Year: 2022

The Golden State Warriors have not had the services of their 2020 lottery pick all season. After an up-and-down rookie campaign got cut short due to a knee injury, James Wiseman has spent this season on the sideline as he’s tried to recover from surgery on a torn meniscus. It was expected that he would have been able to play by now, but Wiseman needed to undergo another procedure in December to clean some things up.

In a bit of good news for the young center, Golden State announced on Tuesday afternoon that Wiseman’s progressed to a point that he’s able to play live basketball again. While he’ll have to wait to suit up for the Warriors, Wiseman will join the team’s G League affiliate to play games on Thursday and Sunday.

Wiseman, the No. 2 overall pick in the 2020 NBA Draft, averaged 11.5 points and 5.8 rebounds in 21.4 minutes per game last year, and started 27 of the 39 contests in which he appeared. His debut cannot come soon enough for the struggling Warriors, as the team has dropped nine of its last 11 games and fallen out of the No. 2 spot in the Western Conference.

This is not the only boost the Warriors are expected to get in the coming days, as Draymond Green announced he’s targeting a return from a back injury on March 14.

YoungBoy Never Broke Again — aka NBA YoungBoy — is soon to go on trial on federal gun charges. The Baton Rouge artist was arrested along with 15 others in 2020 on suspicion of possession of stolen firearms and distributing drugs, and today, Rolling Stone reports that the trial date has been set for May 16 in Louisiana’s Middle District. The rapper entered a preliminary plea of “not guilty” to charges of possession of an unregistered firearm by a felon and has been on house arrest since October.

However, he’s got reason to be optimistic about the outcome of the trial. At the end of February, US District Court Chief Judge Shelly Dick ruled that video evidence of YoungBoy brandishing the firearms in question was invalid due to an unlawful search of the SD card containing it. While an anonymous 911 call about men brandishing guns prompted police to break up what was reported as a rap video shoot in September 2020, the warrant only mentioned the video, while the warrant made no mentions of the SD cards or video equipment.

YoungBoy’s defense filed a motion to have the evidence suppressed, which Dick granted after deeming the warrant — and the resulting search that turned up the would-be incriminating evidence — invalid. The rapper’s defense lawyer Drew Findling said of the upcoming trial, “We’re 100 percent convinced of his innocence, and now we have to continue to evaluate our strategy. The unconstitutionality of law enforcement was clearly evident to the court and resulted in a slew of evidence being thrown out. We’re looking forward to going to court.”

YoungBoy Never Broke Again is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Giancarlo Esposito has been stealing movies and shows for over 40 years. You may remember the actor and vaccine cheerleader as Buggin’ Out from Do the Right Thing, but did you know he was on three episodes of Miami Vice? Or that he spent two years on early ‘80s Guiding Light? Alas, the acclaimed actor didn’t become a household name until Breaking Bad, just over a decade ago. Since then he’s been a screen staple, even bringing Gus Fring back on Better Call Saul. Well, it appears he may be employed by AMC for the rest of his days.

As per Entertainment Weekly, Esposito is joining The Driver, an adaptation of a British limited series from 2014. Esposito has usually been cast in meaty supporting roles, but this time he gets to take on the lead. He’ll be playing an “everyman” taxi driver whose life, according to EW, “is forever changed when he crosses paths with a New Orleans-based Zimbabwean gangster who is known to exploit undocumented immigrants at various southern ports in the U.S.” Showrunner Theo Travers (Billions) called it a “high-voltage, dark identity quest for an everyman trying to find renewed purpose in his life.”

AMC isn’t the only place with Esposito on the company payroll. He can also be seen on Disney+ (The Mandalorian), Amazon (The Boys), Netflix (the forthcoming heist drama Jigsaw), and Epix (the also forthcoming crime drama Godfather of Harlem, starring Forest Whittaker).

Meanwhile, anyone who wants to stream the original version of The Driver can do so on Filmrise. And of course, you can still see more Gus Fring in the batch of Better Call Saul episodes that debut on April 18.

(Via EW)

Looks like Florence Pugh might be coming to Arrakis. After becoming a new and well-received fixture in the Marvel Cinematic Universe, Pugh is in talks to join the cast of Dune: Part 2, which director Denis Villeneuve is planning to shoot this summer. However, there are a lot of variables in the air. For starters, Pugh’s involvement is contingent upon several factors, including her availability and a final look at the script. The sequel is also scheduled to shoot in Hungary, which might not be feasible due to the Russian invasion of Ukraine. (Hungary shares a border with Ukraine.) If that situation continues or makes a turn for the worst, it may impact the production.

Via The Hollywood Reporter:

Pugh is being courted to play Princess Irulan, the daughter of the Emperor. Several obstacles remain, however, for any deal. The script is still being written, and thus the actress is said to be waiting for the latest draft. Also, scheduling poses another hurdle. Legendary is hoping to begin shooting this summer, but Pugh is also in contention for the Madonna biopic, and it is unclear when that would go, should she nab that role.

Pugh has been on the short list of actresses vying to star in the Madonna biopic, which reportedly has involved a grueling audition process. The other actresses include Julia Garner (Inventing Anna), Alexa Demie (Euphoria), Odessa Young (Mothering Sunday), and Emma Laird (Mayor of Kingstown). Should Pugh snag the coveted role after such an intense casting process, it will probably be a no-brainer to play Madonna over the Dune sequel. But, hey, maybe she can do both? We are not in the business of doubting Florence Pugh.

Dune: Part 2 is scheduled to hit theaters on October 20, 2023.

(Via The Hollywood Reporter)

Now more than ever before, it’s hard to grasp the concept of time passing. But with The Batman finally making its way into theaters after a long, painful, but sensible wait, it’s time to reflect on Robert Pattinson, who has been working as an actor since the 2000s in 2005’s Harry Potter and the Goblet of Fire and 2008’s Twilight, which launched a franchise and made him an international movie star and generation-defining heartthrob.

Since his introduction in the 2000s, Pattinson has evolved more than any other actor, from fantasy franchise hottie to indie darling to emo Batman. He’s both a scene-stealer and a generous scene partner, the kind of performer who is as good in chaotic roles as he is in restrained ones. Over the past decade, Robert Pattinson – with the help of his towering hair, sculpted jawline, and piercing eyes – has evolved into something truly unique: a character actor/movie star hybrid.

If you’re trying to figure out what Robert Pattinson films to revisit – or visit for the first time – after seeing The Batman, here are all of his performances (excluding short films, TV movies, and 2004’s Vanity Fair, which he was cut from), ranked from worst to best.

23. The Childhood of a Leader (2015)

Robert Pattinson was not given much to do here. In fact, he was given so little to do here that I didn’t even remember he was in this movie. But that’s not necessarily a critique of Pattinson’s performance, because I also forgot that I had seen this movie.

22. Waiting for the Barbarians (2019)

Unfortunately, not even Robert Pattinson could provide anything memorable to this action drama starring Mark Rylance and Johnny Depp, although he did try. The best thing about Pattinson in Waiting for the Barbarians is his irresistible hair, which falls in his face like Leonardo DiCaprio’s did in the 1990s.

21. Bel Ami (2012)

While Bel Ami does the work to make movies sexy again (Robert Pattinson has sex scenes with Uma Thurman, Christina Ricci, and Kristin Scott Thomas), Pattinson’s static, emotionally empty performance as Georges Duroy leaves much to be desired.

20. Water for Elephants (2011)

In Water for Elephants, Robert Pattinson was trying to prove that was capable of something beyond Edward Cullen. In this adaptation, Pattinson plays Jacob Jankowski, a veterinary student who quits school and joins the circus after his parents die, meaning that Pattinson would get to showcase his exemplary acting with elephant skills. Pattinson holds his own against Oscar winners Christoph Waltz and (NFT queen) Reese Witherspoon, but he never gets a memorable moment in the way he does so easily now. This run-of-the-mill drama based on the best-selling novel of the same name is not terrible, but it didn’t have much impact on Pattinson’s career, which is a good thing, really, because it got him to change directions by choosing smaller indie films in the future. Pattinson’s best performance from Water for Elephants came from the press tour when he said on The Today Show that he watched a clown die at the circus, which he later revealed was a lie.

19. Little Ashes (2008)

Robert Pattinson played Salvador Dalí. Not enough people know this, and we do not discuss it enough. Pattinson committed to the role of the surrealist artist and attempted to deliver a textured performance. While the effort is admirable, the film’s stilted script did not do Pattinson’s performance any favors.

18. Queen of the Desert (2015)

You’d think lovable weirdos Robert Pattinson and Werner Herzog were star-crossed. And while they might be, Herzog’s biographical film stars Nicole Kidman as Gertrude Bell but features Pattinson in a small supporting role as archaeologist T.E. Lawrence. Pattinson does what he can, but given the corny-at-best dialogue and likely pressure from acting opposite Oscar-winning co-star Kidman and working under the direction of a legend like Herzog, the performance falls a little flat, especially compared to most of Pattinson’s supporting roles.

17. Harry Potter and the Goblet of Fire (2005)

Robert Pattinson was so perfectly cast as Cedric Diggory, the Hufflepuff heartthrob who meets a tragic end in Harry Potter and the Goblet of Fire, that he really didn’t need to do much beyond show up to work and say his lines correctly. But Pattinson, as (almost) always, went above and beyond by successfully suggesting Cedric make his entrance in the film by emerging from a tree. Pattinson nailed Cedric’s natural charisma that made him so likable – especially in spite of Harry’s jealousy – but he also captured the horrors of death in the wizarding world with his unforgettable, blank literal death stare after Cedric is killed by Voldemort at the end of the film.

16. Maps to the Stars (2014)

Robert Pattinson delivers in his second film with David Cronenberg. The tonally shifty but ultimately quite fun Hollywood satire follows the members of a Hollywood dynasty desperate for fame and relevance. Pattinson only plays a small role as Jerome Fontana, a struggling actor/limo driver, but it’s a memorable one, especially for his hot, steamy, and sweaty limo sex scene with co-star Julianne Moore.

15. Life (2015)

Robert Pattinson’s moody, emotionally intelligent performance alone elevates this strained based-on-a-true-story drama about the friendship that developed between actor James Dean (Dane DeHaan) and Life photographer Dennis Stock, played by Pattinson. Once again, Pattinson is better than the material.

14. The Rover (2014)

I wonder if Robert Pattinson automatically says yes to roles that require an accent of any kind. In the Australian dystopian drama The Rover, Pattinson plays Reynolds, an American living in the Australian Outback a decade after a global economic collapse. I don’t know what to call Pattinson’s accent here. It’s Southern but I couldn’t tell you where, but it works, even though Pattinson barely opens his mouth when he speaks with it. Pattinson again demonstrates his range and that he can work opposite some of the best including Guy Pearce and Scoot McNairy, but the film isn’t good enough for him to deliver a truly historic Robert Pattinson performance.

13. Cosmopolis (2012)

Cosmopolis signified what Robert Pattinson’s career would become once the Twilight Saga came to an end: focused on low-budget indies with artistic directors. In the David Cronenberg film, Pattinson plays Eric Packer, a 28-year-old billionaire whose empire is crumbling while on a slow limo ride in Manhattan to see his barber. The film is a little dry and Pattinson – still in the midst of the Twilight era which typecast him – has potential but is still not quite there with his confidence as a performer, understandably. Cosmopolis was a tease of the great things that would come and is valuable in that it was a significant career shift for Pattinson, but the performance itself feels a little stilted; more like Edward Cullen in a Cronenberg film than Robert Pattinson showing his range.

12. Remember Me (2010)

In the 2010 coming-of-age melodrama that has a (genuinely) shocking 9/11 twist for some reason, Robert Pattinson plays Tyler Hawkins, a young troublemaker living in New York City in the year 2001 (do you see where this is going?) who has a strained relationship with his father who works in an office in the World Trade Center. The film, which ends with Tyler alone in his father’s office on the morning of September 11, 2001, is ridden with cliches but ultimately well-intentioned. Pattinson’s emotionally-charged performance indicates his range from intimate romantic scenes with Emile de Ravin to explosive dramatic scenes with legends Pierce Brosnan and Chris Cooper. While writing this, I realized that the title Remember Me is a play on “remember 9/11” and “never forget.” I will need to stare at a blank wall in total silence for several hours and think about this before I continue.

11. The Devil All the Time (2020)

Although Robert Pattinson only has a minor role in The Devil All the Time and does not appear until roughly one hour into the film, his performance is the only part of the movie I remember. Pattinson plays Reverend Preston, a menacing, morally corrupt preacher in post-World War II Appalachia. Pattinson’s bombastic, cartoonish Southern accent sounds like what would happen if the only southern accents you ever heard were from watching the motion picture classic Steel Magnolias, which is a compliment to Pattinson, who did all of his accent work on his own because, according to the film’s director, he refused to get a dialect coach. The character is his darkest yet, and while it’s one of his more chaotic performances that tilts back and forth on the line of very weird and straight-up bad, it signifies what Pattinson could and will do with darker material.

10. How to Be (2008)

How to Be stars an extremely pre-Twilight Robert Pattinson (the film premiered at several small film festivals before Twilight came out in 2008) who, at the time, was barely even recognized for Harry Potter and the Goblet of Fire. Despite his quite obvious good looks, Pattinson plays the awkward, directionless nerd and loser (Art) who uses his inheritance money to have the author of a popular self-help book come to his England home to help him get his life back on track. The must-watch performance for any Pattinson fan has the same fearlessness that we would not see until Pattinson’s later indie film work starting in the mid to late 2010s.

9. The King (2019)

Robert Pattinson’s performance as Louis, the Dauphin in The King is the best example of Pattinson’s ability to make even the most boring movie – one that is so boring not even Timothee Chalamet can carry it – interesting. With a wacky Pepé Le Pew-inspired French accent and one of the most luxuriant wigs in cinematic history, Pattinson manages to make a mundane character in an even more mundane movie sparkle like Edward Cullen in the sun.

8. Tenet (2020)

Tenet is the first mainstream film Robert Pattinson starred in since the Twilight Saga ended in 2012 with Breaking Dawn Part 2. As complex as the Christopher Nolan action thriller is, Tenet is, coincidentally, the most normal (aka accessible to a general audience) movie Robert Pattinson has ever appeared in. For any who are thinking “the Twilight Saga was normal,” please consider that Pattinson’s character glittered in the sun and had a baby named Renesmee. As Neil (the most normal name a Robert Pattinson character has ever had), Pattinson brings levity, edge, and delicious hair to a movie that needed it. Pattinson, who said that he made the movie without understanding the plot, has undeniable chemistry with co-star John David Washington which makes their scenes together (even ones in which they are talking absolute nonsense) more gripping than the film’s complex action scenes.

7. The Twilight Saga (2008-2012)

The Twilight films might not be cinematic masterpieces on par with films like Parasite, The Godfather Part II, or David Fincher’s Zodiac, but they are about as masterful as a bloated, cheesy teen vampire romance franchise can get. The films are masterful because of the narrative incompetence contrasted with Robert Pattinson’s brilliant performance. Pattinson abandoned all expectations for Edward Cullen by portraying him not as a deeply romantic lost soul, but as a deeply annoying, moody, and depressed stalker. Pattinson’s performance as Edward Cullen contains subtle layers of irony, from over-the-top line deliveries to sad empty stares that aren’t obvious, but become more obvious (and more rewarding) the more you see it.

6. The Lost City of Z (2016)

At first glance, Robert Pattinson is nearly unrecognizable in James Gray’s The Lost City of Z. His signature jawline and piercing eyes are clouded in a bushy beard, his voice gentle in contrast. Pattinson could easily ham it up as reformed drunk Henry Costin who accompanies Percy Fawcett (Charlie Hunnam) on his several journeys in the Amazon to discover the (titular) Lost City of Z. Pattinson instead chooses to let his character remain a mystifying figure in a subtle performance, allowing only his own natural charisma to pull you in and at times, he’s even resisting that in order to serve the story and Hunnam’s performance.

5. The Lighthouse (2019)

The Lighthouse is a weird, slightly disgusting, gutsy, atmospheric film that would have never worked without its leads, Robert Pattinson and Willem Dafoe. Pattinson plays Ephraim Winslow, a horny man driven mad by isolation and the sea while working as a lighthouse keeper on a mysterious New England Island in the 1890s. Pattinson does it all with reckless abandon from masturbating on a cot, having sex with a mermaid on a rock, to beating a seagull to death. But this performance’s greatest strength is mild restraint. Pattinson could have gone bigger in The Lighthouse, but he knew better than to compete with Willem Dafoe’s extraordinary, sometimes unintelligible pirate accent.

4. The Batman (2022)

This is not a regular Batman: this is a Batman who listens to Nirvana. On the surface, it does not seem like there’s much to playing a masked vigilante who has been in so many (maybe even too many) movies, including as recently as last year’s Synder Cut of Justice League. But Robert Pattinson brings a fresh new twist to Batman/Bruce Wayne: he’s emo, he’s sexy, and most importantly, he’s a weirdo. Surrounded by big, bombastic performances from Paul Dano, John Turturro, and Colin Farrell, Pattinson reels himself in, showing the most restraint he ever has. Pattinson’s quiet demeanor throughout the film makes a moment when he really pops off chilling and effective for the scene, the character, and the story. Most importantly, Pattinson’s truly unique approach to the character makes Batman a distinct personality outside of Bruce Wayne, and in doing so, he makes yet another Batman movie feel fresh and necessary.

3. Damsel (2018)

Robert Pattinson’s accents have a unique way of feeling both natural and like they’re coming out of the mouth of a completely different person. In the American western black comedy Damsel, Pattinson, with a much higher voice than usual, plays the fast-talking pioneer Samuel Alabaster, who is traveling across the American frontier with a drunk and a miniature pony named Butterscotch. The delightful, energic performance includes his best accent to date, his best acting with an animal to date, and establishes that in addition to being incredibly handsome, charismatic, and good at dramatic acting, he has a natural gift for comedy. Damsel is also a showcase for Pattinson as a giving scene partner. He is almost always a standout, but in Damsel Pattinson lets his co-leads Mia Wasikowska and David Zellner take control when necessary.

2. High Life (2018)

Robert Pattinson and acclaimed French director Claire Denis are not a pair anyone would have imagined to be perfectly in sync but High Life proves that they are a match made in cinematic heaven (or hell, depending on your perspective), like Leonardo DiCaprio and Martin Scorsese. The film is as visually stunning as Pattinson’s performance as Monte, a criminal in space heading toward a black hole with his baby daughter on board. Pattinson challenged himself here but made it look effortless. Pattinson is a singular performer and Denis a singular director. The two understand each other’s idiosyncrasies, which translates into a deeply affecting film.

1. Good Time (2017)

Chaos meets chaos. It makes sense that Robert Pattinson sought out the Safdie Brothers, who wrote Good Time for him. Their frenetic, stressful energies go together like Danny McBride and Walton Goggins, and make for one hell of a stressful but invigorating cinematic experience. In Good Time, Pattinson plays Connie, a robber who will do pretty much anything to free his brother from prison while on the run himself. In Pattinson’s inventive, nerve-wracking performance which includes a spot-on Queens accent, he goes farther than he ever has before: he’s completely fearless in the first post-Twilight role he went into with complete confidence.

The Sea.Hear.Now festival, created by famed music photographer Danny Clinch, is returning to the shores of Asbury Park, New Jersey with a radical lineup of music and surf. The two-day fest takes place at North Beach Asbury Park and Bradley Park from September 17th to 18th, a stone’s throw from Clinch’s (and arguably his most famous subject, Bruce Springsteen’s) backyard. Green Day and Stevie Nicks are topping the bill, and it gets super interesting from there.

Sea.Hear.Now has always been known for legacy and folk acts, but the 2022 edition sees a more expansive slate that also features My Morning Jacket, Cage The Elephant, and Courtney Barnett on stage. It’s a relatively intimate affair with upwards of 25 acts across three stages and the lineup also features Gary Clark Jr., The Head And The Heart, Tai Verdes, Billy Strings, Aly & AJ, and more.

The two-day North Beach Expressions Sessions surf competition will feature pros on teams captained by surfers Cory Lopez and Sam Hammer. Clinch’s Transparent Gallery of music photography will once again be on site for an all-encompassing affair that benefits the Wooden Walls Project.

Tickets for Sea.Hear.Now go on-sale 3/9 at 9 a.m. ET here.

Some of the artists mentioned here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Before “Drivers License” kicked off Olivia Rodrigo’s new life as a world-renowned music superstar, her main line of work was acting in the Disney+ show High School Musical: The Musical: The Series. She was one of the show’s stars for its first two seasons, but based on news about the upcoming third season, she may be starting to ease out of the program.

ET reports that while Joshua Bassett, Matt Cornett, Sofia Wylie, Julia Lester, Dara Renee, and Frankie Rodriguez are returning as series regulars, Rodrigo will have just a recurring status for the new season (as will Kate Reinders and Olivia Rose Keegan). Additionally, Ben Stillwell, Aria Brooks, and Liamani Segur are being added to the cast.

For fans craving every possible bit of Rodrigo music, the High School Musical show has been a good resource for more. Last season, she and Bassett had a duet and Rodrigo also dropped an emotional ballad, “The Rose Song.”

Meanwhile, Rodrigo is getting to work on her second album. She recently told Rolling Stone of her upcoming Driving Home 2 U documentary/concert film, “It felt like a closing chapter for me. I’m so, so excited to put out new music and to create the next set of worlds.”

Tuesday saw the release of yet another tell-all from inside the Trump administration. In Bill Barr’s book, One Damn Thing After Another: Memoirs of an Attorney General, the former-attorney general wrote about how he believes Rudy Giuliani is the reason Trump was impeached “not once, but twice” and how he would have crawled “over broken glass” to vote for Trump over Hillary Clinton in the 2016 election. He also discussed the ex-president’s habit of taking meetings in the White House while watching Fox News.

He wrote that Trump “watched Fox News religiously and would sometimes call to make sure I saw a particular segment.”

“The presdient was always prompt in giving me immediate visual feedback when I appeared on TV,” said Barr noting one “amusing conversation” about his weight after he made a self-deprecating remark about his “jowliness” on television.

Trump’s response to Barr’s jest about himself: “You’re fine, you’re fine. Yeah, you’re big. But you carry it well. Whatever you do, don’t lose too much weight. Because then your face is going to sag. You’re lucky because your face, I mean your cheeks — they’re filled out. They look smooth and young. But I guarantee you, if you lose a lot of weight, you’ll look old and saggy.” Get yourself a hype man like Donald Trump.

You can read more excerpts from One Damn Thing After Another here.

(Via Raw Story)

At least Kanye West’s new video for “Hurricane” is better than the one he temporarily put out for “Eazy.” Continuing his theme of using deconstructed, surrealistic imagery, the animated video uses CGI to depict a few striking visuals, chiefly among them a tableau of a fortress resting near a body of water atop what looks like a chessboard with a dragon attached the underside, which sets the stage for a jailbreak of faceless figures who rush into the sea for something resembling a religious revival.

The whole thing certainly builds on the visual motifs that have come to define Kanye’s Donda era, which has seen him obfuscate his identity with a series of full-face masks. He seems to be making a commentary on how the public perception of art subsumes the artist; he’s made other allusions to feeling like he’s being silenced — despite, y’know, being one of the most successful artists in the world who can reasonably get away with charging fans $200 for an album on a Raspberry Pi — and having his true self overshadowed by gossip and fans’ projections about him (which, sorry, has been driven largely by his own antics).

Despite the source, Kanye’s messaging doesn’t feel too off-the-mark, and the imagery that pervades the “Hurricane” video — including the suggestiveness of the dragon appearing to be the source of the light his faceless jailbreakers can’t help but be drawn to — gives viewers something to think about. “Jesus Walks” it isn’t, but it’s still a visual feast for fans who haven’t yet given up on the idea that Mr. West is an artistic genius. Watch the video for “Hurricane” above.

Pitchfork Music Festival will return to Union Park in Chicago this summer. Celebrating newcomers and veterans in the realm of indie music, Pitchfork Music Festival takes place over the course of three days, with over 60,000 fans expected to attend this year.

Festivities kick off Friday, July 15, with headliners The National, Spiritualized, and Parquet Courts. Supporting these headliners are Tierra Whack, Ethel Cain, Cupcakke and more. Mitski, Japanese Breakfast, and Lucy Dacus will take the stage Saturday, July 16, with support from Magdalena Bay, Chubby And The Gang, and more. Closing out the festival on Sunday, July 17 are The Roots, Toro Y Moi, And Earl Sweatshirt, along with the likes of Noname, Badbadnotgood, and Injury Reserve.

“This year’s lineup is a celebration of the rising indie class, and those who continue to pave the way for innovation,” said Pitchfork editor in chief Puja Patel in a press release. “Our goal was to highlight a diverse group of artists who are taking their musical genres to new heights, and I’m proud of how it’s come together.”

General on-sale begins Friday, March 11 at 10 a.m. Check out the full line-up below.

Some of the artists mentioned are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.