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Please Stop Trying To Sell Me Crypto

First it was Matt Damon and Spike Lee, and now the blockchain has come for Larry David and Lebron James. David and James became the latest celebrities to endorse cryptocurrency, in Super Bowl commercials aired this Sunday — David as a character mocking great ideas throughout history in an ad for the Bahamian crypto exchange FTX, and present-day Lebron James traveling back in time to Biff Tannen his digitally de-aged teenage self into buying crypto in an ad for Crypto.com, a Singapore-based exchange app.

As far as Super Bowl ads go, neither was the worst I’ve ever seen (far fewer corporations apologizing for scandals and promising to do better this year), and David’s was actually reasonably funny — at least, right up until the moment it became clear that it was an ad for crypto, which felt more like a revelation than a punchline. They got to Larry David?

It was one thing to see Spike Lee in a Bitcoin spot or Gwyneth Paltrow promoting buying Bitcoin via Cash App or Kim Kardashian and Floyd Mayweather promoting an apparent EthereumMax pump and dump, but a famously crotchety trend hater like Larry David jumping on the bandwagon felt like a particular kind of persona betrayal. That persona was essentially the entire basis for the ad, which was directed by David’s long-time Curb Your Enthusiasm collaborator Jeff Shaffer, whom, as you might’ve already guessed, was not paid in crypto.

Between David, Lebron James, Tom Brady and Gisele Bundchen (subjects of a separate campaign for FTX), Gwyneth Paltrow, Kim Kardashian and Floyd Mayweather — all of them basically as rich as it’s possible for any famous person not famous specifically for being rich itself to be — it seems part of a deliberate strategy to choose crypto spokespeople who very plainly don’t need the money. The “why the hell are they doing this” of it all is practically baked in.

The answer? Paradoxically, it has to be money, right? What else could it be?

Perhaps there was some earlier age of greater assumed social responsibility than today, when otherwise putatively socially conscious celebrities would’ve been more reticent to promote an at best highly speculative and at worst environmentally destructive investment strategy. Whatever the case, some of our richest celebrities have clearly determined that the upside of hawking crypto outweighs the social costs.

Which is to say: the only way I can wrap my mind around Larry David agreeing to star in a crypto ad is that they were offering him so much money that he would’ve felt like an idiot to turn it down.

If the first question this massive crypto ad push raises is, “why did these celebrities agree to do this?” And the most logical answer is “because they got paid an obscene amount of money to do so,” the next logical mystery is how these crypto companies have so much money to blow in the first place.

The figures are staggering. According to the LA Times, Larry David’s ad cost up to $7 million just for the air time. Which doesn’t include however much they paid David and Shaffer, the $100,000-a-day production, and fees to all the agencies involved in its creation (“the ad and public relations agencies 360i, dentsu X, and Mitchell in addition to dentsuMB; the production company Partizan; and editors at Mackcut”). According to a New York Times piece, the company behind the ads, FTX, recently spent $17.5 million to sponsor sports at Cal, paid $20 million for the aforementioned Tom Brady/Gisele ad campaign, and bought the naming rights to the Miami Heat basketball team’s home arena for $135 million.

Incredibly, FTX is a company that has only existed since 2019. Its founder is a 29-year-old multi-billionaire* named Sam Bankman-Fried (*”though such estimates are fuzzy—many of Bankman-Fried’s digital assets are illiquid, of speculative value, and just plain weird,” as noted by Yahoo Finance) who first set up shop first in Hong Kong and, as of this past Fall, in the Bahamas — in both cases, it seems, in order to find a friendlier regulatory environment for his business.

As the Yahoo Finance profile of Bankman-Fried published in August put it, there are two types of crypto exchanges, the kind that operate in the US, which have been designed to comply with some of the “cumbersome” US regulations, and the second kind:

…like BitMEX, Binance, Bitfinex, and FTX’s international exchange— [which] have taken a much riskier approach. They have set up offshore, and have offered a wide array of innovative products, including crypto futures, swaps, other derivatives, and ‘tokenized stock’ (digital assets said to be tethered to actual stock holdings held by a custodian somewhere, like, in FTX’s case, a German bank). The offshore exchanges have also let traders—including unsophisticated retail traders—buy many of these volatile instruments on margin. Until last month, for instance, several exchanges, including FTX, spotted their customers margin ratios as high as 100:1; that is, you could buy a $100,000 position in a crypto derivative with just a $1,000 deposit. One big price swing—hardly unusual in crypto markets—can result in automated margin calls that wipe out a trader’s position.

Does anyone else miss the days when some talking frogs wanted us to drink more beer? Even the question of whether this exchange, which spent hundreds of millions of dollars advertising to a majority-American audience, is even legal to use in the US seems to get complicated in a hurry. According to the same profile on FTX’s CEO Sam Bankman-Fried: “In hopes of evading U.S. regulators, the offshore exchanges, including FTX, all say they refuse orders from U.S. customers.”

FTX’s own legal page reads:

“FTX does not allow residents of the United States of America to trade on its platform.
– FTT is not offered in the United States of America.
– FTX.US, a separate trading platform not owned by FTX, does operate in the United States, and maintains a variety of US regulatory licenses, including an MSB, MTLs, DCO, DCM, and SEF.”

This page includes a link to FTX.us, which, again, is described as “a separate trading platform not owned by FTX.” The About page on FTX.us in turn looks something like this:

Sam Bankman-Fried FTX US
FTX.us

Yes, that’s a picture of FTX.US CEO and founder, Sam Bankman-Fried. I don’t know enough about corporate law to understand the legal definitions of “a separate trading platform not owned by FTX,” but when the founder is the same guy it feels like there are some crucial corporate loopholes being utilized. (We all know that corporations are legally people, but isn’t it also true that corporations are legally not people?)

I read the entire profile on Bankman-Fried, and I still don’t quite understand the convoluted legality of cryptocurrency. Though I did learn that Bankman-Fried was Joe Biden’s second-biggest individual donor behind Michael Bloomberg, that he describes himself as a “radical utilitarian,” that he sleeps four hours a night on beanbag chairs, and that his parents teach at Stanford, his father mostly on the subject of tax policy (a great job for a guy named “Bank Man,” to be sure).

Meanwhile, the Super Bowl’s other biggest cryptocurrency ad came from Crypto.com, a Singapore-based company that recently paid $700 million to have the Staples Center renamed the Crypto.com Arena. Crypto.com’s four cofounders, also apparently based in Hong Kong and Singapore, seem to keep lower profiles than Bankman-Fried. Though the Daily Beast reports that Kris Marszalek, Crypto.com CEO, left his last job, at an Australian version of Groupon called Ensogo, “amid accusations from customers and business partners that they had been ripped off.”

Which explains… well, not much. Virtually the entirety of the crypto world, and the players in it, feels sketchy and obtuse, something to handwave away without thinking about like your iTunes terms and conditions on your way to FUN and PROFIT. And that, in and of itself, would seem to offer an explanation as to why cryptocurrency companies are spending such insane amounts of money on advertising in the first place: legitimacy. They want us to imagine purchasing a volatile asset on a pseudo-legal exchange to be as commonplace as drinking a beer or driving a pickup truck.

Clearly it’s not, and the more hundreds of millions of dollars they pay celebrities to convince me otherwise, the warier I become. It also seems telling that almost all of those ad dollars have gone towards traditionally male-skewing things, like football and MMA. Which calls to mind a particular exchange in the movie Boiler Room:

Greg Weinstein (Nicky Katt): Now there’s two rules you have to remember as a trainee, number one, we don’t pitch the bitch here.
Seth Davis (Giovanni Ribisi): What?
Greg Weinstein: We don’t sell stock to women. I don’t care who it is, we don’t do it. Nancy Sinatra calls, you tell her you’re sorry. They’re a constant pain in the ass and you’re never going to hear the end of it alright? They’re going to call you every fucking day wanting to know why the stock is dropping and God forbid the stock should go up, you’re going to hear from them every fucking 15 minutes. It’s just not worth it, don’t pitch the bitch.

It should be noted that Boiler Room was a film about a pump-and-dump scheme. Maybe the crypto era will eventually end the same way, with an FBI raid and a truck full of computers. Or maybe the fatal flaw of the Boiler Room scheme wasn’t that it was illegal, maybe it was that it wasn’t complicated enough and JT Marlin Investments didn’t spend enough on advertising.

Vince Mancini is on Twitter. You can access his archive of reviews here.

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Taylor Swift, Childish Gambino, And Foo Fighters Are Dropping Exclusive Record Store Day 2022 Releases

This year’s Record Store Day is on April 23, and now the moment everybody has been waiting for has arrived: The lengthy list of exclusive releases has been revealed.

Taylor Swift, this year’s Global Ambassador for RSD, is an exclusive 7-inch vinyl of “The Lakes,” which features both the album and “original” versions of the song, making the latter version of the song available on vinyl for the first time. She and others are also involved in a compilation album.

Meanwhile, Foo Fighters are releasing a split single that includes a version of “Making A Fire” re-worked by Mark Ronson and a version of “Chasing Birds” reimagined by the Preservation Hall Jazz Band. Childish Gambino is also making his 2014 EP Kauai available on vinyl for the first time ever.

Find the list of exclusive RSD releases below or on the Record Store Day website.

…And You Will Know Us By The Trail Of Dead — The Century Of Self
…And You Will Know Us By The Trail Of Dead — Madonna
A.R. Kane — Americana
Alan Vega — Jukebox Babe b/w Speedway
Albert Ayler — Revelations: The Complete ORTF 1970 Fondation Maeght Recordings
Alice Cooper — Brutal Planet
Alice In Chains — We Die Young
Allman Brothers Band — Cream Of The Crop 2003 — Highlights
America — Alternates & Rarities
America — History 180 Translucent Blue Vinyl
America — History 180 White Vinyl
Angelo Badalamenti — Blue Velvet (Original Motion Picture Soundtrack) [Deluxe Edition]
Art Blakey & The Jazz Messengers — In My Prime
Art Pepper — Art Pepper Meets The Rhythm Section [Mono]
Asia — XXX
Bad Company — Live 1979
Barry White — No Limit On Love
Be Bop Deluxe — Live In The Air Age
Belinda Carlisle — The Heaven on Earth Tour
Bell Biv Devoe — Poison
Ben Vaughn — The World Of Ben Vaughn
Bernard Butler — People Move On: The B-Sides, 1998 + 2021
Betty Harris — The Lost Queen of New Orleans Soul
Bill Evans — Inner Spirit: The 1979 Concert At The Teatro General San Martín, Buenos Aires
Bill Evans — Morning Glory: The 1973 Concert At The Teatro Gran Rex, Buenos Aires
Billy Bragg — Life’s A Riot With Spy vs Spy (30th Anniversary Edition)
Billy F Gibbons — Hardware [Deluxe Edition]
Black Label Society — Alcohol Fueled Brewtality Live
Black Pumas — Black Pumas [Collector’s Edition 7″ Box Set]
Blondie — Sunday Girl EP
Blue Stingrays — Grits & Eggs
Blur — Bustin’ + Dronin’
Bobby Hamilton Quintet Unlimited — Dream Queen
Bomba Estero — Live in Dublin
Brian Bennett — Voyage (A Journey into Discoid Funk)
Brian Tyler — The Fast And The Furious: Tokyo Drift (Original Score)
Bruno Nicolai — La Dama Rossa Uccide Sette Volte (The Red Queen Kills Seven Times)
Buena Vista Social Club — Ahora Me Da Pena
C-Bo — Orca (Deluxe Edition)
Calvin Keys — Full Court Press
Camera Obscura — Making Money
Charles Mingus — The Lost Album From Ronnie Scott’s
Charlie Benante — Moving Pitchers
Chet Baker — Live In Paris: The Radio France Recordings 1983-1984
Chicago — Chicago At Carnegie Hall, April 9, 1971 (Live)
Chief Keef — Sorry 4 The Weight (Deluxe Edition)
Childish Gambino — Kauai
Christian McBride — Conversations With Christian
Chuck Prophet — The Age of Miracles
Cold War Kids — Zowie Selects
Collective Soul — Disciplined Breakdown
Commander Venus — The Uneventful Vacation [25th Anniversary]
Coolio — It Takes A Thief
Corinne Bailey Rae — The Sea
Cypress Hill — The 420 Remixes
Czarface — Czarmageddon
Dana Gillespie — Foolish Seasons
Darlene Love — Darlene Love: The Many Sides of Love — The Complete Reprise Recordings Plus!
Daughtry — Dearly Beloved
Dave Brubeck Trio — Live From Vienna 1967
Dave Davies — Kinked
David Bowie — Brilliant Adventure EP
David Bowie — Toy EP (‘You’ve got it made with all the toys’)
Debbie Gibson — Lost in Your Eyes, The Duet with Joey McIntyre
Def Leppard — High ‘n’ Dry
Del Shannon — Rock On
Delvon Lamarr Organ Trio — Live in Loveland!
Dermot Kennedy — Doves & Ravens
Detective — Detective
Devo — Oh, No! It’s Devo (40th Anniversary Edition)
Dillinger Escape Plan — Dissociation
Dio — Double Dose of Donington
Doctor Who — Dead Air
Donna Summer — Donna Summer — 40th Anniversary Picture Disc
Durand Jones and the Indications — Power To The People
Echo & The Bunnymen — B-Sides and Live (2001 – 2005)
Edgar Froese — Epsilon In Malaysian Pale
Edison International — It Happened At The Hop: Edison International Doo Woppers & Sock Hoppers
Electronic — Remix Mini Album
Elton John — The Complete Thom Bell Sessions (EP)
Erasure — Ne:EP
Erika de Casier — The Sensational Remixes
Esther Marrow — Sister Woman
Everlast — Whitey Ford
Everything But The Girl — Night and Day (40th Anniversary Edition)
Fats Domino — Here Comes… Fats Domino
Field Music — Plumb
Flash & The Dynamics — The New York Sound
Foo Fighters — “Making A Fire (Mark Ronson Re-Version)” b/w “Chasing Birds (Preservation Hall Jazz Band Re-Version)”
Frankie Goes To Hollywood — Altered Reels
Frankie and The Witch Fingers — Frankie and The Witch Fingers
Future — DS2
G.B.H. — City Baby Attacked By Rats
Gavid Rossdale — Wanderlust
Geoff Tate — Kings & Thieves
Gerard Way — Hesitant Alien
Girlhouse — The girlhouse Eps
Glass Animals — I Don’t Wanna Talk (I Just Wanna Dance)
Gojira — Live at Brixton Academy
Golden Smog — On Golden Smog
Gong — Gong In the 70s
Gorgon City — Olympia Remixes
Grateful Dead — Wembley Empire Pool, London, England 4/8/72 (Live)
Handsome Boy Modeling School — So… How’s Your Girl?
Hasaan Ibn Ali — Retrospect In Retirement Of Delay: The Solo Recordings
Heartbreakers — The L.A.M.F. demo sessions
Home Boy and the C.O.L. — Home Boy And The C.O.L.
Iggy Pop — Live In Berlin
Jacka — Tear Gas
James Blake — COVERS
James Luckett — May OST
Jay Bennett — “Kicking at the Perfumed Air” & “Whatever Happened I Apologize” with the film “Where are you, Jay Bennett?”
Jazz Sabbath — Vol. 2
Jeannie C. Riley — Harper Valley PTA
Jerry Garcia Band — Ragged But Right
Jessie Ware — Devotion: The Gold Edition (10th Anniversary)
Jesus Jones — Scratched – Unreleased Rare Tracks & Remixes
Jetstar Records — The Rock Sides
Jetstar Records — The Soul Sides
Jim Jones — Hustler’s P.O.M.E. (Product of My Environment)
Jimmy Cliff — Follow My Mind
Joan Jett And The Blackhearts — Acoustics
John Craigie — Abbey Road Lonely
John Fred & His Playboy Band — Judy In Disguise
John Williams — Lost In Space: Title Themes from the Hit TV Series
John Williams — The Cowboys (Original Motion Picture Soundtrack) [50th Anniversary]
Johnny Marr — Spirit, Power & Soul
Jonathan Richman & The Modern Lovers — Modern Lovers 88 [35th Anniversary]
Joni Mitchell — Blue Highlights
Jorma Kaukonen — The Land of Heroes
Joss Stone — LP1
Judas Priest — Hero Hero
June 18
KITTIE — Spit
Kacey Musgraves — star-crossed
Karen Dalton — Shuckin’ Sugar
Keith Richards — Talk is Cheap / Live At The Hollywood Palladium
Kenny Garrett — Sketches of MD: Live at the Iridium
Kid Creole and The Coconuts — Fresh Fruit In Foreign Places
Kirk Hammett — Portals
L’Imperatrice — Vanilla Fraise
L.A.Guns — Walking The Dead
La Femme — Paradigmes : Suppléments
La Luz — The Instrumentals
Larry Coryell — Fairyland
Laura Nyro — Trees Of The Ages: Laura Nyro Live In Japan
Lil Wayne — Sorry 4 The Wait
Linda Hoover — I Need To Shine
Lou Reed — I’m So Free: The 1971 RCA Demos
Lou Reed and Kris Kristofferson — The Bottom Line Archive Series: In Their Own Words: With Vin Scelsa (3LP)
Madness — Baggy Trousers
Madonna — Who’s That Girl (Super Club Mix)
Marco Beltrami — Mimic (Original Motion Picture Soundtrack)
Maria Callas — Maria Callas: Pure
Mariah Carey — #1’s
Masego — Studying Abroad: Extended Stay (EP)
Max Roach — We Insist
Maxim Mental — Fucking EP
Melanie C — Northern Star
Michel F April — Dead By Daylight V2 Original Soundtrack
Mike Oldfield — Tubular Bells II
Mike Watt + Larry Mullins — Fun House
Mikey Dread/Edi Fitzroy — The Gun / Jah Jah Style
Miles Davis — What It Is: Montreal 7/783
Mockasin, Connan & Ade — It’s Just Wind
Morcheeba — Blackest Blue – The Remixes
Mother Mother — O My Heart
Motorhead — Lost Tapes Vol 2
Mxmtoon — true colors (from Life is Strange)
My Morning Jacket — Live From RCA Studio A (Jim James Acoustic)
Nick Cave & The Bad Seeds — Live Seeds
Nick Lowe — Wireless World
Nicki Minaj — Beam Me Up Scotty
Nico — Live At The Hacienda ’83
Nico and The Faction — Camera Obscura
Night Beats — Live at Valentine
Night Ranger — Somewhere in California
Night Ranger — Wasted Time
Noel Gallagher’s High Flying Bird — Magic Secrets 2022
Opeth — My Arms, Your Hearse
Otto Kentrol — No Mistakes
Paquito d´Rivera & Arturo Sandoval — Reunion
Parry Gripp — For Kids About To Rock
Patti Smith — Curated By Record Store Day
Pearl Jam — Live on Two Legs
Peppa Pig — Peppa’s Adventures: The Album
Pepper Adams with The Tommy Banks Trio — Live at Room At The Top
Pete Krebs & The Gossamer Wings — I Know It By Heart
Pete Townshend — Face The Face
Peter Gabriel — Live Blood
Peter Tosh — Complete Captured Live
Pixies — Live at Coachella 2004
Prince — The Gold Experience
Prodigy — Return of the Mac
Ralph Stanley & The Clinch Mountain Boys — The Bluegrass Sound
Ramones — The Sire Albums (1981-1989)
Ray Charles — Genius Loves Company
Red Hot Chili Peppers — Unlimited Love
Reigning Sound — Memphis In June
Rex Orange County — Apricot Princess – 5th Anniversary Edition
Richie Furay — In The Country
Richie Hell — Gumbo Limbo Remixes
Rick Astley — Whenever You Need Somebody
Ringo Starr — Ringo The 4th Translucent Blue Vinyl
Ringo Starr — Ringo The 4th Translucent Orange Vinyl
Rizzle Kicks — Stereo Typical
Robert Lester Folsom — Music and Dreams
Rockabye Baby! — Lullaby Renditions of Marvin Gaye’s What’s Going On
Roky Erickson & The Explosives — Halloween II: Live 2007
Ron Sexsmith — Long Player Late Bloomer
Rory Gallagher — Live In San Diego ’74
Ryan Hamilton — 1221
Sam Smith — Nirvana
Sandy Denny — Gold Dust Live At The Royalty
Santana — Splendiferous Santana
Sara Bareilles — Little Voice
Satan’s Pilgrims — Live At Jackpot Records
Scott Walker — Boy Child: The Best Of 1967-1970
Sepultura — Revolusongs
Shankar Family & Friends — I Am Missing You
Sheena Easton — The Definitive 12″ Singles 1983-1987
Simple Minds — 5 x 5 Live
Slang — RSD 2022 7″
Slash — Live At Studio 60
Sleep Token — Sundowning
Soul Jazz Records Presents — 100% DYNAMITE! Ska, Soul, Rocksteady & Funk in Jamaica
Soul Jazz Records Presents — PUNK 45: I’m A Mess! D-I-Y Or Die! Art, Trash & Neon – Punk 45s In The UK 1977-78
Soul Jazz Records Presents — STUDIO ONE CLASSICS
Souren Baronian — The Middle Eastern Soul of Carlee Records
Speed, Glue & Shinki — Eve (2017 Remaster)
St. Vincent — The Nowhere Inn (Official Soundtrack)
Steve Earle — Up Against The Wall Redneck Mother / Night Rider’s Lament
Steve Hackett — The Tokyo Tapes
Stevie Nicks — Bella Donna
Stiff Little Fingers — BBC Live in Concert
Sun’s Signature — Sun’s Signature
Super Furry Animals — (Brawd Bach) – Rings Around the World
Superchunk — Incidental Music: 1991 – 1995
Supergrass — Moving
Surfbort — Keep On Truckin’
Suzanne Vega — Close-Up Extras
Tangerine Dream — Alpha Centauri
Tangerine Dream — Live At Reims Cinema Opera (September 23rd, 1975)
Tangerine Dream — Strange Behavior
Taylor Swift — The Lakes
Tegan and Sara — Still Jealous
Tennis System — Autophobia
Tesseract — Polaris
The Academic — Community Spirit EP
The Album Leaf — Past and Future Tense
The Bleeding Hearts — Riches to Rags
The Brand New Heavies — Heavy Rhyme Experience: Vol. 1 [30th Anniversary]
The Catatonics — Hunted Down
The Ceyleib People — Tanyet
The Cranberries — Remembering Dolores
The Cure — Pornography
The Damned — Strawberries
The Doors — L.A. Woman
The Everly Brothers — Hey Doll Baby
The Five Americans — Western Union
The Go! Team — Proof of Youth
The Grouch — Show You The World
The Gun Club — Live At The Hacienda ’83
The Jackson 5 — ABC
The Kinks — Waterloo Sunset EP
The Knack — Live At The House of Blues
The Lord — Forest Nocturne
The Lumineers — Brightside: Bonus Tracks
The Muffs — New Improved Kim Shattuck Demos
The Offspring — Greatest Hits
The Paul Butterfield Blues Band — The Original Lost Elektra Sessions (Expanded)
The Proclaimers — Sunshine on Leith (2 LP Expanded Edition)
The Rain Parade — Explosions in the Glass Palace
The Rationals — The Rationals
The Replacements — Unsuitable for Airplay: The Lost KFAI Concert (Live)
The Residents — Warning: Uninc – Live And Experimental Recordings 1971-1972
The Rolling Stones — More Hot Rocks (Big Hits & Fazed Cookies) [50th Anniversary]
The Rubinoos — The Rubinoos
The Sheila Divine — Where Have My Countrymen Gone
The Shocking Blue — At Home (The Singles)
The Sound — Counting The Days
The Sweet — Platinum Rare VOL 2
The Walkmen — Lisbon
The Who — It’s Hard (40th Anniversary)
The Whole Darn Family — Seven Minutes of Funk/Ain’t Nothing But Something to Do
Thomas Dolby — Hyperactive!
Tiny Tim & Brave Combo — Girl
Twiztid — I Tried 2 Warn U
Tyler Bates and Various Artists — Music from the Motion Picture Watchmen
U2 — A Celebration (40th Anniversary)
Udo Dirkschneider — My Way
Ultravox! — Live At The Rainbow 1977 (45th Anniversary)
Van McCoy — The Hustle
Various Artists — 50 Years of TV’s Greatest Hits
Various Artists — Adult Swim & RVNG INTL.: Correspondence
Various Artists — Atenção!: Novos Sons do Brasil
Various Artists — Big Night (Original Motion Picture Soundtrack)
Various Artists — Brazil 45 Boxset Vol.3
Various Artists — Breakin’: Original Motion Picture Soundtrack
Various Artists — Go Ahead Punk…Make My Day
Various Artists — Greensleeves Ganja Anthems
Various Artists — Jazz Dispensary: Super Skunk
Various Artists — Latin Legends Live (Tierra, El Chicano, Malo)
Various Artists — Love Is All I Bring
Various Artists — Panama’s Soul Gems
Various Artists — Portraits of Her
Various Artists — Song Confessional Vol 1
Various Artists — Soul Power ’68
Various Artists — The Best Of Chi-Sound Records 1976-1983
Various Artists — The Royal Tenenbaums (Original Motion Picture Soundtrack)
Various Artists — The Sam Phillips Years: Sun Records Curated by RSD, Volume 9
Viktor Vaughn — Vaudeville Villain
Vince Guaraldi Trio — Baseball Theme
Virgin Prunes — Pagan Lovesong (40th Anniversary Edition)
Vitamin String Quartet — VSQ Performs Coldplay’s Viva la Vida or Death and All His Friends
Warrior Soul — Odds & Ends
Weyes Blood — A Certain Kind b/w Everybody’s Talkin’
Weyes Blood — The Innocents
Willie Nelson — Live At The Texas Opry House, 1974
Wipers — Over The Edge – Anniversary Edition
World Party — Seaview Records Presents: World Party – Curated By RSD
Wye Oak — If Children
Young-Holt Unlimited — Young-Holt Unlimited Plays Superfly

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Ja Morant’s Leap As A Scorer Powered Him To A Deserved All-Star Nod

Really, we all should’ve seen this coming: the third-year breakout from Ja Morant that transforms him from rising star to undeniably great star. His five-game playoff showing was a vibrant, vocal warning of an impending leap that would propel him into the All-NBA stratosphere.

Against the Utah Jazz in last season’s first round, the intrepid high-flier averaged 30.2 points on 57.8 percent true shooting, including a 47-piece in Game 2. Utah’s perimeter troubles are, of course, well-documented by now. But this was a second-year, downhill-inclined guard in his inaugural playoff series who absolutely cooked the league’s third-ranked regular season defense anchored by a historically great rim protector.

That series, per 100 possessions, Morant averaged 35.9 points, a gigantic leap from the 27.9 points he averaged across two regular seasons. And then, this year, the sequel topped the prologue: 38.4 points per 100 possession and 26.4 per game (sixth league-wide), easily two career-highs.

After notching just 10 games with 30 or more points in his first 135 career games (playoffs included), he’s scored at least 30 points 19 times through 45 games this season. He’s recorded 40 or more three times, an entirely foreign NBA accomplishment to him before May 26, 2021.

Jaw-dropping, prolific scoring performances are no longer shooting stars. They’re just stars — a natural, expected occurrence in Morant’s universe.

His 57.1 percent true shooting is also a career-best 1.1 points above league average. During his first two seasons, his true shooting was below league average. Morant’s ability to backpack substantially more scoring volume while upping his efficiency is fueling his arrival among the NBA’s elite guards.

Enough with the numbers, though. To quote the greatest poster the NBA has ever employed in Kevin Durant, “Who the f*** wants to look at graphs while having a hoop convo?”

Let’s get into the how of Morant’s magical scoring. He is masterful at priming screens and utilizing them for all their worth to frustrate defenders. He’ll veer one way, then duck behind the pick and restart the dance, canvassing for an optimal angle to pursue. His slalom-like change of direction and ball-on-a-string handle empower him to thrive in cramped quarters emulated by few others (if any?). He seamlessly transitions from moving left-right to elevating vertically for finishes.

Most defenders can’t react quickly enough to that dynamite transition and it allows him to create space in the paint, which can be incredibly tough for big men to cover. Everyone has eyes on Morant when he enters the lane and he still consistently carves out room to rock.

His improved core strength augments strides around the basket, where he’s better equipped to endure contact because he’s better balanced and generates more force as a leaper. While his rim frequency remains elite (95th percentile, per Cleaning The Glass, his third straight year above the 90th percentile), he is shooting a career-high 67 percent there (86th percentile), six points better than last season’s previous high-water mark.

An aura of creative unpredictability and inevitability lords over Morant’s game. Anticipating how he’ll render four or five defenders as traffic cones on the way to the hoop is a frivolous exercise, but it’s certainly an imminent development on many possessions.

He teleports through space and redefines the concept of effective defensive positioning. A sliver of an opening, wherever it may be, multiplies into a trampoline of a runway for him. Sag off to invite his inconsistent jumper into the fold and he’ll rev up to attack downhill. Press him and his instantaneous acceleration will burn you.

Space, whether it’s already available or must be conquered, is always his ally and he rarely has trouble inhabiting it. He’s not entirely unstoppable, but he is much more difficult to contain these days than his first two seasons. Even then, such a job wasn’t easy.

Morant is the Memphis Grizzlies’ first All-Star since Marc Gasol in 2016-17. Later this year, he’ll likely become their first All-NBA guard in franchise history and third All-NBA member ever (the first since Gasol in 2014-15). Many factors are responsible, but this scoring development is the gasoline igniting such a delightfully bright evolution of his flame.

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Aaron Rodgers And Shailene Woodley Have Reportedly Called It Quits, And Boy, Do People Have Jokes

The strange coupling/engagement of Aaron Rodgers and Shailene Woodley has come to an end. Surprising? Ehhh. The two seemed tailor-made for each other for a good bit, including how Shailene responded to Aaron’s anti-vaxxing tales to the NFL with a remark about his allegedly above-average anatomy. Yet Aaron kept the conspiracy-theory crusade going while listening to Joe Rogan for medical advice. Things got messy.

Maybe too much of a mess for the self-admitted clay-eating Shailene? No one knows what happened for sure, but TMZ is reporting that the relationship is over and that the split happened because Rodgers had a case of “cold feet” and chose to focus upon his football career as the #1 priority, all while Woodley reportedly “felt ‘neglected.’” The outlet notes that this has gone down after months of speculation over a breakup, long after they began seeing each other following his split from Danica Patrick. The Shailene-Aaron relationship sure burned bright and fast, given that they swiftly moved in together and publicly declared their engagement in February 2021.

Whatever the case, Love Is Dead (again), and people have plenty of comebacks to the situation. “Sending deep love to Shailene Woodley today,” wrote one helpful Twitter user. “May the pail you take to get drinking water from a forest stream feel a little lighter today.” Another user quipped, “‘Your ideas are just too extreme and weird for me,’ Shailene Woodley says while eating a giant handful of clay.”

From there, there are lots of clay jokes, a theory that that Covid shot may have come between them a joke about him wanting to devote more time to Joe Rogan, and a hefty dose of “I’m done horsing around.”

Whew. Between the Kanye/Julia Fox seeming split and this latest blow, it’s not a good week for love, Valentine’s Day or not.

(Via TMZ)

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The Mosswood Meltdown Punk Festival Is Finally Happening With Bikini Kill And Kim Gordon Headlining

Following two pandemic-forced cancellations, the Mosswood Meltdown punk fest is finally bringing its lineup of femme-forward punk-rock legacy acts and more to Oakland this coming 4th Of July Weekend. Hosted by the venerable John Waters, you might remember this festival’s past life as “Burger Boogaloo,” which was put on in conjunction with the now-defunct Burger Records. Burger was embroiled in a string of sexual assault claims and was one of the poster boys for the toxic bro culture in independent music. Now split with the label, the festival is doing it’s best to turn over a new leaf and this lineup illustrates that.

Bikini Kill’s Kathleen Hanna and Kim Gordon (formerly of Sonic Youth) are two of the most important figures in the riot grrrl and indie movements, respectively, and their involvement as the headliners of Mosswood Meltdown says a lot about the direction in which the festival is headed. The lineup is loaded with female-fronted acts like Shannon Shaw, The Linda Lindas, Bleached, and the Shaw-featured Hunx & His Punx. Waters is the weekend’s MC, and Oakland-based Queer author/icon/dancer Brontez Purnell is also on the bill, rounding out what makes for a different look from the festival’s past, and a welcome one at that.

“Mosswood Meltdown is here and Oakland’s going to have to duct-tape us to our seats because we’re hot to trot, infected with attitude, nuts from social distancing and ready to slam dance to the moon,” the delightful Waters said in a statement.

The full lineup poster can be seen below.

Mosswood Meltdown happens from July 2 to 3. Tickets are now on sale here.

Mosswood Meltdown
Mosswood Meltdown
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Alaska Airlines Has Launched The First-Ever Flight Subscription Service In The US

If you live on the West Coast or spend a lot of your time vacationing there, you’ll be excited to hear about Alaska Airlines’ latest announcement. Launching today, the airline is introducing Flight Pass — the first-ever domestic subscription flight service. Starting at $49 per month, subscribers can visit destinations across California, Nevada, and Arizona. It’s like the Netflix of travel.

Flight Pass members can fly up to 24 roundtrip flights each year to the most popular cities within California, as well as nonstop service from California airports to Reno, Phoenix, and Las Vegas. Flight Pass subscribers can choose between two annual plans based on their needs for value and flexibility. This subscription service is great for last-minute weekend trips and low-key getaways, creating more opportunities to explore the wonders of the west coast.

Alaska Airlines
Alaska Airlines

HOW IT WORKS

Sign up by creating an account at flightpass.alaskaair.com. Then, pick your preferred plan:

  • Flight Pass: Starts at $49 per month, requires booking at least 14 days before travel, and as early as 90 days in advance.
  • Flight Pass Pro: Starts at $199 per month, allows same-day booking up to two hours before departure, and as early as 90 days in advance.

From there, choose the number of roundtrips you would like annually. Options include six, 12, or 24 roundtrip flights. Redeem your credits and book your trip on an eligible flight. You can choose from 100 daily flights connecting 13 California airports to each other and to Reno, Phoenix, and Las Vegas.

Flyers are still required to pay applicable government taxes and airport fees on each flight, in addition to the monthly subscription fee and nominal fare (for most flights the fare is only $0.01).

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Larry David Tells ‘Seinfeld’ And ‘Curb Your Enthusiasm’ Stories In HBO’s ‘The Larry David Story’ Trailer

Larry David created two of the funniest television shows of all-time in Seinfeld and Curb Your Enthusiasm. But you knew that already. You’ll probably learn something you didn’t know about Larry, though, if you watch The Larry David Story.

For instance, after watching the trailer for the two-part HBO documentary above, I now know that he’s six feet tall, which is much taller than I always assumed. Less shocking is interviewer Larry Charles (who wrote many of the best episodes of Seinfeld, including “The Library”) asking David about how he got into comedy. His response: “Why not me?” with a sheepish shrug. That’s the Larry we know and love.

Here’s more:

For over three decades, award-winning producer/writer/comedian Larry David has been one of TV’s defining talents. Now, this insightful two-part documentary finds the 74-year-old sitting down with friend/director Larry Charles for a peek behind the proverbial curtain, as David gets candid about his personal and professional highs and lows, from his humble beginnings as an unfunny Brooklyn kid to becoming America’s favorite misanthrope. In between reflecting on his bumpy road to success – and hit series Seinfeld and Curb Your Enthusiasm – David shares his thoughts on everything from metaphysics to parenthood. Genuine, hilarious, and eye-opening, The Larry David Story shines a new light on the infamous cynic who remains a singular voice in comedy today.

The Larry David Story debuts on HBO and HBO Max on March 1.

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The Blssm Gets Vulnerable About Anxiety On The Pop-Punk Ballad ‘Dizzy’

The Blssm (real name Lily Lizotte and previously known as The Blossom) landed on our radar last year with their 97 Blossom EP, and it wasn’t just our attention she captured: Today, it was announced she has signed to the beloved label Fueled By Ramen. That news arrives alongside a new single, “Dizzy,” on which The Blssm blends contemporary pop with the increasingly beloved sounds of the ongoing pop-punk revival.

The Blssm says of the song:

“I wrote ‘Dizzy’ about the relationship I have with my inner anxiety. The lyrics on a surface level allude to being about a significant other, but really they are inner-conversational and inspired by the weight of ‘dragging around’ emotional baggage that encompasses my life. The production is an intentional hybrid of all of my different sonic influences, re-imagined into my own rendition of what pop feels and sounds like for me.”

They also say of the visual, “The video, directed by my friend and collaborator Sophie Hur, is a window into a surrealist world where two alternate BLSSMs are chasing each other around in a devious but playful dance together. It was inspired by a dream I had once where there were two versions of myself seeking the other out; I feel like that’s exactly what personifies my dynamic with my anxiety. A constant chase and revelation: A narrative I feel and know all too well day to day.”

Furthermore, they also told Consequence of the new label signing, “Partnering with Fueled By Ramen felt like a natural decision for me. I really connected with not only their ethos and approach to releasing music in 2022, but also their energy, passion, and genuine trust in my vision as a young artist.”

Watch the “Dizzy” video above and revisit our 2021 interview with Lizotte here.

The Blssm is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Robert Pattinson, Blissfully Unaware Of His Own Power, Scared The ‘Batman’ Crew When He Wore The Suit For The First Time

As Robert Pattinson’s long-awaited Batman film is gearing up to be the best superhero movie of all time (probably), the cast has been on a roll with their fascinating and sometimes strange interviews, mostly because of Pattinson’s ability to talk without a filter, and nobody can ever tell if he is being serious or not.

In a new interview with Fandango, the former vampire said he frightened the crew on set of the Matt Reeves-directed Batman movie, which hits theaters next month. After wearing the suit for the first time, Pattinson described the experience on set as “weird.”

“It has such a kind of totemic power,” Pattinson said of the infamous suit. “The crew looked a little bit scared. It’s really weird. If you don’t say anything and you’re just standing there, people get freaked out by it.” Yeah, standing there head to toe in a black bodysuit, mask, and dark eyeliner is bound the be a little off-putting.

After the initial screen test while wearing the suit, Pattinson said the cast and crew started “behaving differently” around him. This could be because of the iconic bat-suit, or because they are genuinely star-struck by Pattinson. Who could forget Cardi B fanning out over the actor last year.

Either way, Pattinson is still down to be Batman forever, so maybe then people will warm up to him in the suit.

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Yves Tumor’s ‘Secrecy Is Incredibly Important To The Both Of Them’ Video Is Wildly Escapist

Yves Tumor is a shapeshifter in every sense. Straddling glam, punk, indie, pop, and more, last year’s The Asymptotical World EP was a cardinal example of this. The EP was filled with songs that followed 2020’s unrelenting Heaven To A Tortured Mind, that came across like Tumor was not done making a powerful statement on how music ought to be provocative, while prodding at every possible emotional response.

Enter “Secrecy Is Incredibly Important To The Both of Them,” the weight-bearing midpoint of the six tracks on The Asymptotical World, balancing Brit punk, glam, and CBGB-era rock and roll. The video, directed by Jordan Hemingway, opens with Tumor in a torture chamber and his alter ego is the captor. The visual jumps from a heist, to cavorting with steampunk geishas all in highly sexualized and often grotesque fashion. It’s eye-catching and speaks to desire, pain, and pleasure at every turn.

The video comes ahead of Yves Tumor’s worldwide tour dates, which begin next week in Europe, comes to the US in mid-March and then continues to straddle the globe from there.

Watch the video for “Secrecy Is Incredibly Important To The Both of Them” above.

The Asymptotical World is out now via Warp. Get it here.