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The Best Movie Soundtracks Of All-Time, Ranked

A good movie soundtrack should not only make you think about the scenes in the movie when you hear the songs after the fact, but the movie soundtrack should also create an artistic canvas that can live on its own, independent of the film. These picks represent the best movie soundtracks of all-time, whether it’s focused primarily on a singular artist like Eminem, Whitney Houston, Kendrick Lamar and Prince, or whether it’s comprised of a collection of songs that captured a moment in time or a period in a genres history. Whether it’s the ’80s, gangsta rap, Britpop, disco, indie, the ’70s, or grunge, they’re featured here on our list of the best movie soundtracks of all-time.

20. 8 Mile (2002)

For all the shine that Eminem’s “Lose Yourself” got as the movie’s most iconic number (and one of the biggest rap singles of all time), the 8 Mile soundtrack was also a stellar showcase for Shady Records, the sound of Detroit rap as a whole, and the legends that helped shape Em’s world-sweeping sound. You can’t talk about the Shady Records’ beginnings without mentioning 50 Cent, and “Wanksta” was the second single off of the soundtrack that helped propel 50’s illustrious career. Gang Starr, Jay-Z, Xzibit (“Spitshine” is perennially slept on and vintage X), Rakim, and Detroit’s Obie Trice all feature prominently alongside Eminem and D12.

19. Scott Pilgrim vs The World (2010)

Scott Pilgrim’s indie band Sex Bob-Omb performed throughout the flick and these were much more than just scene-filling songs. Co-written by Beck, their tunes totally rock, and Michael Cera and company shred through the slacker swing of “Garbage Truck” and the technicolor rock-a-billy explosiveness of “We Are Sex Bomb-Omb.” Metric’s “Black Sheep” as performed by Brie Larson’s Envy Adams is a bonafide banger that now appears on 2021’s Expanded version of the soundtrack, “We Hate You Please Die” is another bop from one of the film’s fictional bands (Crash And The Boys) and there’s even a little Broken Social Scene on the album for good measure. As if you needed another stamp of approval, the whole soundtrack was executive produced by Nigel Godrich.

18. Trainspotting (1996)

The soundtrack to Danny Boyle’s ’90s cult-classic film cemented Britpop standards from Blur, Elastica, and Pulp, alongside UK club hits from Underworld and Iggy Pop’s timeless proto-punk. From the moment that Trainspotting begins with Ewan McGregor’s Renton running from the cops to the tune of Pop’s “Lust For Life,” the music is inextricably tied to every scene of the film. Heck, that song is forever synonymous with the flick. Underworld’s “Born Slippy” heightens the emotion’s in the movie’s closing moments as McGregor delivers his memorable soliloquy, illustrating how Boyle and company harnessed the power of these songs to make a great movie even better.

17. The Wedding Singer (1998)

It’s like The Wedding Singer took everything that was great about unforgettable ’80s movies soundtracks (Pretty In Pink, The Breakfast Club, etc..) and supercharged it. I suppose it’s easier for a movie that came out in 1998 to look back on an entire decade’s worth of music and totally nail where to drop it all into a movie about peak ’80s nostalgia. There are ’80s staples by New Order, The Smiths, and even “Pass The Dutchie” by Musical Youth. And in a highlight moment, Drew Barrymore and Christine Taylor sing Billy Idol’s “China Girl” in a scene, before Idol emerges as a major character in the movie’s big ending. Ultimately, The Wedding Singer is an ode to the decade’s fun musical history that takes full advantage of its hindsight.

16. Juno (2007)

Yes, another entry from a movie with Michael Cera (we clearly stan). Apparently, director Jason Reitman asked Elliott Page what they thought the movie’s title character listened to, and Kimya Dawson and her bands The Moldy Peaches and Antsy Pants came up. The very twee selections makes for perfect accompaniments to a quaint and sweet film about teenage pregnancy. Belle and Sebastian and Cat Power (“Sea Of Love”!) round out the classic indie collection, with Juno’s crowning moment of Page and twee king Cera singing The Moldy Peaches’ “Anyone Else” in the heartwarming finale.

15. Friday (1995)

If you’re gonna make a movie about a dog day afternoon in South Central LA, it better be set to gangsta rap and g-funk joints through and through. Surprisingly, there is only one Ice Cube cut, in the album-opening title-track slap. But it is surrounded by unshakeable tracks like Dr. Dre’s “Keep Their Heads Ringin’,” 2 Live Crew’s “Hoochie Mama,” and Mack 10’s stoner anthem “Take A Hit.” Speaking of weed, Rick James’ “Mary Jane” soundtracks the classic scene of Cube’s Craig and Chris Tucker’s Smokey getting high on the porch, setting the stage for more moments like this in the Friday franchise.

14. Good Will Hunting (1997)

It’s funny how Good Will Hunting seems to be remembered for lines like “How do you like dem apples?” delivered in a silly Boston accent, more so than for breaking out a then-emerging Portland singer-songwriter named Elliott Smith. Director Gus Van Sant, who also lived in Portland at the time, tabbed Smith’s music to be stitched throughout the film, and then Smith offered an original, “Miss Misery,” which went on to receive an Oscar nomination. There’s something so humble, sublime, and painful about Smith, a tortured soul who would commit suicide (allegedly) six years after the film’s release in 2003, soundtracking the story about another brilliant mind with a troubled past. Smith’s genius is immortal on this one.

13. Dazed & Confused (1993)

Dazed & Confused is beloved as one of the greatest coming of age movies set in the ’70s, paired with the best rock and roll from the era. Every song fits its purpose masterfully. Aerosmith’s “Sweet Emotion” is a vibey beginning credits choice, setting the mood for the laid-back Austin summer. Alice Cooper’s “School’s Out” plays on the last day of school, War’s “Why Can’t We Be Friends” soundtracks incoming freshman girls getting hazed by the seniors, and Lynyrd Skynyrd’s “Tuesday’s Gone” is the backdrop for an epic kegger coming to a close. Then, as Randall “Pink” Floyd, Wooderson, Slater, and Simone get on the highway to go buy Aerosmith tickets in Houston (“top priority of the summer!”), “Slow Ride” by Foghat takes viewers into the sun.

12. O Brother, Where Art Thou? (2000)

The 2002 Grammy Album Of The Year is about much more than just George Clooney’s Everett and the Soggy Bottom Boys singing “I Am A Man Of Constant Sorrow.” The T Bone Burnett-produced album is a portrait of Southern Americana styles that harken back to the film’s Depression-era setting and have held strong to the present day. It shined a light on amazing talents like Gillian Welch and Alison Krauss on “I’ll Fly Away” and “Go To Sleep You Little Baby” (the latter of which also features the great Emmylou Harris.) But the soundtrack also tipped a cap to early folk numbers like Harry McClintock’s Mississippi scene-setting “Big Rock Candy Mountains.”

11. Singles (1992)

Great grunge rock soundtrack, or greatest grunge soundtrack? We’ll take the Pepsi challenge on Singles being the end-all-be-all soundtrack for ’90s grunge, especially considering Cameron Crowe’s film centers on Seattle coffee shop culture and the city’s famed grunge scene. And it really checks all of the boxes in the process: Pearl Jam contribute two songs to the soundtrack, (“Breath” and “State Of Love And Trust”) and members of Pearl Jam even appear in the movie as Matt Dillon’s bandmates. Chris Cornell is included, Screaming Trees’ “Nearly Lost You” is featured, Paul Westerberg’s “Dyslexic Heart” is the film’s punchy theme song of sorts, and Alice In Chains’ “Would?” actually debuted as the soundtrack’s lone single before it appeared on their seminal album, Dirt.

10. Saturday Night Fever (1977)

Before O Brother, Where Art Thou and The Bodyguard took home Grammys for Album Of The Year, Saturday Night Fever was the first soundtrack that could lay stake to the claim. The Bee Gees-heavy tracklist includes a veritable checklist of disco-era anthems. “Stayin’ Alive,” “More Than A Woman,” and “Night Fever”? Check. Even the balladry of “How Deep Is Your Love?” is not only featured on the album, but was also written specifically for the movie.

9. Hackers (1995)

You haven’t lived until you’ve experienced Angelina Jolie, Jonny Lee Miller, Matthew Lillard, and friends hacking the planet while blasting The Prodigy’s “Voodoo People.” The hilariously bad, but quite frankly also awesome visual depictions of what the internet “looks like” felt like a trippy Winamp visualizer for ’90s electronic thumps like Orbital’s “Halcyon & On & On,” The Prodigy’s “One Love,” and Underworld’s “Cowgirl.” This was the early cyberspace culture phenomena at its finest and even features a David Gilmour easter egg track at the end that was only released 25 years later.

8. Save The Last Dance (2000)

The quintessential soundtrack for the marriage of hip-hop and R&B. Yes, Save The Last Dance often gets pigeonholed as a campy dance-centric romcom, but its accompanying music was undeniable. For starters, it has the version of “Only You” by 112 that features Mase and The Notorious B.I.G. Both K-Ci & Jojo’s “Crazy” and “You” by Lucy Pearl, Snoop Dogg, and Q-Tip were original singles to the film. Montell Jordan’s “Get It On Tonight” and Q-Tip’s classic “Breathe & Stop” add to this legit hip-hop dance club collection, while Fredro Starr and Jill Scott’s “Shining Through” shows that in the end, even the toughest rappers have a sensitive side.

7. Batman Forever (1995)

I could tell you that Seal’s “Kiss From A Rose” topped the US Billboard Hot 100 chart as part of the Batman Forever soundtrack and call it a day. But this incredible movie soundtrack album is about so much more than just your drunken friend’s favorite karaoke jam. U2’s “Hold Me, Thrill Me, Kiss Me, Kill Me,” is one of the group’s most underrated songs (that never appeared on a U2 album, just this soundtrack.) The album also features multiple other singles, like Method Man’s thematic “The Riddler” and The Offspring’s raucous cover of The Damned’s “Smash It Up.” But it’s the superfan cuts like The Flaming Lips’ “Bad Days,” playing in the film as Jim Carrey’s downtrodden Edward Nygma becomes The Riddler, and Nick Cave’s sinister “There Is A Light,” that round this out as one of the best, and most diverse, soundtracks of all time.

6. Pulp Fiction (1994)

Like with Dazed & Confused, the Pulp Fiction soundtrack is one that found the perfect song for every scene, but Quentin Tarantino’s approach was far less literal. Dusty Springfield’s “Son Of A Preacher Man” plays as John Travolta’s Vincent Vega awaits his boss’s wife, Mia Wallace played by Uma Thurman, before a very awkward non-date. Then, as Mia overdoses at the end of the night, it’s to Urge Overkill’s Neil Diamond cover, “Girl You’ll Be A Woman Soon.” The Pulp Fiction soundtrack also found a uniquely artistic way to re-introduce surf rock into mainstream consciousness, with Dick Dale & His Del-Tones’ “Misirlou” as the movie’s ubiquitous opening song, and then somehow making shooting up heroin look more glamorous than disgusting, through The Centurians’ “Bullwinkle, Pt II..”

5. Forrest Gump (1994)

How do you tell the story of the major events in modern American history through the eyes of a peculiar protagonist without including the music that was literally playing when it all happened? Creedence Clearwater Revival’s “Fortunate Son” plays as Forrest gets to the Vietnam War and meets Lieutenant Dan, Jenny sings “Blowin’ In The Wind” on stage at a seedy bar, and a young Forrest is forever changed when he sees Elvis performing “Hound Dog” on a TV behind a department store window. There are so many hits from the late ’50s to the late ’70s on the double-disc soundtrack, that it’s scary to think of how many checks must have been written to license all the music. It was worth it.

4. Garden State (2004)

The Garden State soundtrack marked the beginning of indie music’s ascent into the new millennium and indie fans still hold the collection dear as if it was made by a cult-ish band. The Shins had not one, but two songs featured on the album that led to a considerable spike in their notoriety. I mean, you try to resist the thought of Natalie Portman putting headphones over your ears saying, “You gotta hear this one song, it’ll change your life I swear.” Elsewhere, Coldplay’s “Don’t Panic” reminds listeners of a time before Coldplay went pop, Thievery Corporation’s “Lebanese Blonde” blew up from its inclusion, and many were introduced to Zero 7’s stunning “In The Waiting Line” that players while Zach Braff trips on ecstasy. But it wasn’t just new music that made the Garden State soundtrack stand out, as it also revived Nick Drake’s “One Of These Things First” and found the stars shouting into a rainy endless abyss as Simon & Garfunkel’s “The Only Living Boy In New York” plays?

3. Black Panther (2018)

It can’t be understated how monumental of a release Black Panther: The Album was. With Kendrick Lamar coordinating the project as the executive producer, he rounded up what felt like every of-the-moment name in hip-hop to create all original music for the first Marvel movie centered around a Black superhero. And these weren’t just great songs, these were straight-up world-beaters. On the strength of hits like Kendrick and SZA’s “All The Stars,” The Weeknd and Kendrick’s “Pray For Me,” and Jay Rock, Kendrick, Future, and James Blake’s “King’s Dead,” the album immediately topped the Billboard 200 chart upon its release. And when Kendrick was peaking on the heels of DAMN., Black Panther was just icing on the creative crest of his career.

2. Purple Rain (1984)

It’s wild to think that Prince’s sixth album, among the best in his deep catalog (if not the best) was the soundtrack to the titular film that he starred in as well. Say what you will about the movie’s merits, Purple Rain the soundtrack ushered Prince into a new era of super stardom, where he revolutionized the intersection between pop and rock with his unabashed flamboyance and unapologetic style. “Let’s Go Crazy,” “Purple Rain,” “I Would Die 4 U,” and “When Doves Cry” were all written for the film and are all vying for spots on any Top 10 Prince songs list worth a damn. The way the crowd in the movie is jaw-droppingly stunned at the performance of the title track is pretty much how every new and existing Prince fan felt when this album came out. A masterpiece in every way.

1. The Bodyguard (1992)

Much like Purple Rain is far more memorable for the soundtrack than the film, The Bodyguard achieves the same effect in spades. Where Prince pushed the envelope of his sound, Whitney Houston is absolutely breathtaking across The Bodyguard soundtrack. You’re gripped the moment she begins to sing “I Will Always Love You” a capella. “I Have Nothing” is the definition of a tour de force, ditto to the elegant “Run To You.” Whitney shows her range on the anthemic “I’m Every Woman” and the early-’90s dance class revue on “Queen Of The Night.” Kenny G and Aaron Neville deliver a glorious adult contemporary jam with “Even If My Heart Would Break” and there are forgettable songs by Joe Cocker and Lisa Stansfield that are a brilliant contrast to how impeccable Whitney is on the album’s first half. This was the most incredible she had sounded since her 1987 debut and when we look back on the legacy of Whitney Houston, it’s The Bodyguard soundtrack that we’ll turn to forever as her finest work.

Some of the artists mentioned here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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‘Stranger Things’ Fans Are Sharing Their ‘Unpopular Opinions’ About Season 4

[This post contains spoilers for Stranger Things 4]

For the second season in a row, the Stranger Things season finale debuted over the long July 4th weekend. Good thing, too, because otherwise there may not have been enough time to get through the nearly The Godfather-length episode. But now that another season is in the books (and with season five not premiering until “mid-2024” at the earliest), it’s time to ask: what’s your unpopular opinion about Stranger Things 4?

For me, it’s that Will should have died. Or Hopper, or Jonathan, or anyone but Steve, Robin, and Dustin. The only popular characters to die in season four were Dr. Brenner and Eddie Munson (I’d include Jason but he was never popular). Co-creators the Duffer Brothers joked about George Lucas-ing a mistake from earlier in the season, but by killing and quickly resurrecting Max, they also pulled a Jon Snow. There are simply too many main characters on Stranger Things. I know Millie Bobby Brown agrees.

Here are some other unpopular season four opinions from the Stranger Things Reddit:

The ending was wayy too light-hearted for Eddie having died and Max being in an indefinite coma.

Where the heck did Jonathan’s photography interest go? I wish they’d given him a job at a photo shop or something, smoking in dark rooms & getting an acceptance letter to a photography program in California

There should have been some element of danger towards Mike, Will, Argyle and Jonathan while El was piggybacking. They had such a dull storyline this season.

The whole Steve Nancy Jonathan love triangle thing is absolutely unnecessary and boring.

The stuff in Russia went on way too long for me.

I thought Vickie was too alike to Robin to be a ship I’d actually ship. They’re like the same person.

The two day jump was really annoying. Why did the upside down not continue to pull into the real world until eleven and hopper made it there? It was bizarre to me. It was like the writers didn’t know how to bring everyone together so they just hit pause.

Mike’s monologue to save El was cheesy AF and I thought the whole final act could’ve been scripted better. Vecna literally calls El mediocre

Mike, Will, and Jonathon’s entire season arc was basically just “be Eleven’s Uber ride in the desert.” They accomplished a whole lot of nothing. And they didn’t even bother letting Will tell everyone he’s gay.

Argyle was the one redeeming quality of that story arc.

Did Dustin and Eddie really need to be present for the rock n roll diversion? Like couldn’t they have just set up a boom box and peaced out? And if they did, they went to a huge ammo/weapon store called war zone, did the group really not get anything for them? They had to make their own shield and spears? Common man

Metallica is glad that they didn’t. Also, poor Jonathan.

(Via Reddit)

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Meghan McCain Is Mulling Over Running For Office To Break ‘This Fever Of MAGA’ Gripping The GOP

Over the years, Meghan McCain has repeatedly referred to herself as a “hardcore conservative,” but despite her well-documented love of guns and penchant for dipping into right-wing conspiracy theories, the former television personality has been a frequent critic of Donald Trump. While a lot of McCain’s animosity towards Trump can be directly traced to the former president repeatedly insulting McCain’s father, the late Senator John McCain, Meghan has always tried to present herself as one of the “sane” Republicans who didn’t give into the rabid populism of Trump that’s still gripping the party.

During a recent interview with Britian’s GB News, McCain took her anti-Trump stance even further by revealing that she’s genuinely mulling a run for office to help pull the GOP away from all things MAGA.

“Maybe in a few years,” McCain said. “It’s the first time in my entire life I’ve ever considered it. But this fever of MAGA has to break—one way or the other.”

According to McCain, Trump is stifling the party, but she also wouldn’t be surprised if he cinches the presidential nomination in 2024. And if he does, McCain feels he better win after everything he’s done to the party. Via Newsweek:

“President Trump has to get re-elected—God forbid—again, or he has to just leave the national stage. Because as we have seen in the last election and in the primaries right now, he can’t make candidates but he can break them,” she said. “And right now there’s still just a lot of people who are winning that are following in his footsteps and I would really love more ideological diversity in the party.”

As for what’s holding McCain back, the former View host conceded that America isn’t really feeling political dynasties right now, which is a surprisingly self-aware statement for her to make.

“There’s a real palette for it where people really don’t like it,” McCain said.

(Via Newsweek)

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Steph Curry’s UNDERRATED Tour Will Kick Off Its Fourth Summer Of Competition

Steph Curry will hold his UNDERRATED tour for the fourth summer in a row. Launched in 2019, the mini-tournament style tour was developed by the Golden State Warriors’ icon to seek out and elevate high school recruits who are, like he was at that point in his career, not as highly-regarded in the world of basketball recruiting. The ultimate goal of the tour, while functioning as a competition, is to provide a platform to young athletes in hopes that they’ll make inroads into Division I schools

Stretching from late-July into the end of August, this summer’s tour will make stops in Atlanta, Las Vegas, Seattle, and Philadelphia in search of athletes from each city. For each regional stop, 75 girls and boys are selected to participate in the first round, while 30 from each group are invited to return after the second day. Things are eventually pared down to the top eight in each group from each region. From there, they’ll go on to compete in the UNDERRATED Championship Stop in San Francisco, in early 2023.

“From the beginning, the UNDERRATED Tour was created and designed to raise visibility for often-overlooked three-star high school players, like myself, and we continue to evolve the program each year,” Curry said in a release. “Right now, our team is empowered to advance our mission by shedding light on overlooked talents through continuing these regional games, and ultimately the championships.”

One of those talented yet overlooked athletes was Jacobi Sebock, who took part in last summer’s Tour and went on to compete in the UNDERRATED Championships. Sebock, who grew up in a suburb of Oklahoma City, was a sports nut as a kid but got a late start because of several health conditions including a first-degree heart block, asthma, and hypohidrotic ectodermal dysplasia (HED), a condition that can cause a person to be born without sweat glands.

Sebock and his parents figured out how to work with and around his HED symptoms so that he’d be able to follow his dream of being drafted into the NBA, and the UNDERRATED Tour gave him the window to make up for lost time. After the Championship stop, Sebock committed to Northern Oklahoma College and was named the conference MVP at the end of his high school career.

For someone who was famously dubbed a 3-star recruit, the program and competitive spirit of the UNDERRATED Tour obviously sits close to Curry’s heart. The day he showed up at the Bay Area Championships this past March saw him just as lit up as the young athletes vying for his insight and working to follow in his footsteps. Whether they’ll one day be on pro teams, competing for titles, or seeing how far basketball can take them in college as a conduit into their adult lives, the UNDERRATED Tour hopes to give young athletes the tools and support to get there.

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Westside Gunn Shares The Release Date And Tracklist For His Upcoming Project, ‘Peace “Fly” God’

Westside Gunn is certainly one of today’s more active artists in hip-hop. in just the last five years, he’s released 14 solo or joint projects and also joined his Griselda labelmates for their WWCD debut album in 2019. Westside’s solo catalog boasts highlights like 2020’s Pray For Paris and Who Made the Sunshine, the latter being his debut project with his ex-label Shady Records. After last year’s Hitler Wears Hermes 8: Sincerely, Adolf, Westside is looking to give his fans another memorable project with the upcoming release of Peace “Fly” God.

After teasing the project for some time, Westside finally shared some key details about Peace “Fly” God. He revealed in a tweet that the project will arrive on July 8. In that same post, he also unveiled its tracklist which flaunts a crisp 10 songs with production from Madlib, Don Carrera, Daringer, and Conductor Williams. Additionally, Peace “Fly” God will also feature appearances from Stove God Cooks and Estee Nack, but Westside did not reveal which song(s) they will be on.

You can read Westside’s announcement for Peace “Fly” God in the post above and see its tracklist below.

1. “Please Flygod”
2. “Jesus Crack”
3. “Ritz Barlton”
4. “Big Ass Bracelet”
5. “Bobby Rhude”
6. “Derrick Boleman”
7. “Horses On Sunset”
8. “Open Praise”
9. “Danhausen”
10. “Flip V Phil”

Peace “Fly” God is out 7/8 Griselda Records / EMPIRE.

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‘NBA 2K23’ Will Feature A Michael Jordan Edition And A Return Of Jordan Challenges

The number 23 is a legendary one in the NBA, with two of the all-time greats wearing it in Michael Jordan and LeBron James — the latter of whom did so because of MJ.

Unsurprisingly, when the folks at 2K were figuring out what to do for NBA 2K23, they wanted to embrace that legendary number and do something special for it. On Tuesday, they announced a special Michael Jordan Edition of the game and a Championship Edition (which will include a League Pass subscription) that will feature Jordan on the cover — along with the news that pre-orders will be available starting this Thursday, July 7.

Along with Jordan being on the cover, 2K23 will be bringing back the Jordan Challenges from NBA 2K11, with the 10 original challenges of replicating legendary Jordan moments getting remastered for the new game, while five others will be added, per IGN. There’s also a trailer showing off what this next-gen version of Jordan looks like, as it’s the fourth time MJ has been on a 2K cover, but the first since 2K16.

We’ll find out later who is the cover athlete for the main edition of the game, but fans wanting the Jordan Edition will likely need to be ready to fork over $99.99, while the Championship Edition will cost even more considering the League Pass subscription that comes with it.

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Travis Scott Stopped Fans Dangling From A Lighting Truss During His Coney Island Walls Performance

In the beginning of an extensive festival run this year Travis Scott performed at the Coney Art Walls in Coney Island this past weekend. Opening for Meek Mill, he took the stage, and in a near repeat of events from a 2017 show at New York’s Terminal 5, chaos ensued.

A video shared by TMZ shows fans climbing up a lighting truss as Scott was performing. One fan can even be seen wearing a Spider-Man costume. Avoiding a repeat of the infamous Astroworld disaster from last November, Scott stopped the show and ordered fans to get down from the truss, and also asked security not to push fans.

Scott was set to perform at Coachella this year but was removed from the line-up, presumably due to the Astroworld events. He was also set to perform at Day N Vegas Festival in Las Vegas this fall, but the festival has since been canceled due to technical issues. He is still set to perform at Primavera Sound Festivals in Brazil, Argentina, and Chile this November, about a year after Astroworld.

The Astroworld events resulted in nearly 5,000 claims of injuries. Scott is currently facing several lawsuits following Astroworld, including a wrongful death suit filed by a woman who suffered a miscarriage.

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A Mix Of Classic And New Irish Whiskeys, Blind Tasted And Ranked

Irish whiskey has been one of the biggest success stories of the current whiskey and wider spirits boom. That means that there are more expressions than ever coming out of the Emerald Isle, which, in turn, means more great Irish whiskey on the shelves at your local liquor store.

To that end, I thought it was high time for a blind tasting of a mix of new and classic Irish whiskeys.

For this blind tasting, I’m pulling some very new bottles that just came out last month or at least this year and putting them up against bottles that came out last year or are just gold standards by now. I’ve also left out the big-hitting bottles. Putting seven bottles up against, say, a Teeling 30-year-old at $2,000 a bottle is unfair to the rest of the lineup, in my opinion. That said, I did leave the rage pretty wide — the prices below range from $30 to $300. That’s the core price range of bottles that you can actually get fairly easily at good liquor stores or whiskey bars without getting into the super cheap stuff on the bottom end or the $2,000+ bottles on the top end.

Our lineup today is:

  • Gold Spot Aged 9 Years Limited Edition (new)
  • RedBreast PX Edition (new)
  • Midleton Very Rare 2021
  • Bushmills Prohibition Recipe Peaky Blinders Shelby Edition (new)
  • Egan’s Conviction Aged Ten Years (new)
  • Teeling Small Batch
  • Jameson Black
  • Red Spot Aged 15 Years

Let’s dive in and see where these bottles rank!

Also Read: The Top 5 UPROXX Irish Whiskey Posts of the Last Six Months

Part 1: The Tasting

Irish Whiskey Blind
Zach Johnston

Taste 1

Irish Whiskey Blind
Zach Johnston

Tasting Notes:

The nose is super lush with hints of kiwi skins next to the woody core of a pineapple, soft vanilla oils, stewed apples, and a little bit of holiday spice mix. The palate is creamy yet light with a sharp sense of cloves and allspice next to a tropical fruit salad with a touch of black pepper, more of that super soft vanilla, a smear of Nutella, and a twinge of sour sherry-soaked oak. The end simmers all that tropical fruit down with the spices to create a sweet, tart, spicy, vanilla-laden jammy feel with a line of spiced malts lurking underneath it all.

This was fantastic. Right out of the gate, this is the pour to beat.

Taste 2

Irish Whiskey Blind
Zach Johnston

Tasting Notes:

Christmas treats come to mind on the nose with shelled nuts, dark brandy-soaked fruits, old leather, rum-raisin mince meat pies, and a twist of orange zest. The palate has a waxy dark cacao nib vibe that leads to marzipan with vanilla cookies and a hint of salt. The maltiness stays subdued as most and spicy Christmas cake full of nuts, candied fruits, and plenty of dark spice gets rummy and topped with a scoop of rich vanilla ice cream.

Again, this is delicious. I had to go back to taste one and try these first two side by side again. They’re both stellar.

Taste 3

Irish Whiskey Blind
Zach Johnston

Tasting Notes:

Soft grain notes lead to a hint of apple candy dissolving into freshly fried apple fritters with a thin line of lemon pepper and wet lawn grass. The palate adds floral honey to the mix that pairs well with the apple and spice that leads to a savory hint of pear stewed in saffron with a bit of that wet grass mingling with grape skins. The end leans into a subtler fruit with a kiwi skin vibe next to more grape must, a hint of wet cinnamon stick, and a whisper of honey-soaked oak.

F*ck off! This is another killer. There’s no way that these first three aren’t the top three. They’re all delicious.

Taste 4

Irish Whiskey Blind
Zach Johnston

Tasting Notes:

This opens with a mix of light apple candy with a honeyed sweetness next to a line of dry wood with some floral vibes and maybe a little straw. The palate largely delivers on those notes while adding a nice layer of spice — allspice, cinnamon, clove, some ginger — alongside a hint of vanilla cream and more of that dry straw. The end is short-ish while delivering more apple and honey alongside a warm/spiced maltiness.

This was pretty good. It was certainly in a different league than the first three, but perfectly nice.

Taste 5

Irish Whiskey Blind
Zach Johnston

Tasting Notes:

This opens with a nice mix of old leather, dried almonds, dried apricot, and floral honey on the nose. The palate moves from that toward rich marzipan touched with orange oil, vanilla sauce, a light wet graininess, and a mix of ginger and lemon zest. The end builds on those sharper notes and lets the spiciness of the ginger peak before fading through more honey and apricot on a lush end.

Damn, this is pretty freakin’ good too. It’s not as refined as the first three but it’s pretty damn close. Maybe I just really like Irish whiskey.

Taste 6

Irish Whiskey Blind
Zach Johnston

Tasting Notes:

It takes a minute to find the nose on this one but there is a hint of rum-raising, vanilla, and spiced malts in there. The palate has a slight mustiness to it with a thin line of vanilla tobacco that leads to a potting soil echo. The end is a bit warm on those malts and spice with a little bit of earthiness.

This was fine but felt like a mixing whiskey, not a sipping one.

Taste 7

Irish Whiskey Blind
Zach Johnston

Tasting Notes:

There’s a sense of vanilla and toffee on the nose with a hint of dark chocolate powder, old leather, and maybe some fresh mint. The palate has a hint of plum next to holiday spices, a touch of almond paste, and a hint of floral honey. The end is creamy with a vanilla backbone next to caramel-covered almonds just hit with a flake of salt.

This, again, was nice. But, again, it felt like the perfect cocktail foundation to build a great drink on the back of.

Taste 8

Irish Whiskey Blind
Zach Johnston

Tasting Notes:

Leathery notes meet Amarena cherries with a hint of apple pie and mince meat pies all mingling on the nose. The palate is full of nutty holiday cake with dark spices next to cherry bark, apple cores, soft cedar, and a hint of black pepper. The end comes around with a sweet spiciness akin to eggnog with a creamy sense of dark chocolate mixed with cherry tobacco and crushed almonds.

This was so distinct and tasty. We have another winner.

Part 2: The Ranking

Irish Whiskey Blind
Zach Johnston

8. Teeling Small Batch — Taste 6

Teeling Distillery

ABV: 46%

Average Price: $40

The Whiskey:

Teeling was the first distillery to reopen in Dublin after nearly a century of tough times for Irish whiskey. The craft distillery ages its juice in bourbon barrels before transferring that whiskey to Central American rum casks. Those barrels are then batched, proofed, and bottled in Teeling’s big, dark bottle.

Bottom Line:

This was so clearly a mixing whiskey from the nose to the finish that it’s hard to rank it amongst these pours. It’s fine but not even the best cocktail base whiskey on this list.

7. Jameson Black — Taste 7

Pernod Ricard

ABV: 40%

Average Price: $41

The Whiskey:

This is Jameson’s take on double barreling. The whiskey is first matured in old bourbon barrels. That juice is then transferred to another bourbon barrel that’s been doubly charred with a deep alligator skin char. Those barrels are batched and proofed all the way down to 80 proof.

Bottom Line:

This was squarely in the “that’s nice” column. That said, I was left thinking about the Manhattan I wanted to make with this and not going back in for another neat sip.

6. Bushmills Prohibition Recipe Peaky Blinders Shelby Edition — Taste 4

Bushmills Prohibition Edition
Proximo

ABV: 46%

Average Price: $32

The Whiskey:

This new release from Bushmills celebrates the sixth and final season of Peaky Blinders. The juice in the bottle is a classic Irish whiskey blend of ex-bourbon casks (aged three to five years) bottled without chill-filtration, hence its higher proof.

Bottom Line:

This was good and really leaned into the classic vibe of apple/honey Irish whiskey, Bushmills specifically. Though, this did feel like a cocktail base more than a sipper, especially on this list of whiskeys.

5. Egan’s Conviction Aged Ten Years — Taste 5

Egan's Conviction
P&H Egan

ABV: 46%

Average Price: $70

The Whiskey:

Egan’s Conviction is a new ten-year release from the fan-favorite bottler. The whiskey in that black bottle is a blend of ten-year-old single malt and single grain whiskeys. Those barrels and vatted and re-filled into XO Cognac casks for a final rest before bottling without chill filtration.

Bottom Line:

This was pretty damn nice. I think this is where we squarely get into the “sippers” on this list. I can see enjoying this over a rock or two without hesitation. It’s not as complex as the next entries, but it’s good. And, sometimes, that’s enough.

4. Red Spot Aged 15 Years — Taste 8

Pernod Ricard

ABV: 46%

Average Price: $154

The Whiskey:

This is a high-water mark of Irish whiskey distilling and blending. The whiskey is aged for 15 years in a combination of ex-bourbon, ex-sherry, and ex-Marsala casks. The spirit is then married and proofed down to a very approachable 92 proof.

Bottom Line:

I was shocked this wasn’t number one. But its sibling was, so I guess it all came out in the wash. Anyway, this was among the “well, this is great. Now, I how the hell do I rank this” part of the tasting.

All of that aside, this is a great bottle to have on your home bar cart. It’s spectacular.

3. Midleton Very Rare 2021 — Taste 3

Pernod Ricard Irish Distillers

ABV: 40%

Average Price: $298

The Whiskey:

The 38th Very Rare release from Midleton is a marrying of single pot still and grain whiskeys that spent 15 to 36 years aging in ex-bourbon barrels. The barrels were specifically chosen for their very light char. Those whiskeys were masterfully vatted and then proofed down with that iconic Cork County springwater to a very accessible 80 proof.

Bottom Line:

This was light and playful. Honestly, these top three all could have been number one depending on the day, time of year, and my mood. This is delicious but wasn’t quite as lush as the next two. But that’s me really reaching/splitting hairs trying to rank these.

2. RedBreast PX Edition — Taste 2

Redbreast PX
Pernod Ricard

ABV: 46%

Average Price: $133

The Whiskey:

This is the latest installment of The Redbreast Iberian Series, which aims to highlight barrels from Portugal and Spain in the Irish whiskey. The juice is finished in Pedro Ximenéz casks after spending years in both ex-bourbon and ex-Olorosso sherry casks.

Bottom Line:

This was just stellar. It was a little Christmas-y and it’s about 90 degrees in my apartment right now. Had it been a little lighter, this might have been in first place. But today, in the middle of summer, this Christmas-in-a-glass whiskey was delicious but just not what I wanted right now.

1. Gold Spot Aged 9 Years Limited Edition — Taste 1

Gold Spot Irish Whiskey
Pernod Ricard

ABV: 51.4%

Average Price: $125

The Whiskey:

The latest release from Mitchell & Son’s beloved “Spot” line of whiskeys is a nine-year-old blend of ex-bourbon and ex-sherry casks. The juice is finished in Port casks and Bordeaux wine casks for the final blend/maturation.

Bottom Line:

This was the first sip and nothing really beat it. It’s a luxurious sipping experience that I immediately wanted to take part in again.

Part 3: Final Thoughts

Irish Whiskey Blind
Zach Johnston

I’m still shocked that Red Spot landed at four. That’s one of my “go-to” Irish whiskeys that I rave about. I guess that’s the point of these blind taste tests — what you think you know can be turned on its head pretty easily.

In the end, the top four whiskeys on this list were all killers. I’d even say numbers five, six, and seven are worth your while for sipping and mixing. The only whiskey I didn’t care for was the Teeling Small Batch. It just felt out of place on this list (which is on me since I chose these bottles).

Still, if you’re looking for a great bottle of Irish whiskey, hit up those top four. You will not be disappointed.

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‘Obi-Wan Kenobi’ Didn’t Work Because It Took Itself Too Seriously

The first act of the first Star Wars film follows two droids who hate each other but are stuck together. The even goofier Star Wars prequels include characters like Jar Jar Binks, a diner owner named Dexter Jettster, and the incredibly annoying lightsaber collector General Grievous. The Last Jedi is the most harrowing, darkest, and (most importantly) horniest entry in the Star Wars franchise, but it includes Porgs and Kylo Ren in high-waisted pants. Even in its darkest moments, Star Wars has always had a campy undercurrent that makes it unique amongst other sci-fi and other film franchises.

In the ultimate lightsaber battle in the Obi-Wan Kenobi finale, Obi-Wan Kenobi faces Darth Vader/Anakin Skywalker. Obi-Wan strikes Vader’s face and his iconic helmet breaks, revealing one-half of Anakin’s face. For the first time since Obi-Wan Kenobi left Anakin Skywalker for dead on Mustafar in Revenge of the Sith, Obi-Wan sees that Anakin truly is Darth Vader. The boy Obi-Wan trained for so many years and lost to the dark side is lying right there in front of him, desperate for revenge on his former master. Darth Vader continues to shout threats at Obi-Wan, but now, his helmet’s voice distortion feature (I don’t know what it’s called) is broken. His voice weaves between sounding like James Earl Jones and Hayden Christensen, from monster to boy.

For years, Obi-Wan, ignorant of the medical marvels Emperor Palpatine had at his disposal, assumed that Anakin was dead at his own hands. He spent a decade drowning in grief and guilt, feeling responsible and punishing himself for not only Anakin’s downfall, but the downfall of the Republic. Once Obi-Wan discovers Anakin’s new identity as Darth Vader in Obi-Wan Kenobi, he is in denial that they could possibly be the same person. Looking into Anakin’s eye and hearing Anakin’s real voice emotionally affects an already emotionally affected Obi-Wan. But moments later, Obi-Wan, as he did many years ago, abandons a helpless Anakin Skywalker by riding off in a ship, leaving his former padawan with a cold but confident, “Goodbye, Darth”. Obi-Wan’s snappy exit embodies the character, but not the moment. Almost is the theme of Disney+’s Obi-Wan Kenobi. This lightsaber battle was almost iconic. “Goodbye Darth” was almost funny. Obi-Wan Kenobi was almost a good show. But ultimately, the entire thing fell flat because it did not allow itself to be fun.

Despite its best moments including that lightsaber battle and Ewan McGregor’s facial hair, Obi-Wan Kenobi feels very fleeting. We got almost six hours of storytelling but learned nothing new about characters we already knew, and also learned absolutely nothing about new characters. Obi-Wan Kenobi was sad. Darth Vader was violent. Obi-wan was sad. Leia Organa was feisty. And Reva, the former padawan who was on a mission to avenge her peers Anakin Skywalker murdered has a narrative arc that’s shaped more like a twig and adds nothing to Obi-Wan’s journey.

The Obi-Wan Kenobi finale is peppered with attempts at quick references to Obi-Wan’s sly, slightly rude but ultimately very charming (and hot, sorry) attitude. None of the lighter, sillier moments work because Obi-Wan Kenobi, like the rest of the Disney+ shows, thinks Star Wars is not camp. Even “Hello there,” an Obi-Wan moment that one could argue is the reason why this series exists in the first place (that’s a blog for another day when I am way less tired), was crammed into the final episode out of desperation, a studio note in visual form.

Star Wars should be fun. Obi-Wan Kenobi should have been the most fun, with so much potential for a good, weird time in space. But the franchise has quickly become a soul-sucking bore. The last time Star Wars was fun, really, was when we as a society were first introduced to baby Grogu during the first season of The Mandalorian. Since the appalling Rise of Skywalker and the middling, Skywalker Saga-focused second season of The Mandalorian and The Mandalorian-focused first season of The Book of Boba Fett, the initially promising Disney+ Star Wars shows have all but eliminated the goofy soul from Star Wars by taking it too seriously.

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Joe Rogan Revealed That Trump Keeps Pestering Him To Be A Podcast Guest, But ‘I’ve Said No, Every Time’

While Joe Rogan‘s political views in recent years have been closely aligned with America’s right-wing, namely on topics like the COVID vaccine and transgender issues, the controversial podcaster wants it known that he’s not a fan of Donald Trump. Rogan stopped by Lex Fridman’s show where he revealed that he’s had numerous opportunities to have Trump as a guest, but he turned them all down.

“I’m not a Trump supporter in any way, shape or form,” Rogan said via Mediaite. “I’ve said no, every time. I don’t want to help him.”

It’s a surprising admission considering Rogan has a low opinion of President Joe Biden, who he constantly refers to as a “dead man” that’s not getting enough criticism from the media. “Biden, shakes hands with people that aren’t even there when he gets off stage,” Rogan quipped. “I think he’s seeing ghosts.”

But even though he thinks Trump will get a chance to run again in 2024, Rogan wants nothing to do with him, which Fridman had a hard time understanding given Rogan’s penchant for sitting down and talking to anyone. Fridman argued that, ultimately, Rogan will have Trump on his show at some point, but Rogan held strong.

“You’ve had a lot of people that I think you might, you may otherwise be skeptical,” Fridman said. “‘Would I have a good conversation?’ Which I think is your metric, you don’t care about politics … And I think you had like Kanye (West) on, for example and you had a great conversation with them.”

“Kanye doing well, or not doing well, doesn’t change the course of our country,” Rogan fired back.

(Via Mediaite)