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HBO Has Sent ‘Westworld’ To Robot Heaven After Four Seasons

Westworld, the most confusing show on television that also happened to be very fun, has been canceled by HBO, presumably to make more room for Game of Thrones content, though that’s just a very well-educated guess.

HBO confirmed that the sci-fi series, which accumulated a very impressive 54 Emmy nominations over the last six years, would not return for a fifth season. HBO released the following statement, as per The Hollywood Reporter:

Over the past four seasons, Lisa and Jonah have taken viewers on a mind-bending odyssey, raising the bar at every step. We are tremendously grateful to them, along with their immensely talented cast, producers and crew, and all of our partners at Kilter Films, Bad Robot and Warner Bros. Television. It’s been a thrill to join them on this journey.

Kilter Films, the production company for the series, added:

Making Westworld has been one of the highlights of our careers. We are deeply grateful to our extraordinary cast and crew for creating these indelible characters and brilliant worlds. We’ve been privileged to tell these stories about the future of consciousness – both human and beyond – in the brief window of time before our AI overlords forbid us from doing so

The fourth season of Westworld wrapped up in August, and the show has been in limbo ever since, whereas HBO normally jumps to renew their fan-favorite shows. Even though the series has a pretty steep decline after season two, the introduction of Aaron Paul in season three was the smartest move they could have made. He will be missed.

(Via Deadline)

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Lauren Boebert Unintentionally Did Her Best ‘The Daily Show’ Correspondent Act After A Hometown Paper Called Her Out As ‘Toxic’

Rootin’ tootin’ Lauren Boebert sits in a precarious place ahead of next week’s midterm elections. Her Democratic opponent, the relatively unknown Adam Frisch, has achieved a statistical tie in Colorado’s 3rd district, and only a few days remain between now and November 7. Boebert seems to be kind-of pleased, however, at how The Denver Post, which is east of most Boebert territory, penned a scathing op-ed to implore voters to pick Frisch or basically anyone else. Maybe a write-in candidate? That might create a bigger mess, but here’s part of what the publication wrote about the incumbent candidate, who the paper called out for investing “time and efforts contributing to the toxic political environment in this nation”:

“We grieve that this is who represents our great state in Congress — a state known for our moderate positions and our policy-first approach to politics. Rejecting all Boebert has come to represent — angry rants without offering real solutions — is important for the 3rd Congressional District, Colorado and this great nation.”

Not flattering stuff, but it fired up Boebert enough to hit the streets and ask Republicans what they thought of this newspaper. Unsurprisingly, the responders seem cherry-picked, but that’s politics for ya. Boebert repeats herself plenty of times with the words “toxic and dangerous,” and let’s just say that she’s no Jordan Klepper, but she is pulling off a parody of a satire by unintentionally vibing like a The Daily Show correspondent.

Consider the Libs owned?

Earlier this week, Boebert also went into Rifle Republican mama mode while delivering a taxation lesson involving Halloween, although she probably lost some points raging against “lesbian dance theory” for whatever reason.

Get out there and vote on November 7, y’all.

(Via Denver Post)

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Meek Mill Shows Philly Pride With High-Energy Performance of ‘Dreams & Nightmares’ At The World Series

Hold up, wait a minute! Rap star Meek Mill continues to prove just how deep the love he has for his hometown runs. In full support of the Philadelphia Phillies, Mill shook the Citizens Bank Park area with a high-energy performance of his song “Dreams And Nightmare” at game 5 of the 2022 World Series.

Accompanied by beloved the team’s beloved mascot Phillie Phanatic, the south Philly representer rode into the ballpark gleaming with pride. Dressed in a custom embroidered maroon Phillies fitted cap, patchwork Phillies bomber jacket, and Phillies jersey he preps the crowd by asking, “Are you ready?”

The instrumental, crafted by The Beat Bully, explosively drops then the Dreamchaser captain gets to work. Mill works the stadium just as he would with any other show.

Viewers at home feeding off the energy of the performance shared their excitement across social media. One Twitter user reconsidering if it is time for a change in tradition, writing, “Hear me out, if we absolutely had to replace the national anthem before sporting events the hook for ‘Dreams and Nightmares’ would get the people going 10/10 times.”

Not everyone at home was pleased with the rapper’s performance. Another user sarcastically remarked, “Nothing like following God Bless America with the National Anthem ‘Dreams And Nightmares.’”

Mill wasn’t the only Philly native to grab a mic, as Grammy-award-winning singer Jazmine Sullivan sang the national anthem.

Although the Philadelphia Phillies couldn’t pull out the victory over the Houston Astros many are predicting a win is on the horizon. The teams are set to battle it out in Houston tomorrow for game 6 of the series.

Meek Mill is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Drake’s ‘Feminist’ Line On ‘Her Loss’ Isn’t Getting The Most Love From The Ladies

Despite the anticipation for its release, Her Loss hasn’t quite been a win for Drake and 21 Savage — especially the former. Lyrics on the joint album have drawn negative feedback from fans, from questionable references to Megan Thee Stallion to shots at DRAM. Relatedly, his assertion that “I’m a feminist” in “On BS” is receiving some backlash, since people don’t think his past actions line up with this assessment.

Additionally, on the song “Spin Bout U,” Drake makes reference to the recent overturning of Roe v. Wade. “Damn, just turned on the news and seen that men who never got pussy in school,” he rhymes. “Are makin’ laws about what women can do.” Unfortunately, some listeners think that with the Megan Thee Stallion punchline and his previous pride in being “toxic,” that this posturing reads disingenuously.

One fan, for instance, one fan wrote, “The fact that men can’t see this is drake doing some fake feminist bullsh*t to look good is depressing.” Another pointed out that Drake only featured male artists 33 times and women two in the past five years.

While these aren’t things that necessarily reflect how Drake might actually feel, it’s true that the discrepancy looks suspicious in a certain light. You can see more reponses below.

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Let’s all take a pause before commenting on someone’s weight, fictional character or not

Folks, we need to talk.

Last week, I wrote an article about Disney’s new short, “Reflect,” which had been creating some buzz. The 2 1/2 minute film about a larger-than-average ballerina who triumphs over the mirror by dancing with joy and confidence is an ode to the body image struggle so many people face. It’s sweet, positive and inspiring.

But many people’s reactions to the film—or even just the idea of the film—were not.


Commentary has been mixed, as is often the case, but I’ve been stunned by the casual cruelty people throw around when it comes to weight. I’ve been writing on the internet for a long time and am fairly immune to trollish comments, but these comments feel different. These aren’t trolls being outrageous to get a reaction; these are people voicing their genuine prejudices.

I’m a thin person and found it disheartening, but when I put myself into the shoes of an overweight/obese/larger-than-average person, the comments came off as utterly crushing.

First, there were a lot of sarcastic “Oh great, let’s glorify/celebrate obesity,” comments. Nothing in this film celebrated obesity. The only things being celebrated were the joy of expression through dance and a young woman finding she had power over her own insecurities. Celebrating those things through a large-bodied character is not glorifying obesity; it’s merely showing that people who don’t fit the standard mold can express themselves joyfully and don’t have to be held back by insecurity. Those are objectively good messages.

Second, there were a surprising number of “fat people are just lazy” comments. Um, this film is literally depicting a fat person exercising. Like, she’s dancing the whole time. The opposite of lazy. What more do people want?

Third, “We should focus on teaching kids to eat right and exercise instead of trying to make people feel good about being fat.” Hmm. Helping people feel confident in their bodies, whatever shape or size they are, is not the same as making people “feel good about being fat.” The logical corollary here is “people should feel bad about themselves if they are above a certain [totally arbitrary] size or weight or shape,” which is ridiculous. Shame is counterproductive. More on that in a moment.

But in terms of education about eating well, how about we walk and chew gum at the same time? How about we encourage healthy living and make sure people know their worth isn’t wrapped up in their weight? How about we recognize that there are plenty of thin people who eat crappy food and don’t exercise much and that weight is not always an indicator that someone doesn’t eat well?

There are actually a lot of ands that we all need to internalize when it comes to bodies and fat. Obesity in general is associated with health problems and not all weight issues are due to not eating right or exercising enough and thin people can be just as unhealthy as obese people and fat people deserve support and compassion (or at least just be allowed to “be”) and someone else’s body size really is nobody else’s business to comment on.

“But it’s a character! It’s not even a real person!” It doesn’t matter.

Commenting critically or cruelly on a fictional character’s body primarily does two things:

1) It reinforces common biases and stigmas surrounding people who are overweight, which is dangerous. Harvard University has shared research showing that bias against obesity can cause doctors to assume a patient’s symptoms are due to weight and prevent them from investigating further, which can lead to missed diagnoses. Additionally, many doctors are not well-trained in what causes obesity or how to treat it, so patients who are overweight can be impacted by both bias and a lack of knowledge and understanding about their bodies.

(Side note: Obesity is not as simple as “calories in/calories out”—that’s an antiquated myth according to Harvard obesity expert Dr. Fatima Cody Stanford. What you eat matters, of course, but it’s just one piece of a large, multifaceted puzzle.)

2) It actually discourages people from losing weight. Cruelty is discouraging and judgments are demotivating. That’s not just a guess—research backs that up. And real people who see themselves in the character you are mocking or criticizing will see themselves in your comment. If you genuinely care about other people’s health and want to do something about obesity as a health issue, making gross assumptions and mean comments about fat people is 100% NOT the way to address it. It’s counterproductive.

“But obesity is unhealthy!” So is negativity—literally. But negativity comes with the side effect of bringing down everyone else around you, which can impact their health as well, so which is worse?

Every obese person has surely heard it all before, so critical comments aren’t telling them anything they don’t already know. It’s not kind, it’s not helpful and it does far more harm than good.

Joy and confidence, on the other hand, are motivating. When people feel good about themselves, they are more likely to be successful in whatever endeavors they undertake, whether their goal is to create healthful habits or perfect a tricky dance move.

That’s what makes the message of “Reflect” so powerful. And that’s why complaints about a character with obesity being portrayed in a positive light completely miss the point. We all deserve the freedom to express ourselves with joy and confidence, no matter what shape or size body we are in.

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The Utah Jazz Are Here To Stay As Long As They Want It That Way

The Utah Jazz — who traded away both of their All-Star pillars, as well two more starters from multiple 50-win teams this summer — are 6-3. They’ve played the league’s 12th-hardest schedule. They have wins over the Memphis Grizzlies (twice), Denver Nuggets, Minnesota Timberwolves, and New Orleans Pelicans, all clubs various folks expected to contend for homecourt advantage in a packed Western Conference this season. They’re ninth in net rating (plus-2.5, according to Cleaning The Glass). They’re the West’s No. 3 seed through two weeks. And I think they’re for real.

I don’t necessarily mean that in the sense of maintaining 55-win pace en route to a top-three seed. But if the Jazz so choose, the playoffs and/or play-in tournament are a legitimate outcome. Maybe injuries hit or the allure of a lofty draft pick begins to dominate their visions. Perhaps teams with higher immediate aspirations present a considerable trade package to acquire Utah’s integral players. The depth beyond their top-8 is pretty limited, too. Yet that top-8 of Mike Conley Jr., Jordan Clarkson, Lauri Markkanen, Jarred Vanderbilt, Kelly Olynyk, Collin Sexton, Malik Beasley, and Rudy Gay is quite serviceable.

Cohesion and a slew of good NBA players can be a recipe for regular season prosperity. The Grizzlies rode those factors to 56 victories last season. Utah doesn’t have the high-end talent like Ja Morant and Jaren Jackson Jr., so that level of success is likely irreplicable at the moment.

The general framework remains the same, though, and the Jazz’s synergy, despite the majority of the rotation being (relative) strangers a few months ago, is already there. A ton of teams, even ones who played together last season, are struggling to achieve that. Utah has fast-tracked chemistry thus far and is parlaying it into wins.

I guess dealing a pair of stars on long-term contracts returns quite the cast of solid NBA contributors. Pairing them with a Gregg Popovich acolyte at head coach in Will Hardy, who is well regarded around the Association, only heightens the choices of this ensemble. Hardy, by the way, has impressed to open his tenure as a lead man.

Utah’s foremost asset is the number of dudes on the roster who are dribbling and shooting threats. All of Conley, Clarkson, Markkanen, Olynyk, and Sexton meet this criteria. Beasley is more off-ball shooting dynamo than all-around weapon, but he is not inept putting the ball on the deck occasionally. Conley remains a witty ball-screen playmaker, netting pull-ups or floaters and spraying passes out to the Jazz’s bevvy of shooters. He just consistently makes beneficial decisions.

Last season, Vanderbilt experienced his best NBA campaign in Minnesota, which stationed four proficient floor-spacers around him. Utah’s maintained that dynamic, anchoring Conley, Clarkson, Markkanen, and Olynyk alongside him in the starting unit. That four-out approach stretches defenses thin, enables Vanderbilt’s cutting and offensive rebounding, and invites Hardy to craft some creative offensive sets.

The possibilities are vast when four players can shoot and attack closeouts. Hardy is taking advantage. Everyone involved in most of the actions he diagrams can facilitate the possession, and it’s flustering defenses. Confusion fuels this bucket, but the theme of release valves at either juncture is prevalent.

Or, something like this, where Utah flows from option to option, comfortable knowing that anyone can catalyze the offense. Points are not produced on the play, though the process is highly encouraging and Vanderbilt does draw a foul at the tail end.

Whew, there’s a lot going on. It’s a rare luxury to have so many legitimate shooters who double as capable of burning closeouts off the bounce. The Jazz may not have a bona fide All-Star to pilot a postseason run, yet an ingenuitive offense that spotlights everything their personnel offers helps mitigate that absence.

They’re third in three-point rate (.413), fourth in offensive rebounding (31.5 percent, shout out, Jarred Vanderbilt), and sixth in assist rate (66.8). Beyond Clarkson and Sexton, dribble penetration is a weakness, so the solution is to center a scheme that prioritizes long balls and movement. Although they’re only 14th in offensive rating, the foundation is commendable. That placement speaks more to Utah missing a top-tier initiator and serves as a testament to the collective talent of its rotation and Hardy.

Their 27th-ranked turnover rate is another wart. This team gives the ball away frequently and costs itself opportunities; the unfamiliarity playing together rears its head here. Defensively, they switch regularly to prevent triples, which has led to the sixth-lowest opposing three-point rate. But the insufficient wing depth and size on the interior present looming problems.

They’re 29th in defensive rebounding (67.2 percent) and 27th in opposing rim frequency (38.3 percent). The lack of size inside is apparent on film and these data points are easy to recognize as a result. How they fare Friday night against the Los Angeles Lakers, who lead the NBA in rim frequency (43 percent) and are headlined by the paint connoisseurs LeBron James and Anthony Davis, will be worth following.

Utah’s offense might fizzle out and the defensive sore spots could be increasingly exploited. Conley being the best all-around handler in the half-court, given his age (35) and injury history as a 6’1 guard over the past few seasons, is slightly worrying. Again, the unproven young talent behind its top provides moments for pause, as there isn’t much flexibility if someone suffers a notable injury. Come trade deadline, the long view could override the short-term prospects within the front office.

Regardless, the Jazz, as currently constructed, are playing a style that’s not only fun to watch, but a style conducive to wins. That’s not changing any time soon either. The Jazz have staying power in the playoff race … as long as they wish to keep it that way.

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The Air Force Swears It Didn’t Mean To Draw A Sky Penis Near A Russian Base

The U.S. Air Force would like to make it clear that it totally did not mean to draw what definitely looks like a penis with the flight path of an aerial tanker near a Russian base in Syria. These things pop up from time to time, and the Air Force is really sorry about this one. It was not intentionally done by the pilot or (heh heh) the unit, according to USAFE Capt. Ryan Goss.

Via Task & Purpose:

“The KC-135 Stratotanker (RAKE71) operating in the Eastern Mediterranean adjusted between multiple different flight tracks during the course of the mission,” Goss said in a recent statement. “While these adjustments and movements appear to create a vulgar outline, there was no intent by the pilots or the unit to do so. As we continue to look into this, USAFE-AFAFRICA, AMC [Air Mobility Command] and the USAF will continue to maintain the highest standards of professionalism and airmanship.”

As for how anyone even knew about the penile flight path, it turns out Elon Musk hasn’t completely destroyed Twitter yet. An Italian newspaper was the first to make the phallic connection, and from there it was only a matter of time until everyone on Twitter was looking at digital dong near Cyprus. What a time to be alive.

The commotion caused the Air Force to issue another statement just to, again, make it clear that nobody purposefully got inside a government vehicle and decided to put a dick in the sky. Planes are weird, okay?

“We are aware of the incident and are talking with the KC-135 crew to determine the details,” Air Force Col. Damien Pickart, the top spokesman for Air Mobility Command, told Task & Purpose on Friday. “At this time, we do not believe the crew acted inappropriately, flying a refueling orbit consistent with requirements that met the needs of receiver aircraft.”

(Via Task & Purpose)

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Blessd Highlights The Beauty Of Medellín In His ‘Que Duro’ Video And Drops His ‘Siempre Blessd’ Album

Blessd goes back to the his Medellín hometown roots in his new music video for “Que Duro.” Today (November 4), the Colombian singer also released his album Siempre Blessd with features from Ñengo Flow, Rvssian, and Myke Towers.

Blessd is leading a new wave of reggaeton artists from Medellín who are following in the footsteps of J Balvin, Maluma, and Karol G. Last year, he dropped his debut album, Hecho En Medellín, which spawn multiple global hits. His ode to his hometown, “Medallo,” has amassed over 328 million streams on Spotify.

For his second album Siempre Blessd, which translates in English to “Always Blessd,” he cut down on the featured acts. In the video for his alluring love song, “Que Duro,” the stars are the blue-haired singer with the beauty of Medellín as his backdrop.

“‘Que Duro’ is a single that I did and produced, and that’s what I’m looking for with this whole album,” Blessd said in a statement. “I don’t have as many collaborations because I want to achieve that one connection.”

Blessd makes the few features count on his LP. In the haunting “Solitario,” he teamed up with Puerto Rican rapper Ñengo Flow, who is a very beloved artist in Medellín. In the tropical banger “Botega,” Blessd blends his sentimental sound with dancehall courtesy of Jamaican producer Rvssian. The sexy reggaeton romp “Tendencia Global” features Puerto Rican star Towers and Colombian hit-maker Ovy on the Drums.

“This second album is going to be the second step in my career as an artist,” Blessd said. “With this album I want to connect with all my fans and take my career to another level.”

Siempre Blessd is out now via Warner Music Latina. Listen to it here.

Some artists mentioned here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Ron DeSantis Released A New Ad That Claims He Was Sent… To Do Politics… By God

With the midterm elections only a few days away, Ron DeSantis dropped a brand new campaign ad that claims God sent him to be the governor of Florida. Not only that, but the ad appears to tack on an eighth day to the Biblical creation story where apparently the Lord did look down upon the state of Florida and say, “Golly gee, I hope no one wears masks down there.”

“So God made him a fighter,” the narrator reads. “God said, I need somebody willing to get up before dawn and kiss his family goodbye, travel thousands of miles for no other reason than to serve the people, to save their jobs, their livelihoods, their liberty, their happiness.”

Naturally, the Biblical overtones don’t stop there as the ad continues to tout DeSantis’ divine mission to make sure schools and Applebee’s are never closed even when there’s a deadly pandemic. God hates that. Via Mediaite:

God said, I need somebody who will take the arrows, stand firm in the wake of unrelenting attacks. Look a mother in the eyes and tell her that her child will be in school. She can keep her job. Go to church. Eat dinner with friends.

The holy ad ends by touting DeSantis’ stature as a family man who will (no joke) hold old people’s hands while they’re dying, which probably happens a lot thanks to God’s chosen fighter pushing back on the wicked evils of COVID mitigation.

(Via Mediaite)

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It’s A Great Weekend For A Bourbon Old Fashioned — Here’s Our Recipe

There’s nothing better than a classic bourbon old fashioned this time of year. There’s something about the simplicity of the mix of sugar, bourbon, and bitters than just works with its subtle spiciness, soft sweetness, and rich whiskey vibes. That’s why it’s time to make one at home.

For this recipe, I’m keeping things very simple. This is a straightfoward stirrer that you can make in about a minute if you’re in a rush. And that’s the point. This is a uncomplicated cocktail that lives or dies by the quality of the whiskey you use as the base spirit. Don’t skimp.

Okay, we’re talking about an old fashioned here. We don’t need more preamble. Let’s just dive and get stirring up a great cocktail for weekend imbibing!

Also Read: The Top Five Cocktail Recipes of the Last Six Months

Classic Old Fashioned

Classic Bourbon Old Fashioned
Zach Johnston

Ingredients:

  • 2 oz. bourbon whiskey (plus a splash)
  • 3 dashes of Angostura Bitters
  • 1 barspoon raw sugar
  • 1 barspoon mineral water
  • 1 orange peel
  • 1 cherry
  • Ice + Large cube for service

Again, don’t skimp on the bourbon here. The better tasting the whiskey in your cocktail, the better your cocktail is going to taste. I’m using a single barrel Buffalo Trace Bourbon. I like to lean toward single barrel bourbons that tend to have a classic cherry/vanilla/spice/leather matrix with a bit of apple orchard and caramel thrown in. Whatever bourbon whiskey that you use, make sure that you actually like drinking it.

Classic Bourbon Old Fashioned
Zach Johnston

What You’ll Need:

  • Lowball glass
  • Mixing glass
  • Cocktail strainer
  • Barspoon
  • Fruit peeler
Classic Bourbon Old Fashioned
Zach Johnston

Method:

  • Prechill your glass in the freezer.
  • Add the sugar, water, and bitters to the mixing jug and give it a pre-mix with the spoon until the sugar starts to dissolve.
  • Add the bourbon and give it a stir for ten or so seconds to dissolve the sugar.
  • Add in a big handful of ice to the mixing glass and stir for about 20-ish seconds or until the mixing glass is ice-cold to touch.
  • Fetch the glass from the freezer, add the large cube to the glass, and strain the cocktail into the glass.
  • Express the oils from the orange peel over the cocktail and run the peel around the rim of the glass. Twist the peel and drop it into the ice cube.
  • Drop in a cherry and serve.

Bottom Line:

Classic Bourbon Old Fashioned
Zach Johnston

Yup, delicious! There’s a lovely softness to the texture of this drink (thanks to the quality of the bourbon) that feels like silk on your palate. The bitters and orange add a nice level of botanical spice and sharp citrus counterpoint to the lush vanilla and apple orchard sensations in the flavor profile.

Overall, we’re talking about a true classic with clear and concise flavor notes. It’s bourbon-heavy but has a delicacy to it that’s lush. It’s lightly spicy, softly fruity, and and full of whiskey depth. You really can’t beat this cocktail for it’s ease to make and great level of satisfaction.