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Aaron Rodgers Posted A Puzzling, Late-Night Note With A Message For Shailene Woodley

No one ever accused Packers QB Aaron Rodgers (at least, not in the past year or so) of not being cryptic. That’s been his public-statement style lately, what with the Covid-vaccine conspiracy-theory crusade going while calling upon Joe Rogan for medical advice. Perhaps this was a step too far for the clay-eating Shailene Woodley, given that they ended their year-long engagement even after she responded to Aaron’s anti-vaxxing NFL controversy with an apparent rave about one of his body parts.

Neither Aaron nor Shailene ever provided much of an explanation (nor should they be expected to) for the split, although TMZ reported word from a source that Aaron was feeling “cold feet” while wanting to prioritize his NFL career, and Shailene reportedly “felt ‘neglected.’”

Well, Aaron posted a late-night (Monday) “gratitude” message to Instagram, where he sounded vaguely like he was saying goodbye? At least, that’s how he sounded while talking about football and his teammates. Whereas this is what he wrote to Shailene:

“@shailenewoodley, thanks for letting me chase after you the first couple months after we met, and finally letting me catch up to you and be a part of your life. Thanks for always having my back, for the incredible kindness you show me and everyone you meet, and for showing me what unconditional love looks like, I love you and am grateful for you.”

Talking about “unconditional love” could suggest a few things. Maybe they’re not really broken up for good, or perhaps that’s simply wishful thinking on his behalf. The whole “letting me chase you the first couple months” is slightly wild, given that that suggests some overlap regarding his relationship with Danica Patrick. Whatever the case, Shailene hasn’t publicly responded, although Aaron sure did post a loved-up (and undated) photo of them together, as you can see above.

(Via Aaron Rodgers on Instagram)

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‘Encanto’ Hit ‘Bruno’ Is Now Disney’s Biggest-Ever Chart Success, Animated Or Otherwise, As It Stays No. 1

To make the obvious joke, it seems like everybody’s talking about Bruno: The breakout Encanto soundtrack hit “We Don’t Talk About Bruno” has been dominating the Billboard Hot 100 chart, as last week was its third at No. 1, which is rare territory for a song from an animated movie. Now, the party continues: On the new Hot 100 chart dated February 26, “Bruno” is No. 1 for a fourth total week.

Four weeks is now the most time a song from any Disney movie, whether it be animated live action, has spent at No. 1. The previous record-holder was Bryan Adams, Rod Stewart, and Sting’s 1994 The Three Musketeers song “All For Love.”

Additionally, “Bruno” and the Encanto soundtrack are the first corresponding song and OST to simultaneously lead their respective Billboard charts for at least four weeks since 1992, when Whitney Houston’s “I Will Always Love You” and The Bodyguard soundtrack did so for 12 weeks in 1992.

It’s a big week for some other songs on the chart, too, like Glass Animal’s “Heat Waves,” which achieves a new peak at No. 2, and Gayle’s “ABCDEFU,” which has achieved an all-time high of its own at No. 4. Lil Nas X’s “Thats What I Want” also had its best chart placement ever this week by returning to the top ten at No. 9.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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David Le’aupepe Roams London On The New Gang Of Youths Single ‘Spirit Boy’

Days ahead of the release of their third studio album Angel In Realtime, Gang Of Youths have released a new cut from the album called “Spirit Boy.” On “Spirit Boy,” lead singer David Le’aupepe remembers his father as he walks through London.

The song “was inspired by a death, a God, a Rōngoa, a long walk along the regents canal, and then some sh*t dave saw on the telly,” according to a tweet from the band.

“Spirit Boy” opens with a kick drum intro before transitioning into a symphony infused with guitar strums, piano notes, and a mix of strings near the end. “The gigs were overlong, and most of them mundane / And the weather climbed to 20-something centigrade” Le’aupepe remarks, before mentioning, “I’ve never been in London this time of year / It’s nice / But I couldn’t wait to slowly disappear.”

Gang Of Youths first announced Angel In Realtime last November, nothing the album is about Le’aupepe’s father and “everything he left behind” after he died in Sydney in August 2018.

Listen to “Spirit Boy” above.

Angel In Realtime is out 2/25 via Warner Records. Pre-order it here.

Gang Of Youths is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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What Happened In ‘Barry’ Season 2, Again?

With Barry Season 3 finally arriving in April 2022, the Bill Hader-starring series will have been off the air for three years, so it’s understandable if the events of Season 2 are fuzzy after all of this time (and a full-blown pandemic). We’ll walk you through the events of the last season and the story of Barry Berkman (Hader), the soldier turned hired assassin, who wants out of the hitman life so he can pursue his newfound passion for acting. In fact, we’ll split the recap into the two segments of Barry’s life that are now on a major collision course following the events of Season 2.

Barry: The Actor

As Barry continues to become an integral part of the acting class led by Gene Cousineau (Henry Winkler), and even starts to form a father/son relationship with the acting coach, his love life takes a much-needed turn as he finally starts dating Sally Reed (Sarah Goldberg), who captured his attention in the first season. As the couple prepares for a showcase featuring personal stories from their life, Sally plans to mine the emotional depth of a prior abusive relationship with Barry playing the part of her violent ex, Sam. Initially, the story features Sally defiantly standing up to Sam. However, Barry pushes Sally to explore the truth of the experience, and the fact that she didn’t stand up to her abuser. That emotional connection to what really happened helps Sally deliver a performance that finally gets a meeting with a talent agency.

However, things don’t go as planned at the meeting. The agency is mainly interested in getting Sally to star in a series about an abused woman, and she’s not interested in just doing “revenge porn” that won’t push her as an artist. Adding to the frustration: Barry is offered a role in a Jay Roach movie despite having very little experience with acting. The situation culminates with Sally and the acting class being invited to perform their narratives at a massive showcase full of talent execs, but it’s clear that Barry and Sally’s relationship is being strained.

On the night of the big performance, the situation comes to a head as Barry is caught off-guard by Sally reverting back to the original narrative and defiantly standing up to his version of Sam. Granted, the audience eats it up, which leaves Sally torn between telling her truth or finally receiving the recognition for her acting that she’s been chasing for years.

Meanwhile, Barry is noticeably distracted as his relationship with Cousineau goes from beloved mentor to being completely shattered by Barry’s other life.

Barry: The Hitman

Barry Season 2
HBO

While Barry and Gene’s mentee-mentor relationship continues to deepen, there’s a ticking time bomb waiting to go off: Season 2 opens with the aftermath of Barry killing Detective Janice Moss (Patricia Newsome) who was getting close to connecting Barry to the murder of one of Cousineau’s acting students in Season 1. Not only that, but Moss had become romantically involved with the acting teacher, who now thinks that the detective ghosted him.

Meanwhile, NoHo Hank (Anthony Carrigan) has become the head of the Chechen mob, and naturally, he wants Barry to continue being the gang’s hired killer. Barry, however, wants out. Hank does not take this news well, but eventually, after a few skirmishes, they hash things out after Barry agrees to train a squad of killers for Hank.

There’s also the matter of Monroe Fuches (Stephen Root), Barry’s handler. After running afoul of the police, he agrees to wear a wire and implicate Barry as Detective Moss’s murderer. Thanks to Barry being distracted by the acting class, and the threat of Fuches blowing his chance at a new life, Barry actually does confess to the murder and is about to get himself arrested by Detective Loach (John Pirruccello). However, little did Fuches or Barry know that Loach had other ideas. Namely hiring Barry to kill his ex-wife’s new lover.

To escape their legal predicament, Barry and Fuches take the job, which leads to a wild karate fight with Ronny and his eight-year-old daughter, who mops the floor with Barry. The confrontation spreads across town to a local supermarket where Loach and Ronny both end up dead, leaving Barry off the hook and square with Fuches. Or so he thinks.

Despite having a clean break, Fuches still wants Barry back and tracks down Moss’s car that Barry stashed in the woods. He then travels to Cousineau’s house and pretends to be a police officer investigating Moss’s murder. Little does Cousineau know is that Fuches called the real police, pretended to be Cousineau, and confessed to Moss’s murder. The acting coach is arrested, which infuriates Barry, causing him to be even more distracted during Sally’s big performance.

Meanwhile, Fuches orchestrates a team-up with NoHo Hank by squashing a pending battle with the Bolivian and Burmese gangs, who have now agreed to work together. When Barry learns what Fuches is doing, on top of the Cousineau situation, he flips and heads to a monastery where he completely eliminates all of the gang members, but not before Fuches can escape.

As for Cousineau, he’s cleared of the murder charges after the cops find Moss’s car and a Chechen pin that Barry stashed in the trunk to make her death look like it was gang-related. But before the season ends, a flashback is shown of Fuches at Cousineau’s house whispering something in his ear. Those words, “Barry Berkman did this.”

Barry Season 3 premieres April 24 on HBO.

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The War On Drugs Announce A Slew Of Extended Tour Dates

Currently on a tour in support of I Don’t Live Here Anymore, The War On Drugs have added over 20 new tour dates. The tour — which had already seen a number of dates get rescheduled — was previously set to end in July with a performance at at Madrid’s Mad Cool Festival. But now, it will press on until October with the final date at San Diego’s Open Air Theater. The run continues tonight, with a show at Seattle’s Paramount Theatre.

Check out the full list of tour dates below with the newly announced ones denoted. Tickets for The War On Drugs Tour are on-sale here.

02/22 — Seattle, WA @ Paramount Theatre
02/23 — Portland, OR @ Theater of the Clouds
02/25 — San Francisco, CA @ Bill Graham Civic Auditorium
02/26 — Los Angeles, CA @ Shrine Auditorium
03/22 — Helsinki, FI @ Helsinki Ice Hall
03/24 — Stockholm, SE @ Annexet
03/25 — Stockholm, SE @ Annexet
03/27 — Oslo, NO @ Sentrum Scene
03/28 — Oslo, NO @ Sentrum Scene
03/29 — Oslo, NO @ Sentrum Scene
03/30 — Copenhagen, DK @ KB Hallen
03/31 — Copenhagen, DK @ KB Hallen
04/02 — Berlin, DE @ Verti Music Hall
04/04 — Zurich, CH @ Halle 622
04/05 — Milano, IT @ Alcatraz
04/07 — München, DE @ Zenith
04/09 — Paris, FR @ L’Olympia
04/11 — Birmingham, UK @ 02 Academy Birmingham
04/12 — London, UK @ The O2 Arena
04/14 — Dublin, IE @ 3 Arena
04/16 — Leeds, UK @ First Direct Arena
04/17 — Edinburgh, UK @ Edinburgh Corn Exchange
04/18 — Edinburgh, UK @ Edinburgh Corn Exchange
04/20 — Köln, DE @ Palladium
04/21 — Wiesbaden, DE @ Schlachthof
04/22 — Amsterdam, NL @ Ziggo Dome
04/23 — Antwerp, BE @ Sportpaleis
05/22 — Atlanta, GA @ Tabernacle
05/23 — Atlanta, GA @ Tabernacle
05/25 — Nashville, TN @ Ryman Auditorium
05/26 — Louisville, KY @ Old Forester’s Paristown Hall *
05/28 — Charlottesville, VA @ Ting Pavilion *
05/29 — Baltimore, MD @ Pier Six Pavilion *
05/30 — Norfolk, VA @ The NorVa *
06/02 — New Orleans, LA @ Orpheum Theatre *
06/04 — Tulsa, OK @ Cain’s Ballroom
06/05 — Kansas City, MO @ Grinders
06/06 — St. Louis, MO @ The Pageant
06/08 — Indianapolis, IN @ TCU Amphitheater
06/09 — Cleveland, OH @ Jacob’s Pavilion
06/10 — Lafayette, NY @ Beak and Skiff
06/11 — Buffalo, NY @ Artpark
06/13 — Raleigh, NC @ Red Hat Amphitheater
06/14 — Charlotte, NC @ Metro Credit Union Amphitheatre
06/15 — Asheville, NC @ Rabbit Rabbit
06/17 — Manchester, TN @ Bonnaroo Music and Arts Festival 2022
06/30 — Werchter, BE @ Rock Werchter 2022
07/01 — Hamburg, DE @ Stadtpark-Open-Air-Bühne
07/01-03 — Ewijk, NL @ Down The Rabbit Hole 2022
07/06 — Lisbon, PT @ NOS Alive 2022
07/08 — Madrid, ES @ Mad Cool Festival 2022
08/28 — Toronto, ON @ Echo Beach *
09/10 — New Haven, CT @ College Street Music Hall *
09/11 — Cooperstown, NY @ Brewery Ommegang *
09/12 — Portland, ME @ State Theater *
09/19 — Denver, CO @ Red Rocks Park & Amphitheatre *
09/21 — Oklahoma City, OK @ The Criterion *
09/24 — Memphis, TN @ Soundstage at Graceland *
09/26 — Birmingham, AL @ Avondale *
09/27 — Knoxville, TN @ The Mill & Mine *
09/29 — Wilmington, NC @ Live Oak Bank Pavilion *
09/30 — Charleston, SC @ Firefly Distillery *
10/03 — Ft Lauderdale, FL @ Revolution Live *
10/04 — Orlando, FL @ House of Blues *
10/05 — Tampa, FL @ Jannus Live *
10/06 — St. Augustine, FL @ St Augustine Amphitheater *
10/11 — San Diego, CA @ Open Air Theater *

* newly announced show

The War On Drugs is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Kanye West Fans Are More Than Mildly Miffed ‘Donda 2’ Didn’t Arrive On Their $200 Stem Players

Apparently, Kanye West did not make his new album, Donda 2, available to people who purchased his $200 “stem player” today as promised, and fans are certainly upset about it — despite his half-decade-long history of putting out projects late (Ye, the first Donda) or incomplete (The Life Of Pablo).

A month ago, Ye promised that the new album would be released on 2/22/22, then, just four days before that intended release date, he announced that the album would not be available on DSPs, and instead would only be available via the stem player. The stem player device itself is basically a smaller, more stylish version of the Artiphon Orba with way fewer features and a heftier price tag, while his idea to cut out the middle man is reminiscent of Nipsey Hussle’s 2013 Crenshaw mixtape, which the Los Angeles legend sold for $100 each.

However, while Nipsey simultaneously made the mixtape free to download or stream, the 1,000 or so fans who purchased the $100 version included tickets to his shows, an autograph from Nipsey himself, and random incentives like personal phone calls from Nip, signed photographs in the mail, and even an invitation to visit the rapper in his studio. Fans who bought Kanye’s stem player got… well, a $200 music toy and the hope that he’ll actually make the album available for download after his show in Miami tonight.

Adding insult to injury, Kanye apparently gloated on Instagram (according to The Daily Beast; the post has since been deleted), “To earn the $2.2 million we made on the first day on the stem player the album would have had to stream 500 million times. We did more revenue on stem player, without the album even being out than we would have done with the album being out on streaming.”

Which, you know, might have been the whole point. Kanye fans still have some hope, though, and kudos to him for finding an alternative means of releasing music (?) that defies the traditional system — which, to be fair, does suck for artists in a lot of ways, although he hasn’t pointed out how this makes anything better for anyone besides himself. Until the album is actually out, though, Twitter will likely be abuzz with fans grousing that he’s pulled the rug on them once again.

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LeBron James Family Foundation’s new Old El Paso Taco Shop opens to celebrate Taco 2.22.22uesday

The deuces are wild on Tuesday, February 22, 2022. The 22nd day of the second month of the year 2022 is a Tuesday, the second day of the week. Americans everywhere are celebrating the historic day by enjoying Tuesday’s official meal, the taco.

The next time this incredible occurrence will happen is in the year 4022.

The LeBron James Family Foundation (LJFF) is having a big Taco 2.22.22uesday celebration by hosting the foundation’s I PROMISE families in Akron Ohio, at the first-ever restaurant featuring meals from Old El Paso, aptly named “The Taco Shop by Old El Paso.” The fast-casual dining establishment is located in LJFF’s new multi-use facility, House Three Thirty, which provides resources designed to change the trajectory for I PROMISE families and serve the entire Akron, Ohio community.

It may be the Ultimate Taco Tuesday, but House Three Thirty’s Taco Shop by Old El Paso is about so much more than just tacos.


In addition to delicious food, the fast-casual restaurant, sponsored by Old El Paso, offers much-needed space for family-led programming and hands-on job training, including food preparation, customer service, teamwork, time management, culinary best practices, and experience in a kitchen with state-of-the-art technology.

As part of House Three Thirty’s unique community model, The Taco Shop by Old El Paso will employ students and adults from the I PROMISE program so they can gain valuable work experience that will help propel them to future job opportunities.

“We are thrilled to continue the collaboration with LJFF to create a safe space for families in Akron to spend time with each other because we know that special moments can be had while enjoying good food,” Maria Jaramillo, General Mills Business Unit Director for Mexican & Baking, said in a statement.

Everyone loves Old El Paso’s food, but now the people of Akron and beyond can sit down and enjoy its delicious Tex-Mex flavors prepared in a fast-casual setting designed to bring families together for some real quality time.

The Taco Shop will feature a wide variety of tacos—including the LJFF’s favorite, the Chili Lime Grilled Skirt Steak Taco— as well as burritos, quesadillas, and even desserts, like flan, churros, and sopapillas, all created with Old El Paso ingredients inspired by the taco dishes created in the James household.

The Taco Shop by Old El Paso’s Taco 2.22.22uesday celebrations aren’t limited to the I PROMISE families, as you can enjoy the delicious flavors of Old El Paso at home. To commemorate the creation of its first Taco Shop, on Taco 2.22.22uesday Old El Paso is giving fans nationwide a chance to host a James family-inspired taco night, featuring taco party favors, and LJFF jersey apron, portable speaker, Old El Paso products, and more.

To enter to win a taco kit, go to oldelpaso.com/taco-shop-sweepstakes. Submissions must be made by Monday, February 28, 2022.

Old El Paso and LJFF have a long-standing partnership committed to bringing families together for taco night. Last year, the two worked together to donate Taco Tuesday meal kits to families from the I PROMISE school and others at the start of the pandemic. Old El Paso then became the sponsor of I PROMISE Village Taco meals, donating meals for weekly community dinners, taco Tuesday events, and I PROMISE School monthly Family Feasts. The Village provides rent-free housing to families experiencing homelessness, domestic violence, or other unforeseen circumstances.

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I asked dozens of teachers why they’re quitting. Their answers are heartbreaking.

When I was a child, I used to line up my dolls and stuffed animals on my bedroom floor, pull out my mini-chalkboard and in my best teacher’s voice, “teach” them reading, writing and arithmetic. Pretending to be a teacher was my favorite kind of imaginative play.

In college, I majored in Secondary Education and English and became an actual teacher. I loved teaching, but when I started having kids of my own, I quit to stay home with them. When they got to school age, I decided to homeschool and never went back to a traditional classroom.

I kept my foot in the proverbial school door, however. Over the years, I’ve followed the education world closely, listened to teacher friends talk about their varied experiences and written countless articles advocating for better pay and support for teachers. I’ve seen a teacher burnout crisis brewing for a while. Then the pandemic hit, and it was like a hurricane hitting a house of cards.

Teachers are not OK, folks. Many weren’t OK before the pandemic, but they’re really not OK now.


A recent poll from the National Education Association found that 90% of its members say that feeling burned out is a serious problem, 86% have seen more teachers quitting or retiring early since the pandemic began and 80% say that job openings that remain unfilled have added to the workload of those who are still teaching. And more than half of teachers say they will leave the profession earlier than they had planned.

I checked in with several dozen teachers who have quit recently or are close to quitting, and the response was overwhelming. Over and over I heard the same sentiments: I went into teaching because I enjoy working with kids and I want to make a difference. I love teaching. I love my students. These are teachers who throw their whole heart into their work.

So why are they quitting? The reasons are plentiful—and heartbreaking.

Low pay is an issue many of us think of when it comes to teachers, but it’s not the main thing pushing teachers to quit. One teacher told me that in his school district, garbage collectors make $10K more per year and have better benefits than teachers with graduate degrees and a decade of experience, but that wasn’t his primary reason for wanting to leave. There’s no question teachers deserve to be paid more—a lot more—but teachers don’t choose to become teachers for the money, and most don’t quit because of the money, either. It’s the issues that make the wages not worth it.

One of those issues is a lack of recognition that teachers are actually highly skilled professionals. “Paying teachers like we are professionals would go a long way,” says Bonnie D., an educator in Idaho, “but really it’s about trusting us to be able to do our work. Many teachers have Master’s degrees or have been teaching for many years, but still aren’t listened to or considered experts when it comes to helping students succeed.”

Jessica C. has taught middle and high school English in three different states and resigned in December. She says she loved working with kids and designing curriculum, but she finally left after seeing more and more teacher autonomy get stripped away as standardized testing became the primary focus.

“Despite my years of experience across multiple states and my two graduate degrees in education, I felt like nobody with any real power believed I was actually competent at my job,” she says. “I saw evidence that my students were growing as readers and writers, but at the end of the day the only thing that mattered was hitting a certain number on those state assessments. It was really disheartening to feel like nothing else mattered but that test, and that even though the test itself doesn’t resemble any real-world reading or writing skills in any way, it was supposed to be the focus of all of my instruction.

“But let’s not forget,” she added, “I also wasn’t allowed to look at it at all or even really know what was on it or how it would be scored.”

California elementary school teacher Ann B. shared a similar sentiment: “Teaching over the past decade has lost its charm and sparkle. So many mandates, broken systems, top-down management from people who haven’t spent much time in the classroom made it difficult.“

Sarah K. teaches high school history and AP psychology in Tennessee. Unlike most of the teachers I spoke to, she is having one of the best school years of her career, but she shares concern for the state of public education in general. “I think a lot of teachers feel attacked and are afraid and are feeling like the job can’t be done anymore,” she told me. “As a society, we have lost our ability to trust each other, and it is manifesting itself in not trusting teachers to teach, do their jobs and follow our hearts to love and inspire kids.”

In addition to micromanagement from administrators, classroom control from legislators and demonization from parents, I had two teachers share with me that they’d been through a school shooting. ESL teachers from different states shared that their school districts refused to put resources toward programs that would help their students succeed and basically told them that those students didn’t matter. Other teachers feel like their own lives don’t even matter.

“A teacher passed away from COVID in January in a different building,” says Jenn M., a 14-year veteran teacher from Pennsylvania. “The kids had the day off. The teachers came in and had no directive of what to do. We got tested for COVID, and that was it. I literally feel like if I die, nobody in the district would care about me. I want to feel important and impactful at work.”

And then there’s the mental load that has always existed for teachers but has definitely been exacerbated by the pandemic. Teaching is not 8:00 a.m. to 3:30 p.m. with the summers and holiday breaks off. That’s just not how it works; not for any teacher I’ve ever known. And it’s taxing work on every level. You’re working with dozens if not hundreds of kids every day. You care about them and their well-being, you’re trying to teach them whatever your subject is but also helping nurture them into fully functional human beings. You have constantly changing expectations coming from every side.

“Teaching is all-encompassing,” says an elementary school teacher from New Mexico who wishes to remain anonymous. “It is seriously draining emotionally and physically. It’s not just a job that is easily turned off at the end of the day when you go home.

“Everything falls on the teachers,” she adds. “We are stuck in a no-win situation in the middle of a societal crisis. Schools have been pushing higher academics at earlier ages and the need to teach basic social skills, norms and niceties is higher than ever. Our roles and the demands on us are just increasing.”

Bonnie D. agrees. “There is a mental load that goes with teaching,” she says. “It’s very difficult to specifically identify. It’s the workload, it’s the constant changing of what’s required of us as legislation changes, it’s the restrictions on what we can teach, the expectation that we will work outside of the paid contract hours, the fact that it’s easier to go to work sick than make sub plans, it’s micromanaging teenagers, doing extra things in the school with no extra pay, the low morale created by parents who want to dictate what we do in the classroom without ever discussing it with us or volunteering in the classroom themselves.”

And so much of what’s expected of teachers is self-contradictory, as Jessica C. points out in a bullet list summary of what teachers have been asked to do over the past few years:

– Differentiate your instruction for every child, but don’t deviate from what the textbook says to teach.

– Teach directly from the textbook, word for word and page for page whenever possible, but also spend hours of your time designing a unit plan (even though one is provided in the textbook company’s supplementary materials).

– Turn in detailed weekly lesson plans, even though we really just want you to turn the page and read what it says every day.

– Hold every child to high expectations and keep all your instruction and assessment on grade level, but make sure none of them fail, even if they come into your room drastically below grade level.

– Attend regular PLC meetings, but the principal is going to set the agenda and run the whole meeting and you won’t really be asked to contribute anything at all. (Again, we’re going to ignore that year-long training you got in your last district about the PLC model and just assume you don’t know that we’re deviating from the model completely.)

– You should be focusing on instruction, not wasting a minute of class time, but we’re also going to expect you to collect T-shirt order forms, and fundraiser money, and take your kids down to the cafeteria for school pictures, and fill in for colleagues on your planning period. Oh, and you’ll have to stay late several times a grading period so that you can work the gates at athletic events, because your professional performance review will be based on how much you gave to the school above and beyond your job description and contractual obligations.

The pandemic, of course, has made everything worse. Teachers have borne the brunt of all the upheaval in education, not only in having to completely change the way they teach and implement new technologies overnight, but also in dealing with the emotional and developmental challenges their students are facing throughout all of this. The pandemic has also exacerbated and highlighted issues of inequity in education that were already there.

Catlin G. is an intervention specialist who has taught for 18 years, primarily in schools in under-resourced communities. She says that what many districts are now dealing with—attendance and staffing issues, high variability in children’s academic growth, a lack of resources—are all too familiar to her and the students she has worked with.

“The pandemic drew a lot of attention to the role of education, but much of it has been focused on issues such as CRT or masking, which have deflected from bigger, long-term problems in schools, such as low literacy rates and crumbling infrastructure. I hope that people don’t simply forget about education issues once their kids no longer have to wear masks to school, and begin to think about how we can make education better for all kids.”

Some teachers cite student behavioral issues as contributing to their burnout, but most of the teachers I heard from held on in the classroom as long as they felt they could for their students’ sake. After all, teachers generally go into teaching because they love kids and want to work with them.

“I never wanted to leave,” an elementary school teacher from Washington who quit this year told me. “I cried with my students during my last week in the classroom. Their outpouring of love and understanding melted my heart. I had never felt so conflicted in a decision because I loved the students and my job.”

Between the pandemic throwing classroom teaching into chaos, parents and legislators dictating how and what teachers teach, and increasing assessments and top-down administration creating micromanagement issues, teachers feel like they aren’t able to do the jobs they love and signed up for. They’re not quitting because they hate teaching—they’re quitting because they can’t teach under these conditions. It’s tragic, truly, and it’s up to all of us to throw our support behind educators to stem the crisis a mass exodus of teachers will lead to.

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Jensen McRae Announces Her New Album ‘Are You Happy Now?’ And Releases The Emotional Single ‘Happy Girl’

Jensen McRae‘s career took off with a viral Phoebe Bridgers parody that brought her to such a level of recognition that she’s now able to share more vulnerable, poignant material with the world, such as her newest single out today, “Happy Girl.” The release of this song came with an exciting, long-awaited album announcement via Twitter; she wrote, “Happy Girl is out. And: my debut album is coming. It’s called ‘Are You Happy Now?’ and it’ll be out on March 22. I am so, SO excited to give you this music that’s been so close to my heart for so long. All my dreams are coming true.”

Are You Happy Now? is the follow-up to last year’s beautiful Who Hurt You EP, which showcased her ability to write incisive folk songs with an evocative dream pop-tinged atmosphere. “Happy Girl,” a haunting ballad about not knowing how to overcome a deep, ever-present sadness, hints that this debut album will likely be a continuation of that previous sound with a new sense of maturity and intensity.

Watch the video for “Happy Girl” above, and find the artwork for Are You Happy Now? below.

Jensen McRae 2022
Jensen McRae

Are You Happy Now? is out 3/22 via Human Re Sources. Pre-order it here.

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The Founders Of The Razzies Reveal The Nomination They Regret The Most (And One They Do Not At All)

Everyone was mad at the Razzie Awards for nominating The Last Duel stand-out Ben Affleck for Worst Supporting Actor, but everyone has been mad at the Razzies for years. The gimmick of honoring the worst that Hollywood has to offer grew stale the second The Thing was nominated for Worst Musical Score — or maybe it was a tired premise from the start, as The Shining director Stanley Kubrick and star Shelley Duvall were up for Worst Director and Worst Actress, respectively (?), at the first Razzies ceremony.

At least founders John J. B. Wilson and Mo Murphy have come to their senses when it comes Duvall’s vulnerable, striking performance psychological horror film (unlike Affleck in The Last Duel, who Wilson compared to “Beavis and Butt-head in the Dark Ages” — which is wrong, but pretty funny). “For me, it’s Shelley Duvall in The Shining,” Murphy told Vulture about the nomination they hear about the most. “Knowing the backstory and the way that Stanley Kubrick kind of pulverized her, I would take that back.”

Duvall called making The Shining a “difficult” experience, including filming one scene a Guinness World Record-setting 148 times. “After a while, your body rebels. It says, ‘Stop doing this to me. I don’t want to cry every day.’ And sometimes just that thought alone would make me cry,” she told the Hollywood Reporter last year. “To wake up on a Monday morning, so early, and realize that you had to cry all day because it was scheduled — I would just start crying. I’d be like, ‘Oh no, I can’t, I can’t.’ And yet I did it. I don’t know how I did it. Jack said that to me, too. He said, ‘I don’t know how you do it.’”

As for Kubrick’s nomination, Wilson added:

“The voting membership the very first year were largely people that Maureen and I worked with at a trailer company. A group of us who had read Stephen King’s novel went to see The Shining the night it opened at the Chinese, and we didn’t care for what Kubrick had done with the novel. The novel was far more visually astounding, far more terrifying, far more compelling, and we couldn’t understand why you would buy a novel that had all of that visual opportunity in it and then not do the topiary thing, not do the snakes in the carpet, not do the kids’ visions. If you’re going to say it’s The Shining, you have to have certain key things in there that were not. And as I understand it, Kubrick was the one who decided what they cut out from the novel. So I don’t feel that badly about Stanley Kubrick.”

Neither does fellow Razzie nominee Stephen King, for that matter.

(Via Vulture)