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Pavement’s Stephen Malkmus Thinks It Would Be ‘Total Cringe’ If The Band Wrote New Music Today

Pavement’s 2022 reunion tour made for the best kind of ’90s indie rock nostalgia. And even if you didn’t make it to one of their dozens of shows, you surely saw some aging hipster posting about it on Twitter. The tour was truly one for the ages as Stephen Malkmus, Scott Kannberg, Bob Nastanovich, Steve West, and Mark Ibold coursed through the classics and then some. For a moment, it was as if Pavement hadn’t disappeared for over a decade (again) and perhaps they were “back” back?

But pump the brakes for a second, because lead singer Stephen Malkmus wants to make one thing clear: There is no way that Pavement could craft new songs today with the same charm and meaning that they had when they were first penned.

“These songs are good, they exist in this present,” Malkmus told NME. When asked if Pavement could be writing new music together today, Malkmus was pretty direct in his distaste for that idea. “It’d be total cringe if we did that,” he said. “I understand the impetus to put out a new record; it makes it seem like the band’s more legit or something and not just like a cash-in deal. But it doesn’t have to be that way if you just own your songs. And people can see if you’re geezers on a cash-in reunion tour or if they’re doing it because they’re having a blast.”

So, temper your expectations for the future, because Pavement clearly don’t plan to adhere to the modern-day formula for indie rock revivals. Malkmus says that’s best left for other acts: “If any band wants to make a new album, they like to do that, that’s totally rad. But, yeah, not happening.”

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Katy Perry Is Getting Slammed After Voting For Rick Caruso, A Longtime Republican Who Only Recently Turned Democrat

Katy Perry found herself in hot water today after revealing that she voted for American businessman-turned-politician Rick Caruso for the Los Angeles mayoral race.

The singer’s recent post on Instagram raised many eyebrows. Perry can be seen posing with a thumbs up from inside the voting booth, clearly indicating her vote for the former longtime Republican who only just changed his party affiliation to Democrat earlier this year.

“I am voting for a myriad of reasons (see the news) but in particular because Los Angeles is a hot mess atm,” Perry wrote with a series of hashtags such as #doyoubutjustuseyourvoteok.

In the past, Caruso has been linked to anti-abortion organizations and politicians, along with reportedly pledging $1 million to support an abortion rights proposition but has yet to donate any of those funds, according to the LA Times.

Additionally, Caruso was criticized for his time as Chairman of the Board of Trustees for USC, where the school’s former full-time gynecologist George Tyndall seemingly faced no accountability after facing dozens of accusations of sexual misconduct before being allowed to leave the school.

Perry seemed more fitting to support progressive Democrat candidate Rep. Karen Bass, especially after her support of Hillary Clinton in the past, even performing at her DNC gathering in 2016. But it looks like Perry isn’t alone in her support for Caruso — Kim Kardashian, Snoop Dogg, Gwyneth Paltrow, and new Twitter boss Elon Musk have also shared their support for the Los Angeles businessman.

After facing heavy backlash, Perry appeared to turn off her comments on the post and has yet to acknowledge the backlash.

Check out some reactions below.

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Sylvester Stallone Opened Up About Why He Passed On ‘Creed III’: ‘People Have Enough Darkness’

When the Creed III trailer hit, sending social media into a frenzy over the bombastic showdown between Michael B. Jordan and Jonathan Majors, there was one notable absence that stuck out like a sore thumb: Sylvester Stallone‘s Rocky Balboa. Despite the Creed films being a direct spinoff from Stallone’s iconic boxing franchise, Stallone passed on appearing in the third movie despite having a prominent role in Creed and Creed II.

At the center of Stallone’s absence is his heightened and now public battle with Rocky producer Irwin Winkler. In a fiery Instagram post over the summer, Stallone took Winkler to task for not giving him an equity stake in the Rocky franchise. Instead, Winkler’s children own a piece of the growing film universe, and that no longer sits well with Stallone. Especially when there’s been talk of bringing him back for anther solo Rocky film.

However, the ownership battle is not the only reason that Stallone bowed out of Creed III. In a sprawling new interview, he candidly reveals that he wasn’t a fan of where the story was heading. Via The Hollywood Reporter:

That’s a regretful situation because I know what it could have been. It was taken in a direction that is quite different than I would’ve taken it. It’s a different philosophy — Irwin Winkler’s and Michael B. Jordan’s. I wish them well, but I’m much more of a sentimentalist. I like my heroes getting beat up, but I just don’t want them going into that dark space. I just feel people have enough darkness.

Stallone also admitted that he’s still miffed about Rocky producers trying to launch a Drago spinoff without telling him, so don’t expect to see The Champ promoting Creed III or putting on his old boxing shorts unless there’s movement on his ownership rights. Sly wants his cut.

(Via The Hollywood Reporter)

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Unlike On ‘House Of The Dragon,’ Emma D’Arcy And Olivia Cooke Won’t Compete Against Each Other For Awards

House of the Dragon has the same good problem as Succession: too many excellent performances. Matthew Macfadyen (Tom Wambsgans) won Outstanding Supporting Actor in a Drama Series at the 2022 Emmys, but it just as easily could have gone to Kieran Culkin (Roman) or Nicholas Braun (Cousin Greg); same with Outstanding Lead Actor, where Jeremy Strong (Kendall) was fittingly pitted against his on-screen dad, Brian Cox (Logan), although they both lost to Squid Game star Lee Jung-jae. The acting categories will be even tougher next year with House of the Dragon in the Emmys race.

Gold Derby has learned that only two performers will be submitted in the lead categories for the winter award shows, like the Golden Globes and Critics Choice Awards, and the Emmys: Lead Actor for Paddy Considine as King Viserys, and Lead Actress for Emma D’Arcy as Princess Rhaenyra. (D’Arcy uses they/them pronouns, so the category may use the gender-neutral “performer” honorific if they win, depending on the award show.)

As for the rest of the remarkably talented cast:

Lead Actor: Paddy Considine
Lead Actress/Performer: Emma D’Arcy
Supporting Actor: Fabien Frankel (Criston Cole), Rhys Ifans (Otto), Matthew Needham (Larys Strong), Matt Smith (Daemon), Steve Toussaint (Corlys)
Supporting Actress: Milly Alcock (young Rhaenyra), Eve Best (Rhaenys), Emily Carey (young Alicent), Olivia Cooke (adult Alicent), Sonoya Mizuno (Mysaria )

I’m putting big bucks on Larys winning Best Feet Creep at the MTV Movie & TV Awards.

(Via Gold Derby)

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The 1975’s Madison Square Garden Show Was Beautifully Packed With Cigarettes, Raw Meat, And Feeling

At a sold-out show at New York’s 20,000-cap Madison Square Garden, a shirtless Matty Healy got down on his knees and held a raw steak in one hand and his crotch in the other. The 1975 frontman dug his teeth into the meat and everyone murmured and put their phones up to take a video. There’s something beautiful about it, or at least I think so; I have no reasoning other than that it’s ridiculous and the reactions have been visceral. Some are dissecting the meaning of this act of performance art, but more are rolling their eyes or feeling sick. After he finished chewing, he crawled slowly to a box television that displayed a catalog of ape NFTs and he climbed into the screen.

There’s a viral tweet I saw recently that comes to mind: “matty healy is disturbing, weird, embarrassing, cringeworthy and awful. and he is the love of my life.”

This statement can sum up a lot of the appeal of The 1975. Fans are disgusted by the heartthrob’s antics — whether it’s touching himself on stage or tweeting things like “might start working on my handwriting cos some of these tattoos are f*cking dog sh*t” — yet that disgust is mixed with a deep, confusing love. So much so that The 1975 sold out one of the biggest venues in New York.

They went on at 8:45 P.M. and Healy sat at a piano, cigarette in hand, slightly messing up the rhythm to “The 1975,” the opener of their bright new album Being Funny In A Foreign Language and not to be confused with their four other songs of the same title. The sound of the track is shamelessly influenced by LCD Soundsystem, who just released their first song in seven years just in time for what many people are deeming the revival of indie sleaze. Healy probably knows this, especially considering one of the afterparty DJs was The Dare whose song “Girls” is an inescapable, Manhattan-centric Peaches homage. While it’s safe to say that The 1975 have nothing to do with that scene, one could argue they’ve got the irony element nailed down. “This will get bigger, if you know what I mean,” Healy sings, opening the LP with an innuendo. But what separates them from others is that they walk the tightrope between irony and earnestness, and they do it gracefully. He continues: “And I’m sorry if you’re living and you’re seventeen.” For some reason, this line makes me and millions of other twentysomethings emotional, as if it still applies to us, as if we’re still seventeen.

That’s part of the deep love that fans have for The 1975 — the way their music feels perpetually juvenile, refusing to grow up. “I like my men like I like my coffee / Full of soy milk and so sweet, it won’t offend anybody,” he sings on “Part Of The Band,” which simultaneously questions our own ability to be sincere: “Am I ironically woke? / The butt of my joke?” Sometimes it feels like The 1975 is a social experiment, or rather just a vessel through which Healy tests the limits of what he can do, such as touching himself on stage. But that’s part of the fun — flirting with transgression. The best part about Healy is that he doesn’t want to be liked — a brave trait that’s impossible to find. The man literally said no to opening up for Ed Sheeran because it just didn’t feel right to him. He’s real. As he slouched down on the couch and touched his crotch at Madison Square Garden, the girl next to me blurted, “I’m uncomfortable.” “I’m very comfortable,” I said. She smiled and said, “We’re like yin and yang.”

The 1975
Jordan Curtis Hughes

I, like Healy, have been drinking too much and smoking too many cigarettes because of the ever-expanding sense of doom hovering over no only my own life, but also the world in general. It’s the kind of doom that forces everyone into apathy. For years, I only listened to songs that mimicked the emotional and mental state I was in; I filled my ears with monotonous instrumentation and passive vocals exhaling words of hopelessness. The 1975 were an unlikely respite. As they played through the new record, no one could’ve guessed that this band’s fanbase is known to be depressed. Everyone danced; the groove was undeniable and irresistible, like during “I’m In Love With You,” a buoyant love song with the simple hook. As they balance irony with earnestness, they also balance dread with hope — sometimes there doesn’t even need to be a reason for hope, it’s just an enlightening, infectious riff or an unabashed declaration of love.

Their live rendition of Being Funny In A Foreign Language was nonlinear and speckled with old songs as well, including “Roadkill” from 2020’s Notes On A Conditional Form and the fan-favorited classic “Fallingforyou” off their debut, which contains the Tumblr-iconic line: “I don’t wanna be your friend / I wanna kiss your neck,” a refrain the crowd screamed collectively. They have come a long way since that LP; their hits could’ve remained their hits, like “Chocolate” or “Robbers,” in the same way that Arctic Monkeys’ hits are still “Do I Wanna Know?” and “Why’d You Only Call Me When You’re High?” from their fellow Tumblr-iconic album AM. But The 1975 are moving with the times and continuously unleashing memorable music that sticks. “Love It If We Made It” is a great example of that. He prefaced the song by complaining about still having to play it. I was grateful he did. The night before, I cruised down the left lane of the highway with my friend in the passenger seat and smoked a cigarette and blasted “Love It If We Made It” and screamed along, our voices getting louder every time the lyric got better: “And poison me, daddy / I’ve got the Jones right through my bones,” “Rest in peace Lil Peep / The poetry is in the streets,” “Thank you, Kanye, very cool,” to name a few. The song is a radical rejection of apathy and a brief jolt of feeling in this big cloud of numbness.

“Love It If We Made It” live was invigorating and powerful, especially followed by “The Sound” from their sophomore album I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It and then “Sex” from their debut. To continue with back-to-back bangers, they closed with “Give Yourself A Try,” a shot of adrenaline with vivacious riffs and a jittery beat. “Won’t you give yourself a try,” he repeated over and over, and it was like a continual waking up.

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IAMCOMPTON Brings The Vibey ‘Go Numb’ To ‘UPROXX Sessions’

Take IAMCOMPTON’s name literally. The rapper, born and raised in East Compton, California, is dedicated to putting on for his city; the same streets that birthed West Coast hip-hop legends, Dr.Dre and Eazy-E.

Fans of the VH1’s Black Ink Crew: Compton may recognize the rapper as the owner of and standout tattoo artist for the city’s first tattoo shop. Outside of his ink-related endeavors, Danny “KP” Kirkpatrick, also known as IAMCOMPTON, also uses his music to put on for LA, as seen with his loosie freestyle titled “TALK OF LA,” released back in February.

Today, IAMCOMPTON pulls up to the bathroom set to perform his single “Go Numb.” Underneath the track’s catchy hook and laid-back beat are lyrics flexing his dedication to leveling up. Reminding us to “double up till it’s all gone,” his Sessions performance isn’t just a vibe. It’s gospel.

Watch IAMCOMPTON perform “Numb” for UPROXX Sessions above.

UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.

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A high school teacher’s reaction to a sleeping student has gone viral for all the right reasons.

This article originally appeared on 06.01.18

A teacher’s message has gone viral after he let his student sleep in class — for the kindest reason.

Teachers spend time preparing lesson plans and trying to engage students in learning. The least a kid can do is stay awake in class, right?


But high school English teacher Monte Syrie sees things differently. In a Twitter thread, he explained why he didn’t take it personally when his student Meg fell asleep — and why he didn’t wake her up.

Screenshots via MonteSyrie/Twitter.

Meg’s nap meant she missed an in-class essay, but she turned it in that night. “I didn’t beat her up about it. Didn’t have to,” he wrote. “In a different room, Meg may have been written up for sleeping in class and given a zero for missing and essay, but she wasn’t in a different room; she was in my room.”

Syrie pointed out that sometimes we have to “trust our instincts, even if it goes against the grain.”

Meg is a good student with a lot on her plate. She takes a zero-hour class before the normal school day and does farm chores before that. She runs track. And she’s a teenager, with all of the social, academic, and life pressures that go along with it.

Syrie teaches sophomore English in Cheney, Washington. Photo via Monte Syrie.

And she’s not alone. During the school year, teens report higher levels of stress than adults, and many students report feeling exhausted trying to keep up with it all.

“I think too often the biggest thing that people forget about high school students is that they are kids,” Syrie says. “They’re kidskids who are having to grow up way too fast and are having way too much pressure put on them, in and out of school … even for our best and brightest, that pressure gets to be too much.”

Syrie’s compassionate story resonated with people because we’ve all been in a position of needing a little grace.

Syrie’s tweets continued, exemplifying how teachers can show kindness and understanding to students. He pointed out, “I can’t offer Meg a math class later in the day. I cannot feed her horses … I cannot run 6 race-pace 300s for her. I cannot spirit away her teen trouble. But I can give her a break.”

Syrie says he tries to be that responsive to all of his students. “Because I firmly believe that one size fits all is madness, I adjust to each student, trusting my instincts, trusting what I know,” he says. “Regardless of our responsibilities, life is hard, and we all need some grace now and then.”

Syrie says he’s had a few negative comments, but overwhelmingly the response has been positive from both students and teachers.

[rebelmouse-image 19397573 dam=”1″ original_size=”665×141″ caption=”Screenshot via Alexa Shaw/Twitter.” expand=1]Screenshot via Alexa Shaw/Twitter.

[rebelmouse-image 19397574 dam=”1″ original_size=”648×96″ caption=”Screenshot via Maria Riverso/Twitter.” expand=1]Screenshot via Maria Riverso/Twitter.

[rebelmouse-image 19397575 dam=”1″ original_size=”661×119″ caption=”Screenshot via Mrs. Chow/Twitter.” expand=1]Screenshot via Mrs. Chow/Twitter.

Syrie has words for those who say that allowing a student to sleep in class doesn’t prepare them for the “real world.”

Some may question whether letting a student sleep in class without consequence is a good idea. Syrie has a response:

“We are not working in factories, stamping out standardized products,” he says. “We are helping young humans — unique individuals — learn about themselves and their worlds. As such, when our young humans face the inevitable pressures of growing up, we need to respond with empathy.”

“And if that does not prepare them for the ‘real world’ as some may suggest, then maybe the world needs to change. I want to live in a world where there’s empathy. That’s the world I want to live in.”

You can read more about the way Syrie is rethinking education on his website.

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Here’s why you look better in mirrors than you do in pictures

This article originally appeared on 7.21.21

Usually the greatest fear after a wild night of partying isn’t what you said that you might regret, but how you’ll look in your friends’ tagged photos. Although you left the house looking like a 10, those awkward group selfies make you feel more like a 5, prompting you to wonder, “Why do I look different in pictures?”

It’s a weird phenomenon that, thanks to selfies, is making people question their own mirrors. Are pictures the “real” you or is it your reflection? Have mirrors been lying to us this whole time??


The answer to that is a bit tricky. The good news is that there’s a big chance that Quasimodo-looking creature that stares back at you in your selfies isn’t an accurate depiction of the real you. But your mirror isn’t completely truthful either.

Below, a scientific breakdown that might explain those embarrassing tagged photos of you:

The mirror is a reflection. It’s not the real you.

SOURCE: GETTY IMAGES

Although we’re the most comfortable and familiar with the face staring back at us while we brush our teeth in the morning, the mirror isn’t really the real us. It’s a reflection, so it shows how we look like in reverse. Because we’re so used to seeing the reverse version of ourselves, seeing how we look in pictures can be jarring. And unless you’re blessed with a perfectly symmetrical face, the photo version of yourself can be even more wonky.

“We see ourselves in the mirror all the time—you brush your teeth, you shave, you put on makeup,” Pamela Rutledge, director of the Media Psychology Center, told The Atlantic. “Looking at yourself in the mirror becomes a firm impression. You have that familiarity. Familiarity breeds liking. You’ve established a preference for that look of your face.”

Scientists call this the “mere-exposure” effect. Basically, it’s a behavior concocted by psychologist Robert Zajonc that says people react favorably to things they’re most familiar with. So, when you see a flipped version of yourself, you immediately hate it or even find it grotesque because it’s the opposite of what you’re used to.

So although we think we look better in a mirror, we’re more psychologically inclined to feel that way even if we truthfully look better in photos. Weird, huh?

The camera lens also plays a part.

SOURCE: ISTOCK

So if your reflection isn’t the real you, does that mean your ugly selfies are your “true self”? Although mirrors show a flipped version of yourself that tones down the harshness of your asymmetries, the myth that “pictures never lie” isn’t true either. After all, most people take more than one selfie before they find their most flattering one, and usually it takes a combination of angles, lighting, and duck lips before landing one that’s Instagram-worthy.

But the problem might not be your angles, it could be lens distortion. Because of the proximity of your face to the camera, the lens can distort certain features, making them look larger than they are in real life. Pictures also only provide a 2-D version of ourselves. Depending on your features, if you have a soft, round face, photos can flatten your features and further distort the “real” you.

For example, just changing the focal length of a camera can even change the width of your head. As Gizmodo writer John Herrman pens, the fancier the camera, the better you’ll look in the picture:

“Telephoto lenses are usually seen as more flattering, giving the impression that the subject is flattened, and slightly compressing the width of your foremost features, like your nose or breasts. So you might want to think twice before fleeing the pesky paparazzi and their fancy zoom lenses; it’s the tourist with the pocket cam whose snaps will make you look fat on the Internet.”

And because cameras don’t show the 3-D version of you, it’s easy to “trick” cameras to present a reality that’s not even true. Professional models have perfected this, which is why people can do photo sorcery like this by merely tweaking their angles:

It’s also the camera flash.

SOURCE: ISTOCK

Although good lighting is the key to all flattering photos, a harsh flash from your iPhone can actually make you look a lot worse, especially if it’s taken in a dark room. In fact, according to OKCupid, harsh camera flashes add seven years to your face.

In addition to making you look shiny and greasy, cameras can’t adjust to lightness and darkness the ways our eyes naturally can. Cameras can only focus on highlights or shadows, and sometimes that can result in lighting that can be less than flattering. A good rule of thumb is to stick to natural or outdoor lighting instead.

Your smile could also be the culprit.

SOURE: iSTOCK

Everyone knows what it’s like to pose for an awkward photo, like a driver’s license or a passport. The photos never turn out looking nice, and they hardly look like our natural smiles. When you’re looking at yourself in the mirror, you’re relaxed, confident, and more likely to smile and act naturally.

If someone shouting “Say cheese!” at you makes you feel self-conscious about your unphotogenic reputation, obviously you’re going to tense up and have a photo that looks different and foreign from the version you see in the mirror. It’s best to relax when taking pictures and try to focus on something else. That tense, forced awkwardness will always translate to a bad photo.

It’s possible you’re less attractive than you think.

But no matter how many factors you want to blame for your crappy pictures, it all boils down to psychology. Perhaps the reason you look different in pictures is because the version of yourself you like best is a figment of your imagination.

According to a 2008 study, people tend to think they’re more attractive than they really are. In the experiment, researchers photoshopped pictures of participants to make them look more attractive and then mixed those with photos of strangers. Next, they asked the subjects to pick their picture out of a line-up. People were quicker at picking photos where they looked more attractive, concluding that “attractiveness” was the version of themselves they were most familiar with.

However, other experts have also said the opposite, that people tend to think they’re less attractive than they really are. Whatever the case, if you’re beating yourself up about why you look different in mirrors and pictures, there’s a good chance that all your fear and anxiety is just in your head. It’s sort of similar to how people hate the sound of their own voice. Perhaps the key to looking better in pictures is taking as many selfies as you can to help familiarize yourself with both the “mirror” and “camera” version of yourself.

“People who take a lot of selfies end up feeling a lot more comfortable in their own skin because they have a continuum of images of themselves, and they’re more in control of the image,” Pamela said. “Flipped or not flipped, the ability to see themselves in all these different ways will just make them generally more comfortable.”

Or, you know, just download FaceTune. Might as well fight science with science.

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1980s cultural icon Michael Winslow made an emotional comeback on ‘America’s Got Talent’

This article originally appeared on 07.14.21

Actor, comedian, and self-proclaimed “voicetramentalist,” Michael Winslow was just about everywhere in the ’80s. His incredible ability to make sound effects with his voice and uncanny beatboxing skills landed him the role of officer Larvell Jones in all seven “Police Academy” movies.


He also did voiceover work in “Gremlins” and appeared in Mel Brooks’ “Spaceballs.”

But Winslow was forced to scale back his career in 1993 after the death of his first wife Belinda Church. As a single father, he had to stop appearing in films so he could spend more time with his children.

He continued to star in the occasional commercial, perform stand-up comedy, and make guest appearances, but he didn’t have the profile he once had.

On Tuesday, Winslow stepped back in the spotlight with a performance on “America’s Got Talent.” After some prodding from his son, he decided it would be the perfect venue to relaunch his career on television.

In the ’80s, he was known as “The Man of 10,000 Sound Effects,” but things have changed since then, he now claims to have “hundreds of thousands.”

“Now, after raising my two kids, I’m in a different phase. I think this is my time,” Winslow, 62, said on Tuesday’s episode. “And America’s Got Talent is the place for me to show the world I still have something to offer, I still have some sounds to make. There’s still room for a little more.”

Judge Simon Cowell was excited to see Winslow when he took the stage. “We know you!” Cowell exclaimed. “I cannot tell you how thrilled I am that you are here!”

Winslow then gave a stunning performance where he impersonated the chimes on an airplane, beatboxed to Queen’s “Another One Bites the Dust,” and performed Jimi Hendrix’s version of “The Star Spangled Banner.” His performance was proof that after five decades in show business Winslow hasn’t lost a step and, in fact, he may be at his peak.

After his performance, Winslow won a standing ovation from the audience and four “gigantic yeses” from the panel.

“My life has changed again for the better, and I’ve gotten another blessing,” Winslow told Terry Crews after leaving the stage. America’s Got Talent is the place for me to show I still have something to offer. I’ve still got some sounds to make, and there’s still room for a little more.”

Winslow is a great reminder that sometimes when celebrities seem to fade away, it isn’t necessarily because they’re washed up or past their prime. They are humans with real challenges just like the rest of us and real-world events can affect their career trajectories. It’s great to see such a wonderful performer get another shot at the big time.

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I spent a week sharing my feelings with everyone. Here’s what happened.

This article originally appeared on 07.27.16

We all know that phrases like “How’s it going?” and “How are you?” are mostly pleasantries.

It’s just how we say “Hello.” You’re not expected to answer any more than the person asking is expected to care.

But every once in a while, someone will surprise you. You’ll toss out a casual and totally insincere “How are you?” and the floodgates will open out of nowhere. “I’ve had the WORST DAY,” they’ll say.


I’ve always secretly envied people who can open up on a whim like that. It seems weirdly fun. And there might be a lot of psychological benefits to it.

So I tried it. For a week, I decided that when strangers asked how I was doing, I’d actually tell them.

But before I could start, a pretty important question occurred to me: Would I even know what to say? After all, I am a dude, and everyone knows dudes aren’t always super in touch with how we’re feeling.

Ronald Levant, a professor of counseling psychology at Akron University, told me a story about a man he once treated early in his career that sums up this whole thing pretty nicely:

“[He] came in complaining about how his son had stood him up for a father son hockey game. Being relatively naive back then, I said, ‘So, how did you feel about that?’ His answer was ‘Well, he shouldn’t have done it!’ I said again, ‘Yeah, he shouldn’t have done it, but how did you feel?’

“He just looked at me blankly.”

Levant recalled similar sessions where women, by contrast, were able to walk him — in detail — through their emotional reaction to a situation: how anger turned to disappointment turned to worry, and so on.

“Among the men I was treating or working with there was a singular inability for many of them to put their emotions into words,” Levant said.

As part of my project, I wanted to test Levant’s theory, to see what it would be like to, you know, actually try to express my feelings. As the king of non-answers, deflection, and “I’m fine, how are you?” I wanted to know what it would be like to talk about me.

It turned out to be much less simple than I thought.

grocery, enthusiastic conversation, strangers

Day One

I was on my way to my daughter’s daycare to drop off more diapers, and I was trying to think about how I felt at that specific moment. It was a beautiful sunny day. There was a guy on the sidewalk walking three huge, puffy dogs. It made me laugh.The day had been a bit of a rollercoaster. My 1-year-old daughter woke up all smiles. But by the end of breakfast, she had collapsed into an inconsolable heap of tears, and that was how she left the house that day: wailing in the backseat of my wife’s car. When I arrived at daycare, though, she ran to me and leapt into my arms. She laid her head on my chest and giggled as she stared into my eyes. It was a total turnaround and a wonderful midday boost to my mood.

On my way home, I stopped off at a grocery store to grab an energy drink and, potentially, to share this happy moment with a stranger.

I chose the line manned by a fast-talking, bubbly woman. And when I got to the front, she teed me up perfectly with a sincere: “How are you?”

“Hey, I’m good!” I said enthusiastically. In the next instant, though, she was onto other things. “Ma’am?” she yelled to a wandering woman behind me. “I can ring you up over here.”

Her attention swung back to me, but almost immediately, she was telling me my total. “That’ll be $2.03.”

The transaction moved at hyper-speed. The moment was gone. As I shuffled for my wallet, I considered just blurting it out anyway, “I just visited my daughter at daycare and she was so happy to see me and it was the freaking best!”

But a voice popped up in my head, and I couldn’t shake it: She’s not going to care. Why would she care?

So I said nothing, paid, and went home.

To understand why men and women often handle feelings differently, we have to look at society first.

I can’t help but think my wife would have had no trouble talking to the woman in the store. Why is it harder for me then? Are we wired differently? Is it a brain thing? A hormone thing?

Apparently, in the 1980s and ’90s, researchers had something of a breakthrough on this question. They became “stimulated by this idea that gender was something that was socially determined,” Levant explained. He noted that boys were being socialized differently than girls were, and it was making a big difference for them down the road.

In a TEDx Talk called “Unmasking Masculinity” Ryan McKelley, an associate professor of psychology at the University of Wisconsin La Crosse, echoed similar findings from his research.

First, he learned that infant and young boys surprisingly displayed more intensity and range of emotion than their female counterparts. “But that story starts to change over time,” he said.

Second, he looked at a series of studies polling men and women in America, which asked people to generate a list of emotions that are “culturally acceptable” for each sex. While the study found that women felt “allowed” to display nearly the entire emotional spectrum, men seemed to be limited to three primary feelings: anger, contempt, and pride.

But despite all these cultural “requirements” about emotion, it turns out that our brains aren’t processing things all that differently. McKelley says if you hook men and women up to equipment that measures things like heart rate, skin conductance, sweat, and breath rate, and then expose them to stimuli that can provoke strong emotions, “these gender differences disappear.”

“I do not deny there are biological differences,” McKelly told me in an interview. “However, the degree to which it influences all that other stuff, I believe, is overblown.”

My learning after talking to these researchers? Men DO feel feelings (yay!) but society isn’t doing us any favors when it comes to helping us learn how to express them.

Day Two

I was sitting in the sweltering parking lot outside a Home Depot when I decided I was going to do better than the day before.

I walked inside and stood in line at the customer service counter for what felt like an eternity. Finally, one of the tellers called me up. She had a shock of white curly hair and kind eyes. A grandmotherly type. “How can I help you?” she asked. Not the exact question I wanted, but we’ll see where it goes. “I have some returns,” I said.

I decided I was going to do better today.

We launched right into the specifics of what I was returning and why, and it was looking like I was about to strike out again. The transaction took a while so there was ample space to fill. Since she hadn’t asked me about my day, I took the initiative while she tapped impatient fingers along her computer waiting for it to load.

“How’s your day going so far?” I asked. She went on to tell me about how a big storm that rolled through nearly knocked out the store’s power and how the computers had been acting up ever since. “My day was going great until this!” she said playfully.

In my eagerness to share, I’d accidentally stumbled into a pretty pleasant conversation with a stranger. OK, so it was about computers and the weather, but it sure beats an awkward silence. She never did ask me how I was doing, and that’s OK.

But it did make me realize that talking about your own feelings is pretty damn hard, even when you’re going out of your way to try.

rainy day, gray, feeling depressed, shame

Day Three

Day three was tough. Outside it was gray and dreary and inside I felt about the same. Flat. Gray.

I was having trouble identifying the root of why I felt so, for lack of a better word, “blah,” so I Googled “how to find out what you’re feeling,” like I was some sort of robot trying to understand the human experience. “Pay attention to your physiology,” one article said. I felt totally normal and my heart rate was an unremarkable 80. What does that mean?

“Don’t think about it too much,” another article said. Well, shit.

As I read on about meditation and mindfulness and things of that sort, I started to get a little nervous. “What if I get too in touch with my emotions?” There’s something comforting about being a reasonably even-keeled guy without a lot of emotional highs and lows. I don’t want to go digging in the darkest recesses of my subconscious and unlock some terrible shit.

Apparently a lot of men feel like this.

McKelley described one man he treated who had severe anger issues and wasn’t exactly open to talking about his problems: “I asked him, ‘What do you find so subversive about crying?’ He said, ‘If I start, I’m afraid I’m going to curl up in a fetal position and never be able to stop.’”

I thought a little too much about this and decided I had to get out of the house.

I don’t want to go digging in the darkest recesses of my subconscious and unlock some terrible shit.

I headed out to grab a coffee at a local establishment (OK, it was a McDonald’s, but I really don’t need your judgment right now). There was a young, freckle-faced girl working the counter. She was probably 19. When it was my turn, she gave me a shy “Hello.”

“How are you?” I started. “Good. How are you?” she responded, on cue.

Since I hadn’t had any major emotional breakthroughs at that point, I just … told her the truth. “I just had to get out of the house a little bit. It’s so gray and crappy today and I just needed a break. You know?”

She gave me possibly the blankest stare I had ever seen in my life. I quickly filled the silence with my order — a large iced coffee. To go.

The more I learn, the more I realize there is so much more to this whole emotions thing than just “opening up.”

By the third day, I’d learned that men definitely feel things. Lots of things. But it’s what happens before those feelings bubble to the surface that accounts for the myth that dudes don’t have any emotions at all.

Think of it this way: Almost every single day, you take the same route driving home from work. And while driving is usually a conscious process that takes a lot of focus and effort, you could probably make that super-familiar drive home from work with barely any involvement from your brain at all. We sometimes call this “going on autopilot.” It’s the same way with breathing or blinking. Sure, you can control them if you want, but more often than not, they’re totally automatic.

And I’ve learned that it can be the same thing with suppressing emotions. For years and years, most men have been trained not to give any indication that we might be scared or lonely or nervous, and we push it down. If we do that enough, it can start to seem like we don’t feel those feelings at all.

It’s what happens before those feelings bubble to the surface that accounts for the myth that dudes don’t have any emotions at all.

McKelley expands on this idea in his TEDx Talk when he talks about the “male emotional funnel system.” Basically, he says all those emotions men might feel that make them vulnerable or that make them subject to judgment, or even being outcast, by their peers are transformed into anger, aggression, or silence. It’s how we avoid ridicule.

It’s how we survive.

But over time, not only do we lose the ability to understand our own true emotions — the emotions behind the anger or silence — but we get worse at figuring out and empathizing with what others are feeling too.

When it comes to emotional fluency, McKelley said, “it’s like speaking a foreign language. If you don’t use it, you lose it. It’s something you have to practice.”

Day Four

When I went to bed the previous night, the country was heartbroken over the death of Alton Sterling. When I woke up, we were heartbroken over the death of Philando Castile. Two black men dead at the hands of police within 48 hours.

But as devastated as I was, life goes on — right? I had work to do and, later, errands. In fact, we needed more diapers.

But the shootings were the only thing on my mind all day.

When I reached the cashier at the Walgreens down the street from my house, a small pack of size-five Pampers clutched to my side, I saw she was a young black girl. She asked how I was doing. And I told her, with all honesty, that I was sad.

We talked briefly about the news. She’d been at work and hadn’t heard much about Philando Castile yet. We paused so I could enter my phone number for reward points. There were no tears or hugs or anything like that — after all, we were standing at the front of a Walgreens and people were starting to form a line behind me.

She asked how I was doing. And I told her, with all honesty, that I was sad.

When I left, I don’t know if I felt any better. But I certainly didn’t feel worse. And talking to a real live human being about an awful tragedy felt a lot more meaningful than reading Facebook comments and Tweets.

So, on an awful, terrible, no-good day, I guess that was something.

While I worked on this project, I often wondered why all of this mattered. Do I really need to tell people what I’m feeling all the time?

And then I thought about our nation, and all the tragedies that we hear about on the news every day.

I thought about the 100 million men in America who, to varying degrees, have had their ability to empathize with the emotions of others slowly eroded over time because society tells them they cannot be vulnerable. I thought about the creep on the street chatting up a woman who clearly, visibly wants nothing to do with him. I thought about the catcallers who seem to be convinced they are paying women a compliment and are oblivious to how uncomfortable, even afraid, they’re making them.

I thought of the millions of men in America being conditioned from an early age to turn fear, helplessness, loneliness, shame, and guilt into two things: anger and aggression. I thought of the 80-plus mass shootings in America since 1982 and how almost all of them were committed by men. I thought about how many of those men might have been bullied, hurt, shamed, or humiliated and, perhaps, could think of no other outlet for those feelings than the barrel of a gun.

I thought about the millions of men in America who will never harm another person, but might funnel that anger and aggression inwards through alcohol or drug abuse or worse, with three and a half times more men dying by suicide than women.

To be extremely clear: There is no excuse for hurting another person, whether through harassment, rape, abuse, or gun violence. But when we talk about providing better mental health services in our country, maybe we ought to make sure we’re thinking of the next generation of otherwise healthy boys who need guidance about what to do with their emotions.

“If we’re not allowed to talk about [shame], we’re not allowed to express it, we’re not allowed to admit we’re experiencing it. And then you surround it with exposure to violence and seeing it modeled as a way to solve problems,” McKelley told me. “But women are bathed in the same violent cultural forces, so what’s the difference?”

“Until we can figure out a better way socially to help boys and men navigate feelings of shame, we’re going to continue to have problems.”

As bad as all the research sounds, there IS some good news.

intimacy, honesty, emotional intelligence, terrifying, men

My best advice for how all of the men I know can figure out what their feelings are? Give it a shot.

Many of us are risk-takers. We go skydiving, wakeboarding, speedboating, or even shopping-cart-riding (full-speed into a thorn bush on a rowdy Saturday night, amiright?).

But we won’t tell our best friend that we love them.

“The irony is men repeatedly score higher than women on average in risk-taking behaviors. And yet we won’t take those types of risks. Those emotional risks are terrifying for a lot of men. That’s probably the one thing at the end of the day that I suggest guys do,” McKelley said.

It might not always work out, but more often than not, he says, you’ll find so many other people are feeling the same way and just waiting for someone else to say it.

“It doesn’t require courage to hide behind a mask,” McKelley said in the closing minutes of his TEDx Talk. “What requires courage is being open and vulnerable no matter what the outcome.”

And as for me? I learned that talking about how I’m feeling, especially with people I don’t know or trust, can be pretty hard.

Throughout the week, there were a lot of voices inside me telling me not to do it.

It’ll be weird! They won’t care! They’re going to judge you!

And sometimes those voices were right. But as the week went along, it got a little bit easier to ignore them. And in the days since the “experiment” ended, I’ve found myself sharing just a little, tiny, minuscule bit more on a day-to-day basis.

What was most incredible was that I started to realize that the experts were right: This IS a skill. It’s something I can learn how to do, even as a self-described “nonemotional” guy. By taking “little risks” with my feelings, I am getting better and better at bypassing those instincts in me that want me to clam up and be the strong, stoic man.

I just hope I’ll have the courage to keep practicing.

But again, this isn’t just about me. And it’s probably not just about you either. It’s about the next generation of young people who will look to us (both men and women) for reassurance that men can feel, can talk about feeling, and can respond with things other than anger, aggression, or silence.

I want to leave you with a question, one I want you to really think about and answer as honestly as you possibly can. It might seem silly, but answering it could be one of the bravest things you’ll ever do.

All right. Are you ready? Here it goes:

How are you?