In 2018, when Christine Blasey Ford and other women accused then-Supreme Court Justice nominee Bret Kavanaugh of sexually assaulting them in the past, Tucker Carlson was heralding the beer-loving judge as a “folk hero” and “inspiration to millions” (though he has since turned on him). But the Fox News host doesn’t seem as confident in the skills of Ketanji Brown Jackson, Joe Biden’s pick to replace U.S. Supreme Court Associate Justice Stephen Breyer, who Jackson once clerked for.
Hmmmm…. why ever could that be?
Jackson is a Harvard Law School graduate, just like Breyer and fellow Justices John Roberts, Elena Kagan, and Neil Gorsuch.
She was an editor of the Harvard Law Review, just like Breyer, Roberts, and Kagan (not to mention Ruth Bader Ginsburg and Antonin Scalia).
In 2009, Barack Obama nominated Jackson to become vice-chair of the United States Sentencing Commission—a nomination that was unanimously confirmed in early 2010.
She’s been a well-respected judge for a decade, and is even related to former GOP vice-presidential candidate Paul Ryan for chrissakes (through marriage).
But darn it if Tucker isn’t buying that Jackson is qualified enough to sit on the highest court in the land. And now he’s taking it one step further by demanding that we see her LSAT scores. As Mediaite reports, Carlson had some questions on his Wednesday night show:
“So, is Ketanji Brown Jackson—a name that even Joe Biden has trouble pronouncing – one of the top legal minds in the entire country? We certainly hope so. Biden’s right. Appointing her is one of his gravest constitutional duties. So it might be time for Joe Biden to let us know what Ketanji Brown Jackson’s LSAT score was. How did she do on the LSATs? Why wouldn’t you tell us that? That would settle the question conclusively as to whether she’s a once-in-a-generation legal talent, the next Learned Hand. It would seem like Americans in a democracy have a right to know that and much more before giving her a lifetime appointment, but we didn’t hear that.”
Tucker: It might be time for Joe Biden to let us know Ketanji Brown Jackson’s LSAT score was. Why wouldn’t he tell us that… pic.twitter.com/boPHU5PnMd
Between 2017 and 2020, Trump confirmed a whopping three new Justices to the Supreme Court, and Carlson never made a peep about LSAT scores or anything else. So what is it about Jackson that seems to have him so skeptical? Surely it’s not the fact that… wait, no, it couldn’t be because she’s a Black woman… right?
Sounds like a case for the Supreme Court to figure out.
(Mild spoilers for Netflix’s Bad Vegan will be found below.)
Tales of grifters rule the streaming services these days, from Amanda Seyfried’s turn as Theranos’ mega-frauder Elizabeth Holmes in The Dropout to Julia Garner’s take on super-shady Anna Delvey in Inventing Anna. There’s another similar limited series (called Bad Vegan from Netflix) on the horizon, but this one involves a truly talented and hard-working individual who fell from grace, big time.
That would be Sarma Melngailis, the restauranteur and founder of One Lucky Duck and Pure Food and Wine, which were all the rage in New York City. The joints specialized in raw vegan cuisine was all the rage with celebrities, and then in 2016, everything fell completely to pieces. As Bad Vegan details, this wasn’t an overnight process, but the spectacle seemed to explode all over the gossip scene. In 2016, New York Post sensationally wrote about “the downfall of NYC’s hottest vegan” while attorneys that represented Sarma’s defrauded employees called her “the vegan Bernie Madoff.”
When all was said and done, Sarma did hard time at Rikers Island. She had ended up in an awful relationship with a compulsive gambler and terrible person named Anthony Strangis (who used a pseudonym). Long story short, there was a cult-like mentality involved with this coupling. There were promises of dog immortality and references to a “meat suit,” and the two ended up on the lam and in the hole for millions of dollars. The series follows Sarma’s experiences, which are at times unbelievable, and reactions to those who knew her, both in positive and negative ways, to dramatic effect.
The show hails from executive producer Chris Smith of Tiger King and Fyre: The Greatest Party, so get ready for drama.
Every year, Heaven Hill releases three versions of their beloved (and award-winning) Elijah Craig Barrel Proof. While it would track that these releases would be very similar from one to the other, they’re really not. Case in point, last year’s first release was a berry bomb with brambles and earthy soil layered in. This year’s first release is definitely not that.
I was lucky enough to snag a bottle of this year’s first Elijah Craig Barrel Proof and I was a bit hesitant to dive in. These are always good but I was left a little cold by last year’s late offerings and didn’t want to go back in just yet. I was mistaken. Not to spoil the end, but this is a very good whiskey.
So let’s skip more preamble and dive into what’s actually in this year’s first Elijah Craig Barrel Proof.
Also Read: The Top 5 UPROXX Bourbon Posts Of The Last Six Months
This year’s first drop is a 12-year-old whiskey made from Heaven Hill’s classic bourbon mash of 78 percent corn, 12 percent malted barley, and a mere ten percent rye. Those barrels are masterfully blended into this Barrel Proof expression with no cutting or fussing. This is as-is bourbon from the barrel.
Tasting Notes:
Caramel draws you in on the nose with a slight sourdough cinnamon roll with pecans, a touch of floral honey, and a soft and woody drug store aftershave with an echo of vanilla candle wax and singed marshmallow. The palate rolls through a soft leather and vanilla pie note as cinnamon ice cream leads to spicy oak. The mid-palate leans into a sweeter, almost creamy spice (think nutmeg-heavy eggnog) which, in turn, leads to a dry cedar bark next to a dry stewed-apple tobacco leaf folded into an old leather pouch for safekeeping.
The Bottle:
Elijah Craig’s bottle is the same as Larceny’s but the lack of lock and key graphics makes it a little subtler. The real draw is the large wooden stopper that’ll pop out on any bar cart. Plus, the “label” is largely embossed, meaning you get a good look at the brown juice in the bottle.
Bottom Line:
This is such a classic bourbon that I almost want to capitalize every letter of “classic” and put a period between each of those letters. This feels like nostalgia from top to bottom and I’m here for it. I’m taken back to my grandfather’s bar on the nose. The taste takes me back to those first sips of good bourbon back in college. This really hits it out of the park for anyone looking for pure Kentucky bourbon vibes.
Ranking:
97/100: This is a stone-cold classic bourbon with a kick. It might be a little warm for beginner palates but the flavor is just absolutely classic.
Kansas City, Missouri, is having a moment. This hotbed of American barbecue is home to lively bars, picnic-worthy public parks, unique hotels, must-visit museums, and an eclectic music scene. One of the area’s own local bands, The Greeting Committee, has taken their KC roots to new heights with the release of their new single “Sort Of Stranger” and their upcoming headline tour, which will feature a hometown show in KC.
“We are grateful to Kansas City for treating our band with love and support,” says The Greeting Committee’s front-woman and vocalist Addie Sartino. “We look forward to reuniting with y’all at Uptown Theater on Saturday, April 9th.”
As a passionate Kansas City native, there’s no one better than Sartinto to give us a local-approved travel guide. She’s sharing the best places to stay, party, and explore for an epic trip to Kansas City below.
Kansas City is a must-visit destination because it’s a hidden gem. I love how welcoming everyone is, all eager to show you why we’re the place you’ve been missing. Visitors are bound to be pleasantly surprised, making KC the underdog everybody roots for.
What’s one thing that every first-time visitor should see or do in Kansas City?
The Greeting Committee
Every first-time visitor in Kansas City should start their morning at Messenger Coffee on Grand Boulevard. As touring musicians, we go to many coffee shops across the country. Messenger Coffee has a unique quality to it as it holds three floors and a rooftop to explore. Grab some Ibis Bakery bread, a coffee, and soak in your surroundings.
Three must-stop locations for an epic Kansas City bar crawl?
Kansas City is filled with great bars and frequent bar crawls. The first stop I recommend making on your KC bar tour is Tom’s Town, a Pendergast 1920s-themed bar and distillery. Once you’re done at Tom’s, head down the street to The Green Lady Lounge for some live jazz. Finish the night off at Lucky Boys, a West Bottoms dive bar, for a round of pool and some food to satisfy all the drinking.
Best place to spend an afternoon outdoors?
The Greeting Committee
Located near The Plaza, Loose Park extends far and wide. Take a walk around the pond, explore the rose garden, play a round of tennis, climb the jungle gym, or simply lay in the wide-open grass. Loose Park is my favorite as everyone always seems happy to be there. Bring a pack of your favorite Boulevard beer and relax.
Crossroads Hotel is by far the spot to be when staying in Kansas City. In the heart of everything, Crossroads is stylish, accommodating, and always pushing the envelope with unique ways to enhance your stay. Get a drink at the downstairs bar or on the rooftop for an amazing view. Grab some Lulu’s Noodles across the street or hop a street over to snag a table at Michael Smith’s Farina.
What do you think surprises people the most when visiting Kansas City?
I believe people are most surprised when visiting Kansas City by how much there is to do. While it is a small city, it’s a small city filled with life and liveliness. Whether it’s the middle of the day at Westwood Park or approaching midnight at Missie B’s, you’re in good company.
Best time of year to visit?
The Greeting Committee
In my opinion, September or October are the best months to visit Kansas City. The weather is warm but not uncomfortable. The streets are lively with First Friday’s street art fair, nearly every venue has a show, outdoor and indoor seating are enjoyable for dining, and it’s the perfect setting to walk around the Nelson-Atkins Art Museum.
The latest star to come to the defense of controversial podcaster Joe Rogan is former guest Freddie Gibbs, who actually appears on the latest episode of the Joe Rogan Experience podcast offering his take on Rogan’s recent racial slur scandal. Although Gibbs didn’t openly approve of Rogan’s comments and actions, he did give the host some grace while reminding him that he shouldn’t have said the things he said.
“You can’t say that sh*t, Joe, ’cause you pissed n****s off when you did that compilation,” Gibbs said. “It was funny as f*ck, though, I can’t even lie. But hey man, look, I don’t think you a racist, my n****a. You my n****! I f*ck with you. I never thought you was a racist. I just think you were saying some sh*t you shouldn’t have said and a lot of us n****s say stuff that we shouldn’t say sometimes. It is what it.”
One thing Gibbs was adamant about, though, was the proper context for the use of the word in question. “I want to tell white people right now: y’all just gotta let us have that,” he quipped. “Just let us have ‘n****.’ Y’all already human trafficked us over here, let us have that.”
Rogan received a massive backlash after a recent episode of his video in which he makes some (ahem) off-color remarks about Black people was followed by several old episodes in which he says “n****” were resurfaced by social media users. After being called out by Trevor Noah, Fat Joe, and others, Rogan issued a boilerplate apology, which was praised by such milquetoast cultural authorities as the hosts of The View and The Rock (who later backpedaled after realizing that class solidarity doesn’t always trump racism). Others, like Samuel L. Jackson, didn’t accept the apology at face value. Meanwhile, Rogan faced a separate, but related backlash as multiple stars pulled their music from Spotify, which hosts Rogan’s podcast, over his constant propagating of COVID-19 vaccine misinformation.
Elden Ring is going to be one of the best games of 2022. With so much excitement around the game there have been a lot of people buying it just so they can see what the hype is all about. Unfortunately, these people are quickly discovering something: Elden Ring is extremely difficult, perhaps too difficult for the average player.
Anyone that’s aware of FromSoftware and Elden Ring director Hidetaka Miyazaki was fully aware that this was going to be a challenging game going in. With games like Dark Souls, Sekiro, and Bloodborne under their belt, the studio is notorious for making really difficult games. None of those games had the mainstream appeal that Elden Ring has right now, though, which is why so many people are commenting on the difficulty.
In an interview with the New Yorker, Miyazaki was asked about the difficulty of his games. He explained his reasoning for why he chooses to make his games the way he does, and that while he’s apologetic for players not being able to overcome them, he doesn’t have plans to change them anytime soon.
Still, for every vanquisher of Miyazaki’s monsters, there’s another who glumly sets down the controller. “I do feel apologetic toward anyone who feels there’s just too much to overcome in my games,” Miyazaki told me. He held his head in his hands, then smiled. “I just want as many players as possible to experience the joy that comes from overcoming hardship.”
…
Miyazaki’s work is often invoked by the latter camp, as it suggests that challenge, not escapism or uplift, is the medium’s crucial quality. “It’s an interesting question,” Miyazaki told me. “We are always looking to improve, but, in our games specifically, hardship is what gives meaning to the experience. So it’s not something we’re willing to abandon at the moment. It’s our identity.”
Excitement through overcoming hardship is absolutely a key part of the Elden Ring and Dark Souls games experience — it’s difficult to describe the feeling of joy that washes over when a challenging boss is defeated — but the problem is that the joy of that experience doesn’t always outweigh the frustration of failure. There’s also an entire other discussion to be had with creating games that people do not find accessible.
Philanthropist Melinda Gates had the dubious pleasure of watching the end of her 27-year marriage to Bill lead to bunch of Microsoft jokes, courtesy of the Internet, but there were certainly darker aspects to the turn of events. She previously spoke (according to The Daily Beast) about how “uncomfortable” she felt when, during a 2013 trip to New York City with Bill, the pair met up with the disgraced (and now late) financier, whose henchwoman, Ghislaine Maxwell, was recently convicted of helping him abuse young girls.
Melinda never met with Epstein again, but Bill did, for “several” dinner meetings, and he later admitted that this was a “huge mistake.” As it turns out, Bill sounding like Arrested Development‘s G.O.B. does nothing to take away Melinda’s disgust. We previously heard that Melinda was displeased, but while speaking with Gayle King on CBS Mornings, Melinda admitted that the association contributed to the marriage’s demise:
“It was many things. But I did not like that he’d had meetings with Jeffrey Epstein. I made that clear to him… He was abhorrent. He was evil personified. I had nightmares about it afterwards. So my heart breaks for these young women.”
The interview was a candid one in other regards, including Melinda’s confirmation that Bill’s one known affair was something that the pair tried to work though, but at a certain point, “I realized it just wasn’t healthy. And I couldn’t trust what we had.” She didn’t shut down the idea that Bill could have cheated multiple times, only to say that Bill needed to address those questions when asked. It’s a forthright attitude from Melinda, and surely, preferable to how Bill found himself squirming in late 2021 when grilled about that Epstein friendship. Awkward.
Each week our staff of film and TV experts surveys the entertainment landscape to select the ten best new/newish shows available for you to stream at home. We put a lot of thought into our selections, and our debates on what to include and what not to include can sometimes get a little heated and feelings may get hurt, but so be it, this is an important service for you, our readers. With that said, here are our selections for this week.
Amber Ruffin is here, once again, thank God, to make the news and the rest of the world a little more palatable. The Late Night With Seth Meyers all-star brings her unique brand of silliness to Peacock for a second season. Will there be jokes? Of course. Will there be goofy faces? You know it. Will there be smart critiques of world leaders and world events that are occasionally punctuated by ridiculous guest appearances and/or catchy songs? Buddy, let’s hope so. We need it. Amber Ruffin is the best. Watch it on Peacock.
“Am I livestock?” Who among us hasn’t asked ourselves that question while grazing amongst the cubicles at work? But the workplace in Severance (a new Adam Scott starring and Ben Stiller produced Apple TV+ series) is a little different, running workers through a process that effectively breaks people in two with zero crossovers between their work life and non-work life. Sound ideal in a world where work stresses bleed into home life and Sunday scarys seem to always kneecap your weekend? Perhaps in some respects. Susan from HR probably LOVES the idea, seeing it as the ultimate NDA, but as the show is set to explore, it’s a less tidy experience that raises all kinds of questions about what happens when people are severed from the awful things they might be asked to do at work. Watch it on Apple TV Plus.
You lived through Netflix’s Tiger King craze, and here’s a supplemental Peacock treat (?) about the awfulness of Big Cat people. Kate McKinnon portrays Carole Baskin, who is (of course) the rival of Joe Exotic, who’s portrayed by John Cameron Mitchell, mullet and all. He’s now in prison for the foreseeable future (which has plenty to do with that murder-for-hire plot), and she’s still got a reputation for acting coy about whatever happened to her husband. If you’re tempted to tune in, do it for the McKinnon. Watch it on Peacock.
What starts as a weirdly quirky caper story mixed with the reckless abandon of Pam Anderson and Tommy Lee’s courtship soon transforms into a needed indictment on the wild west nature of the internet and the way Anderson was packaged, sold, and diminished regardless of her feelings on the matter. But with the actress not signing off on this very intimate look at a painful period of her life, is she still being turned into a product and where is the line when it comes to a public figure and events that largely happened in front our eyes… because we couldn’t help but invade her privacy in the first place? Entertaining, shocking, thought-provoking — there is more to meets the eye in this show that is about a lot more than a stolen sex tape. Watch it on Hulu.
As you are probably aware, Kanye West’s personal life has overshadowed his professional life lately, and much of this is his own doing, but he’s also got this documentary on Netflix that promises to chart his formative days as an artist and ascension to being a brand. The name of the project, of course, is a play on words on how he considers himself a “genius.” One thing is certain: this won’t be boring. Watch it on Netflix.
As if Julia Garner didn’t already rule the small screen in Ozark, we’re getting another heaping helping of her. This time, though, the tight corkscrew curls are hidden while Garner portrays Anna Delvey, a real-life Instagram “legend” and fake German heiress. In reality, Delvey was a master con artist who captivated New York’s social elite and ended up dragging the hell out of the American dream in the process. This Shondaland limited series follows the investigation into Anna’s misdeeds, along with how she stares down trial and keeps those lies alive, all as inspired by Jessica Pressler’s New York Magazine article that will get you primed. Watch it on Netflix.
While we all wait for the flagship series’ third season, this animated series will be kind-of canon and bring us backstories for some familiar faces and an array of new characters in outrageous, bloody, and violent scenarios with all of the gore and humor that we’re used to from this franchise. There’s plenty of Homelander and some of The Deep, and the voice cast is more than any comic book fan could hope for. Not only do we get to hear Antony Starr, Chase Crawford, Colby Minifie, and Elisabeth Shue but also Awkwafina, Don Cheadle, Kieran Culkin, Giancarlo Esposito, Justin Roiland, Seth Rogen, and Andy Samberg. Watch it on Amazon.
It’s boom times for selling stories about the pirates of tech and Super Pumped sells it well, illuminating the rise and relative fall (he’s doing alright for money, don’t worry) of Uber’s brash former CEO Travis Kalanick. At the center of that ride (sorry) is a strained mentor/mentee relationship between Kalanick (played by Joseph Gordon-Levitt) and Bill Gurley, a more cautious and weathered money man played by Kyle Chandler. Led by David Levian, Brian Koppelman, and Beth Schacter, the minds behind Billions (another show featuring a high powered and twisty battle between two titans), Super Pumped offers a lot of commentary on the culture of win and the fallacy of rules as a shield against bad behavior while leaning into the dangerous magnetism of Kalanick across the first season of a new anthology series that’s already been renewed for a second go. Watch it on Showtime.
A pirate comedy starring Taika Waititi, Rhys Darby, Leslie Jones, and Hodor from Game of Thrones? Don’t mind if I do. Our Flag Means Death is about an 18th-century aristocrat (Darby) who gives up whatever aristocrats do to become a swashbuckler alongside Blackbeard (Waititi). If it’s anything like What We Do in the Shadows but with pirates, prepare to be… Hook-ed. Watch it on HBO Max.
Look at this. We’ve got a murder mystery from a genius (Christopher Miller of Lord and Miller) that stars all your favorite comedic scene stealers (Sam Richardson, Ben Schwartz, Tiffany Haddish, Ilana Glazer, John Early, Ike Barinholz, Dave Franco, and more) as suspects/victims/detectives, with each episode told from a different characters’ perspective in a different film style (rom-com, action, musical, psychological thriller, etc.). It is… really good. It’s really good. And really fun. You are probably going to love it. Get in there and check it out. Watch it on Apple TV Plus.
Last season ended with winners and losers aplenty. And c’mon, you didn’t think that Villanelle and Eve would be able to get along in the long term, right? Imagine what domestic life would be like for these two. A former MI6 officer and an assassin who can’t give up the life (or the luxury trappings) are as ill-equipped for reality as Westley and Buttercup in The Princess Bride. Yet there’s no reason why they’ll be able to resist each other forever, but Eve is hellbent upon revenge this season while Villanelle desperately wants to prove that she’s not a “monster.” Good luck to both of them. Watch it on AMC Plus.
If you think about it, Winning Time (HBO’s new Adam McKay-produced series about the 1980s LA Lakers) has all the elements of a classic heist movie. Assembled by a larger than life fast talker with equally big ambitions (in this case, former Lakers owner Jerry Buss), a rag-tag group comes together, leaning on their exceptional and unique talents to paper over any personality conflicts that might arise while taking the thing (a whole mess of gold trophies) no one thought they’d ever get their hands on. This while having some wild misadventures along the way. We’re simplifying, of course, but the point is this should appeal to basketball fans and non-basketball fans alike, earning the right to be the most buzzed-about piece of basketball culture crossover content since The Last Dance helped us all stave off boredom for a few months by telling the story of another mismatched group of big personalities and champions. Watch it on HBO.
A podcast. A documentary. A book. And soon, a feature-length film. There’s a reason Hollywood can’t get enough of Elizabeth Holmes, the fraudster who scammed millions and left a black mark on Silicon Valley – one likely in the shape of a Steve Jobs-esque turtle neck. Con artists sell, especially when they’re young, white women promising inventions meant to save millions of lives, and Holmes’ story is bigger, ballsier, and more unbelievable than most. Hulu’s The Dropout does a good job of retracing the most important plot points: the creation of Theranos, the realization that Holmes’ at-home blood-testing concept wouldn’t work, the delusional sense of grandeur that pushed her to criminally defraud every from Bernie Madoff to Henry Kissinger and Walgreens, and the very public downfall that would follow. But what the show really excels at is digging under the skin of a megalomaniac in-training, tasking a top-of-her-game Amanda Seyfried with turning Holmes’ most incomprehensible actions into ones we can empathize with, balancing her hollow sense of ambition with the very real anxieties and societal pressures she faced as a 20-something woman trying to start her own company. The Dropout is a wild, bloody, drama-filled train that always feels like it’s teetering on the edge of the track … but that’s kind of what we want, right? Watch it on Hulu.
Each week our staff of film and TV experts surveys the entertainment landscape to select the ten best new/newish movies available for you to stream at home. We put a lot of thought into our selections, and our debates on what to include and what not to include can sometimes get a little heated and feelings may get hurt, but so be it, this is an important service for you, our readers. With that said, here are our selections for this week.
Andrew Garfield is giving theater-kids everywhere a musical-thirst-trap performance in this Lin-Manuel Miranda-directed biopic that pays tribute to Jonathan Larson, the artistic genius who changed Broadway with his seminal musical Rent. This film examines Larson’s life before fans were belting out Season of Love though, with Garfield giving an award-worthy turn as a restless visionary who feels the suffocating deadline of turning 30 without having produced a great show. The supporting cast is terrific, Garfield is doing his best work, and Miranda infuses everything with a genuine sense of love and admiration that makes it hard not to root for this one. Watch it on Netflix.
Benedict Cumberbatch gives a villainous performance for the ages in The Power of the Dog, the first film in 12 years from director Jane Campion. The western is expected (and deserves) to be an Oscars frontrunner, so hop on the horse-drawn bandwagon now. Watch it on Netflix.
Jennifer Lawrence is back in Don’t Look Up, Adam McKay’s apocalyptic satire about two low-level astronomers (J-Law and Leonardo DiCaprio) who try to warn everyone on Earth about an approaching comet — but no one seems to care. The ensemble cast also includes Meryl Streep, Jonah Hill, Ariana Grande, Timothée Chalamet, Cate Blanchett, and Tyler Perry. Maybe that’s why no one cares about the comet. They’re too busy looking at all those stars. Watch it on Netflix.
The gang is all back. Mostly. They’re mostly all back. Keanu is there as Neo, with the John Wick beard. Carrie Ann Moss is back as Trinity even though Trinity kind of… died. It’s a whole thing. And it’s fun. This all could have gone a lot worse, really, which isn’t exactly the highest praise but is still important. Let’s do it all again in another 20 years. Let’s make it a thing. Watch it on HBO Max.
The Tragedy of Macbeth is the first time Joel Coen has made a movie with no involvement from his brother, Ethan. But even without his sibling, this black-and-white adaptation of one of William Shakespeare’s bloodiest plays is typically excellent, with stellar performances from Denzel Washington, Frances McDormand, Corey Hawkins, Stephen Root, and Kathryn Hunter. Something wicked good this way comes… to streaming. Watch it on Apple TV+.
A man poses as a diamond mogul to lure in women online and bamboozle them out of millions of dollars, and then women get wise to the scam and try to figure out how to exact revenge. This is somehow both the best-possible description for an episode of SVU or a movie starring Charlize Theron as a vengeance-seeking assassin and the actual plot of Netflix’s latest true-crime documentary. Which will probably become an episode of SVU soon enough. It’s a whole ecosystem, really. Watch it on Netflix.
The standout cut from the Encanto soundtrack, “We Don’t Talk About Bruno,” is the latest addition to the Maddeningly Catchy Disney Song canon, along with recent inductees “Let It Go” and “You’re Welcome.” (Lin-Manuel Miranda apparently knows a thing or two about songwriting, who knew?) The rest of the movie is fun, colorful, and teaches an important lesson about family and community, and you get to hear Rosa from Brooklyn Nine-Nine belt it out. But the best reason to watch Encanto is to learn firsthand why “Bruno” is one of the most popular songs in the country right now. Should you skip Encanto? Bruno-no-no-no. Watch it on Disney Plus.
Jennifer Lopez and Owen Wilson star as a preposterously attractive couple who get together after her character — one half of a global sensation pop duo — discovers her lover and music partner has been stepping out. That’s right, it is rom-com time over here. Will they? Won’t they? Whose hair will look better in the pivotal scene that will probably take place in the driving rain? There’s one way to find out: Grab some popcorn and comfy pajamas and set up shop on the couch. Watch it on Peacock.
Instead of trying to make sense of where 2022’s Texas Chainsaw Massacre, which should not be confused with 1974’s The Texas Chain Saw Massacre or 2003’s The Texas Chainsaw Massacre, falls into the horror franchise’s convoluted timeline, just enjoy watching Leatherface kill a new batch of no-good teens (including Elsie Fisher from Eighth Grade). It’s more fun that way. Watch it on Netflix.
Tyler Perry and Madea are back once again, this time on Netflix, for another go-round of laughs and dysfunctional family fun. This time the action takes place at her great-grandson’s college graduation and the celebration that takes place afterward. You know what you’re getting here. There is a long history of all of it. Gather around the television and enjoy the chaos. Watch it on Netflix.
Zoe Kravitz plays a stay-at-home digital detective in this latest thriller from Steven Soderbergh who — with the help of her friendly A.I. sidekick Kimi — uncovers a string of murders she traces back to the company she works for. She then must venture out into a pandemic-ridden Seattle in search of the reason why. Honestly, we can’t relate. But, Kravitz is quickly becoming a bonafide action star and a Soderbergh script rarely disappoints. Watch it on HBO Max.
Parks and Recreation star Amy Poehler directs this documentary about legendary Hollywood power couple Lucille Ball and Desi Arnaz. It’s a story about success and making things that last and fighting for what you believe in, but mostly, really, it’s a love story about two extremely driven people. Lucy and Desi are having a moment here in 2022 between this and Aaron Sorkin’s biopic about them, so there’s never been a better time to get involved. Watch it on Amazon.
A24’s latest sci-fi drama After Yang promises one of our favorite movie premises: Colin Farrell being very sad. He’s sad, you see, because his adopted daughter’s technosapien companion Yang (Justin H. Min) has malfunctioned. He’s sad because the android might be beyond repair. And he’s sad because, up until now, he didn’t realize what a fixture Yang was in his family’s life. So, Sad Colin Farrell goes on a journey, first to try to bring Yang back, then to try to figure out his own internal emotions. It’s all very beautiful and melancholic and poignant and sweet. But mostly, sad. So sad in fact that, at one point, to relay his sadness, Sad Colin Farrell does a Werner Herzog impersonation which, oddly enough, will be one of the few times in the film that you’ll likely laugh out loud. Still, despite playing with themes of grief and identity, there’s something undeniably hopeful here – yet another reason to watch. Watch it on Showtime.
Ahead of her fifth studio album, Crash, Charli XCX was set to perform at Afterparty, a show in Vegas alongside headliners The Kid Laroi and The Chainsmokers. Afterparty, however, was exclusively open to those who own a Utopian NFT, or were invited by someone who owns a Utopian NFT.
Fans of the “Beg For You” singer quickly responded to the announcement slamming her decision to perform in the NFT show.
Well my question is why support them.. There are reasons why NFTs are bad for artists beyond just the environmental reasons – the community is rife with plagerism and I think if she wasn’t aware of people’s negative opinions she wouldn’t be so hush about promoting the performance
In an interview with Rolling Stone UK, XCX revealed she decided to step away from the festival.
“I pulled out of the festival. That was my decision that I made and I didn’t feel the need to announce it or let them know or whatever—but I did pull out,” XCX said.
On her new album Crash, XCX takes inspiration from witchcraft and “femme fatale powers,” according to a release she sent ahead of the album. The album boasts several collaborators, including Rina Sawayama, Christine And The Queens, Oneohtrix Point Never, and more.
Crash is out 3/18 via Atlantic Records. Pre-save it here.
Charli XCX is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
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