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Blondshell Embraces Love And Sexuality On Her New Single, ‘Kiss City’

Upon the release of her debut single, “Olympus,” last month, LA-based musician Sabrina Teitelbaum is introducing herself to the world as Blondshell. On her new single, “Kiss City,” Blondshell embraces her femininity and her queerness, grasping onto love as it arrives to her.

“Kiss City” is a piano-driven track, with an infectious guitar riff in the song’s bridge. Delivering vocals that are equally sultry as they are soulful, Blondshell is ardent and empowered by her sexuality, as she sings “Kiss city / Just look me in the eye I’m about to finish / Kiss city / I think my kink is when you tell me that you think I’m pretty,” on the song’s chorus.

“I was sick of pretending I didn’t care about love,” Blondshell said in a statement. “The song is about wanting to be seen as an entire person, the fear of not being seen at all and being compared to other women – all the things that come up when you don’t trust the person you’re with. Writing alone in my apartment, I was able to voice my most vulnerable desires, which turned into demands over the course of the song. I think the song itself made me more confident and able to ask for what I deserve. I got angry as I was writing it because I realized that care is a very basic demand for someone you’re romantically involved with.”

Blondshell will release new singles throughout the course of the year, and is set to tour alongside Horsegirl and Porridge Radio.

Check out “Kiss City” above and Blondshell’s tour dates below.

07/22 — Los Angeles CA @ The Echo ~
09/06 — San Diego CA @ Casbah *
09/07 — Los Angeles CA @ Lodge Room *
09/09 — San Francisco CA @ Rickshaw Stop *
09/12 — Portland OR @ Doug Fir *
09/13 — Seattle WA @ Barboza *
09/15 — Boise ID @ Neurolux *
09/16 — Salt Lake City UT @ Kilby Court *
09/17 — Denver CO @ Lost Lake *

~ with Horsegirl
* with Porridge Radio

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Fox’s Joe Davis Is Learning To ‘Let Myself Be Myself’ On The Heels Of His First All-Star Broadcast

Progress isn’t linear. It’s one of those axioms that gets thrown up on a whiteboard at motivational seminars, or parroted by coaches as certifiable. It’s dismissed casually now; pushed to the side of “keeping the main thing the main thing” or “controlling what you can control” and left for athletes to tweet in all caps with a bunch of emojis. It’s a shame, since the basic tenets of the phrase are extremely important, especially as the lines between traditional measures of success and failure dissolve and hierarchal paths result in a [page not found].

Joe Davis knows this as well as anyone. He’s managed to replace two titans of the sport at the same time, becoming the Dodgers play-by-play man following Vin Scully’s retirement and taking over lead duties for Fox MLB after Joe Buck signed a deal with ESPN. The 34-year-old midwesterner wouldn’t necessarily have drawn up a path to living in Southern California when he was calling games in Schaumburg, Ill. or with the Montgomery Biscuits, or at Baylor or Boston College, or for the Loyola Ramblers, but he’s crafted the same meticulous work ethic since his days at Belloit College in Wisconsin. Reps are reps, and there’s no better way to gain those reps than calling the long and exhausting baseball season, year in and year out.

Each of those reps prepared him for the moment he’s in now, gracing the pages of the New York Times and Los Angeles Times in a week that saw him calling his first MLB All-Star Game, fittingly at Dodger Stadium.

Uproxx Sports spoke with Davis in advance of Tuesday’s All-Star Game about his journey, learning to let himself be himself, and the advice he’s gathered along the way.

Martin Rickman: One of the things that took me way too long to realize was that there’s no one right path. When you look back at your journey, does it add up to you in just being every moment being valuable? Tyronn Lue had an expression he used with the Cavs a few years back where he said it wasn’t about wins and losses. It was about wins and lessons. I think I laughed at it at the time, but especially recently, I have held onto that and it’s become a bit of a mantra.

Joe Davis: I love that. I love that quote. I’ve never heard that. Well, first of all, I think that you’re exactly right that there is no one right path. I think that we probably all as we get going on whatever path it is we wind up going down, you worry about if this is the right way. I think that there is no one right way other than whatever path it is you get on. You’ve got to work hard. You’ve got to be a good person, and you’ve got to get some breaks. I think if you put all those things together, then you’ve got a shot, no matter what path you take.

I think that last thing you mentioned is so critical too. If the door is cracked open, don’t assume it’s going to stay that way forever. You’ve got a chance to walk through it. You’ve got to blow through that door, and you can’t look back.

Exactly. Timing is a huge thing too. Some of that is circumstantial, but some of that is setting yourself up to be in a position to take advantage of that good timing.

Whether it’s your time in Schaumburg or Montgomery, what is it about that style of baseball that allows you to take what you learn in broadcasting school but be willing to throw all of it away based on the very nature of what independent league and minor league baseball are in that sometimes you have to allow the absurdity, the playfulness in, but still allow yourself the room to be you?

I think the big thing with minor league baseball is it’s the only place you can go as a young broadcaster, whether you consider yourself a baseball broadcaster or just a sportscaster, and have a rep every single day. If you really embrace it, every single day is a chance to get better. Think how much better you’re going to be in game 140 than you were game one. As I stack the years on top of each other, year two versus year one, year three versus year two, I’ve really tried to, and I’m not perfect, but I’ve really tried to use every day as a chance to get better at something. Hopefully, those little improvements stack up into making yourself into much better as a broadcaster or whatever it is that you’re doing. I think that can apply to anything.

Reps matter. What are the reps now for you in these more marque situations, but you’re still trying to tweak, still trying to improve, still trying to be the best you can be, because if you’re not evolving, you’re falling behind?

Exactly. I think that you could look and say, okay, what a great gig, couple of gigs I’ve got here doing the Dodgers, doing the Fox stuff. Amazing. I’ve made it. Let’s settle in. I think that I realize how fortunate I am to have these spots and how many people would kill to have these spots. I think it’d be a disservice to the chair if I just rested and said, I’m good. Now, I’m still trying to use every game as a chance to get better. I tell people, having a wife and three kids now makes it a little harder to go back and listen to every minute of every broadcast like I did when I was in the minors. There are still ways to be mindful of not just going and checking a box and calling the game, really trying to be great every game with your preparation and with the way that you go back and listen to yourself. Again, that isn’t every day anymore, but once a week, once every couple of weeks, go back and really take a hard listen to what you’re doing.

I really liked that quote that you had mentioned in the New York Times from Joe Buck about how they’re not going to have a moment of silence for you when you get hit by a bus. Young guys want to be the best they can be right away, but you have to have fun with it because if you don’t, then you’re not really having that perspective of this is a job everybody grows up wanting to do. You grew up wanting to do this, or you wouldn’t be doing it. You’ve got to take a step back and be like, wow. This is pretty cool sometimes, and I imagine this is one of those weeks where the ballpark already, every time walking in a Dodger Stadium is magical, but doing so in an All-Star situation has to be one of those, “Oh, wow, I am here moments.”

I do have to let myself have those moments, especially. I’m at a place now doing the Dodgers every day where I’m much better at taking a second each day to talk about and feel — not just talk about, but to really feel how lucky I am to be sitting in that chair, and look around and soak it all in. I think when you take on something new like this, the All-Star Game, my first one, that’s harder to do. It’s hard to sit back in the chair and be like, man, how special is this? I mean, I’m forward leaning for the last couple of weeks here, packing in every second of prep that I can. Honestly, hearing you say that is a good reminder for me. Just go have fun, man. People at home don’t care if you have every nugget about every player’s entire life. They just want to turn the game on and smile.

I think that I have to let myself be myself, and I think I found this as my cruise has gone on. I let myself be myself. If any of us broadcasters let ourselves be ourselves, that’s going to come off as a much more enjoyable listen.

I’m from the Cleveland area and grew up listening to Tom Hamilton on the radio. He’s as close to Vin as anyone gets that’s still around. I mean, Vin and him, they were having fun at the ballpark every day. Even the bad days, they’re complaining, and you’ve earned that right when you’ve done it for like 70 years. But there’s always that moment even in those games where they just let you into that world of playfulness, like can you believe this is what I’m doing every day? And if they can do that, after all those years, who are we to do the opposite?

I grew up a die-hard Cubs fan. My guy was Pat Hughes on Cubs Radio and still is. I still think he’s as good as anybody ever to do the job, and that was some of his early advice to me was … he’d be an expert on this covering some bad Cubs teams, but he said, “Anybody can be good when your team’s playing for first place and the games matter, but how can you still be good when it’s August, and you’re 25 games out of first place?” I haven’t had to deal with that because the Dodgers have been so good. I think the concept still applies where you got to attach some meaning to every game, whether that’s this game’s important in the standings, or this is a guy’s major league debut or the first time they’ve met this team. You have to attach meaning to the game when you’re doing every game like this, and then you just got to maintain that perspective. Like, man, how lucky am I? Okay, sure. It’s a grind. It’s a lot of games, and it’s every day, but my gosh, how lucky am I to be in that “grind?”

That’s the big thing. You’re trying to improve, and sometimes when you get tired, it’s hard to have perspective. I think being able to rely on the people around you too is huge. You’ve got a wealth of talent at your disposal that you’ve been able to work with or to rely on, to draw from. I’m just curious if any of those guys gave you any advice that you’re now passing on to who could be the next Joe Davis, so to speak. Whether it’s being mentored by working with someone like Joe [Buck] or Vin or having Orel [Hershiser] next to you or working with [John] Smoltz or anyone else that you’ve come across in the last few years.

There’s a couple that come right to mind. Orel is the first one. I have three kids, and my third kid’s middle name is Orel … and that’s, what else do you need to say about what the guy means to me? Getting to spend every day with my best buddy in that booth, it’s a big part of why the job is so special. Joe Buck is the guy that I grew up idolizing. He was calling all the big games when I was a kid, and I thought, how cool would it be to be like him one day? Then I come to Fox and get to meet him at some company-wide meetings and went from dreaming of being a little bit like him, to bug-eyed starstruck and meeting him, to considering him a mentor and a friend and somebody who I talked to pretty often and have gotten so much advice from. That’s a full circle, special one.

One of the cool things about the business is just how many amazing people there are who are eager to pass on the things they’ve learned. I mentioned Pat Hughes, but Len Kasper, Brian Anderson, Mike Tirico, Sean McDonough. I sound like I’m namedropping, and I don’t mean for that to be the case. The point I’m making is it’s like the list goes on and on and on of people who have helped me. Because of that, I am always so eager to help when I meet a young broadcaster and so humbled when I’m now on the other side of it and they care about what I think. Because I remember how much it meant to me when I would reach out to these guys, and I would get feedback from them, or I would even just get a response from them, how that would make my day. I always try to remember that, and I hope that’s on my tombstone that I always had time for the young broadcaster.

Now, you’ve had some time in Los Angeles, does this feel like home to you now? Midwesterners don’t always assume they’re going to end up in L.A., no matter how many ’80s movies you watched growing up.

We’ve been here, let’s see, we got here beginning of 2017, and the weather thing, people make fun of it, but it’s real, though. The fact that it’s this nice out every day, I mean, that’s a big deal for your mood and for your overall outlook on life, I think. We love it. Honestly, this Fox promotion happens, and we’re lucky to get to a point where you can have the conversation. Do we want to move back to the Midwest? Do you want to just do national stuff? There’s a couple of things. But we love the Dodger situation too much. And the other thing is my wife’s like, “I don’t really want to move home to Michigan, I love it here.” I guess that would answer your question. Yeah, it is home now.

Where are the places that you guys typically go to take a break when you have that opportunity? Because I know that free time becomes so rare, especially when you’re juggling multiple gigs.

We’re huge restaurant people. We love date nights, going and trying new restaurants. I consider myself a little bit of an L.A. restaurant expert, not too humble about that. I’ve tried enough of them where I’ve been an expert. That’s the micro; we get out and go to as many dinner date nights as we can. As far as areas to go, the morning after the All-Star Game, we’re taking the whole family to Ojai.

Oh, nice.

My wife Libby and I went for the first time in February. Loved it. Loved how it feels a million miles away from any hustle and bustle and worry, but it’s just an hour and a half away. We’re getting brave and taking the three kids for a couple of days, but we’ve done that. I’ve done Santa Barbara, Laguna, all the ones that people like to check the boxes off as they move out here to California, I think.

It’s not a place that I grew up again, thinking I’d be out here. I try to take advantage of the fact that with the weather, but the food and the culture and the fact that there’s a hundred sports teams, there’s always something that I haven’t done that then makes me want to do that more or try something else new. I think that’s the same approach that, professionally, I’m trying to take more of, is what if there’s something I don’t know? What if there’s something I haven’t tried? It could help me even in my general silo day to day.

I think that it’s important to have a relentless pursuit of growth. Never stop.

What is it about this experience that you’re having and calling an All-Star Game that has you either reflective or appreciative of that journey that you’ve been on — just because it is part of the job and you want to do a good job, but what does this mean to you in each of those steps that you’ve taken throughout your career?

I’ve been pinching myself pretty much from the moment I found out that I was getting this job, which would’ve been early March. This will be really the first marquee event that is on a level that I haven’t done. Because even in recent years I was with the A-group for much of the summer on baseball just because Buck didn’t do a ton of it. The month and a half, two months we’ve done so far, doesn’t feel much different doing the big Saturday games, because I’ve been doing that. This will be the first one where it’s different. I think that it will be important for me to take a step back and think about all the things that led to this, but also not get too caught up in that idea. Not make it bigger than it is, that whole idea like Joe told me before my first game.

They’re not going to have a moment of silence for you if you get hit by a bus on the way to the stadium because I think the job is still the same. The fundamentals of the job of being a play-by-play broadcaster remain the same. I’ll definitely take a minute to appreciate it, but pretty quickly, I’ll focus on doing the job the way that I think it should be done.

This interview has been briefly edited for clarity.

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Chris Cornell Thought Eminem Was ‘An Amazing Artist’ And Used To Sing ‘Not Afraid’ In The Car

Chris Cornell was one of the most beloved artists of his generation, but the late Soundgarden/Audioslave singer was also a big appreciator of other musical greats. That’s what his wife Vicky said on a new radio special, revealing he thought Eminem was “amazing” and that he would sing “Not Afraid” in the car.

On the Chris Cornell Family Guest DJ special, which premiered today on SiriusXM’s Lithium station, Chris’ wife Vicky and daughter Toni played Chris’ favorite songs and shared stories about him. Of Chris’ interest in Eminem, Vicky said:

“So again, Chris had really eclectic taste. There was no such thing for him as like a specific genre. If he felt the artist was great, he listened to their music. It didn’t matter. Chris was… he loved Eminem. He thought he was an amazing artist and we would play ‘Not Afraid’ in the car. And little Christopher suddenly started singing it. And it was his favorite song. And so daddy and him would get into the car and immediately Christopher would be like, ‘Put on ‘Not Afraid,” and he would sing it and they’d sing it together. Like rap, this little baby was, was rap. I mean, he was really young. Yeah. And it was just one of those special songs that we played around the house and he thought he was amazing.”

Chris was also big on Adele and even planned to cover her entire 2011 Tiny Desk Concert. Vicky said, “He was a huge Adele fan. And I mean, he just admired her and thought she was just one of those… I mean, I think we can all agree one of the greatest and he was completely in awe of her Tiny Desk performance, the entire, the entire thing. And the next thing he was scheduled to go into the studio to do was cover of the entire Tiny Desk. That’s what he was planning on going in to do next. So it’s, it’s kind of bittersweet.”

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Simon Pegg, No Stranger To ‘Star Wars’ Bashing, Says The Fandom Can Be ‘Toxic’ And Apologizes For Past Behavior

With a new wave of Star Wars TV shows and content comes a new wave of fan backlash that is only amplified by social media. Earlier this year, the official Star Wars social accounts had to release a statement after Obi-Wan Kenobi star Moses Ingram received racist threats. This isn’t the first time that stars have received hate for working in the Star Wars universe, and Simon Pegg is sick of it.

Pegg, who has worked on various Star Wars projects, including The Force Awakens, stopped by SiriusXM’s Jim And Sam podcast where he discussed his stance on the Star Wars online fan culture, which has gotten increasingly vicious as of late.

“To be honest — and as someone who kind of was, you know, kicked off about the prequels when they came out, the Star Wars fanbase really seems to be the most kind of toxic at the moment,” Pegg said. “I’m probably being very controversial to say that.” Pegg famously wasn’t a fan of Jar Jar Binks, hating on the character originally, then backtracking on his statements several years later after learning how much the backlash hurt Ahmed Best, the actor behind the much-loathed character.

“I’ve apologized for the things I said about, you know, Jar Jar Binks,” Pegg added. “Because, of course, there was a f*cking actor involved. He was getting a lot of flack and … it was a human being. And because it got a lot of hate, he suffered, you know, and I feel terrible about being part of that.”

Pegg went on to praise the Star Trek fandom for their much kinder social media presence. “I find the Star Trek fans have always been very, very inclusive, you know, Star Trek’s about diversity. It has been since 1966, it always was,” Pegg, who starred in J.J. Abram’s Star Trek reboot, added.

“There’s no sort of like, ‘Oh, you’re suddenly being woke,’” Pegg explained, adding that the hit sci-fi show has been committed to diversity since it began. “Star Trek was woke from the beginning, you know? This is massively progressive.” Pegg added.

Even though the diversity in Star Wars is relatively new, it’s still just as important, which is why fan reactions have been so disheartening to Pegg. “[With] Star Wars suddenly there’s a little bit more diversity and everyone’s kicking off about it. And it’s, it’s really sad.” Hopefully, this will inspire some of the Star Wars bullies to pick on another galaxy.

(Via Variety)

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Indie Mixtape 20: Flasher Wants You To Open A Roth IRA

Like most people, Washington DC-based band Flasher have gone through some big changes in the last few years. After releasing their hypnotic and frenzied debut album Constant Image to critical acclaim, the band’s bassist and founding member departed the group, leaving Flasher a duo consisting of members Emma Baker and Taylor Mulitz. But with the shift, Flasher felt a new sense of freedom. “Once we had this implosion, we let go of the pretense and confines that we had pigeonholed ourselves into,” Mulitz said.

Flasher’s sophomore album reflects these changes. On their recently released album Love Is Yours, Flasher trade in angular guitars and hazy chords for melodic synths. Songs like “Nothing” and the album’s single “Sideways” mark the sonic shift from gritty post-punk to music that toes the line between new wave, dream pop, and indie pop.

Celebrating the release of their latest album Love Is Yours, Flasher sat down with Uproxx to talk about being each other’s biggest inspiration, opening a Roth IRA, and perfecting a piña colada recipe in our latest Q&A.

What are four words you would use to describe your music?

Turn that sh*t up.

It’s 2050 and the world hasn’t ended and people are still listening to your music. How would you like it to be remembered?

Full body tattoo.

What’s your favorite city in the world to perform?

Tokyo. We haven’t played there but I’m manifesting.

Who’s the person who has most inspired your work, and why?

My bandmate Emma, because she is talented/smart/cool.

Where did you eat the best meal of your life?

Bad Saint in Washington, D.C., which sadly closed last week.

What album do you know every word to?

Let Go by Avril Lavigne and Teen Dream by Beach House.

What was the best concert you’ve ever attended?

Honestly I’m not sure. The first one that I went to was Green Day at American University when I was in 3rd grade and it’s up there for sure.

What is the best outfit for performing and why?

The one that you feel the most confident in — one where when you look in the mirror you like the shapes and feel like yourself. There’s nothing worse than wearing something that you think is cool, but doesn’t quite fit right.

Who’s your favorite person to follow on Twitter and/or Instagram?

Patti Harrison on twitter before she got suspended.

What’s your most frequently played song in the van on tour?

“I Like to Move It” by Reel 2 Real feat. The Mad Stuntman.

What’s the last thing you Googled?

“How to cancel audible free trial.”

What album makes for the perfect gift?

I just bought the reissued Emahoy Tsege Mariam Gebru record as a gift to myself, and I would say it’s perfect.

Where’s the weirdest place you’ve ever crashed while on tour?

I once slept underneath someone’s dorm bed after playing a show at SUNY Purchase.

What’s the story behind your first or favorite tattoo?

My favorite tattoo is probably the eagle on my forearm by Mark Cross. There’s no story it just looks cool.

What artists keep you from flipping the channel on the radio?

The Weeknd.

What’s the nicest thing anyone has ever done for you?

Probably my dad adopting me? But also my partner threw me an incredibly elaborate surprise party for my 27th birthday and that was very nice.

What’s one piece of advice you’d go back in time to give to your 18-year-old self?

Don’t go to a private art school for college and open a Roth IRA.

What’s the last show you went to?

Cola at Rickshaw Stop in San Francisco.

What movie can you not resist watching when it’s on TV?

Hocus Pocus.

What’s one of your hidden talents?

I make a delicious piña colada.

Love Is Yours is out now via Domino. Get it here.

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Craft Beer Experts Name The Most Underrated Summer Beers Ever

Summer is a great time of year to be a beer fan. The only problem is that with sunny weather being perfect for lagers, pale ales, IPAs, pilsners, and other lighter beer styles, the market is oversaturated with choices. It also means there are a few overrated summer beers that get more attention than they deserve and some underrated ones that fall by the wayside.

To help us find underrated beers, waiting to be discovered, we went to a handful of our favorite craft beer experts and brewers. They were kind enough to let us in on their picks for the most underrated summer beers you should be drinking this season. Keep reading to see them all.

Port City Beach Drive

Port City Beach Drive
Port City

Josh Radigan, director of food and beverage at Viceroy in Washington DC

ABV: 4%

Average Price: $10.99 for a six-pack

Why This Beer?

Port City Brewing’s Beach Drive Golden Ale. It’s just an easy drinking ale without too much sweet malt in the finish but a balance of crisp and body. Simple, well-balanced, and perfect. A great example of how to craft a crushable summer beer.

Weihenstephaner Kristallweissbier

Weihenstephaner Kristallweissbier
Weihenstephaner

Karlton Graham, head brewer at Kansas City Bier Company in Kansas City

ABV: 4.5%

Average Price: $3.99 for a 16.9-ounce bottle

Why This Beer?

Any fresh Kristallweizen. They are hard to find and I hope to make one by next summer but if you do find a fresh one, you are in for a treat. Dry, but with amazing fruit and/or spice flavors. I find it to be quite refreshing on a hot day. Weihenstephaner Kristallweissbier with its banana and citrus flavors is the pinnacle of the style and tough to beat on a hot summer day.

Chuckanut Pilsner

Chuckanut Pilsner
Chuckanut

Parker Penley, lead innovation brewer of Widmer Brothers Brewery in Portland, Oregon

ABV: 5%

Average Price: Limited Availability

Why This Beer?

This changes all the time but I have to give a shout-out to Chuckanut Brewery. I had a couple of their pilsners recently and they were drinking mighty fine. A refreshing balance between premium pilsner malt flavor and noble hops. Crushable, crisp, and great for summer afternoon drinking.

Lost Coast Great White

Lost Coast Great White
Lost Coast

Jeremy Marshall, brewmaster at Lagunitas Brewing in Petaluma, California

ABV: 4.8%

Average Price: $9.99 for a six-pack

Why This Beer?

This is the same as my go-to summer beer. I always go with Lost Coast Great White. It’s not Blue Moon, it’s not Shock Top, but it is Humboldt County. Wheat, orange peel, and spices propel this thirst-quenching wheat beer into a different summer category. It’s a perfect, complex, flavorful beer for the summer heat.

Thin Man Minkey Boodle

Thin Man Minkey Boodle
Thin Man

Kevin McGee, president and CEO of Anderson Valley Brewing Company in Boonville, California

ABV: 7%

Average Price: $15.99 for a four-pack of 16-ounce cans

Why This Beer?

Thin Man Minkey Boodle, Raspberry Sour. Warm weather and sunshine often call for kettle sours and Thin Man makes an exceptional one. With bracing acidity and plenty of luscious raspberry flavor, this beer is both delicious and also fun to order. The team at Thin Man is really creative but also have a lot of brewing skill and have this beer balanced exceptionally well.

Live Oak Hefeweizen

Live Oak Hefeweizen
Live Oak

Rob Lightner, co-founder of East Brother Beer Company in Richmond, California

ABV: 5.3%

Average Price: $8.50 for a six-pack

Why This Beer?

Without a doubt, it has to be Hefeweizen, and Live Oak in Texas makes an amazing one. Hefeweizen is a great year-round beer, but there’s something about the subtle tartness combined with the range of flavors you get from this style of wheat beer, like banana, bubblegum, and/or clove, that makes this style a go-to summer beer. With a typically low ABV, it’s an absolute thirst-quencher.

Stiegl Grapefruit Radler

Stiegl Grapefruit Radler
Stiegl

Ian Brown, head brewer at Biggerstaff Brewing in Atlanta

ABV: 2.5%

Average Price: $10.50 for a four-pack of 16-ounce cans

Why This Beer?

When I think of my go-to summer beer, it’s probably going to be a Shandy. Either lemon or grapefruit. Stiegl comes to mind. Something light and refreshing for the heat. Its grapefruit shandy is low in alcohol, but high in bright, tart citrus flavor. Who doesn’t love lemonade in the summer? And you can add gin to it and take it to the next level. Who is saying no to that?

Solemn Oath Lu Kolsch

Solemn Oath Lu Kolsch
Solemn Oath

Ben Saller, founder and brewer at Burnt City Brewing in Chicago

ABV: 4.7%

Average Price: $10.99 for a six-pack

Why This Beer?

I’m not sure I would call it underrated, but Lu Kolsch from Solemn Oath is a beer I’ve been enjoying this summer. It’s crisp and refreshing with nice a nice, smooth grain character. If that makes it underrated then it definitely is. More people should know about this great summer beer.

Writer’s Pick:

Narragansett Fresh Catch

Narragansett Fresh Catch
Narragansett

ABV: 4.2%

Average Price: $10.99 for a six-pack of 16-ounce cans

Why This Beer?

Nobody would fault you for listing Narragansett Lager in its 1975 ‘Jaws’ throwback cans as an underrated summer beer. But we think the brand’s Citra-hopped blond ale is actually more underrated. Light, slightly sweet, and loaded with bold citrus flavors, it’s the kind of beer you want to drink on a hot summer day.

Writer’s Pick:

Creature Comforts Tritonia

Creature Comforts Tritonia
Creature Comforts

ABV: 4.5%

Average Price: $14.99 for a six-pack

Why This Beer?

There are few beer styles more well-suited for summer refreshment than a nice, crisp, slightly salt Gose-style beer. In our opinion, one of the most underrated is Creature Comforts Tritonia with lactobacillus, lime, sea salt, coriander, and cucumber. It’s complex, flavorful, and pairs well with a hazy, sunny summer day.

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Sonny Digital Drops A Trippy New Visual For ‘Vet’

Atlanta rapper and producer Sonny Digital has just dropped his new single, “Vet.” On “Vet,” Sonny delivers crafty punchlines, like, “Bentley Mulsanne I need a bigger lane / Need a big B like I’m Jigga mane,” over a digitally-distorted-sounding instrumental.

“I was in the studio just vibing,” Sonny said about the song’s creation in a statement. “I had probably already done like two or three tracks. I had caught the wave and the vibe and was just like keep going. Just rapping and going crazy. Everything was just fluid. I was looking for that little hyper-pop kind of vibe. So, my boy Franchise sent me some beats, and this fit the vibe perfectly.”

In the song’s accompanying visual, Sonny is seen dancing by a car. Throughout the video, the screen utilizes kaleidoscopic effects, as well as color-reversing, and visual effects that make him appear as though he is in a computer matrix.

“Vet,” along with his previously released Slugg-assisted single, “Since 91,” and “Guess What,” which features SSGKobe, are expected to appear on Sonny’s upcoming project, Mr. Digital, which will arrive later this year.

Check out “Vet” above.

Sonny Digital is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music group.

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Jonas Valančiūnas Did A LeBron Impression That Featured A Whole Lot Of Crying And A Flop

Recently, Jonas Valančiūnas found himself engaged in a game of charades, when he drew LeBron James‘ name to impersonate. Valančiūnas is no stranger to James — he’s been in the NBA since 2012-13 and faced James in the playoffs three consecutive years between 2016 and 2018 as a member of the Toronto Raptors (shout out LeBronto).

For one reason or another, the New Orleans Pelicans big man opted to have some fun at James’ expense during this game of charades. To convey who he drew, Valančiūnas began mimicked crying by rubbing his eyes and letting out a whimper, which continued on for a few seconds. Then, he suddenly crumbled to the ground, as if he’d been struck by something, likely a nod to the “flopper” label James has received from certain crowds. To conclude the performance, he returned to his lead-off of the fake cry.

Presumably, his co-host recognized the impersonation by its end and the two shared a hearty laugh once they both knew Valančiūnas had been cosplaying as James. I think Valančiūnas’ flop could use a little fine-tuning, though. Watching a 6’11, 265-pound center tumble to the ground so abruptly like that caught me off-guard. Maybe that’s the beauty in his artistry: surprise and brashness. And granted, he didn’t have a ton of space on stage to work, considering his frame.

I’ll give him the benefit of the doubt. I just hope he spices up the approach if or when he pulls James’ name again in his next game of charades. We can’t be repeating things here. Great artists never lose creativity and ingenuity.

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A Studio Executive Calls Tom Cruise One Of Only Two Highly-Paid Actors Who ‘Justify Their Salaries’

Top Gun: Maverick is up to $620 million at the domestic box office (and $1.2 billion worldwide), making it 2022’s highest-grossing film. It has a $209 million lead over the year’s second highest-grossing movie, Doctor Strange in the Multiverse of Madness, or roughly the same amount as #11 (Elvis) and #12 (The Lost City) combined. Desus and Mero’s brand isn’t strong, but Tom Cruise’s is. And he’s getting paid for it.

Variety reports that “Cruise will net $100 million or more from ticket sales, his salary, and his eventual cut of home entertainment rentals and streaming revenue” for the once-unthinkable Top Gun sequel. That’s some Jack Nicholson in Batman money right there.

“I would never bet against Tom Cruise,” an unnamed studio executive told Variety. “Most actors aren’t worth what you pay them, but Cruise and maybe Dwayne Johnson justify their salaries.” If Cruise isn’t Hollywood’s last great movie star, he’s one of a select few who can sell tickets based solely on their name, not the Marvel character they’re playing.

Other notable salaries include $30 million for Leonardo DiCaprio in Killers of the Flower Moon, $20 million for Joaquin Phoenix in Joker 2 and Tom Hardy in Venom 3, and $12.5 million for Margot Robbie and Ryan Gosling in Barbie. They deserve at least $100 million for these delightful photos alone.

(Via Variety)

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George R.R. Martin No Longer Trusts ‘The F*cking Toxic Internet’ After ‘Game Of Thrones’ Viewers Piled Onto Season 8

It’s no secret (to viewers) that Game of Thrones fans (far and wide) weren’t thrilled with how much of Season 8 faltered (other than Arya, who simply rules, killing the Night King). They certainly weren’t alright with the show pushing Dany into utter insanity and setting Westeros on fire, and people were especially underwhelmed with (after all of that game playing) Bran Stark ending up on the Iron Throne. And although such a juggernaut of a show couldn’t have made everyone happy with a finale, people were still salty after a year and counting.

As the HBO franchise prepares to launch its first prequel, House of the Dragon, George R.R. Martin sounds like he’s had enough. The spinoff team already led up to this by declaring that they know that not all GoT viewers will sign onto a spinoff without question, but Martin does sound extra fed up. Is this understandable? Sure, he’s dealt with a lot of heat (and I suspect part of this grumpiness has to do with the still-unfinished Winds of Winter), but he’s also apparently steamed. Via the continuing feature rollouts from The Hollywood Reporter:

“The f*cking toxic internet and these podcasts out there saying that season eight left such a bad impression that people say, ‘Oh, I’m never going to watch them again,’” Martin says. “I don’t trust them anymore.”

Immediately after this declaration, THR notes that HBO Chief Casey Bloys gives his take, which is that this “was a social media backlash.” Bloys also stressed “that Twitter is not real life,” and he added, “There weren’t a lot of people walking around despondent or upset.” This appears to reflect a belief that the only upset people made up a small subset of viewers, and that the disappointment was only confined to Twitter. And that’s certainly a perspective, to say the least.

One can suggest that Martin and Bloys have their heads in the sand, or we can all forge ahead and watch House of the Dragon and let the bygones roll away. The full THR piece is well worth a read, although it’s worth noting that Martin does warn (of the spinoff), “There’s no Arya — a character everybody’s going to love. They’re all flawed.” Well, let’s watch this keep minds open for this prequel anyway. Dragons!

(Via Hollywood Reporter)