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Sam Smith Recalled Forging A Note And Skipping School To See Lady Gaga Perform

Ahead of their upcoming appearance on Saturday Night Live, Sam Smith paid a visit to The Tonight Show Starring Jimmy Fallon. During their interview, Smith talked about visiting the White House, their upcoming album Gloria, and they recalled one of their fondest teenage memories.

When they were in high school, Smith cut class to go see Lady Gaga perform during her Monster Ball tour.

“I forged a letter from my dad,” Smith said. “And then I got put in detention for a week afterwards.”

Fallon then asked, “Does Gaga know she got you in trouble?”

Smith then replied, “I don’t think she knows this, but it was so worth it.”

The “Unholy” singer will perform on SNL tomorrow in an episode hosted by The White Lotus actress Aubrey Plaza. This marks the fourth time in their career they’ve been on the show, and they revealed that they are feeling a lot less nervous this time around.

“I was sh*tiing myself the first time,” Smith said. “But it’s nice now. It’s a nice feeling.”

You can catch Smith on SNL tomorrow, January 21, on NBC at 11:30 p.m. EST. The episode will also stream live on Peacock.

Gloria is out 1/27 via Capitol and EMI. You can pre-save it here.

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Kelly Clarkson Once Again Kills It On A New Cover Of Chris Stapleton’s ‘You Should Probably Leave’

Kelly Clarkson continued her popular Kellyoke tradition on her talk show today with her latest cover of Chris Stapleton’s “You Should Probably Leave.” Backed by My Band Y’all, Clarkson gave an emotional rendition of the story about a struggling relationship coming to an end. As always, she dazzles with perfection.

“Cause I know you and you know me And we both know where this is gonna lead,” she sings. “You want me to say that I want you to stay / So you should probably leave.”

Years ago, at the start of Clarkson’s covers segment, she also performed Stapleton’s hit song “Tennessee Whiskey” in 2020. The two stars went on to collab on “Glow,” a track from her holiday record, When Christmas Comes Around…, that dropped last year.

“Nothing has changed, I still wish you could be / Wrapped up in my arms, spending Christmas with me / When it gets cold is when I notice the most / With all the lights on the trees, even Christmas can’t compete with your glow,” the duo sang together.

Clarkson has previously covered Blink-182, Duran Duran, Katy Perry, Lady Gaga, Florence And The Machine, and more during her Kellyoke segments.

Watch Kelly Clarkson’s cover of “You Should Probably Leave” above.

Kelly Clarkson is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Drake Received Medical Care For His Ankle, Ahead Of His Upcoming Shows At The Apollo

Drake is determined to make his upcoming shows at the Apollo happen this weekend after having already postponed them twice. Yesterday (January 19), the “Rich Flex” rapper revealed on Instagram that he underwent treatment after injuring his ankle.

“Thank you Atria NY for the best health care experience I have ever had,” he said in the post’s caption. “Let’s see what I can do on this piece of shit ankle Saturday.”

Despite apparently having sustained an injury, Drake appears to be enjoying his time in New York. In the carousel of photos are shots of him dressed in Yves Saint Laurent and sampling food throughout the city.

Drake is set to take the stage at the Apollo Theatre on Saturday, January 21 and Sunday, January 22. He was originally scheduled to perform at the iconic theater back in November, however, chose to postpone the show following Takeoff’s death. He had rescheduled the shows to December, however, he was forced to postpone them once again, due to production issues.

The upcoming performances will mark the first time Drake has performed at the Apollo. The shows come as part of a partnership with SiriusXM, which hosts his radio show, Table For One on his channel, Sound 42.

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All 10 Players On The Floor During Cavs-Warriors Had Their Talent Briefly Stolen By The Monstars

The Golden State Warriors traveled to Cleveland on the second night of a back-to-back to take on the Cavaliers. Both sides are without some pretty important players — Donovan Mitchell is out for the home squad, while the defending champions decided to rest a number of players after a tense game in Boston on Thursday night.

Late in the second quarter, we got one of the stranger sequences in the NBA this season. Golden State was on offense, missed, and got an offensive rebound. They did this again, and then again, and then seemingly 500 more times. Darius Garland was eventually able to corral it, but slipped and fell, which led to a scramble where the Warriors ended up with the ball once again.

And then, the Dubs decided to try and slow things down, putting the ball right into the hands of Jordan Poole. He dribbled around, tried to put up a stepback jumper of Evan Mobley, and just barely got the very front of the rim.

If you think the whole thing would work a lot better with “Yakety Sax” over it, well, we agree so here you go.

The rest of the game hasn’t had anything quite like this, so this is nothing more than a silly moment between two teams with aspirations of making it to the NBA Finals this year.

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Ice Spice’s ‘Princess Diana’ Has Fans Crowning Her As Royalty

Last night, Ice Spice suddenly dropped her new debut EP, Like..?, and fans were buzzing. Even more iconic was the EP’s tracklist, which features a track called “Princess Diana,” named after the late Royal.

“Nowadays I be duckin’ them cameras / And they hype that I’m up on them banners / Callin’ my phone, but they know I don’t answer (Why?) / In the hood I’m like Princess Diana,” Ice Spice rhymes on the song.

Her fans were immediately obsessed with the energy, as many had compared the rising star rapper to Princess Di on social media. She clearly has seen the memes and decided to use them to her advantage. It also doubles as Spice crowning herself as royalty.

“i know Princess Diana is looking down at her kids Harry & Ice Spice rn with joy in her eyes,” one fan wrote, including Prince Harry in the mix.

“u literally have no clue about the connection between ice spice and lady di, ice spice is princess diana reincarnated, pls take down ur comment as i find it extremely offensive,” another added.

Continue scrolling for some additional fan reactions to Ice Spice’s “Princess Diana.” Listen to the song here.

Ice Spice’s new Like..? EP is out now via 10K Projects. Buy/stream it here.

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Kehlani Sometimes Wants To Prove To Fans That She Doesn’t Have A Type: ‘I’ve Got Flavors For Real’

Kehlani is the latest musician to join journalist Amelia Dimoldenberg on Chicken Shop Date. During the interview, the “Up At Night” singer answered just about every question you could imagine.

“People would say that I have a type, but they haven’t seen everybody that I’ve ever talked to or dated,” they said. “So I’m actively always fighting that in my head, like, do I just get on the internet and show them every single person I’ve ever spoken to?”

“I don’t think you should do that,” said Dimoldenberg.

“Oh, I’ve got flavors, for real,” Kehlani replied.

Elsewhere in the interview, Kehlani explained why they don’t date fans, talked about sucking toes, and detailed encounters at strip clubs.

“Me and the strippers have an interesting relationship,” Kehlani said. “They want to talk about zodiac signs, and what my music did for them, and moments when they grew up with me, while they’re throwing ass at me.”

“It’s a little bit of a cognitive dissonance,” she continued, “because I’m like, super gay, and I’m like ‘Wow, that ass,’ but also, I’m so glad that I touched your heart at some point with my love songs.”

You can watch the full episode of Chicken Shop Date above.

Kehlani is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Once Again, Dan Orlovsky Has A Bad Food Take, This Time About Tacos

Alright folks it’s time for another blog about Dan Orlovsky and food. In a previous post, we highlighted a take that Orlovsky had about cannoli, a perfect, delicious little morsel created by my people.

And now, Dan Orlovsky, who to be clear seems like a very nice guy, is at it again. In a tweet posted on Friday night, the ESPN studio analyst who occasionally hops into the booth and provides in-game analysis for college football and NFL games gave us a glimpse into his dinner at what I assume is Casa de Dan. It was tacos, which, sure! The catch: Orlovsky threw some cucumbers into them.

What, exactly, are you gaining from this? Maybe a quick pickled cucumber adds a nice, acidic bite to cut through the richness of the beef, but just wantonly throwing some normal cucumbers onto this when you can simply add a little more lettuce and have it achieve basically the same goal is … we’ll say a curious decision. Don’t take my word for it: Two of Orlovsky’s colleagues, Mina Kimes and Marcus Spears, got on him for this, as did former NFL quarterback Joey Harrington.

As for what’s next, my guess is Orlovsky sends a tweet saying he puts ketchup in chicken noodle soup.

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Inhaler Opened Up About How Watching The Beatles ‘Get Back’ Documentary Helped Their New Record

Inhaler, the rising rock band, opened up in a new interview with NME about how the recent Beatles documentary, Get Back, helped them feel less pressured on making their sophomore album: the upcoming Cuts & Bruises.

“You’re watching the greatest band of all time and go through their own problems and their own struggles. You think, ‘That’s a perfect record – how could there be anything wrong with it?’, and then you see what their relationship was like,” said drummer Ryan McMahon. “It gave us a sense that, though we were at loggerheads sometimes, we were all working on something that felt good and felt right.”

“We had such a hard time making this record. We thought, ‘Aren’t you meant to enjoy making a record to some extent?’” lead singer Eli Hewson also noted.

Specifically, Inhaler struggled with making the record’s final closing track, “Now You Got Me.”

“It was those little bursts of magic we saw in Get Back that we were searching for,” McMahon added.

The band is set to hit the road across the UK next month in support of the record. More information on tickets is available via their official website.

Continue scrolling for a complete list of tour dates.

02/16 — Leeds @ O2 Academy
02/17 — Newcastle @ NX
02/18 — Liverpool @ Mountford Hall
02/20 — Norwich @ UEA
02/21 — Cardiff @ University Students Union
02/23 — Nottingham @ Rock City
02/24 — Birmingham @ O2 Academy
02/25 — Bristol @ O2 Academy
05/19 — Manchester @ O2 Victoria Warehouse
05/20 — London @ O2 Academy Brixton

Cuts & Bruises is out 2/17 via Polydor. Pre-order it here.

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Sega Bodega And Shygirl Give Bjork’s ‘Ovule’ A Hypnotic Update

Bjork has shared a new version of one of the standout tracks from her latest album Fossora. “Ovule” had fans abuzz upon the release of Fossora last September. Now, she has given the song a trippy, hypnotic update, with a new beat by Sega Bodega and additional vocals from Shygirl.

In a statement, Bodega described updating the song “as kind of a full circle moment here, for me at least. The three of us had an evening of all listening to music we loved at Shy’s place last year and after absorbing that the remix came together pretty quickly – we like things fast.”

“it has been so nourishing sharing music with shy and sega,” added Bjork in a statement. “soooo honoured to be in their hands !! and in this remix admiring sega exploring chill-bassdrum-gabba and a thrill seeing shy diving into my lyrics and taking it to a new place.”

Shygirl’s vocals give the song a more silky, echoing feel, as she slides on the beat with pure ease, singing of the complexities and nuances of love and the human condition.

“What I’d pay to give you a minute of this / All I feel is bliss when I think of you / What I’d pay to givе you a minute of this / All I feel is bliss when I think of you,” sings Shygirl on one of her verses.

Check out “Ovule (Sega Bodega Remix)” above.

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The James Harden-Joel Embiid Pick-And-Roll Has The Sixers And Their Offense Rolling

Just past 10 p.m. on a brisk, dreary night in Portland, Joel Embiid is holding court in the corner of the Philadelphia 76ers’ cramped visitors locker room. As he motions with his hands to elucidate the intricacies and windfalls of operating from the high post, his 7-foot frame towers over the trio of reporters listening intently.

Years ago, Embiid’s preferred region of the floor was the mid-post on the left side. Yet over the past 2.5 seasons, he’s increasingly shifted himself to the middle of the floor and deemed that his go-to spot. It’s especially true alongside James Harden, who joined the Sixers about 11 months ago. Harden’s arrival has spurred notable amendments to Embiid’s usage, most notably the evolution from a low-block scorer to a pick-and-roll big.

“We just felt like he needs a place where he can close games at. That was the big conversation going into the summer,” Sixers coach Doc Rivers says. “Everyone has their little area that they can pick down the stretch, they also have their move, they have their shot. And they have their secondary move. The great ones do. So, we felt like that was Jo’s step to take, and he’s done that.”

“[Rivers] just told me that I needed to find whatever area on the floor that I was gonna be most comfortable with. Obviously, me and [my trainer] Drew [Hanlen], we studied a lot,” Embiid says. “So, we just started figuring out, ‘OK, where can I be a better playmaker and where can I be a better scorer without being doubled and without being easy to double?’ And that was at the nail, so we started all of our work visiting those areas.”

In 2020-21, the first year he finished runner-up for MVP, 36.5 percent of his shots were derived from post-ups, according to Synergy. He generated 1.084 points per possession and led the league in total post-ups. His pick-and-roll roll man frequency was just 12.5 percent (1.031 PPP).

This season, amid another MVP-caliber campaign, his post-up rate has dwindled to 15.8 percent (1.175 PPP). Meanwhile, his ball-screen frequency has spiked to 24.5 percent (1.182 PPP). Despite missing 11 games, he leads the NBA in roll man possessions at 247. Bam Adebayo is second with 191 total possessions.

“Posting up and posting all game long is hard, it’s easy to double,” Embiid says. “It’s funny when we got these old guys always talking about posting up, need to spend time in the paint and all that stuff. You can’t win this way anymore. It’s not the freaking 90s or 80s.”

The Harden-Embiid pick-and-roll is the foundation of the Sixers’ burgeoning, elite offense. Over their last 21 games, a stretch in which they’ve won 17 of 21, they’re fourth in offensive rating (119.9) and fourth in net rating overall (plus-7.1), according to Cleaning The Glass. It’s a six-week run that’s propelled them from 12-12 and tied for seventh in the East to 29-16 and tied for second.

Philadelphia isn’t particularly innovative because it doesn’t have to be. Its point guard is a virtuoso facilitator averaging 11.2 assists per game. Its center is the reigning scoring champ and is averaging 33.6 points per game on 64.4 percent true shooting. Surround them with release valves such as Tyrese Maxey, Tobias Harris, De’Anthony Melton, and Georges Niang, and the results will be prolific.

Most often, defenses run drop coverage against the Harden-Embiid ball-screen tango. Harden’s marriage of pacing, creativity, and accuracy ensure he’ll routinely feed the big fella where he wants it. As soon as the defense commits multiple bodies, the 11-time All-Star seamlessly slings a feed to his superstar center. To avoid hinting his next move for the opposition, he doesn’t break stride before whirling dimes.

“He sees things very slowly,” Blazers head coach Chauncey Billups says. “He sees coverages, he sees rotations, in his mind very slow, even though it’s moving fast.”

Drop coverage is simply untenable, given their complementary skill-sets. The screen navigation and positioning have to be immaculate to deter the angle for a pocket pass from Harden, who is arguably the NBA’s premier pocket passer.

Embiid is a midrange maven and effervescent scorer. Most domineering roll threats don’t tout the self-creation chops he does. That simplifies Harden’s job. Just get the ball to Embiid with a slight advantage and let him cook. While Embiid’s usage rate still hovers around a carer-high 37 percent, his offensive responsibilities and touches are less taxing with Harden in the fold. According to Cleaning The Glass, a career-high 64 percent of his field goals are assisted, a stark jump from 54 percent last season and 48 percent in 2020-21. Among Harden’s slippery handle, crafty ball-screen setups, and deceptive cadence, he wanders where he wishes and eases Embiid’s burden.

“He’s just a wizard with the ball,” Maxey says. “He knows where he wants Joel to be and they have a connection to where they know when to roll, when to pop.”

Embiid began gravitating toward the nail and elbow as a face-up scorer following the Boston Celtics’ sweep over Philadelphia in the Bubble. He wanted to maximize his scoring arsenal for a playoff setting and determined a reorientation was in order. As a result, he and Hanlen studied the likes of Kobe Bryant, Dirk Nowitzki, and Michael Jordan, all Hall of Fame inductees who thrived playing at the nail.

It’s since aided his assimilation to working off of Harden as a play-finisher rather than the lead passer and scorer. The elbows and nail are his office space; Embiid said the elbow shots are his favorite. According to Second Spectrum, when Embiid screens for Harden, they’re producing 1.163 PPP this season.

“From the beginning, it was easy,” Embiid says. “With [Harden’s] playmaking ability, all I gotta do is set a good screen. A lot of times, I don’t even have to set a screen because of the way we’re being guarded, so it’s all about playing off of each other.”

Much like his co-star, Harden’s also tailored a steadfast successful ethos to accommodate his new scenery. For years, he flourished in pick-and-rolls alongside aerial threats like Clint Capela, Dwight Howard, Nicolas Claxton, and DeAndre Jordan. Even the small-ball Rockets during his final full season in Houston were stylistically much different than what Philadelphia offers.

Rather than attack all the way to the rim — either to finish on his own, toss up a putback chance (a la a Kobe Assist), or hurl a lob — Harden’s dialed back the speedometer. Some of that is because Father Time has started to catch up and impact his explosiveness, both vertically and horizontally.

But another component of it is Embiid’s ground-bound scoring predicated in the midrange. Harden’s ability to prosper at vastly contrasting paces and in different contexts underscores his adaptability. Once an MVP candidate pouring in 35 points a night, he’s averaging his fewest points and shots per 100 possessions since 2011-12 — his final year with the Oklahoma City Thunder — while posting the second-highest assist rate of his career.

“He is proving that he can actually play with a dominant player in Joel, and kind of pull the reins back on his game, and still be just as effective and efficient,” Billups says. “That’s hard to do. That’s really, really hard to do.”

“It’s crazy, just because I saw it when I was at home watching him when he was in Houston and when he was going for 50 a night,” Maxey says. “Now, I’m on a court with him while he’s doing like 20 and 15 and 10 boards. He’s coaching everybody and putting guys in their spots. To have a guy like that, it’s just a blessing and we’re not taking it for granted.”

The potency of Harden and Embiid’s two-man game is multiplied by its versatility. They can dissect seemingly every type of ball-screen coverage. In Philadelphia’s 120-110 win over the Los Angeles Clippers on Tuesday, the Clippers stashed Ivica Zubac on P.J. Tucker and stuck two of their many rotation wings on Harden and Embiid, so they could switch any pick. That didn’t pan out. Embiid played bully-ball for buckets and free throws against Los Angeles’ collection of forwards. He scored 41 points on 68.5 percent true shooting.

They’re both accomplished one-on-one scorers, rendering switches untenable. Embiid’s in the 98th percentile in volume and 63rd percentile in PPP on isolations. Harden’s in the 99th and 77th, respectively. Grant them a mismatch and they’ll torch it.

Toss two at the ball to respect Harden’s pull-up gusto (87th percentile off the dribble at 1.148 PPP) and that leaves the NBA’s second-leading scorer in a luxurious 4-on-3 circumstance. According to Synergy, Harden’s yielded 1.529 PPP on 17 possessions against traps this season. Doubling or playing at the level won’t suffice.

Typically, Embiid will saunter toward the free-throw line and proceed from there. As he and Harden refine their partnership, though, they’re sprinkling in different looks to flummox the defense and weaponize that effective predictability. Speed is the counter to their methodical nature.

“You catch teams off guard because teams are loading up now to try and take away the elbow pass,” Rivers says. “All of a sudden, he rolls on you.”

Beyond the general necessity of floor-spacing around Harden and Embiid, the quintet of credible shooters and/or drivers in Maxey, Melton, Harris, Niang, and Shake Milton presents options for flexibility. Late in Philadelphia’s win over the Los Angeles Lakers on Sunday, LeBron James rotated aggressively to the nail and eliminated Harden’s window for a pocket pass, which resulted in a blocked layup.

On the ensuing two pick-and-rolls, the Sixers’ final two of the night, they loaded the left side with legit spot-up threats and kept Niang in the corner to complicate James’ possibility of early help at the nail. If the Lakers wanted to ignore Niang, a 41.6 percent long-range shooter this season and Philadelphia’s best off-ball marksman, they could at their own peril. The one time they elected to, it cost them three points. The Sixers scored five points on those last two ball screens.

Philadelphia’s pick-and-roll profits usually end with Embiid in some form, but they start with Harden. He’s one of the most impactful and adroit passers in the NBA. According to PBPStats, despite the tandem only playing 24 games together, the Harden-to-Embiid assist combo leads the league at 127 dimes, 20 more than the second-place Tyrese Haliburton-to-Buddy Hield connection.

Back in the preseason, a portion of Philadelphia’s training camp was broadcast on NBA TV, with both Rivers and Harden mic’d up in a remarkably prescient conversation. At one point, the two discuss the potential and progression of Harden and Embiid’s pick-and-roll synergy. Rivers tells Harden they have to forge an innate bond that lets them sleepwalk into a flurry of points every game. He also notes “there’s a pecking order” offensively. Embiid and Harden are the focal points.

Harden recognizes the stress he inflicts on defenses by sheer virtue of his existence, which he can parlay into stress-free opportunities for everyone. Rivers emphasizes that it’ll take time to organize and harps on the need for Harden to be aggressive as a passer and scorer, not solely the former.

“When it clicks, James,” Rivers says, “we’re gonna be unbeatable, unbeatable.”

The Sixers own a 121.6 offensive rating and plus-10 net rating with their stars on the hardwood. They’re 16-8 when they both suit up, including 14-3 over the past 17 outings. Embiid is enjoying a third consecutive season in the MVP race. Harden is back to All-NBA form. They should each be in Salt Lake City next month for the All-Star Game.

“Sometimes, when you’re on the court,” Maxey said, “you’re watching like, ‘What’re they gonna do next?’”