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I asked dozens of teachers why they’re quitting. Their answers are heartbreaking.

When I was a child, I used to line up my dolls and stuffed animals on my bedroom floor, pull out my mini-chalkboard and in my best teacher’s voice, “teach” them reading, writing and arithmetic. Pretending to be a teacher was my favorite kind of imaginative play.

In college, I majored in Secondary Education and English and became an actual teacher. I loved teaching, but when I started having kids of my own, I quit to stay home with them. When they got to school age, I decided to homeschool and never went back to a traditional classroom.

I kept my foot in the proverbial school door, however. Over the years, I’ve followed the education world closely, listened to teacher friends talk about their varied experiences and written countless articles advocating for better pay and support for teachers. I’ve seen a teacher burnout crisis brewing for a while. Then the pandemic hit, and it was like a hurricane hitting a house of cards.

Teachers are not OK, folks. Many weren’t OK before the pandemic, but they’re really not OK now.


A recent poll from the National Education Association found that 90% of its members say that feeling burned out is a serious problem, 86% have seen more teachers quitting or retiring early since the pandemic began and 80% say that job openings that remain unfilled have added to the workload of those who are still teaching. And more than half of teachers say they will leave the profession earlier than they had planned.

I checked in with several dozen teachers who have quit recently or are close to quitting, and the response was overwhelming. Over and over I heard the same sentiments: I went into teaching because I enjoy working with kids and I want to make a difference. I love teaching. I love my students. These are teachers who throw their whole heart into their work.

So why are they quitting? The reasons are plentiful—and heartbreaking.

Low pay is an issue many of us think of when it comes to teachers, but it’s not the main thing pushing teachers to quit. One teacher told me that in his school district, garbage collectors make $10K more per year and have better benefits than teachers with graduate degrees and a decade of experience, but that wasn’t his primary reason for wanting to leave. There’s no question teachers deserve to be paid more—a lot more—but teachers don’t choose to become teachers for the money, and most don’t quit because of the money, either. It’s the issues that make the wages not worth it.

One of those issues is a lack of recognition that teachers are actually highly skilled professionals. “Paying teachers like we are professionals would go a long way,” says Bonnie D., an educator in Idaho, “but really it’s about trusting us to be able to do our work. Many teachers have Master’s degrees or have been teaching for many years, but still aren’t listened to or considered experts when it comes to helping students succeed.”

Jessica C. has taught middle and high school English in three different states and resigned in December. She says she loved working with kids and designing curriculum, but she finally left after seeing more and more teacher autonomy get stripped away as standardized testing became the primary focus.

“Despite my years of experience across multiple states and my two graduate degrees in education, I felt like nobody with any real power believed I was actually competent at my job,” she says. “I saw evidence that my students were growing as readers and writers, but at the end of the day the only thing that mattered was hitting a certain number on those state assessments. It was really disheartening to feel like nothing else mattered but that test, and that even though the test itself doesn’t resemble any real-world reading or writing skills in any way, it was supposed to be the focus of all of my instruction.

“But let’s not forget,” she added, “I also wasn’t allowed to look at it at all or even really know what was on it or how it would be scored.”

California elementary school teacher Ann B. shared a similar sentiment: “Teaching over the past decade has lost its charm and sparkle. So many mandates, broken systems, top-down management from people who haven’t spent much time in the classroom made it difficult.“

Sarah K. teaches high school history and AP psychology in Tennessee. Unlike most of the teachers I spoke to, she is having one of the best school years of her career, but she shares concern for the state of public education in general. “I think a lot of teachers feel attacked and are afraid and are feeling like the job can’t be done anymore,” she told me. “As a society, we have lost our ability to trust each other, and it is manifesting itself in not trusting teachers to teach, do their jobs and follow our hearts to love and inspire kids.”

In addition to micromanagement from administrators, classroom control from legislators and demonization from parents, I had two teachers share with me that they’d been through a school shooting. ESL teachers from different states shared that their school districts refused to put resources toward programs that would help their students succeed and basically told them that those students didn’t matter. Other teachers feel like their own lives don’t even matter.

“A teacher passed away from COVID in January in a different building,” says Jenn M., a 14-year veteran teacher from Pennsylvania. “The kids had the day off. The teachers came in and had no directive of what to do. We got tested for COVID, and that was it. I literally feel like if I die, nobody in the district would care about me. I want to feel important and impactful at work.”

And then there’s the mental load that has always existed for teachers but has definitely been exacerbated by the pandemic. Teaching is not 8:00 a.m. to 3:30 p.m. with the summers and holiday breaks off. That’s just not how it works; not for any teacher I’ve ever known. And it’s taxing work on every level. You’re working with dozens if not hundreds of kids every day. You care about them and their well-being, you’re trying to teach them whatever your subject is but also helping nurture them into fully functional human beings. You have constantly changing expectations coming from every side.

“Teaching is all-encompassing,” says an elementary school teacher from New Mexico who wishes to remain anonymous. “It is seriously draining emotionally and physically. It’s not just a job that is easily turned off at the end of the day when you go home.

“Everything falls on the teachers,” she adds. “We are stuck in a no-win situation in the middle of a societal crisis. Schools have been pushing higher academics at earlier ages and the need to teach basic social skills, norms and niceties is higher than ever. Our roles and the demands on us are just increasing.”

Bonnie D. agrees. “There is a mental load that goes with teaching,” she says. “It’s very difficult to specifically identify. It’s the workload, it’s the constant changing of what’s required of us as legislation changes, it’s the restrictions on what we can teach, the expectation that we will work outside of the paid contract hours, the fact that it’s easier to go to work sick than make sub plans, it’s micromanaging teenagers, doing extra things in the school with no extra pay, the low morale created by parents who want to dictate what we do in the classroom without ever discussing it with us or volunteering in the classroom themselves.”

And so much of what’s expected of teachers is self-contradictory, as Jessica C. points out in a bullet list summary of what teachers have been asked to do over the past few years:

– Differentiate your instruction for every child, but don’t deviate from what the textbook says to teach.

– Teach directly from the textbook, word for word and page for page whenever possible, but also spend hours of your time designing a unit plan (even though one is provided in the textbook company’s supplementary materials).

– Turn in detailed weekly lesson plans, even though we really just want you to turn the page and read what it says every day.

– Hold every child to high expectations and keep all your instruction and assessment on grade level, but make sure none of them fail, even if they come into your room drastically below grade level.

– Attend regular PLC meetings, but the principal is going to set the agenda and run the whole meeting and you won’t really be asked to contribute anything at all. (Again, we’re going to ignore that year-long training you got in your last district about the PLC model and just assume you don’t know that we’re deviating from the model completely.)

– You should be focusing on instruction, not wasting a minute of class time, but we’re also going to expect you to collect T-shirt order forms, and fundraiser money, and take your kids down to the cafeteria for school pictures, and fill in for colleagues on your planning period. Oh, and you’ll have to stay late several times a grading period so that you can work the gates at athletic events, because your professional performance review will be based on how much you gave to the school above and beyond your job description and contractual obligations.

The pandemic, of course, has made everything worse. Teachers have borne the brunt of all the upheaval in education, not only in having to completely change the way they teach and implement new technologies overnight, but also in dealing with the emotional and developmental challenges their students are facing throughout all of this. The pandemic has also exacerbated and highlighted issues of inequity in education that were already there.

Catlin G. is an intervention specialist who has taught for 18 years, primarily in schools in under-resourced communities. She says that what many districts are now dealing with—attendance and staffing issues, high variability in children’s academic growth, a lack of resources—are all too familiar to her and the students she has worked with.

“The pandemic drew a lot of attention to the role of education, but much of it has been focused on issues such as CRT or masking, which have deflected from bigger, long-term problems in schools, such as low literacy rates and crumbling infrastructure. I hope that people don’t simply forget about education issues once their kids no longer have to wear masks to school, and begin to think about how we can make education better for all kids.”

Some teachers cite student behavioral issues as contributing to their burnout, but most of the teachers I heard from held on in the classroom as long as they felt they could for their students’ sake. After all, teachers generally go into teaching because they love kids and want to work with them.

“I never wanted to leave,” an elementary school teacher from Washington who quit this year told me. “I cried with my students during my last week in the classroom. Their outpouring of love and understanding melted my heart. I had never felt so conflicted in a decision because I loved the students and my job.”

Between the pandemic throwing classroom teaching into chaos, parents and legislators dictating how and what teachers teach, and increasing assessments and top-down administration creating micromanagement issues, teachers feel like they aren’t able to do the jobs they love and signed up for. They’re not quitting because they hate teaching—they’re quitting because they can’t teach under these conditions. It’s tragic, truly, and it’s up to all of us to throw our support behind educators to stem the crisis a mass exodus of teachers will lead to.

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Jensen McRae Announces Her New Album ‘Are You Happy Now?’ And Releases The Emotional Single ‘Happy Girl’

Jensen McRae‘s career took off with a viral Phoebe Bridgers parody that brought her to such a level of recognition that she’s now able to share more vulnerable, poignant material with the world, such as her newest single out today, “Happy Girl.” The release of this song came with an exciting, long-awaited album announcement via Twitter; she wrote, “Happy Girl is out. And: my debut album is coming. It’s called ‘Are You Happy Now?’ and it’ll be out on March 22. I am so, SO excited to give you this music that’s been so close to my heart for so long. All my dreams are coming true.”

Are You Happy Now? is the follow-up to last year’s beautiful Who Hurt You EP, which showcased her ability to write incisive folk songs with an evocative dream pop-tinged atmosphere. “Happy Girl,” a haunting ballad about not knowing how to overcome a deep, ever-present sadness, hints that this debut album will likely be a continuation of that previous sound with a new sense of maturity and intensity.

Watch the video for “Happy Girl” above, and find the artwork for Are You Happy Now? below.

Jensen McRae 2022
Jensen McRae

Are You Happy Now? is out 3/22 via Human Re Sources. Pre-order it here.

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The Founders Of The Razzies Reveal The Nomination They Regret The Most (And One They Do Not At All)

Everyone was mad at the Razzie Awards for nominating The Last Duel stand-out Ben Affleck for Worst Supporting Actor, but everyone has been mad at the Razzies for years. The gimmick of honoring the worst that Hollywood has to offer grew stale the second The Thing was nominated for Worst Musical Score — or maybe it was a tired premise from the start, as The Shining director Stanley Kubrick and star Shelley Duvall were up for Worst Director and Worst Actress, respectively (?), at the first Razzies ceremony.

At least founders John J. B. Wilson and Mo Murphy have come to their senses when it comes Duvall’s vulnerable, striking performance psychological horror film (unlike Affleck in The Last Duel, who Wilson compared to “Beavis and Butt-head in the Dark Ages” — which is wrong, but pretty funny). “For me, it’s Shelley Duvall in The Shining,” Murphy told Vulture about the nomination they hear about the most. “Knowing the backstory and the way that Stanley Kubrick kind of pulverized her, I would take that back.”

Duvall called making The Shining a “difficult” experience, including filming one scene a Guinness World Record-setting 148 times. “After a while, your body rebels. It says, ‘Stop doing this to me. I don’t want to cry every day.’ And sometimes just that thought alone would make me cry,” she told the Hollywood Reporter last year. “To wake up on a Monday morning, so early, and realize that you had to cry all day because it was scheduled — I would just start crying. I’d be like, ‘Oh no, I can’t, I can’t.’ And yet I did it. I don’t know how I did it. Jack said that to me, too. He said, ‘I don’t know how you do it.’”

As for Kubrick’s nomination, Wilson added:

“The voting membership the very first year were largely people that Maureen and I worked with at a trailer company. A group of us who had read Stephen King’s novel went to see The Shining the night it opened at the Chinese, and we didn’t care for what Kubrick had done with the novel. The novel was far more visually astounding, far more terrifying, far more compelling, and we couldn’t understand why you would buy a novel that had all of that visual opportunity in it and then not do the topiary thing, not do the snakes in the carpet, not do the kids’ visions. If you’re going to say it’s The Shining, you have to have certain key things in there that were not. And as I understand it, Kubrick was the one who decided what they cut out from the novel. So I don’t feel that badly about Stanley Kubrick.”

Neither does fellow Razzie nominee Stephen King, for that matter.

(Via Vulture)

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Netflix Is Going To Invest $45 Million In French And European Cinema, So There Is Hope For An ‘Emily In Paris’ Movie

Netflix has been working hard to churn out as many movies as possible lately, as many are going straight to stream during the latest pandemic spike. Still, the streaming service just struck a deal in order to premiere films in French and European cinemas before going directly to the streaming service.

The company just signed a three-year agreement with French film companies to invest a minimum of $45 Million (40 million Euros) to finance French and European movies that will be released in French theaters. That $45 Million is about 4% of the company’s annual revenue in France, with about 30 Million of it going to French-language films specifically. These movies will premiere in French cinemas and launch on Netflix 15 months later.

In the past, France’s strict theater rules have prevented Netflix from premiering its films at the iconic Cannes festival, where every film is required to have a limited theatrical run in France. With this new deal, Netflix will be able to shorten the time between being in theaters to streaming, which was brought down from 36 months to 15 months, and aims to be shortened even more by 2025.

“This agreement is a new step towards our virtuous integration in the unique French cinema ecosystem,” Netflix said in a statement to Variety. Will all of this focus on French cinema, perhaps Netflix will give the viewers what they really want: an Emily In Paris extended movie franchise.

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Pillow Man Mike Lindell Is Again Ranting About The ‘Criminals’ At Fox News

It’s hard to keep up with, or make sense of, Mike Lindell’s war on Fox News—in part because it seems to be a one-sided battle. As recently as last week, people reported seeing ads for MyPillow running on Fox News. Yet, over on Lindell TV—the streaming TV equivalent of Creed’s blog on The Office—the MyPillow found and all-around crackpot can’t hide his anger at the network for their unwillingness to air his baseless conspiracy theories.

On Monday, as Raw Story reported, Lindell was heard shouting about how “we badmouth Fox every night here on this show,” then went on to try and do just that—in his signature, incoherent way:

“Shame on Fox! They’ve done more damage to our country than all the bad media combined because we expected them to speak out! Just at least talk about the, at least be a journalist! It’s like being a Weather Channel doctor and you can’t report tornadoes or hurricanes! You can report everything else, but you can’t report the worst thing: the election, or you can’t talk about anything negative about the vaccines or therapeutics that work. You cannot do that on Fox… They’re criminals to our country—period. Yes, I hope the Murdochs are watching.”

It’s a pretty safe bet that no one in the Murdoch family was watching, nor would they care. Especially since they’re still raking in that sweet, sweet MyPillow ad money. In fact, it could be the case that only a few dozen people, total, were watching Lindell at all.

More importantly: Weather Channel doctors?!

You can watch the insanity below.

(Via Raw Story)

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‘Uncharted’ Sequels May Be On The Way After Sony Pictures CEO Called It A ‘New Hit Movie Franchise’

The Uncharted movie finally came out recently and the responses to it have been surprisingly mixed. It was panned by critics, but audiences seem to be having a good time when they end up in the theater. It’s done very well among audience scores and even has a Rotten Tomatoes audience score of 90%.

Possibly due to the positive reception, or maybe just to go see the latest Tom Holland movie, but Uncharted did very well in the box office with plenty of viewers checking out the movie in theaters. It exceeded Sony’s expectations and it appears that one exec in the company is already looking forward to a sequel or two. In a memo celebrating the success of Uncharted, Sony Pictures Motion Picture Group Chairman and CEO, Tom Rothman, referred to it as a “new hit movie franchise,” via Deadline.

With over $100M in box office worldwide in just one weekend, and a 90% positive audience score on Rotten Tomatoes, Uncharted is a new hit movie franchise for the company.

This marks a great victory for every single division of the company, as the film was our first major production entirely shut down by the advent of Covid, yet we persevered to complete a picture the audience loves and marketed and distributed it with strategic verve worldwide, despite the pandemic.

Movie franchises don’t have just one movie, so it seems like we may be on our way to some sequels in the Uncharted universe. With the games themselves having four major titles and one spin-off, Uncharted is slowly growing into a multi-media giant for Sony.

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Wom/n Worldwide Hypes The Female Shows, Directors, And Fashion Designers Taking Over In 2022

It’s a new year which means Wom/n Worldwide is back and ready to break down all of the bada** women ready to take over in 2022.

Host Drew Dorsey is psyched about all of the incredible female-fronted shows gracing our televisions at the moment so you know she’s shouting out Yellowjackets — the ’90s-themed thriller everyone’s been talking about on social media. And, with a flock of female directors helming exciting projects — lookout for Gina Prince-Bythewood’s The Woman King and Nia DaCosta’s The Marvels coming soon — fans can look to the big screen for even more representation. Creative femme visionaries putting their stamp on original and franchise storytelling? We love to see it.

We also love to see the return of fashion week in cities like New York, London, Paris, and Milan. The catwalk is filling up with boundary-pushing designers like Iris Van Herpen, whose futuristic haute couture is mind-bending, in the best way possible. More accessible streetwear brands like Adidas are also championing women with new lines designed for female athletes and new collections with Beyonce on the way. Women are dominating the charts too, leading live music’s comeback this year, and they’re also championing some cool new tech aimed at making life better for those who need it most.

All in all, women are doing their thing.

Check out the video above to stay plugged in to all of the cool things coming from women in 2022.

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‘Killing Eve’ (Somehow) Gets Even Stranger In Season 4

Killing Eve burned so fast and bright during its first season that it kind of kicked itself in the butt. That kind of momentum, no doubt, was impossible to maintain, even though the follow-up seasons were still high-quality stuff. The cat-and-mouse game reversed itself multiple times (with the second season still crackling with electricity and the third one remaining hypnotic) while never quite recapturing the debut’s stratospheric heights. The re-upping continued until the show reached a point (during the third season finale) where neither Eve nor Villanelle was running from the other. And now that the show’s starting its fourth and final season, the question is how to justify continuing for a final round. That walk-away finale scene (and ambiguous turn-around) in London would have been a fine enough ending to the series.

This review is for all the people who may have felt a little let down after the high bar set by the first Eve season. And I get that. I’ve seen the rumblings out there, and maybe you used to be a fan but now wonder whether you should catch up if you already gave up, when there are a ton more streaming TV selections than there were when the show first launched in 2018. That’s especially the case with two years passing between seasons, and trash-can baby is but a distant memory. No one wants to start watching a show that they once loved while risking the whole thing becoming an exasperation-watch.

Here’s the lowdown: this fourth season is kind of a bonus with not much left to achieve in terms of the leading dynamic. We know, as Eve has pointed out multiple times, that this pairing would be doomed if she and Villanelle really gave it their best shot as a couple. My god, I can’t even imagine the fights and the frustrations as they attempted to tackle practical household matters together. Yeah, not happening. A former MI6 officer and an assassin who can’t give up her life (or her fancy trappings) are as ill-equipped for reality as Westley and Buttercup in The Princess Bride. Like, they wouldn’t even agree on how to divvy up household duties. The relationship would be completely toxic. So the good news is that the show has (going into Season 4) abandoned that illusion as well.

Killing Eve
BBC America

Granted, there are still feelings there, but the pairing needed to cease to happen. And you know what? It’s still entertaining. Background characters propel ongoing motion, and there’s still Carolyn out there as a driving force while attempting to figure out why members of The Twelve are dying. And remember, those bastards (actually maybe no one, if squirrelly Konstantin is to be believed) killed Kenny, so there’s definitely no shortage of mystery. Meanwhile, Konstantin’s still a hoot and has, uh, transitioned from double agent to fully embracing the life of a pampered politician when he’s really more of a court jester. I wouldn’t mind a spinoff for him, please.

Speaking of which, the very good news in all of this is that AMC Networks has signaled that spinoffs will be forthcoming. Do we call this the Villanelliverse? The Eveverse? None of that matters yet, only to say that even with slightly inferior followups to the first, the show is offbeat comfort food. And it seems to be that Season 4 aims to set up the future.

More to the point, though, BBC America provided three episodes for screening, and so far, this season proves that the mouse has fully had enough of the cat’s sh*t. Eve and Villanelle have embarked upon different missions with Eve’s being to take down The Twelve from the very top, and Villanelle taking a typically self-serving odyssey. She’s on the rather predictable route of attempting to find religion, but her execution of this quest is nuts because she does sort of find God, and Comer has a blast while carrying out the results. And it’s the strangest thing I’ve seen on this show, ever. She’s still a terminally homicidal toddler (remember, she loves stickers), and the writers (along with Comer) continue to go for it. There’s a reason why people are often surprised to hear what Comer’s voice actually sounds like IRL, and that she’s not pulling knives on people, and so on. She’s just too good in this role, and we’re lucky enough to see it keep happening, if only for less than a dozen additional episodes.

I must say that it’s a pleasure to see Eve’s attitude this season, too. She previously lit her peaceful life on fire for Villanelle and finally decided that it’s time to start living for herself. And damn that Villanelle. Girlfriend can’t get herself together as a legit human, and it’s almost voyeuristic to watch her try and fail miserably. Again, this season is about giving us one more round of intense what-the-hell is happening here. It’s stranger than killer clowns and gymnast-assassins, and Comer might very well top herself with her turn in Episode 2. In the end, Killing Eve is no longer really a major twist on procedurals. Instead, this show’s looking toward finding what Eve and Villanelle both truly need to find purpose in their lives. And they’re learning to find purpose elsewhere, rather than in a doomed pairing. It’s cathartic, and the process is chaos. That’s where Season 4 begins, and hopefully, they’ll keep that demented joy coming.

Killing Eve’s fourth and final season debuts (with two episodes) on Sunday, February 27 on BBC America and Monday, February 28 on AMC.

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Megan Thee Stallion Goes Off On Her Label’s Owner For Posting Misinformation About Their Royalties Case

Ever since early 2020, Megan Thee Stallion and her label, 1501 Certified Entertainment, have been embroiled in a contrast dispute over royalties that each believes the other owes. It’s a complex situation, but essentially, Megan would like to be paid more, while 1501’s founder Carl Crawford says that Megan and her management at Roc Nation are withholding his cut of the profits from live shows she did throughout her breakout year, 2019. The dispute has been contentious at times, and the latest development in the case has Thee Stallion going off on her quasi-boss.

After Megan filed a motion to dismiss part of her lawsuit, Crawford posted screenshots from celebrity gossip site AceShowbiz.com on his Instagram with the caption, “Only the real 🤘🏾town can relate. Now tell em to run my bread dating all the way back from 2018.” However, the headline in question only referred to Megan’s suit for a restraining order against 1501, which was blocking her from releasing music. However, since both 1501 and 300, the distributor for Megan’s music, cleared her to release Good News and Something For The Hotties, she no longer needed the court’s intervention. Posting to her own Instagram, she explained as much while characterizing Crawford as a bully — and kind of an ignorant one, too.

“This dude never know wtf is going on with his business,” she wrote. “he case that Was dismissed against you was from when you wasn’t trying to let me drop music … you and 300 signed off and let me drop music so there is no case no more… we are most definitely STILL IN COURT and YOU STILL GETTING SUED BC YOU OWE ME MONEY!!! I AINT NEVER BEEN PAID FROM 1501 IN MY LIFE ! I make money bc im MEGAN THEE STALLION ! Grown ass men wanna bully me and eat off my name and paint me out as a villain online bc they know these bandwagon ass haters gone eat that shit up ! I dont even be saying shit to you lame ass n****s bc the TRUTH always comes out.”

If Megan is right and she isn’t being paid by 1501, she certainly has a number of attractive alternative revenue streams, including endorsements for Flamin’ Hot Cheetos, a new Snapchat show, Off The Leash, and a development deal with Netflix. She’s also soon to launch her acting career with F*cking Identical Twins.

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The 10 Most Important Games Left In The Western Conference Playoff Race

For the first time in a long time, it feels as if the majority of buzz in the NBA is in the Eastern Conference. That comes with the territory of a playoff race in the East that is tightly packed together but, as of the 2022 All-Star break, the top two teams in the NBA reside in the Western Conference. The Phoenix Suns have a 6.5-game lead on the rest of the league, which is wild in late February, and the Golden State Warriors have been fantastic even while navigating roster challenges. Still, the list of intriguing teams does not stop at two in the West, and that leads us to a fun, albeit challenging exercise.

In this space, we’ll spotlight the 10 most important games in the second half of the season for the Western Conference. Because of the separation at the top, it doesn’t make sense to simply point the cursor at the Suns and Warriors, with highly competitive races for the top six and even for the top ten and play-in consideration. We’ll also endeavor to keep an eye on the entire landscape and, without further delay, here are ten games that any basketball observer should be closely monitoring in February, March and April.

Feb. 25 – Dallas Mavericks @ Utah Jazz – 9:00 pm ET – League Pass

This could be the 4-5 matchup in the West and that would be fascinating. Utah has been very good when at full strength this year, but a mid-season swoon has them looking up at three teams. Dallas started slow but has recovered, and Luka Doncic is out of his mind right now. This game is only a few days away, but it should be fun and also meaningful in the playoff race.

Feb. 25 – Los Angeles Lakers vs. L.A. Clippers – 10:00 pm ET – ESPN

The Clippers and Lakers are No. 8 and No. 9 in the West right now, which takes some juice away from this matchup. It’s still part of the everlasting “Battle for L.A.” and both teams need wins.

March 5 – Golden State Warriors @ Los Angeles Lakers – 8:30 pm ET – ABC

lebron steph
Getty Image

LeBron James and Stephen Curry are playing in a Saturday night ABC game. We don’t need to say much more than that, but it’s plausible that Draymond Green could be back, and the Lakers (as noted above) really need victories. This won’t be an easy one to get for Los Angeles, but it’ll be fun.

March 8 – New Orleans Pelicans @ Memphis Grizzlies – 7:30 pm ET – TNT

The Pelicans are at least frisky, but this is about an opportunity to watch the Grizzlies on national television. We’ll see if Memphis can catch Golden State for No. 2 in the West but, even if they can’t, holding off Utah will be important. Both teams should be pressing in this one, and Ja Morant is must-see TV.

March 30 – Phoenix Suns @ Golden State Warriors – 10:00 pm ET – ESPN

Chris Paul is going to miss this game, which is unfortunate. Still, it is a battle between the top two teams in the sport, and the No. 1 seed hits the road for the matchup in front of a national audience. It has to be on the list, even if there is competition in the same time slot.

March 30 – New Orleans Pelicans @ Portland Trail Blazers – 10:00 pm ET – League Pass

On the surface, this doesn’t appear to fit on this list, but hear me out. For one, CJ McCollum returns to Portland for the first time, and that is a real story on its own given his contributions to the Blazers franchise. On top of that, this could be a meaningful battle in the play-in race, with both teams firmly in the mix as this post is published.

Apr. 1 – Minnesota Timberwolves @ Denver Nuggets – 9:00 pm ET – League Pass

jokic towns
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If we polled casual observers, I don’t think it would be common knowledge that Minnesota is the No. 7 seed in the West right now. The Wolves are just 2.5 games out of the top six and, yes, it is the Nuggets that Minnesota is chasing. There is star power here, and a matchup between Nikola Jokic and Karl-Anthony Towns is highly appetizing.

Apr. 5 – Memphis Grizzlies @ Utah Jazz – 9:00 pm ET – League Pass

If a team can chase down Memphis for the No. 3 spot in the West, it is probably Utah. The Jazz have their own issues, but they are very good when Rudy Gobert and Donovan Mitchell share the court, and a matchup between Mitchell and Ja Morant is very fun. It may not be a playoff preview given the top two teams and their leads in the standings, but these are two of the top four teams in the West.

Apr. 8 – Phoenix Suns @ Utah Jazz – 9:30 pm ET – NBATV

Paul’s injury could still have him sidelined at this point, but there is a chance he is back. Regardless, Phoenix hits the road to face a Jazz team that is in the top four, and it happens during the season’s final week with real potential implications. For example, Utah might need a win to stay in the top four, or even to climb into the top three, and Phoenix could be trying to hold off Golden State with Paul sidelined for several weeks.

Apr. 10 – Los Angeles Lakers @ Denver Nuggets – TBD

Apr. 10 is the last day of the regular season so, technically, this game could be meaningless. At the moment, that doesn’t seem likely, though, as the Lakers are going to need every win they can get and the Nuggets are in the middle of the race. Can you imagine a scenario in which the Lakers need to win to avoid the 9-10 game? What about a final MVP push for Nikola Jokic?