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Sigur Rós Announce Their First World Tour Dates In Five Years

A transcendental live band, Iceland’s Sigur Rós haven’t toured in nearly five years. In 2020, the band released the mystical Odin’s Raven Magic album of two decade-old recordings that might’ve never seen the light of day had it not been for the world’s pandemic-addled lull. Jonsí, the band’s long-time driving force, has kept busy with solo work, a collaboration with Troye Sivan, and even his own creatively-charged CBD line.

Now the band is reunited with keyboardist Kjartan Sveinsson and heading out on tour again. The festival begins in Mexico at the Festival Vaivén, before moving north into the US and Canada. Check out the first wave of tour dates below and get tickets beginning at 10 a.m. local time on 2/25 here.

04/30 — Mexico @ Festival Vaivén
05/03 — Monterrey, MX @ Citibanamex Auditorium,
05/05 — Guadalajara, MX @ Auditorio Telmex
05/09 –Vancouver, BC @ Orpheum Theatre
05/11 — Portland, OR @ Theater of the Clouds
05/13 — Seattle, WA @ Paramount Theatre
05/17 — Palo Alto, CA @ Frost Amphitheater
05/19 — Los Angeles, CA @ Shrine Auditorium
05/23 — Austin, TX @ ACL Live at the Moody Theater
05/24 — Austin, TX @ ACL Live at the Moody Theater
05/25 — Dallas, TX @ Winspear Opera House
05/27 — Atlanta, GA @ Cobb Energy Performing Arts Centre
05/28 — Nashville, TN @ Ryman Auditorium
05/31 — Minneapolis, MN @ State Theatre
06/01 — Milwaukee, WI @ Riverside Theater
06/03 — Detroit, MI @ Masonic Temple Theatre
06/04 — Chicago, IL @ Auditorium Theatre
06/06 — Washington, D.C. @ The Anthem
06/07 — Philadelphia, PA @ The Met Philadelphia
06/08 — Boston, MA @ Wang Theatre
06/10 — Montreal, QC @ Place des Arts
06/11 — Toronto, ON @ Meridian Hall
06/14 — Brooklyn, NY @ Kings Theatre
06/17 — New York, NY @ Beacon Theatre
06/18 — New York, NY @ Beacon Theatre

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Seth Meyers Gleefully Mocked The ‘Clusterf*ck’ Launch Of Trump’s New Social Media Service

Just when you think Donald Trump couldn’t fail any more spectacularly at something, the former president goes ahead and tops himself yet again—and Seth Meyers couldn’t be happier. After a two-week break to make room for the Winter Olympics, the Late Night host returned to his desk on Monday night. And while he admitted that missing out on Rudy Giuliani’s big The Masked Singer reveal was heartbreaking, he was glad to have at least one trainwreck to report on: Trump’s latest TRUTH troubles.

Ever since Trump announced the launch of his long-threatened social media network in the fall of 2021, it has been plagued by ongoing tech glitches and other problems. On Sunday night, just ahead of Presidents Day, TRUTH (yep, the name is still funny) arrived in the Apple store, but with loads of problems: It was only available in America, for iOS (meaning: no website version), and it could only handle a very limited number of users. But even with all those restrictions in place, the launch still crashed.

Meyers claimed that he attempted to post some jokes to TRUTH during its grand debut, “but like lots of people, I couldn’t even log in because when it launched, ‘select users who tried to create accounts were repeatedly met with a red error warning: Something went wrong. Please try again.’ Though by the time you find yourself signing up for Donald Trump’s social media site, something already went wrong.”

Meyers has no doubt that the people who were shut out of #45’s big social networking debut undoubtedly will try again. “If you were first in line to sign up for TRUTH Social, you’ve probably got some free time on your hands,” Meyers surmised, guessing that there is probably a bit of overlap between the individuals who were hot to be the first to take Trump’s site for a test drive and the conspiracy theorists who are “waiting for JFK Jr. to reappear at the Meadowlands with Elvis and the Loch Ness Monster to prove the election was stolen.”

Meyers found everything about the whole tech implosion pretty entertaining, though he particularly enjoyed “how vague the error message is: ‘Something went wrong.’ Like, even they don’t know what the problem is? Usually, you get an error code or something, but Trump’s site just gives you a shrug emoji that says, ‘What were you expecting? This thing is a clusterf*ck.’”

You can watch Meyers’ full TRUTH takedown above.

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All The Best New Indie Music From This Week

Every week, Uproxx is rounding up the best new indie music from the past seven days. This week we got a new track from Tame Impala, Beach House’s anticipated eighth studio album, and another vibe-heavy collaborative EP between Khruangbin and Leon Bridges. Check out the rest of the best new indie music below.

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Tame Impala — “The Boat I Row”

Almost exactly two years after Tame Impala’s Kevin Parker dropped his highly anticipated album The Slow Rush, the musician is back to expand his psychedelic catalog with a collection of b-sides and remixes. The project features the brand new song “The Boat I Row,” a resonating tune that shows off Parker’s softer side of songwriting. Combining hazy melodies and washed-out instrumentals, “The Boat I Row” goes back to his psych rock roots.

Beach House — Once Twice Melody

For their eighth studio album, Once Twice Melody, Beach House decided to do things a little differently. The double album was released in a series of EPs over several weeks and marked their first new music since 2018. The album as a whole doesn’t depart from the duo’s dreamy discography, layering swirling synths with droning keys to create otherworldly soundscapes. The warmness of the 18 tracks are enhanced by the fact Beach House self-produced this project in their home studio.

Khruangbin, Leon Bridges — Texas Moon

Recent Uproxx cover stars Khruangbin and Leon Bridges dropped their sophomore collaborative EP Texas Moon this week. Contrasting their previous effort Texas Sun in nearly every way, the five-track project boasts loungey beats, funky guitar riffs, sensual vocals, and a perfect blend of each musicians’ signature sound.

Fontaines DC — “I Love You”

Buzz-worthy UK post punk group Fontaines DC are gearing up for the release of their third studio LP Skinty Fia. Just days after Valentine’s Day, the band returned to show off their vulnerable side with the new track “I Love You.” But don’t be fooled by the song’s title — it’s in no way a love song. Rather, the band fires off reflections about self loathing, guilt, and disappointment over drowned out guitars.

Nilüfer Yanya — “Anotherlife”

Nilüfer Yanya‘s sophomore album Painless is just a few weeks away from its release and the musician offers another preview of the project with the soulful tune “Anotherlife.” Showcasing Yanya’s profound vocals, the UK artist sings of a complicated relationship over a catchy guitar riff.

Kurt Vile — “Like Exploding Stones”

2022 may very well be the year of double albums as shown by Big Thief, Beach House, and now Kurt Vile. Announcing the self-produced project Watch My Moves, Vile dropped “Like Exploding Stones,” a seven-minute ballad that combines sleepy melodies and wistful instrumentals showing a different side to the former The War On Drugs guitarist.

Dream Widow — “March Of The Insane”

The Foo Fighters crew are working on what looks to be a hilarious comedy slasher flick Studio 666, due out in theaters at the end of this month. The band have gone all-out for the film, recently dropping a bloody trailer and even creating the new band Dream Widow for the occasion. Dream Widow’s track “March Of The Insane” gives Foo Fighters fans a taste of the alternate persona, which is their version of death metal music.

Future Islands — “King Of Sweden”

After indie favorites Future Islands dropped their 2020 LP As Long As You Are, it didn’t take them long to start working on anther album. Kicking off a new era of music with the kinetic single “King Of Sweden,” the band prove their knack for penning upbeat and wildly catchy tunes. The song features a driving beat and bright synths, giving a taste of the indie pop-leaning music Future Islands has in store.

https://art19.com/shows/4b15b5a1-1663-4281-9ee2-29413f733a6d/episodes/6d2a0748-0677-4338-9faa-a8153a33709b/embed

Tomberlin — “Happy Accident”

After announcing her anticipated sophomore LP I Don’t Know Who Needs To Hear This…, Tomberlin returns with her intimate songwriting on the new track “Happy Accident.” The song features vibrant guitars and Tomberlin’s signature poetic lyricism, previewing what’s expected to be great follow up to her 2018 debut album.

Dehd — “Bad Love”

After creating buzz around their 2020 album Flower Of Devotion, Chicago trio Dehd are back with “Bad Love” to announce their fourth album, Blue Skies. Much like their previous releases, “Bad Love” showcases Dehd’s ability to absolutely shred on guitar. The band may have just three members, but their room-filling beats and ballad-like lyrics are enough to make anyone get up and move.

Hatchie — “Giving The World Away”

With her latest single, which is the title track to her upcoming sophomore album, Hatchie goes full indie-pop. The thumping single offers a euphoric and dance-ready preview of the LP, which follows her 2019 debut full-length Keepsake. “‘Giving The World Away’ is about being gentle with yourself in the throes of depression,” Hatchie said about the track.

Quinton Brock — “There For You”

Brooklyn based artist Quinton Brock is back to bring his rock n’ roll edge to indie music. His latest tune “There For You” is a brief but enticing effort from the artist, who penned the track after singing the lyrics to his boo over FaceTime. Featuring sunny chords and a snappy beat, “There For You” marks a strong return for the musician after he shared a string of 2021 singles.

The Blssm — “Dizzy”

After making waves with their grunge-inspired sound heard on the kiss-off debut EP 97 Blossom, The Blssm (fka The Blossom) is back and better than ever on the new track “Dizzy.” Teeming with a bright guitar riff and soulful lyrics, the revved-up tune acts as reassurance for their feelings. “I wrote ‘Dizzy’ about the relationship I have with my inner anxiety,” they said in a statement about the song. “The lyrics on a surface level allude to being about a significant other, but really they are inner-conversational and inspired by the weight of ‘dragging around’ emotional baggage that encompasses my life.”

Good Looks — “Vision Boards”

Keeled Scales’ latest four-piece Good Looks made their debut earlier this year with the wistful tune “Almost Automatic” and now further teasing their upcoming album Bummer Year, the band share the fuzzy track “Vision Boards.” The raucous song takes aim the harmful nature of the wellness industry and debunked theory of pulling yourself up by your bootstraps.

Bodega — “Statuette On The Console”

Brooklyn-based group Bodega continue teasing their upcoming LP Broken Equipment with the new song “Statuette On The Console,” which is meant to critique our reliance on technology. The propulsive track perfectly melds elements of surf rock and post-punk and was also recorded in several different languages, including Dutch, French, German, Greek, Italian, Portuguese, Spanish and Ukrainian.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Firefly Announces Its 2022 Lineup With Green Day, My Chemical Romance, Halsey, And Dua Lipa Headlining

Dover, Delaware-based music festival Firefly has had a rough couple of years, announcing star-studded events that would later be canceled due to the pandemic. While they were planning to reschedule to 2021, that didn’t happen and instead it’s set for this fall. It will take place from September 22 to 25 with a new, dazzling roster that leans more toward pop-punk than any other genre. Tickets go on sale this Friday, February 25.

Notable artists include Dua Lipa, Green Day, My Chemical Romance, Halsey, Weezer, Zedd, Big Sean, Porter Robinson, Gunna, Bleachers, Avril Lavigne, Jamie xx, The Kid Laroi, Rainbow Kitten Surprise, Gryffin, Charli XCX, Little Simz, 100 Gecs, Willow, Conan Gray, Wolf Alice, Cordae, and Gayle.

Other artists include Dorian Electra, Matt Maeson, Cold War Kids, Chloe Moriondo, Gus Dapperton, The Backseat Lovers, Dayglow, Indigo De Souza, Princess Nokia, Manchester Orchestra, Benny The Butcher, Yung Bae, Alexander 23, Daisy The Great, Anna Of The North, The Brook & The Bluff, Mod Sun, Flor, Mallrat, Ezra Furman, The Regrettes, Jungle, Cordae, Phantoms, Loud Luxury, Girl Talk, Ship Wrek, Weston Estate, Chai, Wax Motif, John Summit, and The Head And The Heart.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Toro Y Moi Coasts Through San Francisco In His New Video For ‘The Loop’

In the latest single from his upcoming seventh album Mahal, Toro y Moi delivers sweet, soft vocals over a funky, groovy bassline. On “The Loop,” Chaz Bear laments over the weekend coming to an end and how “Monday snuck up so fast.”

Referencing a large time difference between the east and west coasts, Toro thanks his friends on the east coast for “the early scoop” on the song’s second verse, before reeling over “online trends that border cringe.”

In the song’s accompanying visual, Toro ride through San Francisco by way of go karts, skateboards, and a Filipino Jeepney. This is a continuation of the video for Mahal‘s lead single “Postman,” which also features the Jeepney.

Mahal marks Toro’s first album on Dead Oceans, after leaving his previous label, Carpark. “Toro y Moi’s music has been omnipresent in our lives for over a decade now,” said Dead Oceans co-founder Phil Waldorf in a statement. “Chaz has so many fans at Dead Oceans, and we’ve daydreamed a lot about what it would be like to get to work together. Chaz has such creative ambitions for Toro y Moi, and we can’t believe we get to wake up every day not just as fans, but as partners in his next chapter.”

Watch “The Loop” above.

Mahal is out 4/29 via Dead Oceans. Pre-order it here.

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What Are Some Theories Around ‘The Batman’?

WARNING: Potential spoilers for The Batman below.

As The Batman nears its March release date, the filmmakers have done their best to keep the plot of the Robert Pattinson film under wraps considering, this time around, director Matt Reeves wants to showcase why the classic DC Comics character is the World’s Greatest Detective. Clocking in at just shy of three hours, The Batman will be a deep noir dive that pits the Dark Knight against The Riddler, who seemingly knows a great deal about Bruce Wayne and his family’s secrets that may lie at the heart of Gotham City’s corruption.

However, even with the plot of The Batman being closely guarded, that hasn’t stopped fans from picking apart “clues” from the trailers and running wild with theories. Here are just a few of them including a rumored appearance from the Clown Prince of Crime, and a huge potential change to Batman’s mythos, if any of them are true.

Paul Dano’s character isn’t The Riddler.

Following the release of a new The Batman trailer in October, fans couldn’t help but notice that Paul Dano’s face is never shown, which immediately kicked off a flurry of speculation that Dano isn’t the Riddler. Since then, he’s given interviews about playing “Edward Nashton” and the difficulties of the Riddler’s new costume, but fans are convinced that the film contains a shocking reveal about the true identity of the character who pushes Batman to his limits while murdering his way through Gotham.

Barry Keoghan is The Joker.

While the marketing for The Batman has leaned heavily on Catwoman, Penguin, and The Riddler appearing in the film, fans are convinced that one of the Dark Knight’s biggest rival could make an appearance. After combing through an international trailer for the film, a Joker-like smile is spotted in one of the background photos. Coupled with reports that Warner Bros. has reportedly wrestled with another or not to include a certain actor in the trailers, fans are now theorizing that Barry Keoghan is the Joker. Keoghan’s casting in the film is confirmed, but the character he’s playing has been shrouded in mystery. Of course, it could all be a red herring for The Riddler reveal, but fans are buzzing that he could be the Battinson version of the Joker.

Batman Robert Pattinson
WARNER BROS.

Thomas Wayne is connected to the Court of Owls.

As each new trailer and TV spot drops, it becomes more and more likely that The Riddler not only knows Batman’s secret identity, but also, a great deal about the Wayne Family. As shots of the trailers have shown, the Waynes are connected to the series of murder being committed by The Riddler who seems hell-bent on exposing the corruption in Gotham. In the comic books, one source of that corruption is the secretive Court of Owls. A shadowy group of Gotham’s elites who control all facets of the city with their wealth and highly effective assassins. According to Screen Rant, fans noticed that The Riddler leaves Batman a greeting card with an owl on it. This clue has led to speculation that Bruce’s father, Thomas Wayne, is connected to the group and was possibly even one of its members, which would significantly tarnish the Wayne family legacy.

Bruce Wayne is adopted.

And now for the wildest theory via CBR. After the release of “The Bat and the Cat” trailer, fans picked up on clues about Edward Nashton’s backstory that point to him living in an orphanage. There’s also photos of Thomas and Martha Wayne with their eyes scratched out, which suggests Nashton has a deep-ceded grudge against the wealthy couple. One reason for that animosity? They adopted Bruce Wayne instead of him. If true, this would be a dramatic change to Batman’s origin story and set him on a path that has never been explored before as Reeves and Pattinson, hopefully, get to explore the character further in a planned trilogy of films.

The Batman starts playing in theaters on March 4.

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Soulja Boy And Lil Yachty Are Being Sued For An Alleged Cryptocurrency Scam

Cryptocurrency is still one of the hottest commodities on the modern digital market, despite no one really knowing what it is or how it works. It’s also highly susceptible to theft and scams — as a slew of celebrities including Lil Yachty and Soulja Boy are finding out via a class-action lawsuit against them, according to Complex and ClassAction.org. The two Atlanta rappers, along with YouTubers Jake Paul and Ben Phillips, as well as former Backstreet Boy Nick Carter, are all named as promoters of SafeMoon, a cryptocurrency founded by Braden John Karony, in exchange for tokens.

According to the suit, the SafeMoon currency ultimately amounted to a pump and dump scheme, which is when scammers hype up an effectively worthless commodity to artificially raise its price, then pull out of the commodity before it crashes. The movie Boiler Room explains it pretty well. This is more or less what happened with SafeMoon, which was created in March 2021 and had completely crashed by December, hitting a low of $0.0000006521 per token on New Year’s Eve. “As of the filing of this Complaint,” the lawsuit reads, “the trading volume for the SafeMoon Token has plummeted to around only $60,000.” The height of volume, $191.6 million on April 22. The key to SafeMoon’s “slow rug pull” was “token burns,” removing a certain number of tokens from circulation.

As tokens were “burnt,” more investors bought in, inflating the price of the remaining tokens. As the value began to drop, another “burn” was employed to bump the value again. Eventually, as trading volume fell, chief technology officer Hank Wyatt resigned, selling off his tokens to investors ahead of the failed launch of SafeMoon’s digital wallet. According to the suit, Wyatt would have or should have known that the wallet would not be ready. A day later SafeMoon COO Jack Haines-Davies also resigned, which dropped the price of the tokens from $0.000000153 to $0.00000119.

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JJ Redick Went Off On Zion Williamson For Being A ‘Detached Teammate’

The New Orleans Pelicans are hoping to find themselves in the Western Conference play-in tournament by the end of the season, which is why they traded for CJ McCollum at the trade deadline. Pairing McCollum with Brandon Ingram gives them a dynamic perimeter combo, and the hope is that, eventually, they get to form a formidable offensive threat when Zion Williamson returns.

The problem is, no one knows when Williamson will return, as offseason foot surgery that was expected to keep him out at most a week or two into the season has kept him off the court entirely through the All-Star break, with the third-year star not being with the team currently as he continues his rehab work. Over All-Star Weekend, McCollum was asked about what he’d been able to talk to Zion about since he arrived in New Orleans, and he said that he hadn’t even gotten the chance to speak with Williamson yet but hoped to do so soon.

On Tuesday morning, Williamson’s former teammate JJ Redick joined Stephen A. Smith on First Take and proceeded to torch Williamson for not having the “decency” as a teammate to reach out to McCollum after the trade happened, describing Zion as a “detached teammate” even when he was around the team.

“I addressed this with Zion in front of the team,” Redick says. “This is going back to his rookie year. There is a responsibility that you have as an athlete when you play a team sport to be fully invested. You’re fully invested in your body. You’re fully invested in your work. And you’re fully invested in your teammates. That is your responsibility, and we have not seen that from Zion.”

Redick called it a “pattern of behavior” and agreed with Stephen A. that the Pelicans are going to have to, at some point in the near future, decide whether his considerable skills when he’s able to play are worth the headaches.

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All The Best New Pop Music From This Week

This week in pop music consisted of a great, eclectic batch of releases. From the unexpected collaboration between the hopeless romantic Ed Sheeran and the heavy rippers Bring Me The Horizon on “Bad Habits” to the infectious ballad “Swing & A Miss” by Oliver Tree, this week was full of pleasant jams.

Each week, Uproxx rounds up the best new pop releases. Listen up.

Troye Sivan, Jay Som — “Trouble”

The pop star-via-YouTube celebrity Troye Sivan teamed up with indie sensation Jay Som for this enchanting collaboration about falling in love. Their voices are both soothing and vulnerable, but the music retains a sonic buoyance that keeps it catchy and upbeat.

Chappell Roan — “Naked In Manhattan”

Missouri-native, up-and-coming pop star Chappell Roan is delighting in the hedonism of New York on this new, synthy anthem “Naked In Manhattan.” Her endearing soprano and exhilarated lyrics make for a compelling listen, and the glamorous music video enhances that experience even further.

Mahalia — “Letter To Ur Ex”

Mahalia is as compassionate as possible on this bewitching 2-minute single “Letter To Ur Ex” that rejects drama. Her vocals are glimmering as she sets the rules: “If you carry on like this, you gon’ get your karma / Take it from a girl who’s already been through the trauma.”

Ed Sheeran, Bring Me The Horizon — “Bad Habits”

Though Bring Me The Horizon have roots in ruthless metalcore, they’ve been gradually inching towards a more pop sound, especially through collaborations with artists like Grimes and now Ed Sheeran. The caustic, theatrical riffs and Oli Sykes’ raspy yells mix surprisingly well with Sheeran’s rather innocent track, turning it into the perfect anthem about self-destruction.

Jack Harlow — “Nail Tech”

Rapper Jack Harlow is continuing to dominate radio waves with the release of this new, clever track “Nail Tech.” It’s full of references to Teslas and Instagram, as well as some criticizing quips: “Most of yall ain’t wealthy / Most of yall just dress like it.”

Maude Latour — “Headphones”

Recent Columbia graduate Maude Latour is inspirationally optimistic on this bubbly single about making it through the hard days. By focusing on art, she’s able to overcome her struggles: “I let the music lead the way, so I can show you who I am,” she croons.

Mimi Webb — “House On Fire”

Mimi Webb has a solid — not good, necessarily, but solid — plan to get revenge on her cheating ex. Her fiery scheme is, at least, fun to listen to; her vocals are playful and captivating, singing a melody that sticks.

Sabrina Carpenter — “Fast Times”

“But what the f*ck is patience?” Sabrina Carpenter drawls on “Fast Times,” having no time to waste. Like Chappell Roan’s “Naked In Manhattan,” this is another anthem about hedonism and living every day like it’s your last.

Shenseea, 21 Savage — “R U That”

After collaborating with Megan Thee Stallion last month, hip-hop riser Shenseea teamed up with 21 Savage for this snappy track. Against a memorable trap beat, she expresses her standards through a clean rap and a radiating sense of confidence that gives her indisputable, admirable main character energy.

Oliver Tree — “Swing & A Miss”

Eccentric icon Oliver Tree is a kinky cowboy in the video for his new single “Swing & A Miss.” The song, though, is actually quite heartfelt, emphasizing the need to live in the moment rather than lingering in the past or waiting for the future.

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Delilah Antionette, founder of Black Girl’s Healing House, knows the value of sisterhood

“The story of Blackness isn’t just about trauma. Blackness can be luxurious, filled with joy, and a healing experience.”

You could say this is the mantra playing on repeat in the heart of Delilah Antionette, founder of Black Girl’s Healing House. Her organization, an invention forged out of necessity and inspired by Antionette’s own lack of resources, proudly “connects Black Women to Black Wellness.”

As a fellow advocate for spiritual healing, I was thrilled to hear Antionette’s story and honored to share her mission. So many people feel that their circumstances—be it class, culture, or background—somehow exclude them from being able to achieve mental and emotional health. Or, even worse, they’re made to feel that way by the ignorance of others.

This was how her journey began. As a daughter to a single mother who struggled with mental illness, Antionette had to seek a nurturing environment elsewhere. And, despite growing up “Christian-ish,” the church simply didn’t resonate like she hoped. It wasn’t until she found alternative spiritual concepts, like the Law of Attraction, affirmations and mindfulness, that she started to notice real shifts.


“I was experiencing more joy and freedom,” she told me. “That opened the door for me to explore what else was out there outside of what I knew.”

Though she was on the right path, finding a real sanctuary would still be a challenge, as most wellness spaces felt less than welcoming.

Reflecting on her experience Antionette says: “Most of the yoga and meditation classes were filled with the privileged and I got stares and uncomfortable smiles. I even got followed around in the store.”

If there’s one thing I know, it’s that you need to feel safe in order to heal. You have to trust your environment in order to go deep into the uncomfortable and purge the pain. That can be next to impossible if you are treated like an outsider.

Knowing she couldn’t be the only Black woman struggling to find community in the wellness space, she decided to create her own.

Black Girl’s Healing House offers members free and affordable resources, classes and services related to spirituality, meditation, astrology and mindfulness.

Included in those services is reiki, one of Antionette’s favorite modalities. Reiki is a form of energy healing that can be performed anywhere at any distance, and can even be used with children or animals. It’s a go-to when she doesn’t feel her best (same, Delilah, same).

In addition, the organization helps Black women find therapists, life coaches, herbalists, nutritionists and more to help them begin their healing journey and live healthier, happier lives. All of the professional healers listed have been personally vetted by Antionette.

mental health for black women

Currently, Black Girl’s Healing House has a whopping 61,000 members on Facebook alone. What makes it so successful? In a word, sisterhood.

“My team and I do a great job at setting the tone for a safe space but our members really take ownership and pride in being their sister’s keeper to make it a brave space that still holds you accountable,” says Antionette.

This is truly a game changer for Black women, who deal with both external and internal obstacles when it comes to wellness.

For starters, there’s the sheer lack of physical access.

“If you look at our local Black communities, we have more liquor stores and car washes than recreational centers,” says Antionette. “We would have to drive 25 minute to the side of town where the roads are paved to find therapists, life coaches, juice bars, salt caves and yoga studios.”

Combine that with an overwhelming amount of ingrained shame surrounding mental health.

“In the Black community we have a wellness stigma that calls everything witchcraft and ‘for white people’ when it exists outside of church,” says Antionette. “Very few people take their time to educate themselves and fear the unknown. It’s like the saying ‘Black folks don’t swim.’ There is ‘Black folks don’t do yoga.’ and ‘Black folks don’t practice affirmations.'”

To that point, Antionette adds that “a part of Black culture is the superhero complex,” in which pain is largely kept invisible in order to present strength and resilience. And sadly, all of these limitations contribute to tragic statistics, one being that Black women are half as likely to seek help as white women, according to Johns Hopkins Medicine.

But this is where Black Girl’s Healing House flips the script. Setting aside the common labels of “masculine” or “angry” or “strong” (which Antionette astutely calls out as Black women actually being in survival mode), members of the Healing House are empowered to “discover their own brand of femininity and own it, heal in ways that it makes [them] more soft and able to receive and give, and we give Black women the voice to say ‘I don’t want to be strong anymore.'”

If there’s one thing Antionette wants other Black women to know on their healing journey, it’s that they are not alone, and change is not only possible, it’s a birthright.

“There are other Black women out there who not only have been in your shoes but have healed. There is abundance on the other side of the dark space you are in,” she says.

On the other side of that darkness is a healthy life, which Antionette defines as having consciousness in every area of one’s life: body, finances, home, mental, spirit and community. Words such as consciousness are staples of the wellness community, sometimes to the point where it loses all meaning. But in seeing Antionette’s mission, and her creation, I am reminded of consciousness’ true essence. To become aware of the stories we tell ourselves and then to acknowledge our ability to rewrite those stories … it’s the most freeing thing in the world. Black Girl’s Healing House helps Black women to drop the heaviness of the past, shedding the former skin of victimhood and step into their true feminine power.

Or, as Antionette quips, to “release the bags Erykah Badu referred to. Pack light.”

Antionette has big plans for her Healing House, hoping to see hundreds of thousands of sisters join. And, using her background in fashion and design, she is currently designing luxury vegan leather totes as a creative catalyst for self-care conversation.

“Each bag has a name, a zodiac sign and tells the story of my own healing from lack of mindset, mother wounds, father wounds, depression, anxiety and postpartum,” she says. “My vision is that when a woman sees herself in these bags, it gives her the confidence to tell her own healing story and share it with others. Someone else’s testimony is someone else’s medicine.”

Um, I’ll take a pink one in Scorpio Sun, Leo Moon, with Taurus Rising, please.

If you’re interested to learn more, or get some help for your own healing journey, you can find the Black Girl’s Healing House website here. Or go ahead and join their Facebook group, and create your own healing community.