Categories
News Trending Viral Worldwide

Future Adds Five New Tracks Featuring Lil Baby, Lil Durk, And More To ‘I Never Liked You’

Future is only days removed from the release of his tenth(!) studio album, I Never Liked You, but he’s already released its deluxe edition, adding five new songs. When the original was released, some fans wondered where Future’s fellow Atlantan trap rap star Lil Baby was. That question has now been answered: He’s on “Like Me” with his 4PF signee 42 Dugg. Other guests on the extended version of the album include Detroit rapper Babyface Ray (“No Security”), Chicago drill pioneer Lil Durk (“Affiliated”), and Atlanta underground mainstay Young Scooter (“Stayed Down”).

They join a cast of featured artists that previously included multiple Drake appearances (on fan-favorites “Wait For U” with Nigerian rising star Tems and “I’m On One,” which is different than the previous Drake song titled “I’m On One”), 42 Dugg’s partner-in-rhyme EST Gee (on “Chickens”), Kanye West (“Keep It Burnin,” which Future shared as a release-day music video), Kodak Black (“Voodoo”), and Gunna with Young Thug (“For A Nut”).

The release of I Never Liked You capped a very successful first quarter for Future, who also shared warmly received tracks with Gunna and Young Thug, Earthgang, Travis Scott, and Lil Durk earlier this year.

The deluxe edition of I Never Liked You is out now on Epic Records. You can get it here.

Categories
News Trending Viral Worldwide

Florence Pugh And Harry Styles Make Sweet (And Not So Sweet) Love In The ‘Don’t Worry Darling’ Trailer

There’s a lot of real-life intrigue about Don’t Worry Darling, the movie that brought together director Olivia Wilde and star Harry Styles — not to mention everything that happened at CinemaCon. But don’t let that overshadow the film itself. It looks really good.

In the 1950s-set psychological thriller, Jack (Styles) and Alice (the great Florence Pugh) seemingly live a perfect life, but there’s something else going on. There’s a top-secret Victory Project; an overly cheery CEO (Chris Pine); menacing dinner parties; smashed mirrors; and car chases. “Everyone is acting like I’m crazy,” a skeptical Alice wonders in the trailer above, and “I’m not crazy.” Here’s more from the official plot synopsis:

While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives, including Frank’s elegant partner, Shelley, get to spend their time enjoying the beauty, luxury and debauchery of their community. Life is perfect, with every resident’s needs met by the company. All they ask in return is discretion and unquestioning commitment to the Victory cause.

But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why. Just how much is Alice willing to lose to expose what’s really going on in this paradise?

Don’t Worry Darling, which was written by Wilde and her Booksmart co-writer Katie Silberman and also stars Gemma Chan, KiKi Layne, and Nick Kroll, opens on September 23.

Categories
News Trending Viral Worldwide

Director Justin Lin Reportedly Quit ‘Fast X’ Because Vin Diesel Was Being A Diva (Reportedly Again)

Less than a week into filming, longtime Fast and Furious director Justin Lin quit Fast X, leaving the studio scrambling to find a replacement for the highly anticipated film that would kick off a two-part ending to the epic “Fast Saga.” At the time of Lin’s abrupt exit, no reason was given except for the standard boilerplate Hollywood line of “creative differences.” However, a likely culprit has started to emerge: Vin Diesel.

According to New York Daily News, Diesel was reportedly back to his old antics of holding up production and not bringing the same level of professionalism as his co-stars. If all of this sounds familiar, it’s the same problem that sparked the now epic feud between Diesel and The Rock, prompting the latter to exit the main films and launch the spinoff series, Hobbs and Shaw.

“I’ve never seen anything like it. Lin’s giving up $10 or $20 million,” a veteran producer who is not involved with Fast X said about the director’s shocking exit. “Diesel shows up late to the set. He doesn’t know his lines. And he shows up out of shape.”

The source added, “No one is dissing Vin Diesel on the record, but everyone knows.”

On an interesting note, Lin’s exit (which is reportedly costing the studio “upwards of $600,000 to $1 million a day”) arrived shortly on the heels of Diesel revealing on Instagram that he fought to keep Jordana Brewster in the film after the first draft of the Fast X script left out her character, Mia Toretto, the sister of Vin’s Dominic Toretto and the wife of Paul Walker’s character, Brian, who is still alive in the franchise, which is… a whole other thing. The franchise is not without its own drama.

Anyway, was all of that about Vin getting head of the bad press, or was he simply being his carefree Diesel self and freestyling his thoughts to his legion of fans? It’s an interesting conundrum following yet another high-profile exit from a film series that’s supposed to be all about family.

(Via New York Daily News)

Categories
News Trending Viral Worldwide

Playboi Carti’s Set At Smoker’s Club Fest Was Reportedly Cut Short When Fans Rushed The Barricades

Playboi Carti shows are known to get a little rowdy. As a member of the so-called “SoundCloud Rap” movement of the past decade, the Atlanta rapper has blended certain punk sensibilities with his nihilistic, aggressive performance style, resulting in a general vibe of recklessness and mosh-pit antics at his live shows. However, in the wake of a certain recent festival tragedy, venues and promoters have proven much less forgiving of this sort of energy — as recently demonstrated by a recent festival, San Bernardino’s Smoker’s Club Fest.

According to the New York Post, Playboi Carti’s evening set was cut short when members of the crowd tried to jump the barricades to the VIP section just two songs in. The crowd also pushed forward, causing a potentially dangerous scene in the front of the audience much like the infamous incident at Astroworld Festival last year. However, unlike that situation, the festival’s organizers were able to get control of the chaos, cutting Carti’s mic and urging the audience to back up or the show wouldn’t continue.

A number of fans expressed their disappointment in the situation, but I’ve seen toddlers pitch fits over being stopped from touching hot stoves, so kudos to the fest’s organizers for getting a handle on things before they could escalate to injuries or worse. Check out more videos and fan responses below.

Categories
News Trending Viral Worldwide

All The New Albums Coming Out In May 2022

Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in May. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, May 6

  • !!! — Let It Be Blue (Warp)
  • Aaron Raitiere — Wide Dreamer (Dinner Time Rec)
  • Alison Wonderland — Loner (EMI Music Australia)
  • Alune Wade — Sultan (Enja Records)
  • The Americans — Stand True (Loose Music)
  • Anna Calvi — Tommy EP (Domino Recordings)
  • Arcade Fire — We (Columbia)
  • Astor Piazzolla — Astor Piazzolla: The American Clavé Recordings (Nonesuch)
  • Aundrey Guillaume. — Energy EP (Secretly Canadian)
  • Awolnation — My Echo, My Shadow, My Covers, And Me (Better Noise Music)
  • Bad Planning — Et Fortes (Jump Start Records)
  • Belle And Sebastian — A Bit Of Previous (Matador Records)
  • Bill Fay — Still Some Light: Part 2 (Dead Oceans)
  • The Black Crowes — 1972 EP (Amazon Music)
  • Bottler — Journey Work (InFiné)
  • Brennen Leigh — Obsessed with The West (Signature Sounds)
  • The Builders And The Butchers — Hell & High Water (Badman)
  • C Duncan — Alluvium (Bella Union)
  • Emeli Sandé — Let’s Say For Instance (Chrysalis Records)
  • The Feeling — Loss. Hope. Love (Island Records)
  • Flight Mode — Torshov, ’05 EP (Sound as Language)
  • Francesco Lurgo — Sleep Together Folded Like Origami (Bosco Rec)
  • Fuzz Meadows — Orange Sunshine (Copper Feast Records)
  • George Winston — NIGHT (RCA Records)
  • Gianni Brezzo — Tutto Passa (Jakarta Records)
  • Halestorm — Back From The Dead (Atlantic)
  • Ibeyi — Spell 31 (XL)
  • Jack Harlow — Come Home The Kids Miss You (Atlantic Records)
  • Jani Liimatainen — My Father’s Son (Frontiers Music Srl)
  • Jeff Scott Soto — Complicated (Frontiers Music Srl)
  • John Tsung — Empire Postcards (Broken Stone)
  • Jon Natchez — Luzzu (Original Motion Picture Soundtrack) (Little Twig Records)
  • The Juliana Theory — Still The Same Kids Pt. 1 EP (Equal Vision Records)
  • Kaleidobolt — This One Simple Trick (Svart Records)
  • Karen Dalton — Shuckin’ Sugar (Delmore Recording Society)
  • Kelz — 5am And I Can’t Sleep (Bayonet Records)
  • Kisskadee — Black Hole Era (Anxiety Blanket Records)
  • LÉA SEN — You Of Now Pt. 1 EP (Partisan Records)
  • Leyla McCalla — Breaking The Thermometer (Anti-)
  • Lil Zay Osama — Trench Baby 3 (Warner Records)
  • Lu Silver — Luneliness (Go Down Records)
  • Mack Keane & ESTA — Intersections EP (Soulection)
  • Maria Chiara Argirò — Forest City (Innovative Leisure)
  • The Mary Veils — Esoteric Hex… (PNKSLM)
  • Maryze — 8 (Hot Tramp)
  • Max Frost — Flying Machines EP (Nettwerk)
  • Nico Georis — Desert Mirror EP (Leaving Records)
  • Otoboke Beaver — Super Champon (Damnably)
  • Pink Mountaintops — Peacock Pools (ATO Records)
  • Puppy — Pure Evil (Rude Records)
  • Red Snapper — Everybody Is Somebody (Lo)
  • Rolling Blackouts Coastal Fever — Endless Rooms (Sub Pop)
  • Rowan — Does It Make You Happy? (Beverly Martel)
  • Saâda Bonaire — 1992 (Captured Tracks)
  • Sharon Van Etten — We’ve Been Going About This All Wrong (Jagjaguwar)
  • Sheryl Crow — Sheryl: Music From The Feature Documentary (UMe/Big Machine Records)
  • The Shipbuilders — Spring Tide (Mai 68 Records)
  • Sigrid — How To Let Go (Island Records)
  • Silverstein — Misery Made Me (Laced Records)
  • Simple Plan — Harder Than It Looks (self-released)
  • Soft Cell — *Happiness Not Included (Electronic Sound)
  • Tourist — Inside Out (Monday Records)
  • Turbo World — My Challenger (Ramp Local)
  • Wallice — 90s American Superstar EP (Dirty Hit)
  • Warpaint — Radiate Like This (Virgin)
  • The Wilful Boys — World Ward Word Sword (Big Neck Records)
  • Wilma Vritra — Grotto (Bad Taste)
  • Windwaker — Love Language (Fearless Records)
  • Wo Fat — The Singularity (Ripple Music)

Friday, May 13

  • 3LH — Silver Dream Road (My Grito Industries)
  • Album Club — Album Club (Last Night From Glasgow)
  • Ayokay — Digital Dreamscape (Astralwerks)
  • Bear’s Den — Blue Hours (Piccadilly Records)
  • Becky G — ESQUEMAS (RCA Records)
  • The Big Deal — First Bite (Frontiers Music srl)
  • The Black Keys — Dropout Boogie (Nonesuch Records)
  • The Bros. Landreth — Come Morning (Birthday Cake Records)
  • Cam Maclean — Secret Verses (Atelier Ciseaux Records)
  • Chainsmokers — So Far So Good (DISRUPTOR/Columbia Records)
  • Charlie Reed — Eddy (Earth Libraries)
  • Chris Bathgate — The Significance Of Peaches (Quite Scientific Records)
  • Dana Buoy — Experiments In Plant-Based Music: Vol. I (Everloving)
  • David Knudson — The Only Thing You Have To Change Is Everything (Seawall)
  • Delbert McClinton — Outdated Emotion (Hot Shot Records)
  • Dorsal Fins — Star Of The Show (Dot Dash Recordings)
  • The Dreaded Laramie — Everything A Girl Could Ask EP (Wiretap Records)
  • Florence And The Machine — Dance Fever (Polydor Records)
  • FredAtLast — Banner Of A Lost Belief EP (Small Matter Records)
  • Gentle Heat — Sheer (Flesh & Bone Records)
  • Graham Bonnet Band — Day Out In Nowhere (Frontiers Music srl)
  • Ilan Eshkeri — Space Station Earth (Masterworks)
  • Ivan Nahem — Crawling Through Grass (Arguably Records)
  • Joel Jerome — Super Flower Blood Moon (Dangerbird Records)
  • Kendrick Lamar — Mr. Morale & The Big Steppers (PGLang/Top Dawg Entertainment)
  • Kevin Morby — This Is A Photograph (Dead Oceans)
  • Loraine James & TSVI — 053 EP (AD 93)
  • Luke Steele — Listen To The Water (EMI Australia)
  • Lyle Lovett — 12th Of June (Verve Records)
  • Mallrat — Butterfly Blue (Nettwerk Music)
  • Mandy Moore — In Real Life (Verve Forecast)
  • Matt Dorrien — Blue Pastoral (Mama Bird Recording Co.)
  • Max Creeps — Nein (Velocity Records)
  • Misery Index — Complete Control (Century Media Records)
  • Moderat — MORE D4TA (Monkeytown)
  • Monophonics — Sage Motel (Colemine)
  • Moon Tooth — Phototroph (Pure Noise Records)
  • Obongjayar — Some Nights I Dream Of Doors (September Recordings)
  • Oded Tzur — Isabela (ECM Records)
  • OT The Real And Statik Selektah — Maxed Out (self-released)
  • Perel — Jesus Was An Alien (Kompakt)
  • Pkew Pkew Pkew — Open Bar (Dine Alone Records)
  • Primitive Man — Insurmountable EP (Closed Casket Activities)
  • Raavi — It Grows On Trees EP (Beauty Fool Records)
  • Quelle Chris — Deathfame (Mello Music Group)
  • Sam Gendel and Antonia Cytrynowicz — Live A Little (Psychic Hotline)
  • Sasha Alex Sloan — I Blame The World (RCA Records)
  • Say Sue Me — The Last Thing Left (Damnably)
  • Sister Ray — Communion (Royal Mountain Records)
  • Sloan Brothers — System Update (Science Project Records)
  • The Smile — A Light For Attracting Attention (XL Recordings)
  • Sofía Valdés — In Bloom EP (Warner Records)
  • Spencer Zahn — Pale Horizon (Cascine)
  • State Champs — Kings Of The New Age (Pure Noise Records)
  • The Stereo — Thirteen (The Stereo)
  • Steve Forbert — Moving Through America (Blue Rose Music)
  • St. Michael Front — Schuld & Sühne (Prophecy)
  • Tank And The Bangas — Red Balloon (Verve Forecast)
  • Teen Jesus And The Jean Teasers — Pretty Good For A Girl Band EP (Domestic La La)
  • They Hate Change — Finally, New (Jagjaguwar)
  • Tops — Empty Seats EP (Musique TOPS)
  • Tray Wellington — Black Banjo (Mountain Home Music Company)
  • Van Morrison — What’s It Gonna Take? (Exile Productions/Virgin)
  • Victor Mucho — Moonlight In Visby (Tone Tree Music)
  • Vonica — If You’re New Here Dance EP (Lamela Records/Awal)
  • Where’s My Bible — Circle EP (Inverse Records)
  • Woorms — Fatalismo (SuperNova Records)
  • Ye Vagabonds — Nine Waves (River Lea)
  • Yves Jarvis — The Zug (Anti-)

Friday, May 20

  • Alex Izenberg — I’m Not Here (Weird World)
  • Andrew Bernstein — A Presentation (Hausu Mountain)
  • Annie Hamilton — The Future Is Here But It Feels Kinda Like The Past ([PIAS] Australia)
  • Avi Kaplan — Floating On A Dream (Fantasy Records)
  • Banditos — Right On (Egghunt Records)
  • Brandon Coleman — Interstellar Black Space (Brainfeeder)
  • Cave In — Heavy Pendulum (Relapse Records)
  • Charlie Hickey — Nervous At Night (Saddest Factory)
  • Courtney Jaye — Hymns And Hallelucinations (Tropicali Records)
  • Craig Finn — A Legacy Of Rentals (Positive Jams/Thirty Tigers)
  • Dave Stewart — Ebony McQueen (‎ Bay Street Records)
  • Dean Spunt And John Wiese — The Echoing Shell (Drag City)
  • Delta Spirit — One Is One (New West Records)
  • Eliza & The Delusionals — Now And Then (Cooking Vinyl)
  • Everything Everything — Raw Data Feel (AWAL Recordings)
  • Fanclubwallet — You Have Got To Be Kidding Me (AWAL Recordings)
  • Flume — Palaces (Future Classic)
  • Gavin DeGraw — Face The River (RCA)
  • Grant-Lee Phillips — All That You Can Dream (Yep Roc Records)
  • Gronibard — Regarde Les Hommes Sucer (Season of Mist)
  • Hanson — Red Green Blue (3CG Records)
  • Harry Styles — Harry’s House (Columbia)
  • Hate Moss — NaN (Stock-A)
  • Hodgy — Entitled (Poortrait Records/Repost)
  • Jeremy & The Harlequins — ABRA CaDaBRA (Yep Roc Records)
  • Jo Schornikow — Altar (Keeled Scales)
  • Joe Rainey — Niineta (37d03d)
  • John Rocca — Once Upon A Time In N.Y.C. (Beggars Arkive)
  • John Williams, Yo-Yo Ma, And The New York Philharmonic — A Gathering Of Friends (UMe)
  • Jordana — Face The Wall (Grand Jury Music)
  • José Medele — Railroad Cadences & Melancholic Anthems (Jealous Butcher Records)
  • LaMacchia — Thunderheads (Aqualamb Records)
  • Lampland — Dry Heat (Park The Van)
  • The Lickerish Quartet — Threesome Vol. 3 EP (Stranger Danger Records)
  • Liz Lamere — Keep It Alive (In the Red Records)
  • The Loyal Seas — Strange Mornings In The Garden (American Laundromat Records)
  • Lykke Li — Eyeye (Pias)
  • Marina Herlop — Pripyat (PAN)
  • Matt Koziol — Wildhorse (RED Creative Records)
  • Mary Lattimore & Paul Sukeena — West Kensington (Three Lobed Recordings)
  • Mavis Staples And Levon Helm — Carry Me Home (Anti-)
  • Mxmtoon — Rising (AWAL)
  • Nate Bergman — Metaphysical Change (Velocity Records)
  • Pete Muller — Spaces (Two Truths Records/Santa Barbara Records))
  • Peter Coccoma — A Place To Begin (Whatever’s Clever)
  • Peter McPoland — Slow Down EP (Columbia Records)
  • Porridge Radio — Waterslide, Diving Board, Ladder To The Sky (Secretly Canadian)
  • Prateek Kuhad — The Way That Lovers Do (Elektra)
  • Ravyn Lenae — Hypnos (Atlantic)
  • Rebelution — Live In St. Augustine (Cerro Redondo Records)
  • Robert Pollard — Our Gaze (Guided By Voices)
  • Semantics — Paint Me Blue (SideOneDummy!)
  • Seth MacFarlane — Blue Skies (Republic)
  • Soak — If I Never Know You Like This Again (Rough Trade Records)
  • Spice — Viv (Laced Records)
  • Tess Parks — And Those Who Were Seen Dancing (Fuzz Club Records)
  • Train — AM Gold (Columbia Records)
  • Uffie — Sunshine Factory (Company Records)
  • The Volebeats — Lonesome Galaxy (Mad Bunny Records)
  • Will Joseph Cook — Every Single Thing (The Vertex)
  • Yotam Ben Horin — Young Forever (Double Helix Records)
  • Zach Bryan — American Heartbreak (Warner)
  • Zinny Zan — Lullabies for The Masses (Wild Kingdom)
  • Zola Jesus — Arkhon (Sacred Bones Records)

Friday, May 27

  • Alfie Templeman — Mellow Moon (Chess Club Records)
  • Bay Ledges — Ritual (Nettwerk)
  • Bottled Up — Grand Bizarre (Misra Records)
  • Brian Jackson — This Is Brian Jackson (BBE)
  • Bruce Hornsby — ‘Flicted (Zappo Productions/Thirty Tigers)
  • Cabin Boy Jumped Ship — Sentiments (AFM Records)
  • The Chineke! Orchestra — Bob Marley & The Chineke! Orchestra (Island Records/UMe)
  • Coheed And Cambria — Vaxis II: A Window Of The Waking Mind (Roadrunner Records, Inc.)
  • Companion — Second Day Of Spring (Companion)
  • CoN&KwAkE — Eyes In The Tower (Native Rebel Recordings)
  • Def Leppard — Diamond Star Halos (Universal UMC)
  • Erin Anne — Do Your Worst (Carpark Records)
  • Federico Aubele — The Holographic Moon (Rude Records)
  • First Hate — Cotton Candy (Cascine)
  • Flower Face — The Shark In Your Water (Nettwerk)
  • DJ Haram And Moor Mother — Nothing To Delaware (Hyperdub)
  • HAAi — Baby, We’re Ascending (Mute Records)
  • Hey Thanks! — Start/Living (Iodine Recordings)
  • Hifiklub — ScorpKlub I & II Original Soundtracks (Electric Valley Records.)
  • Jahmal Padmore — Esparonto (Telephone Explosion Records)
  • James Edwyn And The Borrowed Band — Highlights Of The Low Nights (Last Night From Glasgow)
  • Jean Carne, Adrian Younge & Ali Shaheed Muhammad — Jean Carne JID012 (Jazz Is Dead)
  • Jeshi — Universal Credit (Because Music)
  • Jukebox The Ghost — Cheers (BMG)
  • Just Mustard — Heart Under (Partisan Records)
  • Liam Gallagher — C’mon You Know (Warner Music UK)
  • Magi Merlin — Gone Girl EP (Bonsound/AWAL)
  • Maria BC — Hyaline (Father/Daughter)
  • Mark Tremonti — Tremonti Sings Sinatra (JMM)
  • Melissa Weikart — Here, There (Northern Spy Records)
  • Michael Schenker Group — Universal (Atomic Fire Records)
  • Mirraa May — Tales Of A Miracle (Island)
  • Nduduzo Makhathini — In The Spirit Of Ntu (Blue Note Records)
  • One Armed Joey — Happiness, To Me (Sell The Heart Records)
  • Rip Room — Alight And Resound (Spartan Records)
  • Rosie Carney — I Wanna Feel Happy (Color Study)
  • Sarayasign — Throne Of Gold (Siren Records)
  • Say It Anyway — Picture Frames EP (Real Ghosts Records)
  • Sean Paul — Scorcha (Island Records)
  • Shaggy — Com Fly Wid Mi (Atlantic)
  • Simon McBride — The Fighter (earMUSIC)
  • Slang — Cockroach In A Ghost Town (Kill Rock Stars)
  • Sofie Birch — Holotropica (interCourse)
  • Stars — From Capelton Hill (Last Gang Records/MNRK)
  • Steve Earl & The Dukes — Jerry Jeff (New West Records)
  • Tate McRae — I Used To Think I Could Fly (RCA Records)
  • Ulf Ivarsson & Bill Laswell — Nammu (Ropeadope)
  • Venus Principle — Stand In Your Light (Prophecy Productions)
  • Wallis Bird — Hands (Bird Records)
  • Wild Wild Wets — Love Always (Yeah Yeah Blah Blah)

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Categories
News Trending Viral Worldwide

This Sweet, Smoky Oaxacan Old Fashioned Is The Perfect Cinco De Mayo Cocktail

If you’re going to mix up a new tequila cocktail, this is the week to do it. While a margarita, a paloma, ranch water, or even the 70s classic tequila sunrise might be the first drinks that come to mind, a Oaxacan old fashioned should also be on your list. Another iconic agave-based cocktail, the Oaxacan old fashioned is a guaranteed crowd pleaser that also happens to be pretty easy to make at home, as long as you have all the ingredients.

Before we dive in, let’s talk about the drink because this one is a modern classic. It comes from the current cocktails gods at Death and Co. — which happens to run one of our favorite hotels in Denver. The drink was devised in the mid-aughts, just as the mezcal boom began in earnest. The drink is a take on an old fashioned combining reposado tequila (made from Blue Weber agave in Jalisco) with smoky standard mezcal (made with various agaves in Mexico but centralized around Oaxaca). And now that the mezcal and tequila boom are really hitting the stratosphere, the drink is gaining serious mainstream popularity.

Anyway, the point is, the Oaxacan old fashioned is both delicious and easy. If you can stir up a bourbon old fashioned, you can make this.

Also Read: The Top Five Cocktail Recipes of the Last Six Months

Oaxacan Old Fashioned

Mezcal Old Fashioned
Zach Johnston

Ingredients:

  • 1.5 oz. mezcal
  • 1.5 oz. reposado tequila
  • 2 dashes of Angostura bitters
  • 2 dash of orange bitters
  • 1 barspoon raw sugar
  • 1 barspoon of mineral water
  • Orange peel
  • Ice

When it comes to the mezcal, I’m going easy with Casamigos Mezcal. It’s findable, well-made, and works best as a cocktail base because it’s bold. It’s fruity, herbal, and plenty smoky. It’s also a Oaxacan mezcal made by fourth-generation mezcaleros with Espadin agaves.

As for the reposado tequila, I’m using Corralejo Reposado. I really dig this tequila for mixing because, again, it’s bold. It spends 12 months resting in American oak where it picks up nice bourbon-y notes of vanilla, wintry spice, and dried fruit. And that helps to give this drink that whisper of whiskey old fashioned vibe.

Mezcal Old Fashioned
Zach Johnston

What You’ll Need:

  • Rocks glass
  • Cocktail jug
  • Strainer
  • Barspoon
  • Jigger
  • Paring knife
Mezcal Old Fashioned
Zach Johnston

Method:

  • Pre-chill the glass in the freezer.
  • Add the one barspoon raw sugar, one barspoon of mineral water, two dashes of Angostura bitters, and two dashes orange bitters to the cocktail mixing jug. Stir until sugar starts to dissolve and create a base.
  • Add the one ounce mezcal and one ounce tequila to the jug and then stir until sugar is almost completely dissolved (about 30 to 40 seconds).
  • Add ice to the jug (about 2/3 full) and then stir until the jug is ice cold to touch (about 45 to 60 seconds).
  • Retrieve the glass from the freezer, fill it with fresh ice, and strain the cocktail into the glass.
  • Slice a thin layer of orange peel and then express the oils from the peel over the glass. Then rub the orange peel oils around the rim and body of the glass before dropping it into the cocktail. Serve.

Bottom Line:

Mezcal Old Fashioned
Zach Johnston

I’ve had these a few times over the last decade or so and they’ve never quite hit for me. Maybe it’s because I’ve been in Islay drinking tons of smoky whiskies lately, but this really spoke to me today. The smokiness was dialed all the way back as the wood, spice, and vanilla vibed with the herbal nature of the bitters. The orange added a nice counterpoint which brightened everything up. It’s light and refreshing while carrying a serious flavor profile that you can savor.

Overall, this is a really easy drink to stir up. I’m all in on mezcal old fashioneds now. Give me the smoke. Hell, maybe I’ll try this with some peat-bomb from Islay next just to see what happens. Double your smoke, double your fun. That’s a saying, right? Enjoy, folks.

Categories
News Trending Viral Worldwide

Sam Raimi Is, Finally, Back With ‘Doctor Strange In The Multiverse Of Madness’

It has been, somehow, none whole years since we had a Sam Raimi directed movie. And now he’s back in the Marvel universe (well, that should be “universes,” plural) with Doctor Strange in the Multiverse of Madness. This was a unique situation because I am talking to Sam Raimi about his new movie, which also happens to be a movie I hadn’t seen (I was shown about 20 minutes). We do know there will be a lot of surprises and, my best guess is, they don’t want people like me asking about those surprises before the movie comes out. So, ahead, there’s probably more Evil Dead II and Army of Darkness talk than might be expected for an interview with a beloved director putting out a new, highly anticipated, Marvel movie.

Though, we got into a lot about Spider-Man: No Way Home. Specifically, after the events of that movie, Raimi’s three Spider-Man movies are now, technically, the beginning of the MCU. (Though that will probably change after Multiverse of Madness.) How does Raimi feel about that? He seems very excited. And of course he’s being asked if he would like to make a new Spider-Man movie with Maguire (fair question!), but has he and Maguire even talked recently? Also, Raimi famously didn’t want to use Venom in Spider-Man 3, now that Venom has his own series of hit movies, I was curious what he thought about all that. And if there’s an DC character Raimi has had his eye on.

Just last night we watched Hard Target. I know you were very involved behind the scenes in that movie. Anyway, that movie rules.

John Woo is a great filmmaker and this was his first American film. My buddy Rob Tapert and I got a hand in producing it.

So, this is a weird situation because people loved Spider-Man: No Way Home so much. Now you’re following that, but following something you kind of started. I can’t even think of another example of that.

Well, I feel like more that I’m one of those Marvel writers or artists that worked in the bullpen and sometimes they’d work on Spider-Man and after a year or two, they’d be sent over to work on Doctor Strange a couple of months. Then they’d come back to The Avengers and Spider-Man would make a guest appearance in it. So it actually has a long history of this type of switching superheroes and stories just in a different media, the comic book media.

Your Spider-Man movies were their own thing and now, kind of technically, they’re part of the MCU retroactively because of the last movie. Have you thought about that?

You bet I did. They let me in the club! They let me in the club!

The MCU kind of really starts with your first Spider-Man movie now, at least at this moment.

That was awesome. I mean, where it all begins, it keeps changing, like the multiverse. The beginning, you look back, it’s so weird that the beginning of something can change with a different perspective. But yes, right now, Spider-Man is sort of the first MCU movies. I’m thrilled to be in the club.

When do you find that out? That Tobey is going to be in that movie? Did you know before you signed on to direct Doctor Strange?

As we were talking about this movie, they pulled me aside and said, “Here’s what’s happening with No Way Home.”

I’m sure they want your blessing, right?

They didn’t need that.

No, they don’t need it, but I’m sure they want it.

Yes… I don’t know if they care, but they’re so nice to work with. They probably do care. Mostly they’re concerned about the integrity of the character itself. More than any individual that’s working in the business, making them happy, they’re interested in preserving the truth of what Stan Lee and Steve Ditko have created and pleasing the fans. It’s great to have a company that minds the store. They own and supervise the characters. That’s where their decisions are based on, not pleasing the shareholder, but pleasing the fan.

Do you ever sit back and think how things have changed so much? In the ’90s no one wanted to make your Thor movie. Now it feels like any character could get a movie.

It is crazy. It’s a fan’s dream to be alive right now when all these properties, I mean, I never even thought most of these properties that they’re making now would ever see the light of the movie screen. It’s fantastic. I read all these great reviews about Moon Knight and who would’ve thought that would happen?

That’s a great example.

It’s fantastic that they’re able to do that.

Speaking of characters that I can’t believe movies exist for them, you kind of famously didn’t want to use Venom in Spider-Man 3. Have you seen either of the Venom movies?

I have not seen them.

Basically, the way they cracked them was just make them crazy and almost like a screwball comedy about the relationship between Eddie and Venom.

That makes sense. I’m glad they were able to make a success out of that.

Why did you find that character so difficult? Other than not wanting to use him in the first place.

It was really more just that I didn’t understand the character that well. It wasn’t close to my heart. The best thing I like about Stan Lee and Steve Ditko’s Spider-Man is that they made relatable characters that I understand. Even if they were confused, like Norman Osborn, they still have goodness in their heart. They want them to do the right thing, or Peter Parker. Or even J. Jonah Jameson has goodness in his heart. When I read about Venom, which I hadn’t read as a kid, I had to catch up on it when they wanted him to be in the movie. I didn’t recognize enough humanity within that character to be able to identify with him properly. That’s really what it boils down to.

A lot of your recent interviews you get asked if you want to make another Spider-Man movie with Tobey. Have you actually spoken to Tobey since No Way Home came out? Do you two still talk?

No, I only see Toby every year and a half or so. We haven’t spoken yet, but I loved his performance in this movie, No Way Home, and I love him as a person. We just have been out of touch. I’ve been in Europe making this movie actually.

Right, and also the pandemic.

Oh, absolutely. Yeah. I saw him right before the pandemic.

It really does feel like people got reintroduced to his Peter and remember how much they like it.

You know what, it’s not even for me to say whether anything like that would be possible. It’s Sony Pictures and they’re going really strong with their Spider-Man stories right now. I don’t think they want to change up things at this moment. But I haven’t really pursued it, so I don’t really know.

I saw a debate online the other day about if people like Evil Dead II or Army of Darkness more. I’m curious which one do you feel closer to?

Well, I love watching Bruce in anything he’s in.

He’s in both those movies, so that’s a tie so far.

I know. I love him. I love him in the movies. My favorite part of any of those movies is when he’s either being the jackass in Army of Darkness, the loud mouth in it. Or just the guy who’s becoming the badass monster killer in Evil Dead II. So I like different parts of them. I don’t know if I like one better than the other. I haven’t seen them in 15 years.

I just re-watched both of them in the last few months. They’re good. That’s what I’m trying to tell you, I like a lot of your movies.

Thank you so much. I really appreciate it.

You’ve been involved with so many Marvel characters, even Thor in a way. Obviously, Darkman is its own thing. You mentioned that you’ve read a lot of DC. Is there a DC character that hasn’t really been touched much that you’re interested in?

Not one that hasn’t been touched a lot.

Okay. Which one do you like?

Maybe under that category, The Shadow.

‘Doctor Strange in the Multiverse of Madness’ will open on Friday, May 6th. You can contact Mike Ryan directly on Twitter.

Categories
News Trending Viral Worldwide

The Vampire Community Issues A Stern Warning To Amateur Blood Drinkers Megan Fox And Machine Gun Kelly

Some couples celebrate their engagement with chocolate or champagne. Megan Fox and Machine Gun Kelly commemorated theirs by drinking each other’s blood. “And just as in every lifetime before this one, and as in every lifetime that will follow it, I said yes… and then we drank each other’s blood,” BDSM Spice wrote in an Instagram post after her “I Am Weed” lover popped the question. When asked in a recent interview whether she was kidding about the whole blood-drinking thing, Fox said, “It’s just a few drops, but yes, we do consume each other’s blood on occasion for ritual purposes only.”

There’s nothing wrong with two consenting adults drinking the other person’s blood, as long as it’s done safely. TMZ spoke to New Orleans Vampire Association co-founder Belfazaar Ashantison about Fox and MGK, and he urged the celebrity couple to “take proper precautions before drinking their lover’s blood, including testing for potential diseases and blood-borne illnesses, from which he says vampires are not immune.”

Ashantison says most vampires do extensive research on their blood donors before using even the slightest drop. He says it took him six months to get to know his blood donor and feel comfortable drinking their blood, and they still get tested every three months just to be sure.

Vampyre Sanguinomicon: The Lexicon of the Living author Father Sebastiaan, who has been “active in the Vampire / Vampyre subculture since 1992,” also warned that “blood withdrawal should only be done through medical professionals.” Someone like Dr. Acula.

Megan Fox’s vampire movie suddenly makes a lot more sense.

(Via TMZ)

Categories
News Trending Viral Worldwide

Jason Kidd Says Suns Bigs Ability To Score Will Test Dallas Because ‘This Isn’t Gobert Or Whiteside’

The Dallas Mavericks are getting ready for a very different challenge in the second round of the NBA Playoffs after dispatching of the Utah Jazz in six games. The top-seeded Phoenix Suns bring a much different level of floor balance on the offensive end than the Jazz have, and for a Mavs team light on big men, that figures to be a challenge.

Jason Kidd was asked about just that prior to Game 1 and how the Mavs will have to adjust to a Suns team that looks to score in very different ways from the Jazz, and the Mavs’ head coach gave a good answer about their three-level scoring while also accidentally burying the Jazz’s bigs while heaping praise on Deandre Ayton and JaVale McGee.

“Our game plan against Utah is not going to work against the Suns so we’ve already changed that mindset because we’re not playing the Jazz. We understand their strength is the midrange, but they can hurt you with the three and they can hurt you in the paint with JaVale and Ayton. So, this isn’t Gobert or Whiteside. These guys can put the ball in the basket. So, our bigs are going to be tested.”

He’s definitely not wrong, it’s just a little inadvertent twist of the knife to the Jazz as they go into a summer with more questions than answers. It is a bit funny that he led with JaVale in this instance considering his threat is almost entirely as a lob finisher and putback guy, while Ayton is certainly the more dynamic post scorer and shooter.

Kidd is right that how the Mavs bigs, which are the biggest question they have as a team, handle the pressure that Ayton in particular can put on them will be critical for them to have a chance in this series. For the Suns, their patience and willingness to go inside and attack those matchups throughout the game — something they at times would forget to do against the Pelicans when they went small — is going to dictate just how much the Mavs are punished for not having someone that physically matches up with Ayton on that end. Part of the reason the Mavs had so much success going small in the first round was that, whether through not wanting to or not be able to, the Jazz could not punish mismatches inside with Gobert or Whiteside and it’s clear Kidd knew that and took advantage of it.

Categories
News Trending Viral Worldwide

Yeah Yeah Yeahs Announce Shows In New York And Los Angeles And Release A Teaser Video

In March, New York City rock icons the Yeah Yeah Yeahs announced their first UK shows in nine years. They’d been pretty quiet for almost a decade since their last new album Mosquito. Along with that announcement, they made a statement that mentioned having “some tunes so fresh and so NEW to try out on you!”

They’re back today with some more surprises. They’ve signed to indie label Secretly Canadian and announced shows in New York and Los Angeles. The New York date is October 1 at Forest Hills Stadium with The Linda Lindas and a special guest to be announced, and the Los Angeles date is October 6 at the Hollywood Bowl with The Linda Lindas and Japanese Breakfast. New music will be coming this fall, but for first now we just get a teaser.

“It’s with true life-affirming pleasure to announce our two headline shows in our two hometowns NYC AND LA,” Karen O said in a statement, “supported by two wildly gifted bands Japanese Breakfast and The Linda Lindas at the Hollywood Bowl, with The Linda Lindas supporting in Forest Hills and our other support TBA soon! Representin’ a few generations yo! Cannot wait to see you there! New music! New Era! And New Home with Secretly Canadian! Much to celebrate!“

Find ticket information on the band’s website. Check out the teaser video for new music above.