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The ‘Better Call Saul’ Lie Detector Test: The Gang Is All Here

The Better Call Saul Lie Detector Test is a weekly recap of the major events of the final season, separated out by their apparent truthfulness at the time. This is not one of those recaps that gets into granular detail about things. It will miss the occasional callback or foreshadowing. But it will be fun. Sometimes, that’s what’s important.

Season 6, Episode 11: “Breaking Bad”

LIE FALSE SAUL
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Gene is doing great

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Let’s check in with Ol’ Gene. He is:

— Freaking out and smashing pay phones and maybe in a financial bind because all of his New Mexico money laundering/stashing operations — various nail salons and laser tag centers and organizations with very legitimate-sounding names like Tigerfish — have been seized by and/or surrendered to the authorities, leaving him in the kind of crunch that a Cinnabon salary does not offset

— Attempting to alleviate the aforementioned money crunch (and fill the bottomless pit in his soul) by operating a semi-sophisticated identity theft ring that involves liquor-siphoning bladders hidden under his clothes and barbiturate-laced bottles of water and collaboration with a pair of doofuses he vowed to be done with as recently as the end of last week’s episode

— Apparently so greedy or so far gone morally or still carrying so much rage at Walter White (“a guy with cancer can’t be an asshole?”) or all of it that he’s insisting on following through with the grift on the cancer patient even though one of his accomplices bailed and stripped the tape off the door and the only way in involves smashing a window and throwing out all the disciplined caution of the whole plan in favor of reckless desperation, which rarely works out for anyone

— Almost literally making the same mistake he made when Mike told him not to get into business with Walt and Jesse and he decided “no, I’ll press ahead with the risky plan even though someone who works for me advised me correctly to leave the cancer patient alone”

— Getting a little misty-eyed and sad at even just the mention of Kim’s name when Francesca revealed that his former flame called to check in after he and Walter and Jesse kind of made national news in a bad way, and then mangling a phone booth when his attempt to reach out went sideways

— Kind of staring a lot at the dough as it clunks around the Cinnabon machine, with the empty facial expression of a man who has a number of regrets, some of which may or may not involve lost loves and violent meth kingpins and unfortunate new mustaches, to name a few things completely at random

Other than that, things are going pretty well.

Seeing Walter and Jesse meant nothing to me

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AMC

There’s a fine line between “bringing back important characters to tell an important part of an ongoing story” and “shameless fan service” and the thing about all of this is that I do not care at all where you or anyone thinks this one falls. I don’t know. I just liked it. I liked hearing Bryan Cranston do the Walter White cough, I liked hearing Aaron Paul add an unnecessary “yo” to the end of a sentence and I liked seeing both of them interact with Bob Odenkirk again, even if the whole thing had to be shot at midnight in the shadows because Aaron Paul is 42 years old and his days of portraying a recent high school graduate are in the past. Let me have this one. It was cool.

It also places us back into an identifiable timeline again, kind of, seeing as this scene and the “Did Lalo send you?” of it all originally took place in season two of Breaking Bad. So there’s that. But we’ve been jumping around so much lately that you can be forgiven for putting away your yarn and pushpins and other conspiracy wall paraphernalia to just sit back and enjoy. That’s your call. It is a little funny that the stuff that takes place the farthest into the future is all shot in black and white. I think we should all at least try to agree on that.

Anyway, the point here, the one I’m trying to make, goes something like this:

  • What was once two semi-separate worlds of Better Call Saul and Breaking Bad is now just one big universe all mushed together, for better and worse, by which I mean better for us and worse for every single character on the show
  • Whether he’s Jimmy or Saul or Gene, he is still the same self-destructive sucker who can’t get out of his own way long enough to skate by on the oodles of charm he possesses, which is all very heartbreaking
  • Sometimes it’s okay to just look at something and say “that felt cool” and then move right along without overthinking it too much, just to prevent your brain from ruining it all for yourself

It was nice to see old friends. Friends might be the wrong word here. I don’t know how else one categorizes “television characters we spent a lot of time with who were drug dealers and murderers and sociopaths but we were excited to see again anyway.” It’s weird. Let’s not think about it anymore. Moving on!

The people who make this show lack confidence

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AMC

Think about what’s going on here. Think about what has been going on for six full seasons of this show now. They took the comic relief from one of the more intense and stressful shows of all time and they took us back in time to show us him having hope and then they would sometimes flash way forward to remind us that all that hope gets smashed into dust and then they would go back to telling us how we got from one point to the other. And then, with only a few episodes left in the whole thing, they gave us hour-long stories about mall heists that were almost foiled by outrageous physical comedy. Now, they’re bringing back the main characters from the other thing to more or less tell us that this guy has always made the stupid move and is going to keep doing it over and over again until it catches up with him.

Imagine having the confidence to just, like… do that. It’s fascinating to me. Almost infuriating. Like, on one hand, thank you, Vince Gilligan and Peter Gould for doing all of this. But on the other hand… how dare you?

I don’t know. It’s fine. I’m fine.

LIE UNCLEAR SAUL
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Kim is working for a sprinkler company in Florida

SAUL
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I mean… it kind of looks like that, right? Gene called the operator from that pay phone and asked for a Palm Coast Sprinklers on Tarpon Road, and then asked to speak to Kim Wexler, who he believes works there. This would be… weird. What do we think Kim does at the sprinkler company? Sales? Installations? Customer service? Does she manage and/or operate it? Has Kim always known a lot about sprinklers? What else don’t we know about her? Etc etc etc.

On the other hand, well, two things. The first is that these shows have a long history of false front businesses and misdirections, so there’s a reasonable chance that the number for Palm Coast Sprinklers is routed through somewhere else and goes to a phone in… oh, let’s say Norway, just to have fun. I doubt it, I think, but I don’t know for sure. Which is fun.

The second thing is that the phone call in question did not go as well as he hoped it would, which we can assume — even though it was all muffled out by trucks and other ambient noise — based on the thing where he smashed the phone a lot and kicked out the glass. Does that mean he got Kim on the phone and she told him to get bent? Does that mean she works there but she wouldn’t take the call? Does that mean she no longer works there and the person on the phone wouldn’t give him any information on where she went afterward? Possibly to a rival sprinkler company?

Could go a lot of ways here. I hope Kim is enjoying Florida, though. If that’s where she is. Which might not be the case.

If Saul had just listened to Mike he never would have gotten himself into this Cinnabon mess

SAUL
AMC

Hmm.

Hmmmmm.

Here’s the thing with all of this, and it’s a point I made earlier that I’m going to make again: Whether he’s Jimmy or Saul or Gene, he’s still the same guy, and he’s still going to do something stupid and risky at some point because that’s who he is. Let’s say he listens to Mike and never gets looped in with Walt and Jesse. Let’s say none of that ever happens. Knowing everything we know about him and the choices he makes, what are the odds he still ends up calling that vet he knows and fleeing to that mall food court? One in fifty? One in ten? One in three? I’m joking a little but I’m also being serious. If it wasn’t Heisenberg it would have been something else, and that would have ended badly too because Jimmy ruins everything. Maybe it ends a little less bad, maybe it ends a little worse (lol), but there’s no realistic sliding door scenario where this bozo doesn’t end up neck-deep in chaos, just on account of the life he lives and the way his damaged brain operates.

It’s sad, mostly. Terrific television, sure, riveting and thrilling and sometimes funny, but mostly just sad.

We are wasting Carol Burnett here

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So far, all we’ve seen television legend Carol Burnett do on this show is buzz a scooter around a grocery store and discover cat videos on YouTube, which, admittedly, is somewhat better than having a television show and not letting Carol Burnett buzz around a grocery store and discover cat videos on YouTube, but still. Two episodes into her run on the show and two episodes from the conclusion of the whole shebang and, so far, this has all really been not much more than delightful stunt casting.

But.

We need to consider the thing at the end of this episode. The thing where she heard a doggy ruckus outside and looked through her window while Gene was melting down on his accomplices in that shed. And the thing where she now has an internet-connected computer and an increasing knowledge of how to navigate YouTube. And the possibility that there are a number of YouTube videos — news reports, weirdo fan tributes, etc. — about the mysterious disappearance of crooked New Mexico attorney Saul Goodman. And the possibility that she will stumble across one and think about how much that guy looks like sweet Gene and how her beloved Jeffy spent time in New Mexico and how it’s weird that the two of them are spending so much time in that shed.

What I’m saying here is that there’s a non-zero chance that the diabolical Saul Goodman ends up finally getting arrested after years on the run because a Nebraska senior citizen played by Carol Freaking Burnett got bored watching cat videos one day. That would be pretty awesome.

Remember this in case I’m right. Disregard it if I’m not. But definitely remember it in case I’m right.

LIE TRUE SAUL
UPROXX

I would watch an entire show about Francesca dealing with a collection of goofus tenants

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Yes. Yes, I would. Especially these two idiots. It makes me so happy that this show has such limited real estate left to work with and they are still finding space for two ding dongs with a sink clogged with “regular sink stuff” and an affinity for conjugation. There’s a chance I’m in the minority here. I loved the episode before this one, “Nippy,” and that proved to be divisive as all hell. I guess I have a soft spot for shows that take weird little diversions to show the audience something instead of beating us all over the head with it by straight-out telling us. This is where I would talk about Mad Men and Lodge 49 a lot again if we were doing this in person and there was no editor to stop me. Consider yourselves lucky.

But yes, let’s go ahead and add this to the list of potential second spin-offs I would watch in the universe, somewhere just behind “The Rise of Don Eladio” and “Kim Wexler: Sprinkler Tycoon.” Francesca is the best. I hope she has a bunch of tenants and they’re all eccentric as hell and we can just watch her attempt to wrangle them for maybe 45-60 episodes somewhere down the road.

Something to consider.

This is a good boy

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AMC

A few notes here:

  • This dog sat quietly by the door of a number of homes while its owner ran around taking pictures of personal and financial documents belonging to barbiturate-addled suckers, keeping guard and behaving and proving to be the most useful accomplice anyone has ever had on any of these shows, with the possible exception of Huell, who I am very glad to hear is doing well in New Orleans, and yes, let’s add “Huell in the Big Easy” to that spinoff list from the section about Francesca
  • He only barked when Saul was spinning out, correctly identifying a situation that could prove dangerous and unhealthy for his owner
  • I love him very much

If anything bad happens to this dog, I will become John Wick.

The shot of Saul’s empty grave turning into Gene’s bed was some really cool business

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The title of this episode is “Breaking Bad,” which you can assume refers to the appearance of two characters from that show in the early stages of the proceedings, if you want. You can also — again, if you want — assume it refers to Gene getting bored like a certain former chemistry teacher and facing a personal crisis and deciding to “break bad” once again, in an unhealthy way, blowing past reason to feel something, anything, one more time, to live out his glory days a little, consequences be damned.

And so, this shot. Sitting in that stupid bed in Nebraska feels, to him, about the same as being dead and buried in that hole. I could be reading too much into this. I could just be wrong. But it’s fun to think about a show on this kind of semi-obsessive level and it’s cool that this show lets us do that and it’s both exciting and sad that it’s all coming to an end in a couple weeks. Let’s not take it for granted.

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Chaka Khan Still Doesn’t Care For Kanye West’s ‘Through The Wire’: ‘I Was Upset About Sounding Like A Chipmunk’

In 2003, Kanye West released one of his biggest singles to date, “Through The Wire.” While the song, which served as the lead to his debut album, The College Dropout, proved to be a breakthrough for Ye, it’s safe to say not everyone is a fan of the song.

Through The Wire” prominently samples a song called “Through The Fire” by Chaka Khan, using a sped-up version of Khan’s vocals on the song’s chorus. In an interview with Good Day DC, she said “I was upset about sounding like a chipmunk,” and revealed she wasn’t aware how much Ye was going to speed up the vocals.

“[West] didn’t mention that he was gonna speed it up, you know, three times its normal speed,” Khan said. “Had he, I would’ve had something to say. But since I didn’t think of that, believe me, I think of it now. I ask, ‘How are we gonna do this?’”

This isn’t Khan’s first time vocalizing her disdain for the song. In 2020, she told Vlad TV that she was displeased by the final result of “Through The Wire,” as she imagined something different when he first reached out for permission to use the sample.

“I said, ‘Well, are you a singer?’ He said, ‘No, no. I just wanted to use your chorus,” she recalled. “I thought about it and said, ‘Well, he can’t mess it up because I will be singing it after all. It’s my voice.’ But he found a way. By golly, he found a way to frick that up. I was through.”

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Tucker Carlson ‘Privately’ Can’t Stand Trump And Only Uses His Supporters For Ratings, According To A New Book

Tucker Carlson may support Donald Trump and his wild antics on the air, but privately, the Fox News host reportedly “holds Trump in contempt.” The revelation comes from New York Times reporter Jeremy Peters and his new book on the conservative media, Insurgency: How Republicans Lost Their Party and Got Everything They Ever Wanted.

While promoting the book on Eric Bolling’s Newsmax show, Peters shared his analysis of Carlson, which Bolling had a hard time believing. Carlson had just been photographed with Trump at his golf course over the weekend, but Peters explained why that means nothing.

“I think you know as well as I do that Tucker, in private, what he says about Trump is very different than what he says about Trump in public, and it benefits him to be seen having photos taken with Trump at the golf course and everything,” Peters said via Mediaite. “He didn’t vote for Trump as far as we know. I mean, I don’t know, I wasn’t there with him in the in the ballot box, but we know that Tucker Carlson is one of these people who benefits from having the Trump audience on his side, but thinks very little of the people who make up that audience.”

Peters took things even further and delivered a scathing critique of conservative media while appearing on the right-wing news network.

“I think there are a lot of people, Eric, who snicker behind Trump’s back, who say that they support him publicly and they like his ideas, and they like him,” Peters said. “But privately, it’s a different story, and that to me is the ultimate fallacy of the conservative media.”

(Via Mediaite)

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Chance The Rapper Performs With Joey Badass, Plays A Game, And Chats With Jimmy Fallon On ‘The Tonight Show’

Last night, Jimmy Fallon hosted The Tonight Show, as he does every night. Chance The Rapper borderline outpaced him in terms of screen time on yesterday’s episode, though, as he was all over the program.

First, he sat down for a chat with Fallon. During the interview, he reminisced about the 10-year anniversary of his 10 Day mixtape, noting how he was opening for Childish Gambino before its released and noticed an increase of fans showing up to see him perform once the tape dropped. He also discussed his and Vic Mensa’s upcoming music festival in Ghana and collaborating with artists from around the world.

Then, the two played a round of “Hey Robot,” where they have to get Amazon Echo to say a certain word without using the actual word themselves. Chance absolutely nailed it, not failing even a single word.

Later in the program, he and Joey Badass performed their recent collaboration “The Highs And The Lows.” Chance had a simple but effective stage design and did something pretty neat on a broadcast level, too, having the lyrics display word-by-word via an on-screen overlay that updated throughout the performance.

Check out the clips from Chance’s Tonight Show appearance above.

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A ‘Better Call Saul’ Writer Has Explained The Decision To Not Digitally De-Age *Those* Characters

(This post contains spoilers for the Better Call Saul episode, “Breaking Bad.”)

Saul Goodman made his first appearance on Breaking Bad in “Better Call Saul,” which aired in 2009. Walter White and Jesse Pinkman made their first appearance on Better Call Saul in “Breaking Bad,” which aired in 2022. Got that? Good (man).

Both “Breaking Bad” and “Better Call Saul” are wholly or partially set in the same year (2008), but, well, let’s just say that actors Bryan Cranston and Aaron Paul have aged in the 13 years between episodes. Was there ever consideration to pull an Irishman and digitally de-age them?

“We don’t do a ton of de-aging on the show,” Better Call Saul writer and director Thomas Schnauz told Variety. “There’s a little bit of stuff on the guys’ faces to take a few lines out here and there, but other than that, Aaron is not going to look like an 18-year-old kid or however old Jesse was during this time period.” It’s also a budgetary concern.

Schnauz admits that he “dread[s]” viewers cutting the scene from last night’s episode into Breaking Bad and trying to match the way they look then and now, but it’s not something you can worry too much about. It is what it is. We’re telling a story and you can roll with it or you start picking at: ‘He looks much older than he did in the original scene.’ We decided to go for it, and I’m glad we did.”

If only Vince Gilligan had the foresight to cast Paul Rudd as Jesse. Problem solved.

(Via Variety)

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Sean Hannity Confused Chris Rock And Kid Rock, And People Have Jokes, Memes, And Questions

Ah, the art of the deflection. Sean Hannity’s one of the best at them, given that he’s prone to dropping a high-speed car chase at strategic moments. And one could argue that Biden’s assassination of the top Al Qaeda leader was (at least as far as timing goes) a deflection in and of itself. Yet the point remains that Sean Hannity wasn’t too distracted by the move, or at least, deflection mode was very much a thing as he chatted with Tucker Carlson for handoff time.

In the process, Hannity made an offhanded comment that’s presumably about Kid Rock, but he said Chris Rock, and boy, those two guys could not be more different. Rock’s been busy lately growing tired of Will Smith mentions, and Kid Rock’s been a regular guest on Fox News, including visiting with Tucker. Yet here we are:

Tucker didn’t correct his colleague, and simply smirks, possibly not even catching the error in real time, or maybe he simply enjoys “alternative facts”? It’s difficult to tell, nor do we know if Hannity’s actually attended a Kid Rock concert (if he did, he must have vaped hard).

Naturally, this led to an instant Pointing Spider-Man meme because same room, same time, you know the drill.

Actually yeah, they have been in the same room together. Not that it really matters, but they touched base at the 27th Annual Rock And Roll Hall Of Fame Induction Ceremony in 2012.

Kid Rock Chris Rock
Getty Image

Beyond this, get ready for memes and jokes. Exactly how do the kids do?

The lesson here: Keep on vaping and ignore all errors.

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Paris Hilton Confirms Britney Spears’ Rumored New Elton John Collaboration Is Real And ‘Insane’

Last month, reports surfaced that Britney Spears is gearing up to make her musical comeback via a new rendition of “Tiny Dancer” with Elton John himself. Sources noted the pair had gotten together recently for a secret recording session at a Beverly Hills studio and that the song is set to come out at some point in August.

Now, we have something closer to an official confirmation of this, via somebody close to Spears: Paris Hilton.

In a conversation with Paul Voor Je Neus‘ Paul Barewijk at Belgium’s Tomorrowland festival (where Hilton performed) this past weekend, Barewijk brought up the John collab and Hilton said, “I know, it’s going to be iconic. I just heard it a couple days ago in Ibiza and it is… it’s insane.”

Spears has yet to publicly address the collaboration, but she did reflect on her recent wedding a couple days ago, writing on Instagram, “Guys just two months ago I got married !!! Can you believe it ??? Going to Disneyland soon, my happy place !!! This is the dance floor at my fairytale wedding before we danced … this is our special car … thank you @drewbarrymore, @selenagomez, @madonna, and @parishilton for surprising me !!! Thank you to Selena for telling me all she wants is for me to be happy 3 times !!! It was a very, very, very special wedding !!!”

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Don’t Worry, ‘Better Call Saul’ Fans, You’ll Find Out What Was Said In That Heated Phone Call In A Future Episode

[Spoilers for Better Call Saul, obviously]

If anyone thinks Monday’s episode of Better Call Saul is the “worst episode ever,” they deserve to be locked in the same room as Huell. Speaking of! One of the things that we learned in “Breaking Bad” is that Huell eventually left the DEA Safe House and now lives in Louisiana; the episode also filled in blanks about Walt and Jesse kidnapping Saul, as seen in the “Better Call Saul” episode of Breaking Bad (we’ll have more on their return in the Better Call Saul Lie Detector Test recap), and oh yeah, Kim is alive! (Probably?)

Early in the episode, Saul uses a pay phone to contact Kim, who’s now living in Florida. They appear to get into a heated argument, but we don’t hear the context of the conversation, because we only see it from Saul’s side and the audio is muffled by passing trucks. But according to writer Thomas Schnauz, we’ll learn more about the call.

“We will learn the details of the phone call; we will know what was said in a future episode. It’s just right now we wanted to keep the mystery going of: What is going on in the world of Kim Wexler?” he told Entertainment Weekly. “You said she’s alive, but I don’t know. Is she alive? Can you tell from that phone call? He asked for Kim Wexler on the end of that line and then heard something that made him slam the phone down and break the glass. So we’ll find out in a future episode exactly what words were spoken.”

I still believe that in the final two episodes, we’ll learn that Kim is alive — but not alive and well. After all, living in Florida is a fate worse than death.

(Via EW)

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Slowthai Explains And Apologizes For The Swastika Shirt He Wore On Stage At Osheaga Festival

Slowthai found himself in a bit of a controversy over the weekend: While performing at Montreal’s Osheaga Festival, he wore a shirt with a giant swastika logo the front. While it had the word “destroy” on top, indicating his disdain for the Nazism and neo-Nazism the symbol has come to represent, seeing the symbol that prominently still rubbed some the wrong way.

So now, apologies have been made. The first came from Osheaga organizers, who tweeted yesterday, “A performer appeared on stage Saturday wearing a controversial t-shirt displaying a swastika that caused confusion. The t-shirt denounces the regime. We sincerely apologize to anyone who may have misinterpreted this message and felt hurt.”

Slowthai then followed that up with his own apology, writing, “I’m sorry to anyone who is offended by me wearing an anti-fascist/anti-regime t-shirt and the use of the symbol it represents. I want you to know I stand firmly against antisemitism and fascism of any kind, something the t-shirt was meant to illustrate with the word ‘destroy’ above the symbol.”

Slowthai has maintained a relatively low profile this year in terms of new music, as he’s been busy performing, like on the North American tour he had in April. He did pop up on Denzel Curry’s new album, though.

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Hot Chip’s ‘Freakout/Release’ Was Inspired By A Certain Song From The White Stripes

On August 19th, Hot Chip will be out with their eight studio album, Freakout/Release. As their prolific career has gone on, the UK electro-pop quintet have delved deeper into an exploration of disco and dance music forms from decades past. The album’s lead single, “Down,” saw them digging into ’60s soul grooves, while “Eleanor” felt like a reflection of the electro sounded that is uniquely theirs. Now on the album’s title track, the band have crafted an electro-disco jam with an industrial groove.

“I need an escape and some primitive healing,” Alex Taylor sings. The robotic effects feel forged in ’80s nostalgia, but there is something decidedly dark and bottled in within “Freakout/Release,” that gets, well… released.

In a statement, Taylor says producer Joe Goddard was inspired by a certain song from The White Stripes: “‘Freakout/Release’ is about pent-up energy and the need for release, and escape. It’s also about making sense of music, and at times being plagued by the thing you focus on — music never leaves my head for a second, which is usually a good feeling, but it can feel claustrophobic at times too. It’s also about finding your place in relation to music and to performing. The riff should feel brutal and dumb and elemental and Joe was thinking about ‘Seven Nation Army’ and the simplicity of that swinging from quiet to loud and back and forth.”

Watch the lyrics video for “Freakout/Release” above.

Freakout/Release is out 8/19 via Domino Records. Pre-order it here.