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Post Malone’s Request To Dismiss His ‘Circles’ Songwriting Lawsuit Was Denied By A Judge

A lawsuit disputing the authorship of Post Malone’s 2019 monster hit “Circles” will go to trial next month after Post’s motion to dismiss the case was rejected by a federal judge, according to Rolling Stone. Post’s request to dismiss the case was based on his lawyer’s argument that “you don’t become a joint author unless you control the supervision.” Unfortunately for the Texas-bred star, District Judge Otis D. Wright, II disagreed, saying that this argument “doesn’t work for me.”

Post Malone is being sued along with song producer Frank Dukes by Canadian musician Tyler Armes, who says that contributed a guitar tune to the song’s final composition. However, Malone and Dukes argue that Armes only made “suggestions” in the studio, that the tune he played was only a “commonplace guitar chord progression,” and that the song was ultimately completed without his input. However, Judge Wright had a few questions about the argument that only contributors with “veto power” should receive a songwriting credit.

“I don’t understand that concept,” Rolling Stone quotes Wright. “Did Dukes control anything other than the manipulation and operation of the laptop?… So, he then had the ability to simply say that none of this is going to be recorded?” When Malone’s lawyer provided that Dukes’ power was contingent on Post’s consent, the judge pointed out, “Well, then he’s not in control. If you’re in control, you have veto power.” Rather than make a summary judgment, Wright determined that the case should proceed to a jury trial next month.

“Circles” is one of the biggest Billboard hits of all time; in 2020, it broke the record for the most weeks spent in the top 10 of the Hot 100 chart.

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Omah Lay Is Primed To Be A Big Contributor Towards Another Successful Year For Afrobeats

If you had to pull up a starting point for the rise of Nigerian singer Omah Lay, born Stanley Omah Didia, you’d have to go back to 2020. That year, he began work on his debut EP Get Layd and one of the initial songs he recorded from that project was “Bad Influence.” On the surface, the gloomy record, which features haunting piano keys and a dance-friendly bass, is Omah Lay’s account of a relationship he had with a woman he labels as a bad influence. However, in an interview with OkayAfrica, Lay described the song as much more than that. “It was inspired by a whole lot of things,” he said. “It was me coming to Lagos, being exposed to a new type of life, a lot of things around me, and putting all that experience together.”

Omah Lay, who is only 24 years old, is native to Ikwerre, a city in Nigeria’s Rivers State. He was born into a musical family as his grandfather, who died in 1977, played instruments for the singer Celestine Ukwu. Lay’s father also played the drums. When the afrobeats scene was beginning its worldwide rise in the mid-2010s, Lay began pursuing a true career in music. However, his initial goals weren’t to be an artist. “I wanted to be a rapper,” he says in a 2020 interview with NotJustOk. “I was part of a rap group, my name was Lil King. I really liked Drake and his flows so I wanted to be like that.” That dream didn’t last too long as Lay would eventually pivot into afrobeats and begin songwriting and producing for a number of artists in Nigeria before releasing Get Layd.

By the end of 2020, “Bad Influence” became more than a breakout hit for Omah Lay. It was one of the biggest afrobeats songs in Nigeria. The song was the most-streamed Nigerian song on Apple Music that year, and it gave Lay the launching pad to increase his popularity and prove that he was far from a one-hit-wonder, and that same year, he released his second EP What Have We Done. Lay exhibited great growth and artistic improvement on that project, and it was one that arrived just six months after Get Layd. What Have We Done is propelled by the very catchy “Confession” and the equally addictive “Damn” which was later remixed by 6lack.

Propelled by the success of What Have We Done and the records on it, Lay’s popularity would only increase in 2021. He entered his name into the afrobeats song of the summer conversation by releasing “Understand” that summer. At this point, Lay had established himself as one of the members of afrobeats’ newest class. While names like Wizkid, Davido, and Burna Boy helped to elevate afrobeats to a point where artists all over the world sought to work with them and even put their own spin on the genre, new and younger acts arrived to show how wide the sonics of afrobeats could be stretch. Now, Lay finds himself besides names like Tems, Buju, Rema, CKay, Fireboy DML, Joeboy, Ayra Starr, and more in a class that’s full of life, color, diversity, and above all, potential.

Lay’s 2021 was fairly quiet. Outside of “Understand,” he stayed low in a year that was truly remarkable for afrobeats. Wizkid’s “Essence” became the highest-charting Nigerian song while CKay’s “Love Nwantiti” trailed not too far behind. It’s not to say that Lay missed his opportunity to have a part in the monstrous 2021 year. In fact, Lay might be checking back into the game right on time where much of the confetti has cleared, giving himself a chance to once again shine and relish in his own spotlight. Additionally, there’s no doubt that an equally-successful year is in store for the genre in 2022, just take a look at Rema’s excellent debut album Rave & Roses album as confirmation.

It’s probable that Omah Lay will grace the world with a new project this year, and he’s off to a good start so far. Last month, he teamed up with Justin Bieber for “Attention,” his first record since 2021’s “Understand.” The song arrived after Lay contributed to a remix of Bieber’s Grammy-nominated song “Peaches.” While connecting with Bieber for a song is a moment that few artists would experience, Lay didn’t allow the moment to change his approach to the record and he made sure to stay true to himself on it. “It’s basically about sometime in everybody’s life, you’re lonely,” he said about the song to Billboard. “You can’t just always have somebody all the time. Especially as an adult. That was actually the headspace that I was in when I made this song, a little lonely.” He added, “I want the people that are going through the same thing to feel like I was talking to them. I’m human. I’m just like them. I feel exactly the same way they feel.” So far, the song is making a splash in the US as it currently sits at No. 5 on Billboard’s newly-launched U.S. Afrobeats Songs chart.

We’ll have to wait and see what Omah Lay’s next move is, but if one thing is guaranteed, it’s that it will surely leave us satisfied and appreciative of his artistry. He’s given us music to dance to and that to connect with emotionally, both of which he’ll continue to do through the countless records he releases in the near and far future.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Built To Spill Announce ‘When The Wind Forgets Your Name’ And Release The Lead Single ‘Gonna Lose’

Indie-rock legends Built To Spill are back. The band has just announced When The Wind Forgets Your Name, their debut full-length on Sub Pop, the label that founding member Doug Martsch has wanted to be signed on “since I was a teenager,” he says in the press release. The noisy lead single “Gonna Lose” is out today, propelled by reverb-drenched riffs and dreamy vocals. It retains their bittersweet sound; they balance playful, engaging instrumentation with dejected lyrical themes.

Martsch teamed up with Brazilian punk artist and producer Le Almeida and his collaborator João Casaes, who helped Martsch with recording bass and drum tracks for the album. They originally collaborated on Brazil shows in 2018, but their chemistry was so strong that the three of them continued working together. The pair About that experience, Martsch says, “We rehearsed at their studio in downtown Rio de Janeiro and I loved everything about it. They had old crappy gear. The walls were covered with xeroxed fliers. They smoked tons of weed.”

“Making When the Wind Forgets Your Name was such a great experience,” he continued. “I had an incredible time traveling and recording with Almeida and Casaes. I also learned so much about Brazilian culture and music while creating it. My Portuguese was terrible when I first met Almeida and Casaes, but by the end of the year it was even worse.”

Listen to “Gonna Lose” above. Check out the album art and tracklist below.

Built To Spill
Built To Spill

1. “Gonna Lose”
2. “Fool’s Gold”
3. “Understood”
4. “Elements”
5. “Rock Steady”
6. “Spiderweb”
7. “Never Alright”
8. “Alright”
9. “Comes A Day”

When The Wind Forgets Your Name arrives 9/9 via Sub Pop. Pre-order it here.

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Robyn, Neneh Cherry, And Mapei Reimagine ‘Buffalo Stance’ To Honor Trans Awareness

In a new video for “Buffalo Stance” by Robyn, Mapei, and Neneh Cherry, a reimagination of the lattermost’s 1988 single, actor Indya Moore is joined by a group of dancers as they move freely throughout every corner of the house. By way of make-up, fashion, and hairstyling, these dancers define gender norms, expressing themselves unabashedly.

Though Robyn, Cherry, and Maipei themselves don’t appear in the video for the Dev Hynes-produced update, a poster of Cherry’s Raw Like Sushi album cover art can be seen on one of the walls.

“Now that this beautiful video is out, I have a cluster of different emotions but mostly an overwhelming sense of gratitude is leading the way,” said Cherry on Twitter. “‘Buffalo Stance,’ born in a council flat in Edith Road, West London; a collaborative journey between myself, Cam & Jamie Morgan – a happy accident waiting to happen? Somehow that day we managed to capture something, a life force; the essence of what we’ve needed to keep us going. A key to inner strength, perseverance, unapologetic existence crammed together to create this song. The result has brought many surprises over the years…. and now again it’s happening. I am profoundly moved by [director] India Sleem, Indya Moore & all these beautiful creatures that felt motivated to take part in the rebirth of Buffalo Stance… come again. I’m so honoured. We are here to stay! Move over, give us room, give us space! One love.”

Check out “Buffalo Stance” above.

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All The Best New Pop Music From This Week

As we collectively return to reality after the chaotic week of the Grammys, the pop world still continues to flourish with release after release. Camila Cabello’s long-awaited Familia is out, and it features an unhinged, compelling song with Willow called “Psychofreak” with an even more provocative music video; meanwhile Maggie Rogers, after announcing her highly anticipated sophomore album Surrender in March, unveiled the lead single “That’s Where I Am.”

Each week, Uproxx rounds up the best new pop releases. Listen up.

Charlie Puth — “That’s Hilarious”

After releasing the upbeat “Light Switch,” Charlie Puth is back with this much more downtrodden song, “That’s Hilarious,” which expresses that he’s tired of playing games. He, at the very least, recognizes that this is a lesson learned: “Don’t give your heart to a girl who still got a broken one,” he sings. The video remains lighthearted, though; it’s a compilation of phone videos that feel like an intimate glimpse into his life.

Vance Joy — “Clarity”

Australian singer Vance Joy is having an epiphany on his new anthem “Clarity.” The song is buoyed by excited instrumentation and his beaming vocals, conveying appreciation for someone who means a lot to him. However, this realization comes too late: “The prеcious moments that we shared / You slowed time down inside my head / I wish I’d found this clarity / While I still had you close to me.” Yet this doesn’t make the song sad; it’s still full of hope and gratitude.

Lauv — “All For Nothing”

The “I Like Me Better” singer Lauv has a knack for songs that just won’t leave your head. “All For Nothing” is sure to be another hit with its warm, infectious hook: “I’m so in love, I’m so in love / I don’t ever wanna stop this ride that we’re on.” The synths are glimmering and the rhythm is exuberant; the song itself encapsulates the passion and exhilaration of being in love.

Noah Cyrus — “I Burned LA Down”

Noah Cyrus is trying to move on from heartbreak on this powerful, country-tinged ballad. She reckons with the mistakes she made in thinking the relationship would’ve worked in the first place: “You can’t make a god / of somebody who’s not / even half of a half-decent man.” Her vulnerability on this song, though, is proof of her strength and her progress toward becoming independent again.

Camila Cabello, Willow — “Psychofreak”

If you haven’t heard about this new track yet, you may be living under a rock. The salacious anthem, which has already been taken to SNL, watches Camila Cabello and Willow not holding back at all, and the kinky music video takes their fierceness up on a notch. The pair’s voices also blend well together; it’s an unexpected yet beautiful collaboration.

Omar Apollo — “Petrified”

The honesty and hurt are palpable in Omar Apollo’s new acoustic song “Petrified.” When he lulls, “Thinking of you more each day / I’m thinking ’bout all the words you say to me,” the conflict is obvious in his voice. The ballad seems like a way to grapple with this situation, and in the bridge, he reaches something that resembles a solution: “Lately I’ve been able to see more clear,” he sings.

Maggie Rogers — “That’s Where I Am”

Maggie Rogers’ new single “That’s Where I Am” kicks off with a relatable start: “I found a reason to wake up / Coffee in my cup,” she sings. From there, the lyrics recount a friendship that had the potential to be something more but was never able to reach it. But the sound is high-spirited and her vocals are confident, so it’s no surprise when she comes to a satisfying conclusion in the chorus: “It all works out in the end / Wherever you go / That’s where I am.”

Gracie Abrams — “Block Me Out”

22-year-old Gracie Abrams has unforgettable vocals; they’re soft and bursting with emotion in a similar way to Lorde’s or Phoebe Bridgers’. Along with those iconic singers, Abrams’ lyrics are also a masterful mix of poignant and clever: “And I thought of leavin’ tonight, but I couldn’t drive this tired / Plus, after all this time, I should be a pretty crier,” she sings on this beautiful new song “Block Me Out.”

Alicia Keys — “City Of Gods (Part II)”

If Alicia Keys is known for one thing, it’s her mesmerizing voice, especially in piano-driven songs. So she decided to revisit “City Of Gods,” which features both Kanye West and Fivio Foreign, and conquer the track on her own. This stripped-down version is gorgeous in its tenderness.

Chlöe — “Treat Me”

Chlöe knows her worth on “Treat Me.” Off the bat, she’s upfront about her demands: “‘Cause you’re dealing with a lotta competition / You’re gonna have to do a lotta ass-kissing.” The song is only two and a half minutes, but every second is confident and fierce. She has no time to waste, after all.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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‘Fantastic Beasts: The Secrets Of Dumbledore’ Has Had All Gay Dialogue Censored In China

Fantastic Beasts: The Secrets of Dumbledore won the Chinese box office over the weekend, which is surprising given the film alludes to a past relationship between Jude Law‘s Dumbledore and Mad Mikkelesen‘s Grindelwald. Or at least it will when it arrives in U.S. theaters on April 15. Chinese audiences, on the other hand, saw a version of the film where all of the gay dialogue was edited out.

Warner Bros. has confirmed that it removed the dialogue at the request of China. However, the studio argues that the “spirit of the film” still remains despite removing exactly two lines where Dumbledore and Grindelwald say they were in love with each other. In a statement to Variety, Warner Bros. defended making the “nuanced cuts” so that the film can be seen by all audiences. The studio also said that “small edits in local markets” happen all the time, which is one way to describe erasing LGBTQ representation:

“In the case of ‘Fantastic Beasts: The Secrets of Dumbledore,’ a six-second cut was requested and Warner Bros. accepted those changes to comply with local requirements but the spirit of the film remains intact,” the statement added. “We want audiences everywhere in the world to see and enjoy this film, and it’s important to us that Chinese audiences have the opportunity to experience it as well, even with these minor edits.”

The revelation that The Secrets of Dumbledore only contains two lines referencing a relationship between Dumbledore and Grindelwald will only add to the criticism that the Fantastic Beasts films are severely lacking in LGBTQ representation (despite one of its main characters being canonically gay). It also doesn’t help that J.K. Rowling has been a consistent lightning rod for controversy in recent years due to her outspoken views on the trans community. In short, Warner Bros. has a messy path ahead as it attempts to maintain the vitality of the Harry Potter franchise.

(Via Variety)

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Chance The Rapper Returns To ‘Colbert’ With An Artful Performance Of ‘Child Of God’

Back in 2017, Chance The Rapper debuted his song “First World Problems” on The Late Show With Stephen Colbert, marking one of the Chicago MC’s most renowned live performances. To this day, he still hasn’t given the song an official release, but that hasn’t stopped fans from ripping and reuploading it due to its popularity in his catalog. Fortunately, they won’t have to do as much work now that he’s returned to Colbert, which he did last night with an artful rendition of his newly released single “Child Of God.”

Chance performs the song with an orchestra, blowing out the stripped-down, mellow production to include a passionate crescendo as he delivers the uplifting lyrics. Speaking of those lyrics, in true Chance The Rapper fashion, the song’s heartfelt text appears on the screen as it has in many of his recent music videos such as “The Heart And The Tongue.” It’s actually been a pretty flourishing trend among other independent rappers like Kota The Friend and Tobe Nwigwe, and it’s pretty cool that they’ve found a way to combine the best of both worlds, mashing up the lyrics videos that often accompany new single releases with their creative visuals. In addition, he highlighted Naila Opiangah, the emerging artist who created the painting in the background of the performance, by bringing her onstage with him at the end.

The Rapper has yet to announce a new album but it has been nearly three years since his last one, so it wouldn’t be a surprise if he did sometime this year. In the meantime, watch his performance on The Late Show above.

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Extreme pogo sticking is a thing and it’s terrifyingly impressive

The first pogo stick was patented in 1919, and every couple of generations, it makes a comeback. My early-’80s childhood was rife with pogo sticks (followed up by the much-easier-to-use Pogo Bal) and to this day I’m thankful I never broke an ankle trying to use them.

Some of us are built for pogo sticks and some of us are not, friends. I definitely was not, which is why the extreme pogo stick movement absolutely blows my mind.

Not only do people bounce around on pogo sticks without falling on their faces, but they also do flips and tricks and slide down rails and other things that would make every mother’s heart jump into her throat.


I mean, just watch this:

Aside from wanting to yell, “Why aren’t you wearing a helmet?!?” at some of these guys, I’m mesmerized by these feats. Again, I couldn’t even get the pogo stick to bounce around normally when I was a kid. How do they do this? How?

One of the now best-known professional (yes, professional) pogo stick riders, Tone Staubs, got started as a teen, when he saw someone doing pogo tricks. He was inspired to dust off the pogo stick he’d gotten for his 8th birthday and give extreme pogoing a go.

Now, 15 years later, he holds the Guinness World Record for pogo stick jumps in one minute (266 jumps) and still does tricks no one else has ever done. And he loves it.

“It allowed me to express myself and become the person I wanted to be,” Staubs told The Gazette. “I easily could’ve been stuck at some job I don’t want.”

(And yes, he has twisted, rolled, dislocated, hyperextended and broken various body parts in those 15 years. Be careful, kids.)

Extreme pogo stick is a niche extreme sport, but it’s growing. Xpogo, a company dedicated to the sport, puts on Pogopalooza: The World Championships of Pogo each year.

Watch the winners of the Best Trick from Pogopalooza 2021. Utterly bonkers.

All I see here is terror and bumps and bruises, and yet I can’t stop watching.

They even do a high jump competition. On pogo sticks. Humans are incredible.

I mean, come on…

Seriously, terrifyingly impressive.

Follow Xpogo on Instagram and YouTube for more extreme pogoing fun.

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Stephen Curry’s ‘UNDERRATED’ Tour Shines A Light On Inspiring Athletes

There are always reasons not to do something. Not ready, not enough time, not knowing where to begin — the rationale to stop before you start, especially something new or daunting, can be the most convincing.

For Jacobi Sebock, a huge fan of sports growing up in the Midwest City suburb of Oklahoma City, running track and playing baseball, football and basketball in a short, still chubby body was challenging enough. On top of the regular tests a changing body brings, Sebock was born with asthma, a first-degree heart block, and without sweat glands, a symptom of a condition called hypohidrotic ectodermal dysplasia (HED). For an athlete like Sebock who couldn’t stay away from sports if he tried, the biggest impact of his condition was the inability to naturally cool his body down by sweating.

He and his parents learned to adapt. Lugging coolers filled with ice and ice water to games and practices, and managing his condition with cooling vests he’d swap out every 20-minutes during play, plus wristbands and neck coolers.

“It was really hard,” Sebock recalls over the phone, “I would get subbed out, have to switch out my cooling vest, put on a different wristband, wet down my whole body just so I could stay cool.”

HED makes any kind of sustained physical exertion not only uncomfortable, but dangerous. Overheating can be fatal. Still, the hardest thing for Sebock was having to be taken out of the game, to stop playing.

Between his sophomore and junior year of high school he shot up nine inches to 6′ 5″, he also shed 50 pounds, but some of the weight loss was tied to yet another diagnosis: Crohn’s disease. His mother, Franki Sebock, recalls thinking to herself, Can’t he catch a break?

For most of Sebock’s life coaches had been wary of playing him too much, and trainers the family approached to help turned them away. His dad, Anthony Gilliam, stepped in. The two used Sebock’s new height and frame to their advantage, as well as the added time early COVID lockdowns brought, and trained intensely. Sebock had already learned to manage his breathing and body temperature as he got older to make sure he didn’t overheat but the training helped. He wasn’t using his cooling gear and found he could “control my body temperate with breathing while I play the game.”

Whether it was the universe listening or the more likely work of Sebock continuing to push, the break his mom wanted for him finally came in his junior year. That season, Midwest City Bombers coach, Corky McMullen, started giving Sebock more minutes — time that he devoured.

“Getting that green light in my junior year, it boosted my confidence a lot,” Sebock says.

Knowing that he had to make up for lost time lit a fire under Sebock, and he’d join AAU team Oklahoma City Elite in the summer after his junior year wrapped. It was there, getting more encouragement and minutes from coach Deangelo Anderson, that he heard about another opportunity involving the Warriors’ Stephen Curry and a tournament called UNDERRATED.

“In a 5-star world, I was a 3-star player to the decision makers on all different levels,” Curry says of the impetus behind the initiative. “The UNDERRATED Championships Tournament provides a platform for high school basketball athletes who are often overlooked in the sport, to show their true potential and to be seen by key figures in the industry.”

Curry launched UNDERRATED in 2019 as a basketball camp, tournament and showcase for high school players who felt they’d been overlooked in the tough, occasionally demoralizing recruiting rankings process.

“It’s my way of encouraging any young player with big dreams to keep believing in themselves even when it seems like the odds are stacked against them,” Curry adds. “I’ve been in those shoes, but being the underdog is also what got me where I am today.”

Sebock wrote an entry essay and applied to the camp, which was making regional stops in summer 2021 through D.C., Dallas, Chicago and L.A.. Each city would see the field narrowed from 75 to just 16 — eight boys and eight girls — in two days, with the final 64 participants being flown to Oakland for the Championships in March 2022. Sebock soon heard that he’d made it into the Dallas camp.

It was a whirlwind.

“It was like, this might be a once-in-a-lifetime chance to go prove myself and show the people what I can do on the court,” Sebock recalls.

At the end of the first day he was selected in the top 30 and asked to return the following day, and at the end of the second day he found out he was going to Oakland to compete, and to meet Curry. All he had to do was wait six months.

Back with the Bombers, Sebock focused on his team’s state title run and developing his game. Asked to describe his playing style and Sebock’s voice instantly shifts from shy to assured.

“I’m a role-player,” he says firmly. “I get rebounds, I yell out on defense what they need to do, or I need to do, I help them out by moving the ball quicker. When they get up a shot I try to box out for them and get a rebound and go back up. I try to do all the little things to help my team as much as I can.”

Because of the control Sebock’s learned to best manage his condition, his game is precise by default. There are no extra steps or unplanned movements, his timing is tied to his breathing and the ball becomes an extension of his body. He calls Kyrie Irving his favorite player because of his ability to distract defenders with his handles and get his teammates involved, and Sebock is similarly watchful in his role on the wing. He has a knack for explosive dunks that feel fated, and having to pick up the movements of every other player on the floor has leant to an early-honed I.Q.

When March finally rolled around Sebock admitted he was nervous, half to be on the stage that the UNDERRATED Championship represented to him, and half because he would be going up against players whose games he didn’t know.

“After the first game I calmed down a lot,” Sebock says, noting the same thing all of the pros do, that the act of playing and putting muscle memory to work has a way of snapping nerves to focus. “Then I started playing my game that I know how to play. I started being a team player, getting everybody involved. And we just took off from there.”

Sebock’s South division team blazed through the tournament, beating out East and West within the first two days thanks in part to Sebock’s rebounding, decisive second-chance points, and springy finishes. While his team would fall in a close game to the North division team in the finals, Sebock says it was “one of the biggest times” in his life.

“Meeting my teammates, becoming friends with them over the whole weekend. We’re going to stay friends, hopefully, throughout the rest of our lives,” he says happily, recounting the weekend’s highlights, adding a little dreamily, “meeting Steph Curry the first day that we get there. He talks to us, and he even practices with us on that first day.”

For Sebock, who had a later start in the fast-paced, closely competitive world of amateur athletes working to turn pro, the UNDERRATED weekend gave him a spotlight to showcase his skills, and a chance to make meaningful connections with other athletes and their families. He’s also getting comfortable as a role model for younger athletes with health conditions that have kept them out of competition, or had them developing on a less linear timeline.

“I definitely want to go to the NBA, but most importantly I want to go through college first,” Sebock, who has already committed to Northern Oklahoma College and was just named MVP in the Big 8 Conference, says.

From there, he wants to improve with the aim of being picked up by a Division 1 school. “Work hard there, try to improve even more, get better every day, then hopefully get drafted into the NBA,” he adds, steps clear as a checklist.

His matter-of-factness has a lot in common with his game: studying the best way forward and getting there directly as he can. All there is to do now is what he’s already familiar with, to keep pushing. Excuses, or reasons not to, just make for extra steps.

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Interpol Build A Cinematic Universe With Their New ‘Something Changed’ Video

Last week, Interpol announced a new album, The Other Side Of Make-Believe, and dropped the single “Toni.” Now they’re back with another advance look at the album via the new song “Something Changed.”

The video is a continuation of the band’s recent video for “Toni,” featuring the same characters and same setting as before. This time, the man and woman, now naked, are on the run from Paul Banks’ character as he pursues them in his car.

Banks previously said of working with director Van Alpert, “We bonded over shared film inspiration as well as a passion for classic music videos by the likes of Glazer, Cunningham, and Jonze. Van, in my opinion, is in the club with these legends; and it’s exciting to watch him build his own enduring body of work.”

He also noted of starting work on the new album remotely in 2020, “We usually write live, but for the first time I’m not shouting over a drum kit. Daniel [Kessler] and I have a strong enough chemistry that I could picture how my voice would complement the scratch demos he emailed over. Then I could turn the guys down on my laptop, locate these colorful melodies and generally get the message across in an understated fashion.”

Watch the “Something Changed” video above.

The Other Side Of Make-Believe is out 7/15 via Matador. Pre-order it here.