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Machine Gun Kelly Insists That He ‘Never Departed, Left, Or Switched’ From Rap, All Evidence Aside

Now that Machine Gun Kelly is back rapping on songs like EST Gee’s “Death Around The Corner” (which had fans feeling conflicted upon its release), he seems very keen on convincing people he never actually stopped for success.

That’s probably because it’s such a common narrative in the music world and it very much seemed like he followed the blueprint to a tee. In the past, artists like Justin Bieber, Justin Timberlake, and Post Malone have drawn criticism from using hip-hop to gain their initial popularity, then switching to “safe” genres or breaking out their acoustic guitars in order to engage that coveted Middle American demographic. (For what it’s worth, this criticism is probably a little overblown, even if it accurate.)

However, in a new interview with The Hollywood Reporter, MGK insists that he never “departed, left or switched” up on his rap career, despite releasing a pair of albums in the pop-punk/alt-rock mode at a time when he was under tremendous scrutiny for going toe-to-toe with “rap god” Eminem. “I’m talented as f*ck and I added on to my catalog of four great rap albums,” he said. “So what I did was I added on, never departed, left or switched. Because in the same year I was the most viewed YouTube video putter-outer with all rap, which was my lockdown sessions, which gained more views than almost any of my other videos. And it was hundreds of millions of views of me rapping.”

He elaborates that he “picked up my cell phone and put this thing on and wrote my ass off and rapped my ass off weekly, giving YouTube reactors ways to make content and giving audience members at home who are like, ‘Maybe I didn’t even like him, but he’s the only content coming out right now, so I’m going to watch it just to see what’s going on.’ And then you watch it and you’re like, ‘Damn, he’s actually saying some shit.’ I was rapping. And then later on we dropped a number one album that was a pop-punk album. So when they say ‘departed’ or when they say, ‘Oh, man, you switched.’ Motherf*cker, are you dumb?! That’s literally telling you two plus two doesn’t equal four. It’s on paper, it’s black and white, it’s right there in front of you.”

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King Princess Delivered A Raw, Emotion-Riddled Performance For Her NPR Tiny Desk Concert

Multi-instrumentalist, singer, and songwriter Mikaela Straus, better known as King Princess, continues to dig her footing deeper into indie pop one track at a time. Since breaking out onto the scene with the song “1950,” the Brooklyn native shows no signs of letting up. On new album Hold On Baby, King Princess has officially found her musical pocket and stopped by NPR’s Tiny Desk to share it with fans.

Supported by a full band which included Antoine Fadavi (on drums), Kaela Sinclair (on keys and supporting vocals), Logan McQuade (on bass), Zack Page (on guitar), and Asaf Rodeh (on guitar and supporting vocals), in just over 15 minutes, King Princess takes both the in-studio audience, as well as viewers at home, on an emotional roller coaster set to a few of the album’s stand out tracks.

Opening with “Cursed,” King Princess mainly recounts the death of a toxic friendship as she sings, “Well, it had to end / but endings lead to better things / like sleeping again / oh, ’cause it’s a curse to be your friend.”

Before transitioning into the next number, “Winter Is Hopeful,” King Princess shares her excitement to be finally have made it to the platform, exclaiming, “this is so cool! I’ve always wanted to do one. And now I get to. That is f*cking cool man.”

As the band begins to play, King Princess reveals the track was originally titled “Quinn,” after her girlfriend. However, after receiving strong protest from her as she felt it was “too obnoxious,” the song was renamed.

The set closes with a performances of “Let Us Die,” which was co-written by Mark Ronson. King Princess’ performance is raw, vulnerable, and poignant — the makings of a perfect Tiny Desk concert.

Watch the full performance above.

King Princess is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Aubrey Plaza Shared The ‘Greatest’ Acting Advice From John C. Reilly And, Yes, It Involves A Bodily Function

With The White Lotus Season 2 in full swing (Theo James pun intended), Aubrey Plaza and Jennifer Coolidge are making the promotional rounds as their characters, new and returning respectively, get embroiled in the show’s psychosexual mystery. While talking to IMDb On the Scene, the two were asked if they have any acting superstitions to go along with this season’s theme of “bad omens and mythology.” Turns out, Plaza does have a little quirk that she picked up from John C. Reilly, and it’s apparently been very helpful but maybe not always practical.

You know, John C. Reilly gave me the greatest advice for acting, which is always pee first before you do the scene. Never do a scene where you have to pee, because somewhere in the back of your mind you’re going to be just slightly affected by the impulse to want to pee yourself. I demand to pee before every performance and at every intermission! I hate myself…

As for Coolidge, she shot down a playful rumor that she sleeps with a script hanging above her head. Instead, she’s found that the best acting trick for her isn’t an empty bladder. It’s age.

“You know what is true is that there’s something cool about knowing when you’re older that you can’t really control it,” Coolidge said. “And I feel like that’s the best thing that you have going for you.”

The White Lotus airs new episodes Sunday on HBO.

(Via IMDb on YouTube)

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Steady Holiday Announces Her New Album, ‘Newfound Oxygen,’ And Shares Her New Single, ‘Can’t Find A Way’

Steady Holiday is set to release her fourth album, Newfound Oxygen, early next year. In tandem with the announcement, Steady Holiday has shared a new single, “Can’t Find A Way.”

On the song, Dre Babinski sings of the pain of not being able to requite someone’s love.

“Can’t find a way to fall in love with you / Can’t find a way to fall in love with you / You worship everything I do / But I know I can’t find a way to fall in love,” she sings on the chorus of the piano-and-drum-driven ballad.

In the song’s accompanying video, Babinski is seen wandering through her home, with the water in the faucet aligning sideways, glasses falling, and other indications symbolizing a heartbreaking form of cognitive dissonance.

“I wanted to make a video that was far less literal than the song itself,” Babinski said in a statement, “but externalized the same emotional core – that the world as I know it is suddenly disoriented. We brought to life the scene from the single’s artwork with fishing wire, blowdryers, and a platform that shifted to a 45-degree angle that the camera and table/chair was mounted to. I had to hold on for dear life.”

Check out the video for “Can’t Find A Way” above.

Newfound Oxygen is out 2/17/2023 via Steady Holiday.

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How Much Are Taylor Swift’s 2023 Tour Tickets?

Yesterday, Taylor Swift announced the North American leg of her new tour, The Eras Tour, which kicks off in 2023. She will be playing stadium shows across the country, in support of her recent album, Midnights, and the albums she’s released since her last shows in 2018.

Ticketmaster is currently offering a Verified Fan Presale that allows fans to select their shows and enter a lottery to be chosen to purchase tickets on November 15. General on-sale starts the day after.

However, with Swift breaking tremendous records for her new album and having new fans from the pandemic, the demand is expected to be extremely high. Many might be wondering — how much are tickets going to be for her tour? Ticketmaster notoriously raises prices based on popularity, as other shows for acts including Harry Styles and Olivia Rodrigo have seen. Swift seems to be trying to find a loophole in the company’s policy though.

Variety confirmed that Swift has announced the prices of her tickets. The standard ones will run from $49 to $449. VIP packages, which typically include exclusive merch and designated seating, range from $199 to $899. These will be available on a “first come, first serve” basis.

Still, some Swifties pointed out that her Ticketmaster page has something different listed. “Ticket prices may fluctuate, based on demand, at any time,” the alert from Ticketmaster reads. There is the potential, unfortunately, that these costs could be even higher than she anticipated.

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Metro Boomin Writes A Sobering Tribute To His ‘Brother’ Takeoff And Admonishes Fans For Insensitive Posts

In the wake of the shooting death of Migos member Takeoff, tributes have poured in from around the music industry. Well-wishers expressing their condolences included James Corden, whose Carpool Karaoke episode with the Atlanta trio became a fan favorite, and Drake, who was close with Migos, arguably helping them gain national exposure with his remix of their 2013 single “Versace.”

However, not all of the posts have been positive. Migos’ label, Quality Control Music, admonished fans to be respectful in a statement on his death, and now, Metro Boomin, a producer that MIgos worked with extensively, has some thoughts on the subject. While reminiscing on his relationship with Takeoff in his own social media post, Metro also criticized people who use tragic events “for their own personal entertainment.”

You can read the full text of his post below.

This not just one of my rapper friends, Take was a selfless and truly standup human being. Someone I could call my brother with the most confidence. His light was so bright and you could really feel God shining through him.

Anytime I seen bro we would dap and hug and he would always look me in the eye and say ” I love you my brudda” and not just when we would part ways. I can’t even really put into words how bright and warming of a genuine soul he was. Music brought us together 10 years ago but played a small role in our friendship and brotherhood overall.

Sadly when people pass nowadays it’s nothing more than a headline or gossip for everyone to talk about and use for their own personal entertainment but these are real lives perished and there are real mothers & fathers, brothers & sisters, sons & daughters, girlfriends, wives, boyfriends, and husbands on the other end of those headlines who now have to deal with the trauma of those realities for the rest of their lives.

I’m praying so hard for Take family, friends, and loved ones. Praying that God blesses them all with divine comfort, strength, and eventual healing. It’s sick how barbaric, desensitized, and insensitive we have become where pictures and video of someone’s son laying deceased can be shared around online like he doesn’t have a mother or family who could see those things and be haunted by it forever.

I’m praying for Take family but I’m also praying for society and this insensitive world as a whole.

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Henry Cavill Admits That The Fancasting Of Himself As Edward Cullen In ‘Twilight’ Was Pretty ‘Cool’

If you weren’t active on fan blogs in the early days of the Twilight movies being cast, you are 1) lucky and 2) don’t know what you missed! Diehard fans anxiously awaited casting decisions that were delivered via author Stephanie Meyer’s blog. This was the golden age of the internet: the author of the source text was fully involved and brought you along every step of the way. Now, casting choices can be a top-secret moment. But anyway.

In 2007, Meyer revealed that Robert Pattinson had gotten the role of the dreamy vampire Edward Cullen. Though she also shared who her first choice was: Henry Cavill.

“The most disappointing thing for me is losing my perfect Edward,” Meyer wrote on her blog at the time. “Henry Cavill is now twenty-four-years-old. Let us have a moment of quiet in which to mourn…” Pattinson was 21 at the time and had just appeared in the Harry Potter franchise, so that made him more suitable to play a 100-year-old high schooler, right?

Meyer added that maybe Cavill would be open to playing another charming vampire, Edward’s adoptive father Carlisle. “I’m not willing to relinquish Henry completely; since I hear that Charlie Hunnam refuses to consider scripts which include vampires, I propose that Henry play Carlisle!” That role eventually went to Peter Facinelli.

Cavill recently appeared on the Happy Sad Confused podcast, when he was asked if he felt any type of resentment towards Pattinson for snagging the major role. He explained that he didn’t even know about the movie but it would have been ‘cool’ to be involved. “I didn’t know about [Twilight],” Cavill said. “I didn’t know about them wanting to cast me and the internet wasn’t quite the tool that it is now and so I only found out afterwards. I was like, ‘Oh okay, that would have been cool.’” The internet is definitely a casting tool these days!

Still, there is no bad blood between Cavill and Pattinson. That is…until they eventually have to one-up each other in the DC universe. That will be fun!

(Via Variety)

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Stu Holden Believes The USMNT Won’t Be ‘Afraid Of The Big Moment’ Ahead Of The World Cup

The World Cup kicks off in Qatar in less than three weeks. This means that the United States men’s national team’s return to the World Cup after missing out in 2018 is on the horizon, and while it’s an exciting time for the beautiful game in the country, there are, understandably, some nerves. The squad hasn’t exactly looked stellar in its most recent friendlies ahead of the biggest tournament in the world, while injuries and struggles with finding form at the club level are coming at the worst possible time for some important contributors ahead of a very, very tricky group comprised of England, Iran, and Wales.

So, when asked how he’s feeling about the team as an ex-USMNT player heading into the World Cup, Fox Sports analyst Stu Holden grabs a cup, starts shaking his hand, and lets his voice get a little nervous.

“Yeah,” he says, “I’m feeling great.”

But despite the concerns that seem to be common during conversations with, well, just about anyone who has a vested interest in the team’s ability to perform in Qatar, Holden — who is quick to say he thinks the team will show up when it’s go time — is excited about where soccer in the United States is going. This goes beyond the USMNT participating in the World Cup with the youngest roster at the tournament — everything from the continued success of the women’s team, to the growth of the country’s numerous domestic leagues, to just how big the game is at the grassroots level plays a role in making sure the most popular sport in the world continues to become more and more popular stateside.

Now, Holden hopes to help spur those efforts, particularly at the grassroots level, through his partnership with Italian brand Lotto, which recently brought him on board as an ambassador. It was through Lotto that Uproxx Sports got the chance to sit down with Holden to discuss how soccer can continue to grow in America, the USMNT at the World Cup, and much more.

What do you have going on with Lotto?

I’m incredibly excited. When the Lotto partnership came about, I think … I retired and started this next chapter and career as a broadcaster, and also as a dad that’s out at the soccer fields every weekend and seeing young players starting their journey and thinking back to my journey, and one that actually started with Lotto when I was six years old wearing Lotto cleats. I think one of the most important things is to be able to give back to that next generation through my expertise, my coaching, but then also getting involved at the grassroots level. That was one of the things that spoke to me most about this partnership and excites me now, of us building this journey and being able to get involved at the grassroots level and be a part of kids’ journeys through soccer, and what soccer does for your life, what it’s given me in my life.

My role now as an ambassador is to be front-facing, to be involved in campaigns, but also through my social media, to continue to ride this wave of momentum of soccer in this country. And I think that Lotto’s mission of doing that from the grassroots in a really authentic and calculated and driven way, it got me really excited. And so for me now, day one of this partnership — well, not day one, we’ve been working together for a couple of weeks and months now — but I’m excited of the endless possibilities and the ways in which we can make a difference.

Why did you decide you wanted to team up with Lotto? Was it because, like you mentioned, you’ve been wearing them since you were six years old? Was it because of that commitment to grassroots soccer in the United States? Or was it just a bunch of different factors all came together that made this perfect for you?

Yeah, you know what’s been so fun? I’ve been wearing the hoodie and the gear around, and everybody points it out. Like, even here at Fox, everybody’s like, “Oh, look at that. Look at that old school Lotto sweatshirt.” And I think one of the fun parts about getting involved with Lotto was the nostalgic factor for me, and that I had a history with them, but also now, a brand that wants to be at the forefront of soccer in this country, and using its influence, using its history, but then also being open to doing new things. And that was one of the big conversations that we had, and that’s why I’m excited personally, is that there’s opportunity to execute on ideas that I have, and they’re very much a two-way street of like, “Hey, what do you think we should be doing? How can we make a difference in soccer in this country? How can we be at the forefront and be a part of this movement of the game?”

Lotto has such a rich history in Europe and in Italy, the manufacturing of boots going back years and years. But now, to be that brand that’s really in the conversation when you think about soccer at the grassroots level all the way up to the professional level. So, that’s what excites me is that there’s this carte blanche, but with this massive history behind it, and an ability to do some fun and exciting things. So, a lot to come now in the next couple of years.

What are some of these ideas to get involved in the grassroots level of soccer that you have? Because it’s one thing we hear all the time, AYSO is the biggest youth sports organization in the United States. And yet, by the time a kid becomes 13, 14 15, they’re playing basketball, football, baseball, whatever else. So what are these ideas to really help drive home that soccer is a thing that you could do your entire childhood and into your teenage years, 20s, whatever, for those kids who are playing as a way to get exercise when they’re five and six years old?

I feel like that’s a conversation over like 15 beers. It’s one of my most passionate things that I think about. I get frustrated sometimes at the narrative around the investment and the youth soccer pathway and people saying, “We’re not doing this and we’re not doing that.” The reality is, if you look at where this country is, since 1994, and the way in which the landscape changed for a kid that was 10 years old in ’94, to now a 10 year old, thinking about the World Cup on the horizon in ’26 and the amount of professional teams that we have, the pathways to pros — I think the professional path has really improved in a really good way as investment will continue to grow.

The part that you mentioned there that I think we can still do better is the grassroots level. And that the fundamental part of that is it’s fun, and making soccer fun. I see it with my daughter — AYSO is just far too structured at times with referees, and you’ve got to have this uniform, and you’re only training once a week on a Saturday, and then if you’re not good enough, eventually you’re not going to be with your friends. I just think that we, too often, try to over-coach kids and we don’t allow kids to just be in an environment where they’re having fun, and there is some type of organization, but within that, they’re learning. Coaching is a huge part of that, I would be investing heavily in coaching.

And then when I think about Lotto, it’s doing things in a really organic way, and what I’ve learned with soccer, too, is that we’re a very loyal bunch, very passionate a bunch, very loud bunch. And at times, I think soccer can be too closed off. If you don’t know the verbiage and you don’t know a European soccer team and you don’t know this, you can’t be part of a club. We try to be too exclusive. And I think that’s why, with Lotto and talking to them, it’s fun trying to find ways in which we can welcome more people into the tent, make it more palatable and enjoyable for people to be a part of this wave and riding this momentum of soccer. Whether that’s by big events, whether that’s by doing it in a less serious soccer way and being fun and being being brave, trying new things and getting a new audience in. I think to your point, people get to 12, 13, if they’re not good enough at soccer, they don’t enjoy it, and there’s not the same type of opportunities for them to play recreationally with their friends, where it’s not fun, and then maybe you gravitate to different sports.

But now, I think you can play soccer with your buddies in a weekend league, you can go to an MLS game, you can drink some beers, you can go and have fun. It’s a community-based sport. I think that’s the part that you really want to lean into is just investing in community, invest in people. Those are going to be the people that aren’t just wearing your cleats at six, they’re going to be people that are wearing your cleats and wearing your casual gear when they’re 25.

You said in the release that “there is such great momentum around soccer in the U.S.” What are the factors that you think go into that? Because obviously there’s a pretty big factor, what, 19 days away now?

Yeah, World Cups are the time — and we talked about this here at Fox Sports, too — that the America watches. “America” being casual sports fans, or any sports fan, will watch the World Cup. The numbers back that too. And then especially, they’ll watch the World Cup with the United States, and that’s where you really have this momentum. You talk to half of this team right now, and we’ve done this in the past couple of weeks, about where did they fall in love with the game, where was the moment where they thought, like, “this is what I want to do professionally.” And maybe they were 10, 11 years old, and they might have been when the U.S. was playing in 2014, eight years ago.

It’s World Cups. They remember the Landon Donovan goal, they remember Jermaine Jones against Portugal in 2014. These are opportunities for us as broadcasters, us as fans of soccer, as players that are on the field, these are the opportunities to bring people in and help them understand our game, and also realize why the sport is so special and why it’s such a global sport, but also why in the United States, it’s such a such a thriving and growing sport. And that’s where the momentum comes — we’re gonna have the youngest team at the World Cup. MLS is verging on 29 teams. We have 3-4 tiers of professional soccer in this country now that have been going on for more than two decades. And youth participation is up, the women’s team is doing well, NWSL is crushing it right now, they almost had a million viewers for their championship game.

I can sit here and point to all the different demographics and stats that back up the fact that it’s undeniable that soccer is growing here. And I think with that also, one of the things that Americans love is being the best — we’re the best at basketball, best at football, best in baseball, and that’s why we, maybe a little arrogantly, crown ourselves world champions. But we don’t call ourselves world champions in soccer because we’re not the best yet. And I think that that’s what American sports fans would want to see is that we’re making real progress on the global stage as a soccer nation, and that’s why my hope is that this U.S. team turns up in in Qatar and make some noise and gives the people back home something to really be proud of.

Great segue into, how are you feeling about the U.S. heading into the World Cup? Because on one side, we’ve seen what this team can do in knockout tournaments, we’ve seen what they look like at their best, the level of club team the guys are at. And then there’s the U.S. fan anxiety that’s popped up over the last few friendlies, that sort of thing. So how are you generally feeling heading into this?

Yeah, I’m feeling great. [Laughs.] I’m uneasy about the team’s standing. I don’t think I could stand here off the back of the last couple months and the injuries we’ve had, too, and tell you that I’m overly confident about this team making a deep run. I called that last game against Saudi Arabia. And one of the hardest parts of my job is to have perspective. And I think that that’s the most important part of my job, too, is to be able to convey not only what are you seeing on the field, but also being able to maintain a level head when it comes to overreaction, underreaction, am I protecting the team, am I not? Also, being honest with the emotions that I’m feeling, too, in that game, and I found myself in the second half of that game not fully panicking, but also being like, this should not give you confidence about this team, and if it is, then I think you’re blindly confident about this U.S. team.

Take a step back, if we have our starting XI, and that’s a big if because McKennie’s injured right now, and Pulisic and Josh Sargent, yada yada, I do feel still confident that this team will get out of the group. I think we have enough talent. I believe that Gregg Berhalter’s shown an ability in big tournaments and big moments — not in a World Cup, of course, this will be his first — but I think this team is self confident and whatever the narrative is going to be going in, they will use that to their advantage. And maybe in some ways, I think this could help them, the fact that people are asking more questions now than maybe they were when they had this supreme optimism about a team that rinsed Mexico four times in a calendar year, and won the Gold Cup, and won the Nation’s League. There were people starting to talk about the semi-finals for this U.S. team. I don’t think that’s realistic, and in fact, I think that would be detrimental to the team if that was what you were saying going in as an expectation.

So, get out of the group, believe in yourself. Beat Wales, that’s what this team needs to focus on now. And that’s what their sole focus should be on, is starting the tournament with three points. If they start well against Wales, start to fire up that rocketship a little bit, and you think that you go against England and see what you could do. But yeah, as it stands right now, I’m not willing to like, sit here and say everything’s fine, because it’s not, there’s certainly alarm bells ringing. But maybe they use that to an advantage.

At the same time, you see those games against Mexico that you mentioned, or when they had a chance to basically clinch in qualifying against Panama, when these guys have needed to show up and perform on a big stage, I would say we’ve seen them do that at a level maybe a little bit above what we expect of them.

And that’s 100 percent my mentality and my reasoning and why I get to where I get. I have confidence in this team, there’s a blind arrogance at times to them, in a good way. Like, they don’t feel afraid of the big moment. And I believe that when the U.S., as I said, when they play Wales, one of my things I’ve been talking about recently is that — I felt this as a player, too — my first World Cup match, the lights are brighter, the stage is bigger. And you can react in one of two ways: You can harness that energy and that nervousness and those butterflies that they will inevitably feel. I don’t care if you’re Superman, it’s human, just a natural emotion to feel nervousness in that moment.

But once that whistle goes, and that game starts, can they flip that switch? And I think they can, like our teams of the past. In 2010, we did that, we weren’t overcome by that moment. And I think that this team, too, they will do the same. They’ll stand tall and they’ll represent that flag in the way in which they should, and that’s why I think that this team will be okay, and that they’ll use that in a way of like, “Look, nobody believed that we could do this anyways, as a group of 19, 20 year olds. We’re gonna be the youngest team here, we’re free rolling, let’s go kick some ass.”

As you look at this team, as you look at the roster construction and how they want to play, their group, all that stuff, what’s the thing that you would say you’re most confident about heading into the World Cup and the thing you’re most concerned about heading into the World Cup?

I’m most confident in our midfield. I think that we have an extremely, extremely good midfield, and not just by American standards, by global standards. We’re gonna have a guy who’s playing at Leeds, a guy who plays at Juventus, and a guy who plays at Valencia. Never had that in our past. I think that’s the strength of this team, I think that will be the heartbeat of this team, I think this team will go as far as that group can take it.

My biggest concern is — in fact, I was thinking about this this morning — it’s changed from the striker position because I think we can get goals from wide from Pulisic, and Weah, and Reyna. I’m concerned about our backline in that we’re probably Walker Zimmerman, Sergino Dest, Antonee Robinson, and then a center back. And I don’t feel confident in who that center back will be. I don’t know if it’s going to be a surprise name like Tim Ream, or is it going to be Aaron Long, is it going to be Cameron Carter-Vickers? I think about the fact that that center back pairing won’t have had a consistent amount of games with whoever the goalkeeper is going to be if it’s Matt Turner.

So, that’s my biggest concern is that defensively, I don’t think we’re as strong as people maybe felt we were going back a year, two years ago, and that this team won’t have had the same type of reps. Walker Zimmerman’s probably your shoe-in center back, he won’t have play a game for 30-something days before the U.S. step on the field against Wales. That, for me, is a concern. I don’t care what you’re doing right now in this training camp in Dallas, you’re not going to be as sharp as you were when you were playing a game week in, week out at a very high level, like the European guys will be doing.

Going off of that, you gave what I would assume are — between those three midfielders, a couple of the options at on the wing — some guys who would make up your first-choice XI. So, in a perfect world, all guys are healthy and in form, could I get Stu Holden’s first-choice XI if they’re heading into that Iran game and Gregg Berhalter says “We need three points, Stu, who you throwing out there?”

Chris Richards is one, I don’t know if he’s gonna make it but I’d like him to start. I would say I have Matt Turner in goal. I would have Sergio Dest as my right back. I would have Walker Zimmerman, then I would have Chris Richards. I would have Antonee Robinson. I would have Tyler Adams, Weston McKennie, Yunus Musah. This is where it gets hard. Christian Pulisic, for sure, I want Brenden Aaronson out there. And then a striker … can I have Clint Dempsey?

You put the names in a hat for strikers and it’s the one you pull out on a given day.

If I had to play a guy in that game, it’s do I want to be safe or do I want to just roll with it? I think I’m going with Ricardo Pepi.

Interesting, ok.

Yeah, but that was reluctant, too.

I think when when you look at his recent form, but at the same time, if you’re going off of form, then you’ve got to put Josh Sargent. But in my opinion, when we have seen Pepi at his best in qualifying, he just seems to have that little spark about him, you know?

Yeah. I would consider even playing Tim Weah there, I would consider playing Brenden Aaronson as a false nine and playing Tim Weah on the right. But I just think that I would play Pepi just because I think that he’s gonna scrap, and he’s a physical presence up there that also, as you said, can produce kind of that lightning in the bottle-type finish. It shows you he was smart to drop down a level to the Eredivisie and score goals, because it gives you confidence as a striker. So, that confidence changes the picture completely. Two months ago, I don’t even know if I would have had him in the squad.

As much as I think we’d all love to see the U.S. win, I’m a little skeptical they’ll be able to do that this time around. So, who do you got winning the whole thing?

Argentina.

Same.

My Fox Sports hat, too, would love that. Messi, best player in the world — I’ve got a power ranking coming out right now, I’ve got Mbappe just ahead of Messi, but Messi’s recent form would have maybe, potentially, have him back above him there.

Argentina, I think this is the best supporting cast he’s had from a collective, team perspective. I think they’ve got a great coach in Lionel Scaloni. I think defensively, they’re better than they’ve ever been. And I think the table is set for Messi to have his moment and etch his name on that trophy and become the greatest of all time. The game is different than it was with Pele and Maradona, and to win a World Cup is incredibly hard. And to do it in today’s era, with the way that the game is, man, it would be it would be a World Cup for the ages.

We’re all romantics about the sport and nothing’s more romantic than Messi winning.

Indeed.

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HBO Is Off To A Good Start In 2023 With ‘The Last Of Us’ Premiere Date And The Return Of ‘Succession’

Will HBO go straight from its most anticipated new show to its most acclaimed series in 2023? It seems that way.

The network announced on Wednesday that The Last of Us, the Pedro Pascal- and Bella Ramsey-starring adaptation of the Naughty Dog video game, will premiere on January 15. The first season is 10 episodes long, meaning the finale will air on March 26 (assuming there’s no breaks in the schedule). It’s likely that the following Sunday will see the “spring 2023” premiere of Succession season four, like how HBO went immediately from House of the Dragon to The White Lotus. If The Last of Us television show is as good as The Last of Us video game, that’s 20 straight straight Sundays of quality programming (with The Righteous Gemstones and the final season of Barry to come).

The logline for The Last of Us reads:

The Last of Us takes place 20 years after modern civilization has been destroyed. Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal and heartbreaking journey as they both must traverse the U.S. and depend on each other for survival.”

There’s also a new poster.

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Rihanna Gives A Sneak Peak At ‘Savage X Fenty Vol. 4’ With A Collection Of Photos From The Shoot

Last month, Rihanna announced the return of her Savage X Fenty fashion show, which will once stream on Amazon Prime Video. Since then, more details about Savage X Fenty Vol. 4 have trickled out, including the tease that none other than Sheryl Lee Ralph (Abbott Elementary) will be walking in the show. Today, we got our first, best look at what the show will look like with a collection of behind-the-scenes photos from the shoot on Vogue and Complex.

Rihanna’s Savage X Fenty announcement came just after the Anti singer was revealed as the Halftime Show performer for the upcoming Super Bowl, which could end up being her first live performance in six years. Then, to further signal that her long hiatus is officially over, Rihanna and Marvel announced her involvement in the Black Panther: Wakanda Forever soundtrack, releasing the mournful ballad “Lift Me Up” last week. The flurry of activity has some fans convinced that she’s planning a stadium tour next year — including fellow singer Charlie Puth, who said that he thought she was rehearsing new tunes in the studio next door to his. “I swear to God, she is rehearsing next to me,” he said in a recent interview. “There is always security next door – and I just go in by myself and I thought I saw her.”

In other Savage X Fenty news, the brand is soon to expand into sportswear. The show will hit Prime Video on 11/9.