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Draymond Green Believes Missing Out On The All-Defensive First Team Is A ‘Slight’

Last month, Draymond Green earned his seventh All-Defensive Team berth in eight seasons when he was voted onto the Second Team. Prior to a back injury that sidelined him for more than two months, Green was the presumed favorite for Defensive Player of the Year. Ultimately, he only suited up for 46 regular season games and Marcus Smart collected his first Defensive Player of the Year trophy.

Yet when Green met with reporters on Tuesday and discussed his All-Defensive honor, he expressed some confusion and frustration with the accolade.

“For me, it’s a slight,” Green said when asked how he perceived the recognition. “When I look at the first team, I am not sure I can pinpoint, definitely not five guys that had a better defensive season than me. And there are no [games played] requirements. There is not some amount that you have to play in. If there was an amount that you had to play, then I would be an idiot sitting here and saying that.”

Green joined Bam Adebayo, Jrue Holiday, Matisse Thybulle and Robert Williams III on the Second Team. Meanwhile, Smart, Jaren Jackson Jr., Rudy Gobert, Mikal Bridges and Giannis Antetokounmpo composed the First Team.

“It goes on the resume as an All-Defensive team, so I will take it,” Green said. “But I was a little shocked when the First Team and I was like, ‘Hmm, that’s interesting. Maybe I didn’t make it at all.’ But then, the fact that I made the second team, there are more than five defenders [better] … you had to totally take me off and then I’ll be like, alright, they voted on the amount of games [played].

“But it makes absolutely no sense to say, well, he was a Second Team All-Defensive player because then you can’t be taking the amount of games into consideration. And if you are taking the amount of games into consideration and say, ‘Oh this guy is Second Team,’ then you are just making stuff up.”

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Maggie Rogers Unveils A Video For ‘Want Want,’ Her ‘Sex, Sensuality, And Desire Anthem’

Maggie Rogers has kept busy lately: Along with working on her recently announced album Surrender, she also just got a master’s degree from Harvard Divinity School. As for the album, she previewed it previously with “That’s Where I Am” and she returned today with another new track, “Want Want.”

Like the single that preceded it, “Want Want” also has a bit of a rock influence, which Rogers uses to add an edge to the sensual tune. Rogers called the song her “sex + sensuality + desire anthem.”

She also said of it in a statement:

“‘Want Want’ started in Maine during the pandemic in a small studio assembled over my parents’ garage. I wrote and produced it with my old bandmate, Del Water Gap. It was really just about the fun of it all. Some bubblegum world to escape to in the middle of the isolation and darkness. The song found its final form over the next year and a half, editing and re-editing with Kid Harpoon until we found the perfect knock-your-teeth-out drums, the right growl of the guitar tone. That roaring synth, it’s just a Prophet stock sound, but it always reminded me a little bit of the intro to ‘Iron Man’ by Black Sabbath. The right amount of bite that still invites you in.”

She added of the video, “The video is about sensuality. About embodiment. About freedom. It was shot in in one of my favorite karaoke bars. Sticky floors and fluorescent lit bathrooms. Everything in its right place.”

Watch the “Want Want” video above.

Surrender is out 7/29 via Capitol. Pre-save it here.

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Kim Petras Covers Kate Bush’s ‘Running Up That Hill’ As An Homage To Pride Month

In a delightful turn of events, Kate Bush’s immaculate “Running Up That Hill” has returned to mainstream consciousness after being used in a pivotal scene from a recent episode of Stranger Things. No sooner after the episode aired, did the song climb to the the No. 1 spot of the iTunes charts, because kids just needed to know, “What was that song?!” It must be a surreal feeling to discover Kate Bush in 2022. But I digress… because here come the covers!

Never mind that Chromatics already made the perfect cover of “Running Up That Hill” 15 years ago, Kim Petras’ new version is in a far different vein — and probably a little truer to the original than the sultry Chromatics spin. Petras manages to make the song feel even more overtly ’80s (it was released in 1985) by overlaying a decidedly dancefloor pastiche on the tune.

The release is actually part of Amazon Music’s “Proud” playlist that the service just released for Pride Month in June and also includes tracks with Pablo Vittar, Angel Olsen and others. Petras — a trans icon — shared a statement on why the song matters to her: “I have always been obsessed with ‘Running Up That Hill.’ It means so much and it’s so elusive. You can definitely decide what you want it to mean. For me, it’s about equality. And my timing for this was strangely perfect!”

Listen to Kim Petras’ cover of Kate Bush’s “Running Up That Hill” below on Amazon Music’s Proud playlist.

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The 1975 Confirm Their Fifth Album Is On The Way With A New Photo

The 1975 is preparing to do it for the ’75 and possibly the ’22, as they tweeted about their forthcoming, currently untitled album today (June 1). The tweet, which features a new photo of the band, reads, “Your new album. Your new era. Your old friends.” Though there is no date provided just yet, the pop-rock band did provide a link to their website where fans can sign up for news regarding “album 5.”

Fans have also spotted posters that make note of the date July 7 and feature the same image that’s on the aforementioned sign-up link.

This album will follow what could be deemed a short hiatus for the group, as they appeared on 2021 record “Spinning” alongside No Rome and Charli XCX, which was later remixed multiple times by A.G. Cook. Otherwise, the band hasn’t released their own music since 2020’s 22-song Notes On A Conditional Form, anchored by five singles “Guys,” “The Birthday Party,” “Me & You Together Song,” “If You’re Too Shy (Let Me Know),” and “Jesus Christ 2005 God Bless America.”

Notes debuted atop the UK Albums chart, selling 34,000 album-equivalent units whereas, in the United States, it debuted at No. 4 on the Billboard 200 Albums chart with 54,000 album-equivalent units sold. Notes, which also topped the United States Billboard Top Rock Albums list, marked The 1975’s third top-five album on the Billboard 200 chart.

Check out their announcement via Twitter above and stay tuned for more news.

Charli XCX is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Hey Che Diaz Fans (Or Enemies), Your Prayers Have Been Answered (Or Ignored) For ‘And Just Like That…’ Season 2

Plenty of reasons exist (including projectile vomiting) for why And Just Like That… turned out to secretly be a horror show. The foremost reason on a lot of people’s minds, though, was an easy scapegoat: Che Diaz. The character, portrayed by Sara Ramirez, received a lot of backlash, and I actually (begrudgingly) enjoyed how the show decided to have fun with this non-binary character and make them interesting, rather than, you know, safe. Yes, Che was brash as hell and abrasive and I probably wouldn’t want to hang in the same room with them, but damn, Che made the first season worth it.

Well, Season 2 of the sequel show is on the way, although we didn’t receive any confirmation that Che Diaz (who decided to head outta New York to make a TV pilot) would return to further rock Miranda’s world. Now (and on this first day of Pride Month), Ramirez appears in a fantastic profile in Variety, and the piece is really worth a read. However, I want to point toward the confirmation from showrunner Michael Patrick King, who says that Che will definitely return, and get ready because added Che dimensions are on the way:

King himself is effusive when he speaks about Ramírez — and about Che. “One of my burning passions about Season 2 is Che,” he says. “I want to show the dimension of Che that people didn’t see, for whatever reason — because they were blinded, out of fear or terror. I want to show more of Che rather than less of Che. Like, really.”

I don’t know about you, but this is rather exciting news. More Che! Hey, if Che left the show, all we’d be left with is the shadow of a Peloton to make things feel layered. And we can’t have that. As for Ramirez, they told Variety that they didn’t take the pushback against Che personally. “I choose what I receive, right?” declared Ramirez. “I don’t have to receive everything! And this is Michael’s baby. He created this role. He wrote it. Those are his and his writing team’s jokes.” Hey, don’t call it a comeback for Che Diaz, but do read the full Variety piece here.

(Via Variety)

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An iconic scene in ‘Stranger Things’ has made this 37-year-old Kate Bush song a number 1 hit

It’s not every day that an obscure relic from ’80s alt pop completely dominates the charts, takes over social media and becomes a Gen-Z approved cultural phenomenon more than three decades after its original release … all over the course of one weekend, no less. But Kate Bush’s “Running Up That Hill” has done it, thanks to “Stranger Things.”

The widely popular Netflix show has been bringing ’80s pop culture back into the mainstream since its premiere—particularly with things once considered very uncool, like Dungeons & Dragons. But “Running Up That Hill,” wasn’t just used to instill nostalgia or redeem something previously weird (although it does that too). The song plays a pivotal role throughout the season that audiences are responding to on an emotional level.


When a young girl named Max (played by Sadie Sink) becomes haunted by the death of her stepbrother Billy, she starts playing the song over and over again on her Walkman to process her grief.

max song stranger things

The lyrics “If I only could, I’d make a deal with God, and I’d get him to swap our places” seem to perfectly encapsulate what she might be feeling under her generally tough exterior, and to some extent what anyone who has faced irrevocable loss might feel.

Bargaining, attempting to postpone pain by imagining these “what if” scenarios, is a stage of grief many of us find ourselves in. Though that isn’t necessarily the song’s original meaning, it just works in this context beautifully.

stranger things season four

Later, that song is the very thing that saves Max from the evil alternate dimension known as the Upside Down. It pulls her mind away from the darkness and back to her friends, her world and herself. I think everyone has their own “Save Me From The Upside Down” song—a tune or even a whole album that connects them back to their humanity, which is why so many viewers were touched.

Funny enough, for me that lifesaving music is Kate Bush, so this whole moment is super vindicating. Is this what being a hipster feels like?

If you have somehow never witnessed the utterly dramatic, super eclectic, whimsical-yet-bonkers music of Kate Bush, you’re in for a treat. For some, her vibe was way too out there. In fact, according to Unilad, “Running Up That Hill” was even banned from MTV for being “too weird.”

For others, like me, Kate Bush was a spiritual experience.

kate bush running up that hill

Not only did it help me escape from otherwise dreary times to fantastical realms, nothing made me feel more encouraged to embrace my own nonconformity. During my teenage years, that was everything.

Below is the original music video for “Running Up That Hill”— complete with interpretive dance moves—just to give you a taste of Kate Bush’s genius.

Since it was released in 1985, the song has been covered numerous times by artists including Tori Amos, Tiffany and Placebo. But for the most part, it has been held in reverent obscurity by only diehard fans. The latest season of “Stranger Things” not only catapulted “Running Up That Hill” to No. 1 on iTunes, it has younger generations now obsessed with all things Kate Bush.

Even the bizarre way she pours tea has gone viral on Twitter.

Is it unsettling to see an artifact from your formative years suddenly be part of the public zeitgeist? Yes, it is. But mostly it’s delightful.

“Stranger Things” is at its heart a story that celebrates outcasts. From the beginning it’s made heroes of outsiders and helped younger audiences appreciate things older generations might have once held shame in loving.

kate bush stranger things

Bush’s music is a flavor of uplifting weirdness the world could really use right now, and how thrilling it is to see its much-needed renaissance.

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The New ‘Sonic Frontiers’ Gameplay Trailer Shows Off Its Open World

Sonic Frontiers is maybe the boldest direction SEGA has taken their mascot hedgehog yet. No stranger to trying something new, Sonic’s gameplay has changed many times since his jump to 3D, but never before has he been thrown into a fully open world. That is going to change with the expected release of Frontiers sometime in 2022.

With this change to open world, there have been plenty of questions about how SEGA planned to take a character who has always been in very linear games and put them into an expansive free to explore location. Also, how did they plan to keep Sonic’s iconic speed while also making this world feel large and fun to explore? On Wednesday, everyone got a chance to take a look for themselves at what was in store for Sonic in his next adventure.

There are two major details that stick out. The one that I personally noticed before anything else was that this looks like they just blew up a few Sonic levels, spread them out, and created a fun place to let Sonic traverse. Everything appears to be designed for constant momentum so the more skilled players will always find new rails to grind on, new speed ramps to run on, and towers to climb.

The other notable detail is that Sonic sticks out in a very odd way. The world has a hyper realism that Sonic’s cartoonish design doesn’t really fit into. Of course, anyone that’s been a fan of Sonic since the Sonic Adventure days probably doesn’t find this to be that odd. This artistic decision could be potentially off-putting, especially since the world itself doesn’t have the greatest graphics in the world. Fans that want their games to look as good as they play might not be happy with what we’ve seen so far.

Of course, this is only just a trailer and with no set release date yet there is still plenty of time for changes to be made to the game before its eventual release date.

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Al Horford Is A Reminder To The Celtics Not To Take This Chance For Granted

The Boston Celtics are headed back to the NBA Finals for the first time since 2009, clearing a hurdle in the Eastern Conference Finals that caused them to stumble in three of the last four seasons. It will be the first Finals appearance for everyone on the roster, as the young, homegrown core of Jayson Tatum, Jaylen Brown, and Marcus Smart finally shook off questions of whether there was a ceiling on how much they could accomplish together.

For these young Celtics, it’s a reminder of the importance of patience and timing, as the stars aligned for their run through the beasts of the East: an all-time 7-seed in Brooklyn, the reigning champs in Milwaukee, and the 1-seed in Miami. Their young core all took strides forward together, with Tatum leaping into an All-NBA slot, Smart becoming the Defensive Player of the Year, and Brown asserting himself as a secondary All-Star to fuel this run. Around them, other young players all coming into their own like Grant and Robert Williams, as well as new addition Derrick White.

Joining this group of all 20-somethings in their first Finals is Al Horford, who will turn 36 between Games 1 and 2. He is the oldest player of the team’s regular rotation by nearly eight years (Smart is 28) and as such brings a unique perspective and presence to the locker room. He was once like Tatum and Brown, a young player who had never seen a season end before the postseason, but where the young believe their time is inevitable, Horford is a reminder that Finals run is never a guarantee.

On Thursday night in San Francisco, Horford will see his name officially come off the top of the all-time list of NBA players with the most playoff games played without a Finals appearance. It will be the culmination of a journey in which Horford has always been a winning player — two championships in college, 14 out of 15 NBA seasons in the playoffs (his only blemish came last year on a Thunder team that actively did not want to make the postseason), and 12 out of 15 NBA seasons above .500 — but never got past the conference finals. Three times his season ended in the penultimate series, all three coming to an end at the hands of LeBron James’ Cavaliers, whose dominance over the East saw challengers rise and fall for a decade — his former Hawks teammates, Paul Millsap and Joe Johnson, will now assume the top two spots on that list.

The result of those exits is that Horford has found himself faced with the cruel truth of the modern NBA, where legacies are defined by championships, and being merely “very good” for a long time rarely garners the respect it should from the masses. This year’s Celtics run has been a reminder of everything Horford brings to a team, and also what most every squad he’s been on until now has been lacking.

Horford has improved his play from the regular season in every facet during these playoffs, stepping up in the absence of Robert Williams to become the switch-everything anchor of Boston’s hellacious defense that led them to the Finals. Against three unique challenges in the Nets, Bucks, and Heat, the Celtic defense has stood firm, in no small part due to the activity level of Horford, who has managed to maintain his frenetic energy level despite a gigantic minutes load of 36.8 per game (up from 29.1 during the regular season). Game 7 against Miami put his unique skillset on full display, as a pair of early defensive plays set the tone for Boston’s early run to a lead.

Since he came in the league, Horford has been an underrated shot blocker despite his size relative to other centers, because his timing and long arms for make him a tremendous rim protector. That coupled with his quickness allows him to contest shots all over the court, and Boston has unlocked another level of their defense by deploying him both as the center and at the four next to Robert Williams, taking advantage of his malleable skillset and switchability.

On offense, he has been a more efficient scorer at every level and a more aggressive shooter, shooting 50 percent from the field and 43.2 percent from three on 4.4 attempts per game in this postseason. His Game 4 performance in Milwaukee was the high water mark of this postseason, but throughout the playoffs, he has hit timely shots and provided some needed floor-spacing, particularly when Boston goes to its top defensive units.

None of this is particularly new for Horford — albeit his three-point percentage is his second-highest of his playoff career — but for one of the first times in his career, he finds himself only asked to do what he does best. Those early Hawks teams had an elite isolation scorer in Johnson but lacked the secondary creator or scorer these Celtics have in Brown, while the late-era teams had a great team concept but lacked the high-level isolation scorer like Tatum. The previous Celtics teams Horford was on didn’t have this version of either and faltered for it. The Sixers were the Sixers.

A perfect storm of internal development and timely additions has pushed Boston into championship contention, and it’s clear that Horford feels that difference. His energy level is not that of a 35-year-old and he looks like a different player than the one we saw the last two years Philly or OKC when he was appearing to slow down. As a result, he’s playing more minutes than he has since the 2011 postseason.

On a team full of younger players who surely feel these opportunities will be aplenty, Horford knows all too well how fleeting they can be and seems determined not to let this particular chance slip. While his young teammates glide across the court almost effortlessly, bursting with youthful exuberance and athleticism, you can see Horford gritting his teeth and pumping his arms, trying to get every ounce of energy out of his body, knowing there might never be a better opportunity to reel in that elusive ring.

His teammates can’t help but notice that and feel that sense of urgency themselves. As Brown noted after their Game 7 win in Miami, he was thrilled to see Horford get this moment, offering an appreciation for all the veteran big man has done for him and the team, on and off the floor.

However this ends, Horford will at least have finally got his chance to play on the league’s grandest stage. A place a winning player belongs.

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Aespa Announces A Global Partnership With Warner Records Ahead Of Their New Single ‘Life’s Too Short’

Rising K-Pop group Aespa and SM Entertainment have announced a major global partnership with Warner Records, starting with their lead single “Life’s Too Short” set to release on June 24 ahead of their EP Girls – The 2nd Mini Album set to come out on July 8. By pre-saving Girls, listeners will also gain access to the sneak peek track “Illusion.”

“We are thrilled to be welcomed into the Warner Records’ family and so grateful to have them on board as we embark on our next chapter,” said Aespa. “We are excited for what’s in store, including the release of our new project, Girls – The 2nd Mini Album this summer and being named Apple Music’s Up Next artist!”

Aespa, comprised of Karina, Winter, Giselle and Ningning, made their debut live US performance back in April on the main stage of Coachella. In 2021 they reached a huge milestone upon the release of Savage – The 1st Mini Album, which reached the Top 20 of the Billboard 200 Albums chart, allowing them the claim of having the highest charting K-Pop girl group debut. Savage found its way onto ten other Billboard charts, so one can only imagine what is to come with Girls being powered by this new partnership.

Check out “Illusion” here and pre-save Girls – The 2nd Mini Album out 07/08 via Warner.

Aespa is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Denzel Curry Recruits Key Glock For A ‘Walkin’ Remix From A Rumored Deluxe Edition Of His Album

Denzel Curry’s Melt My Eyez, See Your Future has been out for a little over two months now, and it’s considered in some circles to be among the best albums of the year. Now, after declaring himself the “best rapper alive,” he’s keeping the hype train rolling with a remix of his album’s lead single “Walkin” featuring one of Memphis’ hottest rising rappers, Key Glock. The new version of the song is said to appear on an upcoming deluxe version of Melt My Eyez which will also feature Denzel’s frequent collaborator, IDK.

Key Glock’s new verse finds the Memphis rapper ruminating on similar concepts to Denzel’s. He shares his philosophy of persistence in the face of adversity, which especially resonates in light of the recent murder of Young Dolph, one of Glock’s biggest supporters and best friends.

Denzel’s collection of collaborations has been growing lately, as in addition to teaming up with Slowthai and T-Pain on singles from his own album (“Zatoichi” and “Troubles,” respectively), Denzel also appeared on recent songs from Sampa The Great (“Lane“) and IDK (“Dog Food“). Denzel is also listed among the contributors to the upcoming soundtrack for Baz Luhrmann’s Elvis. Whether he’s the best rapper remains up for debate, but there’s no question that lately, he’s certainly been one of the busiest.

Listen to the “Walkin” remix above.