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Damian Lillard Will Miss At Least 10 Days With Abdominal Tendinopathy

The Portland Trail Blazers have gotten off to an 11-11 start, placing them 10th in a crowded Western Conference through a quarter of the season.

Damian Lillard’s shooting struggles to open the season have been one of the reasons for the Blazers’ up-and-down start, as the All-NBA guard is shooting just 39.7 percent from the field and 30.2 percent from three-point range through 20 games. Lillard has been battling an abdominal injury that he says has been something he’s dealt with for some time, but it has finally gotten to the point that the star will have to take some time away from the court to try and get healthy.

The Blazers announced on Wednesday that an MRI revealed Lillard is dealing with lower abdominal tendinopathy and will be out for at least 10 days for recovery. After 10 days, Lillard will be re-evaluated, so there is the potential that his absence will continue beyond the next week and a half. That is obviously a significant hurdle for the Blazers to clear as they look to keep pace in the West, as they’re only a half game out of a tie for fourth in the conference, but falling behind the cluster from 4-9 in the West would create a difficult hill to climb later.

The 10-day window would mean Lillard will miss games with the Spurs, Celtics, Clippers, and Warriors, with the earliest possible return being Sunday, Dec. 12 against the Timberwolves at home.

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What’s On Tonight: ‘The Power Of The Dog’ Debuts, And ‘It’s Always Sunny In Philadelphia’ Returns

The Power of the Dog (Netflix film) — Benedict Cumberbatch briefly leaves the MCU to collaborate with director Jane Campion as he portrays a “charismatic rancher,” which is certainly something that we’ve never seen him do before. However, he’s got a sinister streak and terrorizes his brother and sister-in-law (played by real-life spouses Jesse Plemons and Kirsten Dunst) while whistling and apparently never saying a word (at least in the above trailer). Cumberbatch Chills are a real thing, as you’ll witness from this film.

It’s Always Sunny in Philadelphia (FXX, 10:00pm) — Charlie Day, Rob McElhenney, and the rest of the gang are raising hell in Ireland, and for some reason, someone is clad in a QAnon Shaman while not even It’s Always Sunny can escape the fresh hell that is 2021. So, expect to see COVID-19 acknowledged, along with the rest of 2020, in the special way that only this show can do. Uh, even a Jeffrey Epstein reference happens as the group bounces across the pond, and it’s good to have this crew back.

Hawkeye: Season 1 (Disney+ series) — The MCU is in holiday mood for this series, which begins to pass the arrow from Jeremy Renner’s Clint Barton to Hailee Steinfeld’s Kate Bishop, and Steinfeld is freaking fantastic while Hawkeye only wants a damn break from this hero stuff. This week follows up on that Echo reveal from that cliffhanger.

Lost In Space: Season 3 (Netflix series) — The final season raises the stakes for the survival of the Robinsons after being stuck on a mysterious planet. They’ll aim for an evacuation, but will buried secrets rise up to threaten their escape? Overwhelming odds and emotional challenges and alien threats will all rear their heads. Man, this is almost as stressful as our current life on Earth, but it’s an enormously popular series.

JoJo’s Bizarre Adventure: Season 5 (Netflix series) — Jolyne Cujoh receives a fifteen-year prison sentence, but once she’s incarcerated at “the Aquarium,” a gifted pendant causes her to embody a mysterious power. As if that doesn’t sound weird enough, a mysterious child appears to spread secrets, and there are other horrible truths that awaken which makes this much more horrible than a flat-out boring prison sentence in a stone ocean would have been. Yikes.

Adrienne (HBO, 8:00pm) — Adrienne Shelly gets the biopic treatment here to highlight her Waitress genius and status as a Hal Hartley muse.

The Tonight Show With Jimmy Fallon — Seth Rogen, Nicholas Braun, Macklemore Ft. Windser

The Late Show With Stephen Colbert — Cate Blanchett, Gangs Of Youth

The Late Late Show With James Corden — Octavia Spencer, Max Greenfield, Travis

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Alec Baldwin Says That He ‘Didn’t Pull The Trigger’ In His First Sit-Down Interview Since The Fatal ‘Rust’ Shooting

One month ago, Alec Baldwin broke his silence about the accidental gun discharge on the set of his low-budget Western film Rust. In the process, he honored the tragically killed Halyna Hutchins, the cinematographer on the movie starring and produced by Baldwin. At the time, Baldwin revealed that he couldn’t publicly discuss what had transpired during the fatal incident, given that the investigation was ongoing. He’s cooperated with law enforcement throughout, and he’s one of the parties named in a negligence lawsuit filed by the film’s script supervisor. Now, Baldwin has sat down with ABC News‘ George Stephanopoulos in an interview that will air on Thursday at 8:00pm EST (and later to stream on Hulu).

In a clip released by ABC News, Baldwin contradicted previous reports that he discharged the gun that killed Hutchens and wounded director Joel Souza. Below, a teary-eyed Baldwin is shown on camera before Stephanopoulos says, “The gun was in your hand.” A few moments later, Baldwin declares, “The trigger wasn’t pulled. I didn’t pull the trigger.” Baldwin then adds, “I would never point a gun at anyone and pull the trigger at them, never.”

When later quizzed by Stephanopoulos on how the live bullet materialized on the film’s set, Baldwin has “no idea” how it happened. He then added, “Someone put a live bullet in a gun. A bullet that wasn’t even supposed to be on the property.”

As this clip also reveals, Stephanopoulos broached the subject of George Clooney branding the incident as “insane” and “infuriating.” Likewise, Kurt Sutter couldn’t believe that live ammo surfaced on the Rust set. On a number of issues — (1) How Baldwin addressed the Clooney question; (2) How the gun fired if Baldwin didn’t pull the trigger; and (3) Why the film hired an inexperienced armorer (who has insisted that she has “no idea where the live rounds came from”) — we don’t receive answers in this short clip. The full ABC News interview airs on Thursday night at 8:00pm EST.

(Via ABC News)

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Trevor Noah Is In Awe Of Republicans’ Increasingly Batsh*t COVID/Omicron Conspiracy Theories

After nearly two years of dealing with the COVID-19 pandemic, which has killed more than 5.2 million people worldwide—and counting—one would think that those who were initially skeptical of the dangers of the virus would have come around by now. But, as Trevor Noah pointed out, one would be wrong.

On Tuesday, The Daily Show host spent some time marveling at how the various lies and conspiracy theories surrounding COVID have only gotten zanier. Dubbing the situation “The Pandumbic,” Noah shared some clips about former White House physician-turned-congressman Ronny Jackson dubbing the new omicron variant the “Midterm Election Variant,” and a couple of Fox News nincompoops running with that narrative. He was, understandably, perplexed.

“OK, just so I’ve got this straight: The Democrats’ big plan is to intentionally never solve the problem that is ruining everyone’s life? That is such a dumbass strategy to win an election. Which makes me think the Democrats actually did come up with it…

I mean, you realize for this to be true the Democrats would have had to coordinate on this lie with the World Health Organization and South African scientists and governments across Europe. Are you serious, people? You know the Democrats can’t coordinate shit. The only thing they can coordinate are their kente cloths.”

Trevor Noah The Daily Show 11-30-2021
Comedy Central

Even more amazing to Noah is that the main Republican pushing this theory is the former White House physician, who worked under both Donald Trump and Barack Obama. “Seriously, it’s amazing that Trump and Obama actually survived,” said Noah.

“But whatever, man. I guess the Democrats—in coordination with scientists in South Africa, Europe, Israel, all over—are simply pretending there’s a new corona variant out there,” he concluded. “That’s what they’re doing. And they’re not only doing it to justify mail-in voting—no, no, no. It’s also because they’re really horny for lockdowns.”

You can watch the full segment above.

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Moses Sumney Releases The Breezy ‘In Bloom (In The Woods)’ And No, It’s Not A Nirvana Cover

Come December 8th, Moses Sumney will be out with a new concert film entitled Blackalachia. Set in the Blue Ridge Mountains of Western North Carolina, it was filmed in the fall of 2020, when playing in front of live crowds was something we all weren’t sure of when would happen again. Part of WeTranfer’s Wepresent series, the 67-minute set sees Sumney playing songs off of both Græ and Aromanticism, along with some new material, which is what brings us here today.

On “In Bloom (In The Woods),” Sumney operates with a renewed comfort vocally. Perhaps it’s the bucolic setting, but there’s a distinct peace-of-mind in his delivery as he sings over gorgeous strings and a modest beat. You can almost hear the insects chirping in the background of the audience-less recording. The film itself obviously stars Sumney, but it was also directed by him. “Over the course of two days, we filmed 14 songs, totally live, the trees as our audience, the grasshoppers our background singers,” Sumney said in a statement. “The film is a wild imagining of what can happen when we seek not just to reclaim nature, but to reintegrate with it.”

Listen to “In Bloom (In The Woods)” above and watch a whip-fast drone-filmed trailer for Blackalachia below.

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Craft Beer Experts Tell Us The One IPA They Still Drink In The Winter

IPAs never go out of style. The beer is massively popular in the U.S. craft beer scene, particularly because they’re easy to make and can be adjusted to fit pretty much any season, style, or vibe. Meaning there’s plenty of good IPAs for the winter months.

We asked brewers, beer experts, and craft beer insiders to name the IPAs that they still drink all winter long. Keep scrolling to see their picks and maybe give a few of these a shot if they sound good to you.

Maine Wolfe’s Neck

Maine Wolfe’s Neck
Maine Beer

Alex Flores, head brewer at Urban South Brewery in New Orleans

ABV: 6.5%

Average Price: $8 for a 16.9-ounce bottle

Why This Beer?

Wolfe’s Neck from Maine Beer Company is such a great IPA year-round, but especially in the winter. Its malt profile has a lot of depth for the colder months while the hopping has distinct papaya with coconut and stone fruit tones.

Fat Head’s Head Hunter

Fat Head’s Head Hunter
Fat Head

Sam Petrey, expert beer guide for City Brew Tours in Cleveland

ABV: 7.5%

Average Price: $12 for a six-pack

Why This Beer?

When the brief fall we have turns to winter, I want a clean and classic IPA that is going to have some oomph to it. Head Hunter is the perfect example of a west coast IPA. It comes in at 7.5 percent ABV, pours a beautiful clear orange, and the malts are balanced with the pungent aromas and flavors of pine, grapefruit, and pineapple that you get from the aggressive amount of hops used.

When it’s cold outside this beer is always in my fridge, it’s refreshing and warms you up at the same time.

Eddyline Crank Yanker

Eddyline Crank Yanker
Eddyline

Walter Potter, expert beer guide for Unboxed Experiences

ABV: 7%

Average Price: $11 for a six-pack

Why This Beer?

Eddyline’s Crank Yanker IPA is in its own category. It’s amazing. This medium-bodied, citrusy, wonderful IPA is a beer that could be drunk anytime and anywhere.

With hops like Citra and Mosaic, this beer has a wonderful citrusy and pine-like aroma that will make you come back for more. Its malty character nicely balances the citrusy hops.

Burgeon Treevona

Burgeon Treevona
Burgeon

Jensen Atwood, director of brewing operations at Pure Brewing Project in San Diego

ABV: 7.2%

Average Price: $14 for a four-pack of 16-ounce cans

Why This Beer?

I will always drink a nice hoppy and bitter West Coast IPA during the winter. In San Diego, it can still be sunny and warm all winter long and a nice refreshing piney West Coast IPA will always be a staple.

Masthead Midwest Red IPA

Masthead Midwest Red IPA
Masthead

Sean Brooks, brewer at WeldWerks Brewing Co. in Greeley, Colorado

ABV: 6.3%

Average Price: $12 for a six-pack

Why This Beer?

I tried Masthead’s Midwest Red IPA recently and it’s fantastic. The “red IPA” style barely exists anymore and it’s an ideal example of it with some toasty, caramel malt backbone underneath classic piney, resinous hops.

It makes for a nice cold weather sipper.

Third Wheel Gotta Have It

Third Wheel Gotta Have It
Third Wheel

Stephen Hale, founding brewer at Schlafly Beer in St. Louis

ABV: 6.8%

Average Price: $14 for a four-pack of 16-ounce cans

Why This Beer?

Third Wheel Brewing Gotta Have It IPA is loaded with a big floral and citrusy character. This beer keeps you coming back for more. Who says you can’t enjoy a hoppy, citrus-filled IPA in the middle of winter?

Sixpoint Resin

Sixpoint Resin
Sixpoint

Manny Salvatori, lead brewer at The Bronx Brewery in Bronx, New York

ABV: 9.1%

Average Price: $14 for a six-pack

Why This Beer?

I’m able to drink this beer year-round but I find it particularly well-suited for winter. It’s a well-balanced DIPA that’s not a hop bomb with just enough maltiness to counter the bitterness without being sweet or masking the notes of pine.

It’s both creamy and crisp and hits like a smooth train ride.

Bell’s Two-Hearted

Bell’s Two-Hearted
Bell

Brad Bergman, director of brewing at Sycamore Brewing in Charlotte, North Carolina

ABV: 7%

Average Price: $12 for a six-pack

Why This Beer?

I lived and brewed for several years in Michigan and fresh Two Hearted was always available. It was a go-to at the convenience store. For me, this beer is not always super consistent, but when fresh it’s always delightful, and it reminds me of my time in wintry Northern Michigan.

It’s piney, citrusy, a touch of tropical fruit, all over a firm malty backbone.

Sierra Nevada Celebration

Sierra Nevada Celebration
Sierra Nevada

Shaun O’Sullivan, co-founder and brewmaster at 21st Amendment Brewery in San Francisco

ABV: 6.8%

Average Price: $12 for a six-pack

Why This Beer?

Sierra Nevada’s Celebration Ale is a fresh hop IPA brewed with hops that were harvested this past season. Celebration Ale has a deep rouge color, syrup malt aroma, pie crust sweet flavor, present bitterness, and a hop aroma of bright citrus and sappy pine. This hop character is achieved by the addition of fresh whole hops that were recently picked from the field, dried, and baled a matter of weeks before.

This beer along with the classic label with its snowy cabin scene pulls you into the holidays, holding you there like a crocheted blanket, safe and warm.

Beachwood Citraholic

Beachwood Citraholic
Beachwood

Isaiah Mangold, innovation supervisor at Sierra Nevada Brewing Company in Chico, California

ABV: 7.1%

Average Price: $13 for a six-pack

Why This Beer?

I could drink this IPA regardless of the time of year. This West Coast IPA is packed with hops and has a paired down malt bill that really lets the hops shine. There’s a big nose of fresh tropical citrus with complex flavors of melon and berry.

Ratio Beerworks Antidote

Ratio Beerworks Antidote
Ratio Beer Works

Chris McManus, head brewer at Phantom Canyon Brewing Company in Colorado Springs, Colorado

ABV: 7%

Average Price: Limited Availability

Why This Beer?

IPA and all beer styles can be enjoyed throughout the year. They can be paired to specific meals, celebrations, etc. That being said, a stronger ABV in an IPA during winter may help keep you warmer and so I would choose Antidote IPA from Ratio Beerworks. Plus, it’s available year-round.

Bale Breaker Top Cutter

Bale Breaker Top Cutter
Bale Breaker

Max Shafer, brewmaster at Roadhouse Brewing Co in Jackson Hole, Wyoming

ABV: 6.8%

Average Price: $9 for a six-pack

Why This Beer?

Bale Breaker’s Top Cutter IPA is in my fridge beer whether it is 90 degrees outside or a balmy sub-zero. I love this beer because even in the depths of a Teton winter, it reminds me that shorts will return at some point. The way Bale Breaker can present that “fresh off the farm” hop flavor and aroma in their beer is incredible and just the pick me up I need when I forget what summer weather is like — and how good a cold IPA can taste.

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Lady Gaga Knows ‘Exactly’ What She Did Wrong During Her Uncredited Appearance On ‘The Sopranos’

Lady Gaga has made one of the most successful musician-to-actress transitions ever. She’s won 12 Grammys, sold tens of millions of albums worldwide, and released five Billboard Hot 100-topping singles, and she’s also won an Oscar (Best Original Song for “Shallow”) and been nominated for another (Best Actress). But back in 2001, Lady Gaga wasn’t Lady Gaga; she was Girl at Swimming Pool #2 on The Sopranos.

Gaga, born Stefani Joanne Angelina Germanotta, makes an uncredited appearance as one of AJ’s dirtbag friends in “The Telltale Moozadell,” a season three episode of the HBO series. “When I look back on that scene I can see exactly what I did wrong in that scene,” Gaga told Entertainment Weekly. “I didn’t know how to listen in a scene! I was supposed to laugh, and it was sort of like, cue, laugh… I see it and I go, oh, that’s not a real laugh!” The House of Gucci star said that she’s “grown a lot as an actor” since then (even if her Italian accent could maybe use some work).

The Sopranos isn’t the only “wait, is that Lady Gaga…?” cameo, either. She appeared in the MTV reality show Boiling Points (featuring the world’s most obnoxiously mid-2000s voiceover guy) and she was also on The Hills, where she’s memorably referred to as “some girl named Lady Gaga.” Now she’s winning Oscars and Grammys.

Here’s The Sopranos clip:

(Via Entertainment Weekly)

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Draymond Green Is More Than Just A Facilitator In Golden State’s High-Flying Offense

For much of the offseason, a singular play may have been etched into the minds of Golden State Warriors fans, players, and other members invested in the organization’s success. Last May, with the Warriors and Memphis Grizzlies tied late in the fourth quarter and a playoff berth on the line in the final Western Conference play-in game, Draymond Green caught the ball at the three-point line and had a runway to the rim for a go-ahead bucket or assist.

But then, the future Hall of Fame inductee hesitated. Xavier Tillman rotated over and the lane disappeared. Green timidly drove and lofted up an errant floater as the buzzer sounded.

The game went to overtime, where the Grizzlies emerged victorious and the Warriors watched the playoffs from home for the second straight year. This was despite an MVP-caliber campaign from Stephen Curry.

Contrast that play with one from this season, just five and a half months later. This time, the Warriors were the victors, routing the New Orleans Pelicans by 41. Again, Green catches the ball with a runway to the rim against a Southwest Division opponent. This time, there is no hesitancy. He sees the opening and powers home a jam.

Already, he’s notched 13 dunks in 2021-22, nearly half of his 27 from last season and on pace for the second-highest total of his career. Almost 13 percent of his baskets are dunks this year, the best rate in his decade-long NBA tenure.

That play and those numbers are emblematic of a retooled scoring approach for Green, a shift that’s helped the Warriors reassert themselves as title contenders and helped him return to his All-Star impact of yesteryear. He’s already a masterful facilitator and arguably the Defensive Player of the Year frontrunner. As has been the case whenever the team has been at its best, Green keeps Golden State humming on both ends. Now, his scoring pursuits are wiser and rosier.

Perhaps the easiest factor to discern in Green’s offensive decline since his career season in 2015-16 is the long ball. That year, he shot 38.8 percent beyond the arc and averaged 14 points on 58.7 percent true shooting. Forty-three percent of shots came from deep, a high-water mark for him.

During the ensuing four seasons, he continued to fire threes at a similar volume (.373 three-point rate), but devolved into an anemic shooter, hitting just 29.3 of his attempts. Among 147 players to log at least 900 long balls, his efficiency ranked 146th, only ahead of Giannis Antetokounmpo (28.9 percent). Teams routinely sagged way off of Green and while he was often able to parlay that space into passing windows, he couldn’t convert effectively on the times he did opt to shoot.

So, this year, Green has largely eschewed threes from his shot profile. Through 21 games, he’s taken just 19 of them. His .161 three-point is a career-low, a steep drop from the .375 number he amassed in his first nine years.

Instead, he’s attacking the basket with unforeseen vigor and success. His 55 percent rim frequency ties a career-high from his standout 2015-16 and sits notably above the 46, 32, and 41 percent clips he posted the prior three seasons, according to Cleaning The Glass.

When defenses sell out with a “nobody except Draymond” mindset, he’s seizing advantage of the one-on-one or one-on-none coverage extended his way. Per Synergy, he’s taking the ball to the basket on 28.2 percent of his spot-up reps (1.636 points per possession, 100th percentile) after doing so on just 15.5 percent (0.909 PPP, 27th percentile) of his possessions a season ago.

He’ll fake a dribble handoff and glide into an easy dunk. He’ll attack off the dribble if teams ignore him in hopes of producing a misfired triple or press up in anticipation of a connection with Curry. He’ll pressure the paint on inverted pick-and-rolls, thanks to Curry’s punishing screens. He’ll even create a little when deployed as a playmaking hub in the post.

Most importantly, a wide open hoop is seemingly no longer a prerequisite for him to shoot.

The result of his heightened scoring aggression is Green shooting 77 percent at the rim (89th percentile among big men, per Cleaning The Glass), which is nine points higher than his previous career-best. Many of his looks there are rather simple because of how opponents continue to direct attention toward guys like Curry, Jordan Poole, and Andrew Wiggins.

Unlike past seasons, though, Green is turning those opportunities into efficient possessions instead of futile three-point attempts. He’s shooting 75 percent on drives, which is first among 172 players with at least 50 drives this season, and is a marked upgrade from his 49.4 percent output between 2018-19 and 2020-21, per NBA.com.

A byproduct from his evaporated passivity is a restored free-throw rate of .381, a rate only bested by 2015-16’s .402 and a dramatic increase from the .271 figure the last five seasons yielded. He’s shooting a career-low 60 percent at the line this year, so that development hasn’t borne out the intended results yet, but a return near his 71.1 percent average would amplify the impact of his rim forays.

Driving is not Green’s lone means of generating greater rim pressure and avoiding offensive stagnation. He’s also cutting with increased frequency. Per Synergy, nearly 20 percent of his offense is composed of cuts this season, up from 11.9 percent, 7.3 percent and 14 percent in the three preceding seasons.

Although his 1.05 PPP on cuts places him in the 19th percentile, it’s still a worthwhile play for him and the Warriors, who manufacture 0.784 and 0.983 PPP in the halfcourt, respectively. There are fewer instances of him waiting for the ball to swing his way and more examples of a proactive player, aware of how to best benefit his team when he’s not commandeering the action.

His true shooting is above league average for just the third time in his 10-year career. At 59.1 percent, it’s four points higher than the NBA average, an occurrence only bested by, yep, you guessed it, 2015-16 (plus-4.6 percent).

All of these tweaks to Green’s inclinations are contributing to Golden State’s rise from the 20th-ranked offense last year to the second-ranked offense this season. An upgraded supporting cast, along with leaps from Poole and Wiggins, around Curry’s supernova talents help as well.

Yet in a loss to the Phoenix Suns on Tuesday, as Wiggins and Curry sputtered (shout out Mikal Bridges), Green reverted to old tendencies. He forced passes that weren’t there (five turnovers), didn’t find many chances like the ones highlighted above — Phoenix’s defense deserves much praise for this — and scored four of his eight points on putbacks.

A standard Curry outing, a healthy Wiggins, and Klay Thompson’s return will help alleviate many of the problems that coalesced into a paltry 99 offensive rating for Golden State. But Green’s evolution has also been pivotal and seems more controllable than injuries and missed shots, even if a stingier defense contained him well.

At some point, amid the Warriors’ chase of a fourth title in eight years, Green’s offense will drift into the spotlight again and they’ll need him to maintain these improvements. Another hope-and-a-prayer floater will not suffice. More than likely, given his 2021-22 track record, he’ll be ready, no longer settling, prepared to slice into the defense and create, illuminating how and why he deservedly reentered the All-Star conversation.

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Guillermo Del Toro Says He Wants To Make A ‘Weirder, Smaller’ Version Of H.P. Lovecraft’s ‘At The Mountains Of Madness’ For Netflix

When it comes to good ol’ fashioned capital “H” Horror, no one does it quite like Guillermo del Toro — which is just part of what makes the idea of the Oscar-winning filmmaker tackling H.P. Lovecraft so enthralling to so many. Luckily for all those eager fans, working on an adaptation of one of Lovecraft’s novellas, At the Mountains of Madness, has been one of del Toro’s greatest ambitions for quite some time now. However, nearly 15 years after he first had the idea and sat down to write its screenplay, del Toro says how he wants to go about making the proposed movie is quite a bit different.

In an appearance on Fangoria’s Stephen King-centric podcast The Kingcast, del Toro sat down with hosts Eric Vespe and Scott Wampler to discuss his upcoming projects, and made mention of his elusive At the Mountains of Madness film. Following del Toro signing a multi-year deal with Netflix, the filmmaker said At the Mountains of Madness was one of the first film ideas he pitched to the studio — though he realizes now he would have to do a serious rewrite of the film before it went into production.

“I went through the cupboard and found Monte Cristo and Mountains of Madness. Those were a couple of the ones I presented first,” del Toro said. “The thing with Mountains is the screenplay I co-wrote 15 years ago is not the screenplay I would do now, so I need to do a rewrite. Not only to scale it down somehow, but because back then I was trying to bridge the scale of it with elements that made it somewhat able to go through the studio machinery. Blockbustery. And I think I don’t need to reconcile that anymore. I can go to a far more esoteric, weirder, smaller version of it where I can go back to some of the scenes that were left out.”

According to The Wrap, Del Toro’s original take on At the Mountain of Madness was an “ambitious 3D affair with Tom Cruise starring and James Cameron producing,” the followed a “disastrous expedition to Antarctica that leads to a group of explorers discovering ancient creatures.” Ultimately, Universal pulled the plug on the project after concerns with the budget and its R-rating, leading del Toro to pivot to making Pacific Rim instead.

Since then, Del Toro has also worked on several other large-scale, opulent films, such as 2017’s The Shape of Water and 2015’s Crimson Peak. Because of that, the director said he is less attached to some of the grander scenes and set pieces in his original script, making it easier to part ways with his original plans for At the Mountains of Madness. He continued to say that only four horror set pieces from the original script will remain in his new version, as well as its “intriguing, weird,” and “unsettling” ending.

However, all good things — and rewriting entire screenplays — takes time, and del Toro is already a very busy man. Right now, the director is readying up the release of Nightmare Alley on Netflix in addition to finishing up a Pinocchio adaptation and production on Cabinet of Curiosities. However, del Toro says he is about to hit a bit of a lull following the post-pandemic boon, and should have time to work At the Mountains of Madness then.

“I’m settling down in the post-pandemic domino, because everything that I had spaced out for three years all of a sudden the deliveries came at the same time. But it is my hope [to make At the Mountains of Madness].”

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Suns Guard Devin Booker To Reportedly Miss A Few Games With Hamstring Injury

As the Phoenix Suns look to continue their 17-game winning streak, they’ll be without perhaps their best player.

As reported by ESPN’s Adrian Wojnarowski, Suns guard Devin Booker is going to miss “at least a few games” with what is considered a “not serious” hamstring injury, but one the Suns will be cautious with. Booker suffered the injury in Phoenix’s Tuesday night win over the Warriors. Booker played just 15 minutes in the game, scoring 10 points on 4-9 shooting. The injury occurred in the first half with about six minutes to play in the second quarter on a drive to the basket.

This, obviously, puts the Suns’ current 17-game winning streak at risk in upcoming games against the Pistons on Thursday and, most notably, the Warriors again on Friday. However, the Suns are rightly taking the long-view approach here. They might be the best team in the league and have a legitimate shot to get back to the NBA Finals and perhaps win it all this year after losing to the Bucks last year. To do that, they’ll need Booker healthy in the spring rather than now in search of extending a regular season winning streak.

While Booker is out, look for Cam Johnson to start at shooting guard. Johnson took Booker’s spot in Phoenix’s starting five in the second half against the Warriors and finished with 14 points.