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Ziaire Williams Looks Like Another Excellent Draft Pick By The Grizzlies

Last summer, the Memphis Grizzlies signaled a ringing endorsement of faith in Ziaire Williams. Shortly before the 2021 NBA Draft, they dealt Jonas Valanciunas — the anchor in the middle and arguably their best player of the past two years — and the No. 17 pick to the New Orleans Pelicans, in exchange for the 10th pick.

With that selection, Memphis nabbed the 19-year-old Williams, who struggled for a few different reasons during his lone year at Stanford, but ultimately holstered enough intrigue to remain a top-10 draftee. Despite his slender, 215-pound frame and the expectation he’d take some time to assimilate to the NBA, Williams carved out a rotational spot in year one for the Grizzlies.

Across 62 regular season outings (31 starts), he averaged 8.1 points, 2.1 rebounds, and one assist on 55.9 percent true shooting. In the playoffs, he generally held a spot off the bench, seeing action in 10 games and averaging 6.9 points on 59.8 percent true shooting.

Much like his Southwestern Division and Southern California buddy Josh Christopher, Williams’ inaugural NBA campaign did not warrant an All-Rookie spot because his contemporaries were simply so splendid. But he, his proponents, and the Grizzlies organization should be optimistic about where he stands heading into year two. The silhouette of a rangy, multifaceted, 6’8 wing who fits long-term alongside the dazzling core of Ja Morant, Jaren Jackson Jr., and Desmond Bane is peering out from under the sun.

Perhaps the most impressive part of Williams’ game as a rookie is the fluidity with which he avoided screens. There were instances where his lack of strength proved detrimental and he’d be caught in the spider’s web of a pick. He’s not a Herb Jones-esque screen navigator. Regardless, he displayed distinct ease and comfort flowing around screens to capably handle some of the heralded point-of-attack assignments Memphis often bestowed upon him.

With how the Grizzlies prefer to send help from the wings and at the nail, Williams achieved success closing down space via his size and coordination. He skinnies over screens and weaponizes his length as an irritant for opposing ball-handlers. There aren’t a ton of 6’8 dudes, let alone rookies, gliding around picks like Williams could last season.

If he improves his lateral mobility — his hips are a bit stiff for changes of direction and he struggles to crouch low and slide at the moment — the makings of a fearsome on-ball defender awaits. Even so, he’s already a pretty useful wing to deploy against screens and handoffs. Instead of sliding or flipping his hips, Williams has a tendency to extend his arms out when initially responding to movement defensively. Cleaning up that habit, while discovering a path to improved core strength and flexibility, would significantly expand the impact of his on-ball chops.

Currently, he’s rather slow and leaves himself susceptible to initiators rejecting screens to explode downhill because he can’t react quickly enough to cut off driving angles. Williams’ physical shortcomings of strength and rigidity are glaring, so monitoring how or if he blots those out could factor heavily into his defensive ceiling. He’s already willing to embrace physicality, which is an encouraging indicator for what may happen if that physicality is reinforced by functional strength.

On-ball equity is not the lone area where Williams bulking up would behoove him defensively. He exhibited keen awareness as a weak-side helper on the interior, applying his length and size to alter shots around the rim. Yet on many occasions, he was dislodged by brawny finishers, with his rotations rendered frivolous. The baseline appeal of his off-ball feel in the paint was evident throughout 2021-22, though.

Given the pre-draft assumption Williams’ path to legitimate minutes might require a year or two of patience, possessions like these accelerated his timeline and heightened the promise of what he will provide at his peak.

Williams isn’t a particularly anticipatory defender. Memphis adhered to a pretty aggressive defensive scheme and ranked fourth in opposing turnover rate (per Cleaning The Glass), yet his steal and block rates didn’t eclipse the 30th percentile. His recognition of where to be wasn’t always ideal, and he proved prone to hastily succumb against shot fakes.

But he routinely aimed to do something, delighted with his on-ball stifles and typically ended up in the proper spots. His rookie year defense crafted a bouncy launching pad from which to travel moving forward.

I’m quite rosy about the long-term hopes of Williams’ defense and how he expands its utility as his prime approaches. The offense leaves me a little more dubious about how high he climbs the hierarchy and increases his usage. Then again, there are discernible bright spots and ways he grows into sizable responsibilities within the Grizzlies’ context.

Williams’ duties last season were overwhelmingly straightforward: space to the corners, launch spot-up threes, leak out in transition, attack closeouts, and cut when the option arises. While the long ball didn’t materialize much (31.4 percent overall, 32.5 percent from the corners), his performance in the latter three realms was promising.

By bolting down the floor, he earned a bevy of easy transition buckets to augment Memphis’ breakneck brigade. In the half-court, when he sensed a time to dart inside, he pounced. According to Cleaning The Glass, he shot 82 percent at the rim (97th percentile among wings). Over 80 percent of those makes were assisted, but he regularly parlayed his headiness for seamless finishes.

Interior scoring, beyond solely around the basket, emerged as a somewhat surprising strong-suit. After converting 42.7 percent of his twos at Stanford, Williams buried 63.2 percent of them last season. His midrange touch sparkled, where he utilized a high release point to comfortably fire over outstretched contests.

On jumpers between 14 feet and the arc, he shot a ridiculous 61 percent (20 of 33), so some regression will presumably confront him next year. The touch was evident, however, and helped him viably puncture closeouts. Between that skill and his bounding strides to generate paint pressure off the catch, Williams ensured his long-range foibles didn’t inhibit him from fashioning value as a release valve scorer.

Williams’ willingness to hoist a high volume of triples (.571 three-point rate) and do so amid timely contests induced consistent closeouts to open these chances inside the arc. His 31 percent (NBA) and 29 percent clip from deep (Stanford) the last couple years are suboptimal, yet I’m of the belief the results will soon succeed the inclination. His release is streamlined, he’s notched nearly 80 percent of his free throws the past two years and the midrange comfort indicates a baseline of positivity.

A paramount factor, as I see it, is building core strength to extend his range. The free throws and two-point jumpers are relevant data points, but he seemingly lacks the requisite strength from three to regularly knock those shots down. Strength really does look like a skeleton key for him on both ends.

Contact aversion is not a problem. If necessary, he’ll battle through the ringer, an endearing and worthwhile quality for any player. He’s merely not equipped to reliably handle it at this juncture and it impedes upon his two-way contributions. Scorers will plow through or coast by him, and pressure flusters most endeavors with the ball in his hands.

Asking him to operate against an organized defense overextends him. The immediate and future allure of him burning tilted defenses is enticing. However, scaling into a creation role wasn’t in the cards during his first season. It may warrant hefty strides to change that.

Addressing his limitations, both as it pertains to ball control and functional strength, could have wide-ranging implications for the depths of Williams’ skill-set. I like his projection as someone who functions as the third-best defender and fourth-best offensive player in a starting lineup. The specific scenarios of the units will influence those determinations, it’s just a broad outline for how good he can be.

Strength leaps could shift him up a peg (or more?) in each regard and establish him as a premier starter. He’d see material gains as an on- and off-ball defender, and potentially invoke pathways to second-side creation. If the latter percolated, he could leverage his shot-making and interior passing to further diversify Memphis’ perimeter offense behind Morant and Bane (and maybe Dillon Brooks is still around).

The Grizzlies continue to ace draft pick and draft pick, all the while accentuating their maturation. After 72 games, Williams stands in line to maintain that tradition and embed himself into the Grizzlies’ roadmap ahead. Based on merit, he closed certain games for a 56-win ball club and stayed in the rotation all season. Between that and the film he produced, he’s absolutely the sort of 20-year-old wing worth being jazzed about.

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The ‘Clerks III’ Trailer Gets The Band Back Together To… Remake ‘Clerks’ Inside ‘Clerks’? Kevin Smith, You Rascal

For years, Kevin Smith has been trying to get Clerks III off the ground, and for a while, it looked like the only thing View Askew fans would see is a script for a film that never got made. However, Smith persevered, and not only is Clerks III locked in for a theatrical release, but it now has an official trailer that finally tips the plot of the film: Randall wants to make a movie about being a clerk at the Quick Stop. Sound familiar? Get ready for a lot of meta jokes.

Smith dropped the first look at the film on Wednesday along with a poster for the heavily anticipated installment that continues the adventures of Dante, Randall, and the Quick Stop crew:

Clerks III first become a reality back in October 2019 when Smith revealed that original cast members Brian O’Halloran and Jeff Anderson were on board with the project after a get-together with the filmmaker made it clear that they had to come back for one last shift.

“We talked about making a movie together,” Smith wrote on Facebook. “It’ll be a movie that concludes a saga. It’ll be a movie about how you’re never too old to completely change your life. It’ll be a movie about how a decades-spanning friendship finally confronts the future. It’ll be a movie that brings us back to the beginning – a return to the cradle of civilization in the great state of #newjersey. It’ll be a movie that stars Jeff and [Brian O’Halloran], with me and Jay in supporting roles. And it’ll be a movie called CLERKS III!

Clerks III hits theaters on September 13, 2022.

(Via Clerks on Twitter)

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Post Malone Will Perform ‘Twelve Carat Toothache’ In A VR Concert

On the whole, concepts like “the metaverse,” “virtual reality,” and “calling Facebook ‘Meta’” haven’t quite caught on with the general public. That hasn’t stopped Silicon Valley from trying to make “fetch” happen (yet), and their latest bid to do so will utilize a character who has caught on with a broad mainstream audience: Post Malone. Per Billboard, Meta (still feels weird, man) will host the beer-loving, cover-crooning pop star’s upcoming 40-minute concert film, Twelve Carat Toothache: A VR Experience on July 15.

The concert will stream on the free online video game Horizon Worlds in the Venues section, as well as Meta Quest 2. Fortunately for those of us who love Posty but don’t own a fancy virtual reality headset, it’ll also stream live on the singer’s Instagram and Facebook pages. It’s said to feature guest performances from the Twelve Carat Toothache featured artists, which include Fleet Foxes, Roddy Ricch, and The Kid LAROI. Post seems most excited about the fact that “we got to light some things on fire too.”

In a statement to Billboard, Post Malone said, “What really appealed to me was Meta being a great partner and allowing us to go absolutely nuts to create some of the most epic sh*t ever. It’s just a really cool, really different way to experience the album. Opening and listening to a new album had always been an experience for me and now with VR and what Meta is doing, it’s taking the meaning of an album experience to another level.”

Twelve Carat Toothache: A VR Experience will be available beginning July 15 through September 30.

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Toronto Is Reportedly ‘Unwilling’ To Trade Scottie Barnes

The Toronto Raptors have been kicked around as a potential landing spot for Kevin Durant. The logic, as laid out by Adrian Wojnarowski of ESPN, is that the Raptors can do a 1-on-1 trade due to the players they have on their roster and the fact that they have their full arsenal of draft picks.

There is one issue, according to Jake Fischer of Bleacher Report. A potential trade between the two teams would, in theory, revolve around Scottie Barnes, the No. 4 pick in the 2021 NBA Draft and the reigning Rookie of the Year. Barnes was a revelation in Toronto last season, and per Fischer, the team does not want to move him this offseason.

“Of important note regarding Toronto: Multiple sources with knowledge of the situation say the Raptors are unwilling to part with reigning Rookie of the Year Scottie Barnes,” Fischer wrote.

It is conceivable that the Raptors can put together a deal that interests the Nets without Barnes, but a hypothetical trade package featuring Pascal Siakam, OG Anunoby, and Gary Trent Jr. with a whole heck of a lot of picks would be quite the difficult pill for them to swallow. During his first year in the Association, Barnes started all 74 games in which he appeared and averaged 15.4 points, 7.5 rebounds, 3.4 assists, 1.1 steals, and 0.7 blocks in 35.4 minutes per game.

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Donald Trump Proudly, And Cluelessly, Shared A Headline Boasting That He Has Become ‘More Popular Since The January 6 Capitol Attack’

It’s been 18 months exactly since the Capitol insurrection of January 6, 2021. And while former president Donald Trump continues to deny that he had anything to do with the deadly attacks perpetrated by his followers (who he described as “well-behaved”), he isn’t being shy about sharing the positive effect they’ve had on his popularity. Or he’s simply not bright enough to make the connection.

As Raw Story reports, on Tuesday evening the former president shared a story from CNN of all places titled “Donald Trump has become more popular since the January 6 Capitol attack” on his TRUTH Social page. While he shared the link as well, the nearly 12,000 people who liked the post or the 2,860 who “ReTruthed” it (yes, that’s the actual word) probably didn’t bother to read it, as it’s not the most flattering portrait. In the month-old analysis, CNN’s Harry Enten asks:

So just what happened to allow Trump to become less unpopular? The answer is probably simple: time. Trump is no longer the president. Americans’ memories tend to be very short. Issues that once seemed important (e.g., controlling the coronavirus pandemic) have sunk to the bottom of the priorities list for most voters, as new concerns arise (e.g., inflation).

The question for which the answer is yet unknown is what happens if Trump decides to run for president again? Will the American public’s strong dislike of him from January 2021 return? Or does distance really make the heart grow fonder?

Whereas Trump had nearly 90 million followers on Twitter at the time he was permanently banned, Raw Story reports that he has just a fraction of that number—3.4 million—on TRUTH. So, given TRUTH Social’s struggles (add it to the list of Trump’s many failed business ventures), perhaps the former president just assumed no one would ever read it.

Ever since former White House aide Cassidy Hutchinson’s explosive testimony in front of the January 6 committee, more witnesses to the events of—and leading up to—that day have reportedly come forward. On Tuesday, it was announced that former deputy White House press secretary Sarah Matthews has agreed to testify next week.

(Via Raw Story)

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The ‘Friends’ Creator Admits That It Was A ‘Mistake’ To Misgender Chandler’s Transgender Parent

It’s been nearly three decades since Friends first debuted, and the titular group of quirky friends had seen a lot during their 10 years on the air. There were missing monkeys, alleged breakups, and embarrassing wedding mishaps, though there is one plot that the show’s co-creator wishes didn’t happen.

In season seven, Chandler’s mother is introduced and it is revealed that she is a trans woman. Chandler handles it poorly. Friends co-creator Marta Kauffman recently admitted that the way they handled the plotline was a “mistake.”

While speaking with The Conversation on BBC, Kauffman explains why she wishes the plot were done differently. “We kept referring to her [Chandler’s transgender parent] as ‘Chandler’s father’, even though Chandler’s father was trans,” Kauffman explains. “Pronouns were not yet something that I understood. So we didn’t refer to that character as ‘she’. That was a mistake.”

This isn’t the first time Kauffman has openly regretted certain Friends plot points. Just last week, she said she was “embarrassed” by the lack of diversity in the show. She said, “I’ve learned a lot in the last 20 years,” the writer explained. “Admitting and accepting guilt is not easy. It’s painful looking at yourself in the mirror. I’m embarrassed that I didn’t know.”

(Via Huffington Post)

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Christian Bale, Margot Robbie, And John David Washington Are Accused Of Killing Someone In The ‘Amsterdam’ Trailer

There’s a good chance one of your favorite actors/actresses/pop stars appears in Amsterdam, the new film from director David O. Russell (Silver Linings Playbook, I Heart Huckabees, Three Kings). That is, unless you’re the one person in the world who doesn’t enjoy at least one of Christian Bale, Margot Robbie, John David Washington, Rami Malek, Chris Rock, Zoe Saldaña, Anya Taylor-Joy, Michael Shannon, Taylor Swift, Timothy Olyphant, Alessandro Nivola, Andrea Riseborough, Mike Myers, and Robert De Niro.

Amsterdam is described as “an original crime epic about three close friends who find themselves at the center of one of the most shocking secret plots in American history.” Those friends, played by Bale, Robbie, and David Washington, are accused of killing someone, “which is not true,” Bale adds in the trailer above. Later, Robbie says, “This is all turning out to be a lot larger than any of us.”

Amsterdam is one of two films starring Bale coming out in 2022, along with Thor: Love and Thunder, while Robbie can also be seen in Damien Chazelle’s Babylon (December 25) and Greta Gerwig’s Barbie (July 21, 2023). As for David Washington, he leads the cast of True Love (October 6, 2023) from Rogue One director Gareth Edwards. You probably already know what Olyphant, Swift, and especially Rock have been up to.

Amsterdam opens on November 4 (it’s also worth reminding yourself of Russell’s “dark reputation”).

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The Game Reveals Jay-Z Cleared A Whopping Seven Samples For His Upcoming Album, ‘Drillmatic’

At the end of 2019, The Game dropped his ninth album Born 2 Rap, and claimed that he would retire from rap after the project’s release. As you’re probably aware by now, we live in a world where rappers are really bad at retiring and it was only a matter of time until The Game reclaimed his position in hip-hop. Fast-forward almost three years and the Compton native is gearing up to release his tenth album Drillmatic, and while a release date for it is unknown at the moment, The Game did reveal an interesting tidbit about the album.

The Game took to Instagram to reveal that Drillmatic will include a number of sampled Jay-Z songs and he thanked the Reasonable Doubt rapper for allowing him to use them. “S/O to S. Dot for clearing all 7 samples on #Drillmatic,” he wrote in the post. “3 more sample clearances & the AOTY belongs to me & hit-boy.”

The latter half of the message seems to explain the delays behind Drillmatic. The Game initially said the project, which is executive produced by Hit-Boy, would arrive on June 17, but it was later pushed back to July 1 which came and went without its release. The album has yet to receive a new release date, but with three samples left to clear, it shouldn’t be too long until we know when it will drop.

You can view a screenshot of The Game’s message in the post above.

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Coldplay Soundtracks A Muppet Alien Band’s Rise To Fame In The Vibrant Video For ‘Biutyful’

In just a few months, Coldplay will celebrate the first anniversary of their ninth album, Music Of The Spheres. The project is their second space-themed concept album after 2005’s X&Y and it features a pair of songs that gave the band some special recognition. “Higher Power” was nominated for Best Pop Duo/Group Performance at the 2022 Grammys while their “My Universe” collaboration with BTS debuted at No. 1 on the singles chart to become their first chart-topping song in 13 years. While Coldplay is a bit removed from the release of Music Of The Spheres, the band looks to keep the project alive with a new video for “Biutyful.”

The new visual is led by The Weirdos, a diverse muppet alien band from Jim Henson’s Creature Shop. Coldplay’s sparkling song soundtracks the puppet band’s rise to fame as they go from unknowns to the most popular band on the planet, an act that’s orchestrated by their manager Bruce Cakemix. Coldplay and The Weirdos are well acquainted, as the latter band’s lead singer, Angel Moon, has been a regular on Coldplay’s current tour, singing “Biutyful” to large crowds all over the world.

The video for “Biutyful” after Coldplay’s Chris Martin delivered an impromptu performance for a group of people at a small pub.

You can watch the video for “Biutyful” above.

Coldplay is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Christine And The Queens Announces Their New Album, ‘Redcar Les Adorables Etoiles’

Christine And The Queens are returning with their first album in four years. Today, he’s announced his third album, Redcar Les Adorables Etoiles.

Similar to his 2018 album, Chris, Christine will adopt a new moniker for this album. Introducing Redcar, the album will usher in a new era for Christine.

As Redcar, Christine will go by “he/him” pronouns. Earlier this year, Christine, who also goes by Chris, spoke about gender expression by way of pop music to the New York Times.

“My journey with gender has always been tumultuous,” he said. “It’s raging right now, as I’m just exploring what is beyond this. A way to express it could be switching between ‘they’ and ‘she.’ I kind of want to tear down that system that made us label genders in such a strict way. I remember talking about being pansexual in France in 2014 — it was a conversation that few opened up, and I was advised in, like, offices to maybe tone it down. I’m really trying to address it the right way now, and I’ve been sometimes pressured to give an answer. But I think the answer is to be flickery, fluid, escaping.

Check out the album artwork below.

Christine And The Queens Redcar Album Cover
Pierre-Ange Carlotti

Redcar Les Adorables Etoiles will arrive on 9/23 via Because Music. Pre-save it here.