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Troye Sivan And Gordi ‘Wait’ In Love On Their Dreamy New Collaboration

On the heels of his new movie Three Months, which premiered Wednesday on Paramount+, Troye Sivan has released a new song. On “Wait,” taken from the movie’s soundtrack, Sivan teams up with fellow Australian singer-songwriter Gordi as they reel over the joys and woes of growing in love.

“One thing I am sure of, for you I’ll wait,” the two sing over dreamy synths and drums.

Three Months tells the story of Caleb (Sivan), a South Florida boy who learns he has been exposed to HIV on the night before his high school graduation. In the three months he waits to receive his results, Caleb finds love in an unlikely place.

Sivan and Gordi first collaborated on “Postcard,” a cut from Sivan’s sophomore album, Bloom. Gordi said of “Wait” in a statement, “”I love collaborating with Troye. He has this unique way of speaking in images that we then try and translate into melody and lyrics. Our instincts with songwriting really seem to align and after our work on ‘Postcard’, I was excited to have another chance to work together. He told me all about [Three Months] and said he wanted to write an original song for it. As a proud member of the queer community, I felt a deep connection to the film. We wanted to write a song that was worthy of the story.”

Check out “Wait” above.

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The Husband Of ‘Rust’ Cinematographer Halyna Hutchins Blasts Alex Baldwin For Positioning Himself ‘Like He Was The Victim’

The husband of Halyna Hutchins has spoken out about the tragic events that took Hutchins’ life last fall on the set of Alec Baldwin’s movie, Rust. Matt Hutchins spoke to TODAY’s Hoda Kotb about the fatal shooting that happened this past October in New Mexico. Baldwin was holding a prop gun that inevitably fired actual live rounds, though he insists he is innocent in the matter. The stray bullets wounded director Joel Souza, and killed Halyna, the set’s cinematographer. Baldwin has since insisted he didn’t pull the trigger.

Matt Hutchins is rightfully upset. When he saw Baldwin’s recent sit-down interview with ABC News, Hutchins was enraged. “Watching him I just felt so angry. I was just so angry to see him talk about her death so publicly in such a detailed way and then to not accept any responsibility after having just described killing her.”

Throughout the entire situation, Baldwin, also a producer on the film, has been refusing to take any responsibility for the incident. The shooting has brought to light just how unsafe certain movie sets can be for cast and crew. Hutchins is calling out Baldwin to own up to his responsibility, instead of shifting the blame on others. Baldwin told ABC News that Halyna had instructed him to point the prop gun towards her moments before it went off.

“Almost sounds like he was the victim. And hearing him blame Halyna in the interview and shift responsibility to others and seeing him cry about it,” Hutchins said. “I just feel — are we really supposed to feel bad about you, Mr. Baldwin?”

Hutchins has called the shooting “totally preventable” and aims to get justice for Halyna. He added, “But in the end, justice won’t bring Halyna back but maybe the memory of her can help keep people safe and prevent something like this from ever happening again.”

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Kehlani Shared The Second Single From ‘Blue Water Road,’ With the Black And White ‘Little Story’ Video

Following up their second album, It Was Good Until It Wasn’t, from 2020, Kehlani is already prepping a new project, Blue Water Road. After sharing a trailer for the album back in September, the R&B star released the “Altar” video shortly after, but has been quiet on the subject of their own new music for the last few months, though they did collaborate with Young Bleu on “Beautiful Lies” and appeared in his video. They did confirm to fans that moving forward, Kehlani prefers “they/them” as a pronoun and identifies as gender neutral. “I don’t mind when people say ‘she’ at all, but something feels really affirming when people say ‘they,’ Kehlani said in an interview. “It feels like… you really see me.”

Today, Kehlani is back in album mode and shared another preview from Blue Water Road, this one called “Little Story.” In the black and white clip, Kehlani moves through a formal backstage setup, and into a more tumultuous position where she’s hanging upside down on monkey bars. After the song begins with a more fluid verse, she gets a little more staccato on the chorus, as the song opens up with heavier percussion and closes out with an epic swell of violins. Check it out above.

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These Are The Rookies Who Have Made The Biggest Impact On The First Half Of The NBA Season

There have been few brighter spots across the NBA this season than the 2021 rookie class. Future stars like Evan Mobley and Franz Wagner are emerging throughout the lottery. Second-round picks like Herbert Jones and Ayo Dosunmu are carving out key rotation minutes on playoff contenders. Undrafted players like Austin Reaves have found roles.

Whether a team is searching for a franchise centerpiece or something less lofty, this year’s crop of rookies has provided plenty of optimism and hope. As the final stretch of the regular season nears, now feels like an apt time to highlight those first-year players shining most prominently and examine what’s made their NBA transition so positive.

Evan Mobley

From Day 1, when he dropped 17-9-6-1-1 in his debut, Mobley has staked a boisterous claim to the Rookie of the Year trophy. He’s already an All-Defensive Team candidate, seamlessly functioning as a switchy big, altering shots with textbook verticality around the rim, denying plays off the ball and rarely fouling (2.1 fouls per 36 minutes).

His processing as a passer is incredibly quick, particularly on the short roll, where he and Jarrett Allen have harmonized comfortably. Shooting 71 percent at the rim, he’s a dynamite finisher, which pairs well with Darius Garland’s skillful pick-and-roll game.

Despite a few quieter games recently, he capped off his first half with 22-10-4-4-1 last week. He’s been the league’s top rookie all season and appears en route to many All-Star honors. The Cleveland Cavaliers drafted a special big man, one who’s been key in their ascent up the Eastern Conference mountain.

Cade Cunningham

Among all the 2021 lottery picks, none have a worse context than Cunningham. He operates in a bland offensive scheme with poor floor spacing and an absence of play-finishers to simplify his job in ball-screens. Even after the Pistons acquired Marvin Bagley III, the two’s minutes are rarely aligned. But Cunningham has still impressed in a multitude of ways this season.

He’ll spray live dribble, laser-like skip passes to the corners, fit laydown reads through keyholes inside, and has showcased tantalizing off-the-dribble shooting. While he’s a bit jumpy against ball fakes and is prone to the occasional breakdown, his defense has popped. He excels at cutting off driving angles on closeouts, has swift hands to spark loose balls and often seems to quarterback possessions as a defensive communicator. His body control is superb too.

Cunningham is going to be really, really good. The numbers don’t rival Mobley’s, but catch a game or two and the reasons why are evident. He’s a good player having a good rookie season, simply awaiting an opportunity to truly thrive. And that’s why he’s the runner-up to this point.

Franz Wagner

The second of the Orlando Magic’s two lottery picks from this summer, Wagner has been a revelation in year one. With a savvy slashing cadence and 6’9 frame he applies effectively, he’s shown consistent ability to generate paint touches, whether it’s via pick-and-rolls or attacking off the catch.

Orlando has leaned on him as a primary creator for long stretches at times and he’s performed admirably. He’s exhibited a bevy of shot-making moves, both inside and beyond the arc, and sets up others well as a passer, particularly Wendell Carter Jr., with whom he’s developed fun chemistry. When the Magic station him off the ball, he’s a heady cutter, can knock down spot-up triples, and knows when to drive the lane.

He plays angles well defensively and can regularly guard a few positions. Wagner looks like a future star who provides plus defensive impact and offensive versatility as a scorer and passer. The dude is a stud.

Scottie Barnes

Continuing the trend of future stars is Barnes, the effervescent, rangy, skilled Toronto Raptors rookie. Barnes’ creation aptitude has surpassed what almost anyone expected pre-draft. He’s capable of posting up mismatches (of which there are many for him) and patiently playing through contact to score from totally unorthodox angles.

His intermediate touch is pristine and he uses his 7’2 wingspan for extension finishes over or around defenders. Off the ball, he floats into open space for easy scoring chances. Although the three-ball isn’t there yet (31.3 percent), he’s much more willing and confident now than early in the season.

Toronto’s active, chaotic defense has proven overwhelming at times for him, especially off the ball, but stretches of menacing point-of-attack offerings and timely help rotations exist. He touts dexterous hands and has given ball-handlers of different sizes issues this season. The Raptors made an excellent decision with the fourth pick. Barnes’ wide-ranging flashes and persistent contributions are rather promising.

Herb Jones

Various factors are at play for the New Orleans’ Pelicans righting the ship after a 3-16 start to remain in contention for a play-in berth. Chief among them is tabbing Jones as a permanent starter. Since Jones joined the opening unit, New Orleans is 20-20 and just two games back of the 10th seed on the year.

Jones is a brilliant defender, on and off the ball. He always plays with high, active hands to deter shots or passes, guards the top perimeter options every game and is a sharp team defender. Screen navigation and timely rotations are his strong suits. His lateral quickness is uncommon for a 6’8 wing.

Unlike many masterful defenders, Jones augments his one-way chops with complementary offense. He’s shooting 35.8 percent from deep, is an elite cutter and delivers welcomed connective playmaking. The Pelicans even entrust him to create out of ball-screens or dribble handoffs occasionally. He’s a gem of a second-round pick with a glowingly encouraging future and present.

Josh Giddey

From a single-season perspective, Jones and Giddey could be interchangeable, if you wish. I definitely prefer Jones, but can understand otherwise. Both have been wonderful.

Anyhow, Giddey has immediately asserted himself as one of the NBA’s top passers. He’s both zealous and accurate, attempting to set up scoring chances through narrow windows, and firing passes on the money. His skip pass is matched by only a select few (Nikola Jokic and Luka Doncic come to mind).

The Oklahoma City Thunder’s offensive talent is, uh, pretty lackluster, so Giddey’s playmaking is probably undersold by raw assist totals. Pair him with a credible roll man in ball-screens and the impact of his interior passing will multiply.

Giddey’s scoring is rough (12.4 points, 47.8 percent true shooting), but there are many instances of him wielding craft and his 6’8 frame to create advantages. Defensively, he’s been rather encouraging. He navigates screens fairly well, has flashed off-ball instincts and is clearly better than what his NBL tape suggested. Becoming a reliable scorer — likely via shooting and finishing growth — is his swing skill. Either way, his rookie year has been an overwhelming success.

Ayo Dosunmu

The theme of Dosunmu’s first season is adaptability. Early on, he was a niche role player earning minutes. His job was to pester opponents on the ball, drill spot-up threes and attack off the catch.

Lengthy runs and lots of dribbling were not part of the job description. Soon, he became a mainstay in the rotation. Amid the Chicago Bulls’ flurry of injuries, he’s started the last 18 games, playing 38 minutes per night, averaging 12-7-4-1 on a 53/40/83 slash line.

He slithers over screens to hound ball-handlers at the point of attack. He buries threes or frequents his go-to pull-up off the catch. His playmaking as a downhill attacker has flourished. The Bulls keep asking more of him and he answers every time.

Chris Duarte

Similar to his Central Division running foe in Mobley, Duarte’s NBA debut helped announce his intentions to leave a mark. That day, he dropped 27-5-1-1, dazzling with interior playmaking chops, versatile shooting, and off-ball defense.

Although every game hasn’t been as smooth as that, Duarte continues to win as a secondary creator and malleable shooter. Primary initiator reps tend to be a bridge too far, but give him a sliver of an advantage and he can cook. He toys with defenders inside to pry open passing windows, knows how to generate space off the bounce for jumpers with start-stop moves and has authored witty off-ball sequences defensively.

As the Indiana Pacers wave goodbye to one era and enter another, Duarte should sit central to any newfound success.

Alperen Sengun

Despite a January lull, Sengun has bounced back in February to carry onward a promising rookie campaign. His flexibility and comfort playing through contact empower him as a post scorer, and his passing creativity is unmistakable (his .497 free-throw rate is also pretty bonkers for a rookie playing substantial minutes).

Defensively, he brandishes quick hands and better foot speed than anticipated, both of which are vital in the aggressive ball-screen coverage that optimizes him. On both ends, his size and athletic limitations have manifested against better, bigger centers or elite ball-handlers, but Sengun has put together some awesome stretches this season.

How he goes about problem-solving these next set of issues is fascinating and quite challenging. Even so, it’s hard not to be excited about him right now. The scoring, passing, and defensive mobility are delightful.

Davion Mitchell

For the second straight season, the Sacramento Kings selected a guard from the Big 12 in the second half of the lottery. And for the second straight season, that guard has enjoyed a profitable rookie season (of course, to different degrees).

Mitchell’s a legitimately terrorizing point-of-attack stopper. His combination of strength and lateral quickness flummox opponents. Often, it’s as though teams underestimate him and are shocked upon initial confrontation. He may be 6’2, but he justifiably garnered the nickname “Off Night” back in college.

Offensively, the going was a bit slower. For months, he struggled to score all over the floor. Despite explosiveness to drive the paint, his size was a hindrance around the rim, and his three-ball wasn’t falling.

Over the past month, though, the outside shot has come around and he’s fashioned more counters, both with his handle and changes of pace, to thrive inside the arc. His passing vision has also improved, likely a result of finding more space to work.

Wherever the offense levels out long-term will determine his viability in any rotation. The defense, however, well, it’s around for good, much to the chagrin of ball-handlers across the league.

Jalen Green

Green’s shot-making and driving flashes, and interior passing have popped. At times, the off-ball defense has looked better. Houston’s lack of offensive structure does him no favors. Scoring consistency, improved screen navigation, off-ball defense, and better stability around him are vital. There’s a lot of good takeaways prevalent in his first season nonetheless.

Jalen Suggs

Compare Suggs from October to February and you’ll see clear growth in his approach and impact. He’s better at recognizing how to leverage his advanced feel for advantages as a scorer, a trait that’s been tough to nail down for him (46.2 percent true shooting). His pick-and-roll passing and holistic defense (on-ball stops and off-ball event creation) are keystones as well.

He’s been playing pretty well since returning from injury, but his jumper has abandoned him. If that comes around, expect the efficiency to soon follow.

Quentin Grimes

The encore to New York’s playoff return has been, uh, disappointing. Grimes doesn’t fall into that category. He’s converting nearly 40 percent of his long balls and is feisty and physical at the point-of-attack. His play fits beautifully around high-level stars.

Austin Reaves

Reaves is yet another rookie making the most of his time in a big market for a disappointing team. He’s become indispensable to the Lakers’ rotation, thanks to smart off-ball movement, quick decision-making, and versatile defense. He can contain guys on the ball (though is prone to being bullied by stronger scorers), chase around off-ball shooters, and muck up actions in help. He’s just good.

Jonathan Kuminga

Playing alongside some excellent shooters who constantly occupy defenses, Kuminga has been superb as a play-finisher and cutter. He’s incredibly bouncy around the rim and times his cuts supremely well. The Warriors don’t have an above-the-rim threat like him anywhere else on the roster and his minutes as a small-ball 5 have been tenable. He’s even shown some ability to exploit mismatches with a couple dribbles as a scorer, though the handle needs work. Still, he’s provided a welcomed dimension offensively in year one.

Tre Mann

His handle and space creation for step-backs are already exquisite. He’s displayed some big-time scoring chops and is a decent interior passer when defenses collapse on him. Refining his two-point scoring and ability to operate downhill are paramount. His package of skills is alluring and worth monitoring.

Bones Hyland

Much like Mann, Hyland’s early scoring profile is encouraging. He’s shifty with a tight handle and can bomb from well beyond the arc. Denver has trusted him to lead bench units, though to divergent results. Streamlining his decision-making and defensive wherewithal will help him establish more consistency. The intersection of off-ball shooting, pull-up juice and advantage creation earn him a mention.

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Why Does Elizabeth Holmes Talk Like That?

Limited series about real-life con-artists with sketchy voices (like Julia Garner starring in Netflix’s Inventing Anna) are all the rage right now. Amanda Seyfried will soon take a wildly-voiced turn as mega-grifting Theranos founder Elizabeth Holmes in Hulu’s The Dropout, and as the trailer showcases, she’s definitely doing “the voice.”

That would be the bizarre baritone voice that Holmes apparently adopted and used for public appearances. That darn voice now attracts almost as much attention as the speculation over what Holmes’ prison sentence will be after her conviction on a string of charges for wire fraud and conspiracy to commit wire fraud. All of this had to do with the very horrible false claims about Theranos’ blood testing lab services that Holmes surely knew produced inaccurate results, but yeah, why does she do that voice?

It’s the same voice that Holmes stuck with while taking the stand in her own defense, and one that she almost exclusively used in front of other people, including in a Charlie Rose interview, although scattered reports indicated that she occasionally slipped into a much higher-pitched voice (as reported in John Carreyrou’s Bad Blood book) with her family disputing to TMZ that no octave-fakery truly existed.

The Dropout trailer, however, includes apparent voice-rehearsing in a mirror, so it’s on the table. What gives? There’s no definitive answer from Holmes herself, but the predominant take is that this was a carefully crafted aspect of her image, along with the signature black turtleneck and ever-present red lipstick. The Cut spoke with psychology professor Jillian O’Connor, and here’s what she had to say about that voice:

“This whole [Holmes] situation, the image manipulation, dressing like Steve Jobs, trying to sound a particular way — it sounds like an awful lot went into facade… Some of the research we’ve worked on shows that when men and women deliberately lower their voices, it’s actually successful. They do sound more dominant. They do sound more likely to be someone who’s in a position of power.”

In other words, Holmes’ voice was almost certainly integral to her desire to be seen as a visionary, and it was part of her plan to dominate Silicon Valley. Expect to hear a whole lot of that baritone in the Hulu series, along with appearances by Naveen Andrews (as Sunny Balwani, Holmes’ ex-lover and former Theranos COO), William H. Macy, Alan Ruck, Laurie Metcalf, Sam Waterson, Anne Archer, and Stephen Fry.

The Dropout premieres March 3 on Hulu.

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Channing Frye Has Enjoyed Watching Big Men Dominate The NBA This Season

There may have been no one happier to be in Cleveland for All-Star weekend than Channing Frye. The current television analyst and retired NBA big man was back in the city where he won a title to, among other things, open a newly-renovated basketball court during the All-Star festivities.

In partnership with Mobil 1 and nonprofit organization Project Backboard, Frye spoke to Dime on the Friday of All-Star weekend at the court’s official opening at Merrick Center. Ahead of the event, Frye discussed giving back to Cleveland with the court, why the city won him over, and why he’s excited by big men dominating the NBA so far this season.

Tell me about what you’re doing with Mobil 1.

It starts with my relationship with Cleveland, and then, I’m always looking for ways to not only do something for this city that I love — especially during a time like All-Star — but to work with companies like Mobil 1. And with Project Backboard, a basketball court can be endless based on whose imagination is using it. This hit home with me with based on how much I was on a basketball court growing up.

You can walk the court. I’ve walked the court talking about things that were important to me with a mentor. I’ve just shot around to relieve stress. It makes everyone equal because it’s based on a game. So to give this to the kids, to refurbish it, especially when it’s so close to downtown, is a huge gift. And it just made sense as a relationship.

You’ve talked a lot about Cleveland, so apologies if this hits some notes you’ve hit before. But what ultimately won you over with the city? Winning probably helps, but what made it somewhere you still have a relationship with?

I think first of all, I’m not a superstar. I’m not an All-Star. I was specialist. I was a role player. And they appreciated that. The people of Cleveland, and everyone in Ohio and Cavs fans, they know sports. And they appreciated each one of us individually obviously through winning championships, through both of my parents dying while I was in Cleveland. And that love and empathy seeped through to me on the court and to my family being there. For me to be able to come back and be welcomed when I said I was going to retire in Cleveland when I had a short career there was wild. I felt like I didn’t deserve it, but I felt like the love was reciprocated both ways. I wouldn’t be who I am as a person without the city of Cleveland. I say that a lot and it’s the truth.

And for me, everything about the city of Cleveland is me. It’s not fancy. It’s just about having a good time and enjoying people’s time and going to work when you need to go to work.

People still talk a lot about the parade being nuts — and I’m sure you always will remember that — but I also remember how nuts it was when Richard [Jefferson] was leaving before [LeBron’s] last season and you guys did the live show at a Homage shop. I remember that being maybe more insane in some ways, because it was impromptu and just a horde of people collecting in tight space.

Whether that’s ZZ Tops down in Westlake with the best wings — that little dive bar — or that place right off the freeway, and I’m so mad I’m blanking on the name, we had local watering holes, right? And it wasn’t like we were celebrities. It was just like, “Hey, Channing, you’re in again for the bacon cheeseburger after the game, right?” And we would just talk about the game. I got to be Channing. I got to turn off No. 9 or No. 8, whichever one you followed, and just got to be Channing.

Winning a championship and being with LeBron and with Kyrie and with Kevin, it felt good that I could be famous when it mattered and then be Channing and still live a regular life, especially with my kids. My kids didn’t even know I played basketball until I retired. They were like, “Oh, this is what you do.” I’m like, “Ya guys, this is what I do.” [Laughs]

What does it mean to get to make this court actually happen?

I think any time you get blessings, you should give back, even if it’s small things. If I get a new pair of shoes, I try to give two away to Goodwill. That’s worked for me. So for everything that Cleveland has given me, for me to be able to give back, that’s endless. And hopefully we can continue to do this more and more, even when All-Star is not there, and build these type of things out so kids can have an opportunity to be special, to build confidence, to learn about team sports, and to learn about themselves.

I learned so much about myself just playing basketball, whether that was perseverance or pushing through. Nobody wants to run lines, but if you do the work, you see the reward. For me, a court can be all of those things. Whatever it is, you belong there. And you have an opportunity to better yourself and better your day and just have fun.

To transition to basketball and to look ahead, what to you has been the biggest surprise, or some of the biggest surprises of the season?

For me, it’s Jokic and Embiid. I don’t know if people know what they are watching, right? As much as we talk about the greats — Hakeem and Tim Duncan and obviously Shaq — and I’m even going to put Giannis in this, but you’re looking at the three most unstoppable players in the NBA all technically being centers and all three are international, which shows the evolution of this game and the transition between the Golden State era where it’s guard oriented to “look at all the big men.” You cannot be an elite team without a versatile big man. I would even put Brooklyn in there because Kevin Durant is 7-foot.

Well, he says he’s not not 7-foot. But he’s seven-foot.

Oh stop it. He’s 7-foot. Look at the Cavs. You start three seven footers. That is exciting, to me, to see this transition to not just seeing these big aircraft carrier centers, but these centers that are like top-10 in scoring, rebounding, blocks. They’re defending. Seeing them doing everything at a high level has been wild.

Looking at Embiid, watching how he just played against Jarrett Allen was incredible, to do what he did against Allen and Mobley and others was nuts. So how do you envision him fitting with Harden?

I think it’s going to be big chemistry thing, and that’s going to grow. For me, when I look at it, Embiid cannot lend himself to Harden. He cannot say, “Oh, well James Harden is here, they don’t need me to be as aggressive.” When Joel Embiid this year is at his best, it’s when he’s an absolute monster, when he has no regard for human life and just tries to dunk on everybody, to get 50 points and do everything in his will to not only be available — which is a skill — but to dominate the game, whether it’s posting up, playing in the screen and roll, or taking big men out and hitting ’em with the whoopty-whoop with the handles. He can’t lend himself to Harden. Harden has to make room, Harden has to make everyone else better — Thybulle, Tobias, Maxey. He has to make everyone else better and it’s going to elevate the team, he has to raise the tide.

Are you surprised at how good the East seems to be? There are 10 teams looking locked into the 1-10 spots, but are you surprised at how good the teams in the playoff and play-in seem to all be?

Do you know what’s a wild thing? And hopefully this is a hot take, but it’s not: Every time LeBron switches conferences, it’s the the other conference that’s so good. I remember we were in the East and they were like, “Oh, the West is so dominant,” and then LeBron goes to the West, wins, and then everybody goes to the East. I’m not saying LeBron does that on purpose, but what I’m saying is that it’s not wild to me. It’s happened every single year he’s been in the league. I remember when I was with the Phoenix Suns, we won 48 games and didn’t make the playoffs in 2014. Every section is avoiding somebody. And even though the Lakers aren’t the best, the East has just developed its players to be different. For the Cavs to have success with three big men is just the beginning of this new generation.

Last thing: As far as the 82 game season goes, since you’re retired, do you view that as too many games? Or did you when you playing? Watching from afar — say, Darius Garland for instance, he looks like he needs a couple extra days off in-between games to get his back right. It seems like such a toll for everyone.

Well, I say this: Why Darius Garland and his team look tired is because they’ve never done this before. This is new for them.

I don’t want this to be easy, right? I don’t know if you’ve ever played pickup basketball or still do, but dudes complain all the time about pickup basketball, just innately, but they keep playing. So for me, if this was easy, the respect of winning a championship, going to the playoffs. If you only had 30 games, somebody can go out to Vegas every single night and play 30 games in their sleep. I want you to make a sacrifice for the season. Make it, take care of yourself.

Why is LeBron so special? Because he takes care of himself all the time. So how does he go to 10 NBA Finals and suddenly no one else can go to five? You can’t go to five NBA Finals? So why he is so different? It’s because he takes care of his body. These kids are getting into the league at 18, 19 years old knowing they have to sacrifice, knowing that the season is long, knowing that there are ups and downs, and to assess talent is hard. The first 25 games, people are getting in shape. The next 25 is that weird trade deadline area. Then the next 25 is the All-Star break — did you make it, did you not. And whatever is after All-Star is, are you going for a pick, are you developing your culture for the next year, or are you ramping up for the playoffs? And that’s it. And you need that time.

Would 72 be reasonable? Or is it more 82, to you as a former player, worth keeping because it puts guys through that meat grinder?

I think 82 is great. I also think once you start messing with guys’ checks, I betcha they play 82. The checks that these guys are getting nowadays, they gonna play 82. And if you’re team is good, you can take a day off. But if you’re losing, you’ve got to go out there and earn that check. That’s just how I think.

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D Smoke Takes Over The Block In His Stone-Faced ‘Say Go’ Video

After releasing the devastating 2021 album War & Wonders, Inglewood rapper D Smoke begins his 2022 campaign with the video for “Say Go,” the album’s chest-beating second single after after “Shame On You.” Over triumphant horns, D Smoke lays out his philosophy, warning haters that the entire block will slide on his say-so as he marches through the streets of his hometown with seemingly the whole city behind him.

Lending a humorous counterpoint to the stone-faced proceedings, comedian Lil Rel makes an appearance midway through the video to comment on the goings-on, criticizing some of the march’s members for such activities as keeping chicken on leashes. Just watch it, trust me.

In his interview discussing War & Wonders with Uproxx last year, the Rhythm+Flow winner further detailed his defiant philosophy as expressed on the album. “We’re in a different world than we were in when Black Habits came out,” he said. “With the world changing so fast, if we don’t take on an attitude of resistance, or an attitude of strength, or a willingness to fight if things don’t work for us, we will be on the losing end of that… This ain’t a time to shrink. It’s time to grow and get big in the midst of everything we’re experiencing in the world. Because when these things happen, everybody needs an advocate, and you’re your first advocate.”

Watch D Smoke’s “Say Go” video above.

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Rosalia Shares Another ‘Motomami’ Preview With Her Dance-Centric ‘Chicken Teriyaki’ Video

Ever since Rosalía shared the racy album artwork for her upcoming album, Motomami, excitement has been building for the release. She’s previously shared her collaboration with The Weeknd, “La Fama,” and the reggaeton-referencing “Saoko” Since there’s still a few weeks before the album drops, the Spanish pop star has shared yet another preview of what’s to come with today’s “Chicken Teriyaki” video. The Tanu Muino-directed video is her third release from Motomami, which will be Rosalía’s third studio album. In the dance-centric “Chicken Teriyaki” video, she leads her crew in a series of warmups and stretches before the real work begins.

Once the dance party starts, the catchy choruses of “chicken teriyaki” elicit all kinds of hilarious moves from the dancers. Combining shots from the cinematographers with iPhone clips from the other dancers, who offer very interesting perspectives on Rosalía, shooting her from the ground and other unusual angles, the video is a playful celebration of just how physical her music can be. At one point, a delivery guy even busts through the window on a motorcycle to deliver some of the song’s titular food to the hungry crew. Check out the video above and keep an ear out for more music before the album comes out in a few weeks.

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Helado Negro’s ‘Hometown Dream’ Video Is A Nostalgic Trip Down Memory Lane

One of the standout tracks from Helado Negro’s fantastic latest album Far In, “Hometown Dream” is a gorgeous moment of bliss. Propped up on an electric bass groove with woodwind coos and a sparkling drum beat, Helado Negro’s Roberto Carlos Lange sings, “Who could really know you now? Now that you’ve seen these dreams?” as you sink deeper into the hypnotic track.

Now on the new video for “Hometown Dream,” we see Lange today, spliced in with his younger self in footage from a 1988 VHS tape of his first trip to his family’s homeland of Ecuador. A freeze frame from the visual is very distinctly what was captured for the hazy, colorful album cover of Far In.

“Hometown Dream is about me leaving New York after living there for so long,” Lange, who know lives in North Carolina, said in a statement. “New York showed me my north in life and taught me to celebrate existence. My Mom and my Dad both moved to NYC in the ’60s. I spent my 20’s, 30’s, and turned 40 there.”

Conceptually, the “Hometown Dream” video follows suit with the clip for “Outside The Outside,” which also used scenes from old VHS family tapes that Lange recently digitized. In an interview with Uproxx last year, Lange spoke about his journey of self-discovery through his music, saying that: “Those songs are transmissions from an older me to a younger me traveling in the path and that’s what I’ve always tried to hope that people see with what I’m doing.”

Helado Negro’s worldwide tour begins in April and Lange also just announced that Kacy Hill and Kaina will be supporting him on select dates. Check out his website for tour updates here.

Watch the video for “Hometown Dream” above.

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You Can (Virtually) Beat Up Machine Gun Kelly Soon As He’ll Be In ‘WWE 2K22’ As A Playable Wrestler

In a partnership with 2K Sports, rapper-turned-rocker Machine Gun Kelly will the ring as a playable wrestler in WWE 2K22. The game, which releases March 11 on PlayStation 4 and 5, PC, and Xbox One and Series X|S, features a stacked line-up of wrestling superstars, including the game’s cover star Rey Mysterio.

The option to play as Machine Gun Kelly comes as part of an expansion pack, the release of which to be announced at a later date. It is also unclear whether or not this expansion will be a free upgrade to the game.

Additionally, Kelly will oversee the game’s soundtrack, which contains a star-studded line-up featuring The Weeknd, Motorhead, and Wu-Tang Clan. The soundtrack will be released in tandem with the game.

Check out the WWE 2K22 soundtrack tracklist below.

1. Machine Gun Kelly — “Concert For Aliens”
2. Machine Gun Kelly — “Body Bag” Feat. Yungblud and Bert McCracken
3. Wu Tang Clan — “Protect Ya Neck”
4. Motorhead — “Iron Fist”
5. Poppy — “Say Cheese (Live NXT Version)”
6. Royal Blood — “Typhoons”
7. Bring Me The Horizon — “Happy Song”
8. The Weeknd – “Heartless”
9. Turnstile — “I Don’t Wanna Be Blind”
10. Asking Alexandria — “The Final Episode (Let’s Change The Channel)”
11. KennyHoopla –“Hollywood Sucks”

Some of the artists mentioned are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.