dropping on a daily basis, the amount of music is so vast it’s easy for something to slip through the cracks. Even following along with the Uproxx recommendations on a daily basis can be a lot to ask, so every Monday we’re offering up this rundown of the best new music this week.

This week saw Lil Nas X finally give birth to Montero and Taylor Swift after an early peek at the yet-to-be-officially-announced 1989 (Taylor’s Version). Yeah, it was a great week for new music. Check out the highlights below.

For more music recommendations, check out our Listen To This section, as well as our Indie Mixtape and Pop Life newsletters.

Lil Nas X — “Scoop” Feat. Doja Cat

Last week finally saw Lil Nas X give birth (pretty much literally) to his anticipated new album Montero, and there were plenty of standout moments on the LP. Doja Cat actually provided one of them, as Doja Cat turned heads with her contributions on “Scoop.”

Taylor Swift — “Wildest Dreams (Taylor’s Version)”

Swifties eat well, as Taylor Swift is among the most generous music stars when it comes to offering kind gestures to her followers and regularly giving them new music to chew on. Last week was a terrific example of both of those things in action: She noticed that “Wildest Dreams” was gaining traction on TikTok, so she went ahead and released her new “Taylor’s Version” recording of it, a move that’s a bigger kindness than it seems considering 1989 (Taylor’s Version) hasn’t even been officially announced yet.

HER — “Find A Way” Feat. Lil Durk and Lil Baby

Earlier this year, HER dropped her debut album Back Of My Mind, and now a few months later, she has given one of its standout tracks a facelift. The song in question is the hard-hitting, Lil Baby-featuring “Find A Way,” which now has a new appearance from Lil Durk, Baby’s partner on this year’s Voice Of The Heroes.

D Smoke and SiR — “Common Sense”

At the end of this week, D Smoke is set to drop his second album, War & Wonders. He’s been hyping the album up for much of 2021, and he continued on that track last week with “Common Sense,” which features SiR (his brother, by the way) and which Uproxx’s Aaron Williams describes as “a jazzy, introspective single.”

Sam Smith and Summer Walker — “You Will Be Found”

The musical Dear Evan Hansen is getting a film adaptation, and some of the songs have also gotten revitalizations, via other artists covering them for the movie’s soundtrack album. On board are Sam Smith and Summer Walker, who linked up for the emotive ballad “You Will Be Found.”

Lady Gaga and Tony Bennett — “Love For Sale”

It was announced recently that 95-year-old legend Tony Bennett is retiring from touring, but he’s not done with music overall just yet. He and Lady Gaga still have a new album, Love For Sale, to release, and the pair teased it last week with the title track, a recording that proves that, despite whatever else is going on in the aging singer’s life, his vocal chops remain impressive, especially considering his advanced age.

Snail Mail — “Valentine”

After establishing herself as a legitimate rising star with 2018’s Lush, Snail Mail (aka Lindsay Jordan) is back with a new album, Valentine, on the way. She made the announcement last week and shared the title track, which impactfully toggles between quiet and raucous moments.

James Blake — “Famous Last Words”

In a month, we’ll have a new James Blake album, Friends That Break Your Heart. He has offered plenty of early looks at it so far, and last week brought another: “Famous Last Words,” which Uproxx’s Rachel Brodsky calls “spare” and “soulful.”

Majid Jordan — “Summer Rain”

Majid Jordan knows how to keep fans wanting more: They dropped their debut album The Space Between four years ago and fans have been clamoring for new material ever since. They’ve been more active this year, though, and their latest 2021 output is “Summer Rain,” a dance-ready tune that’s a fitting farewell to summer as the season’s final days play out.

The War On Drugs — “I Don’t Live Here Anymore”

After four years, The War On Drugs are finally getting ready to follow their superb 2017 album, A Deeper Understanding. Their next effort is called I Don’t Live Here Anymore, and their latest preview of it is the title track, another shining example of the band’s soaring heartland-influenced rock, but with an assist from Lucius this time around.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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MGK Roasted Slipknot During His Riot Fest Set For Being ’50 Years Old’ And Still Wearing Their Masks

Last week, Machine Gun Kelly was flying high after winning his first-ever MTV VMA for Best Alternative Video. But, in what feels like something of a full-circle moment, the rapper turned rocker has found himself in a feud with the masked metal band Slipknot after switching genres in the wake of his prior beef with rapper Eminem. When Slipknot’s lead vocalist Corey Taylor recently appeared on Cutter’s Rockcast for an interview, MGK once again found himself the target of an elder’s ire.

“I’m the worst old fogey dude shaking his cane ever,” Taylor admitted. “I hate everything. I hate all new rock for the most part. I [hate] the artists who failed in one genre and decided to go rock — and I think he knows who he is. But that’s another story.” The snide remark was clearly a shot at Machine Gun Kelly, who has been criticized on social media over switching sounds in the wake of his Eminem battle. It’s also pretty inaccurate, depending on your definition of “failure” — Kelly carved out a lengthy rap career starting in the mid-2000s, and his first three albums charted in the top 10 of the Billboard 200.

Kelly never has been one to roll over for his aged critics, though (recall that his Eminem feud started when the elder rapper took shots at him on the album Kamikaze). During a recent set at Riot Fest, MGK took the opportunity to respond to Taylor’s comments, goading, “Hey, you wanna know what I’m really happy that I’m not doing? Being 50 years old and wearing a f*cking weird mask on a f*cking stage.” But rather than dwell on the moment, he quickly lightened the mood with an abrupt change of course: “So, what’s everyone’s favorite candy?” he asked. “Reese’s Pieces?” To be fair, Taylor is only 47 — just two years older than MGK’s Born With Horns collaborator Travis Barker.

https://twitter.com/ticketstotaraxx/status/1439816854361579522

Ironically, this wasn’t the first disagreement Kelly has been in lately. At the VMAs, a red carpet scuffle nearly broke out after Kelly’s security jostled MMA fighter, Conor McGregor. Naturally, Twitter has thoughts. Check some of those out below.

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Lil Dicky, LL Cool J, And Others Opened The Emmys With A Heartwarming Biz Markie Tribute

A couple months ago, the music world was faced with the death of Biz Markie, best known as the creator of perhaps the most feel-good song of all time, “Just A Friend.” Nobody can deliver the track as endearingly as he did, but the tribute to him and the song at this weekend’s Emmy Awards was heartwarming nonetheless.

The show began with host Cedric The Entertainer in a living room set, delivering a monologue about this year’s proceedings. As he starts speaking about friendship, the song’s iconic piano melody kicks in behind him and the pre-taped segment transitions to Cedric live on stage, rapping over the song. LL Cool J then emerges from the audience to rap over the beat before audience members like Mandy Moore, Anthony Anderson, and others sing the legendary hook. Lil Dicky then starts the second verse with lyrics about TV and this year’s nominees before Rita Wilson handles the rest of the verse with a surprisingly adept flow. How enthusiastic everybody in attendance was about the song was perhaps the most touching part of the tribute, as it shows how uncommonly good “Just A Friend” is, and Markie was, at lighting up a room.

Markie’s producer and cousin, DJ Cool V, recently reminisced about recording the song’s hook with the late rapper, saying, “I got him in the booth and he was singing, and even though it might not be perfectly correct to anybody else, the feeling of it was good. He had his fist balled up and he was really trying. He was really, really crooning, and I said, ‘That’s it.’ And he had one take. Then he had another take that was not as good as the first one. So I took the first one and put it with the next one. So it’s the same one, twice. He did both of them and he did them very well and maximized it too. He did it as best he could do it — and it was good enough for me.”

Check out the Emmy tribute to Markie above.

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Rootin’ Tootin’ Lauren Boebert’s Hysterical ‘WE ARE BEING INVADED!’ Tweet Got Buried In An Avalanche Of Scorn

Embattled Rep. Lauren Boebert (R-CO) makes Twitter her bread and butter these days, and she’s striking out at every turn. Last week’s disastrous toilet joke and her recently earned horrific nickname should have also prompted her to take a break, but she’s also been blaming God for her place in Congress and failing at fashion commentary. Boebert’s the right-wing Energizer bunny that can’t, but she’s not giving up any time soon, not even after her praise of the Taliban and confused Samuel/John Adams tweet.

Boebert was freaking out on Sunday evening over footage that showed a throng of Haitian migrants flooding across the Rio Grande toward the International Bridge with CNN reporting that thousands more are likely en route. Rather than confront the subject with levelheadedness (these migrants have been displaced due to a massive earthquake and a coup), Sarah Palin lite decided to go into ALL-CAPS mode.

“WE ARE BEING INVADED!” she tweeted without any sort of constructive addition.

Well, the pushback is swift and has continued for over twelve hours. Some people let Boebert know that she doesn’t really understand that, if she really wants to talk about an “invasion,” then she should have been a lot more upset about the January 6 insurrection on the U.S. Capitol, wherein MAGAs wanted to seize power and take over the country. And that’s not at all what these migrants are doing, for they are simply seeking refuge from an untenable situation in their own country.

And in closing, the Sarah Palin theme keeps going strong.

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It’s The End Of The World And Tom Hanks, A Dog, And A Robot Feel Fine In The ‘Finch’ Trailer

To paraphrase (shamelessly rip off) one of the all-time great tweets: [whispering to date while watching the Finch trailer when Tom Hanks’ robot first appears on the screen] That’s Tom Hanks’ robot.

Finch stars the two-time Oscar winner as, well, Finch, a robotics engineer and post-apocalyptic survivor who lives in an underground bunker with his good dog, Goodyear, and a robot named Jeff. “As the trio embarks on a perilous journey into a desolate American West, Finch strives to show his creation the joy and wonder of what it means to be alive. Their road trip is paved with both challenges and humor, as it’s as difficult for Finch to goad Jeff and Goodyear to get along as it is for him to manage the dangers of the new world,” according to Apple.

It’s exactly like Turner and Hooch, except less sad (at least I hope so)… and with a Chappie-esque robot… and set in the future… and directed by the guy behind the “Hardhome” and “Battle of the Bastards” episodes of Game of Thrones (Miguel Sapochnik). OK, so maybe Finch is not exactly like Turner and Hooch, but it’s still nice to see Hanks return to his dog movie roots.

Here’s the official plot summary:

Tom Hanks is Finch, a man who embarks on a moving and powerful journey to find a new home for his unlikely family — his beloved dog and a newly created robot — in a dangerous and ravaged world.

Finch, which also stars Caleb Landry Jones, Samira Wiley, Laura Harrier, and Skeet Ulrich, hits Apple TV+ on November 5.

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The First ‘Peacemaker’ Footage From HBO Max’s Series Reveals That, Yup, He Is Still Completely Awful

As Mare of Easttown and Ted Lasso racked up Emmy wins, HBO Max dropped a new sizzle real for its upcoming slate, which offered the very first look at The Suicide Squad spinoff series Peacemaker.

Tucked between footage of Dune, The Matrix Resurrections, and the new Sex and the City revival series, John Cena’s character got his own little spot where he’s every bit the obnoxious super patriot he was in The Suicide Squad film. The footage shows him meeting up with friends at a restaurant while still wearing his Peacemaker costume, which he calls a “uniform.” Later, he can be seen blasting a peace sign into a target with a shotgun because, naturally, his character loves guns.

Here’s how James Gunn described the spinoff series when it was announced almost exactly one year ago today:

“Peacemaker is an opportunity to delve into current world issues through the lens of this superhero/supervillain/and world’s biggest douchebag,” Gunn said in a statement. “I’m excited to expand The Suicide Squad and bring this character from the DC film universe to the full breadth of a series. And of course, to be able to work again with John, Peter, and my friends at Warner Bros. is the icing on the cake.”

As Gunn would later reveal, he wrote Peacemaker while bored out of his mind during the early pandemic quarantines. He says the series will be character-driven but still have that sci-fi weirdness that was present in The Suicide Squad film. He also said the series will be connected to other DC Comics properties and is “really just trying to make everything fit together much better.”

Peacemaker starts streaming January 22, 2022.

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RuPaul Made Emmys History, While ‘The Handmaid’s Tale’ Broke A Record No Show Wants To Break

Bo Burnham didn’t tie an Emmys record, but RuPaul broke one. RuPaul’s Drag Race won the award for Outstanding Competition Program for the fourth year in a row, beating The Amazing Race, Nailed It!, Top Chef, and The Voice. That gives RuPaul an 11th Emmy overall, making him the “most decorated Black artist in Emmy Awards history,” according to the Hollywood Reporter.

Heading into the show, the creator, executive producer and host of the long-running series, was tied with Donald A. Morgan, an industry veteran with 10 Emmy trophies from 19 nominations across categories including cinematography (Netflix’s The Ranch) and lighting direction (ABC’s Home Improvement).

RuPaul also took home Outstanding Host for a Reality or Competition Program for the sixth straight year at last week’s Creative Arts Emmys. “Really thanks to all of our lovely children on our show from around the world,” The Brady Bunch Movie legend said in his acceptance speech during Sunday’s ceremony. “You know, they are so gracious to tell their stories of courage and how to navigate this difficult life [that was more difficult this year]. This is for you and for you kids out there watching. Come to Mama Ru.”

Another piece of Emmys history was made last night: The Handmaid’s Tale was up for 21 Emmys — and lost them all. That’s the record for the most losses in a single year.

You can find the complete list of winners here.

(Via the Hollywood Reporter)