Month: February 2023

Viola Davis has joined an exclusive club. Tonight during the 65th GRAMMY Awards Premiere Ceremony, the access was awarded the Grammy for Best Audio Book, Narration, and Storytelling Recording for her Finding Me memoir, earning her EGOT status. Only 17 other entertainers have earned the coveted designation, and Davis makes history by being the 18th.

The acronym, which stands for the Emmy, Grammy, Oscar, and Tony Awards, is a significant designation given to people who have won all four major entertainment awards. Past EGOT winners include Jennifer Hudson, John Legend, Whoopi Goldberg, and more.

This year, Davis found herself going up against four other previous Grammy winners, including Jamie Foxx (“Act Like You Got Some Sense”), Lin-Manuel Miranda (“Aristotle and Dante Dive Into the Waters of the World”), Questlove (“Music is History”) and fellow EGOT recipient Mel Brooks (“All About Me!: My Remarkable Life in Show Business”).

Davis will be able to add her new title alongside her two Tony Awards (“King Hedley II,” “Fences”), her Oscar (the film adaptation of “Fences”), and her Emmy (“How to Get Away with Murder”), for which she became the first black actress to win.

Despite Davis being snubbed by the Academy Awards this year, the Woman King actress still made history. With a career spanning over three decades, the actress has undoubtedly earned her flowers.

Watch Davis’ acceptance speech below.

Ted Cruz has been in the Senate for a long, long time — a decade as of last month. If you were to go by the legislation he introduced last month, which would cap Senate term limits at two, you would think he’d be planning for his next gig. Thing is, he’s not. He’s running a third time, which would keep him in office through 2031. Does Cruz not see how these two ideas conflict with each other? Judging by a recent media appearance apparently not.

On Face the Nation Sunday, host Margaret Brennan asked Cruz straight-up why, by running for a term he doesn’t think others should have, he wasn’t “holding yourself to that standard.”

Cruz vacillated, calling himself a “passionate defender of of term limits,” adding, “I think that Congress would work much better if every senator were limited to two terms, if every house member were limited to three terms.”

Brennan replied, “But you’re still running.”

“If and when it passes,” Cruz claimed, “I will happily, happily comply. I’ve never said I’m going to unilaterally comply.”

Until then, Cruz sees no issue with doing the very thing his proposed legislation seeks to outlaw. “I will be more than happy to comply by the same rules that apply for everyone,” he explained. “But until then, I’m going to keep fighting for 30 million Texans because they’ve asked me to do.”

In short, Cruz will advocate one thing while doing another, as well as maybe abandoning those 30 million constituents to go on family vacation — then blame his own kids when called out.

(Via Mediaite)

Beyoncé isn’t nicknamed Queen Bey for nothing. Music’s biggest night, the Grammy Awards, is starting off strong for the “Cuff It” singer.

The Houston representative is just four wins away from setting the all-time record for most decorated solo artists. A record currently being held by Hungarian-British conductor Georg Solti.

However, with her latest win for Best Dance/Electronic Recording for the single “Break My Soul,” she is well on her way. The win not only pushes her one victory ahead of legendary composer and producer Quincy Jones, but according to Chara Data, Beyoncé now has at least one Grammy for each of her solo albums.

Here is a full list of Beyoncé’s Grammy Award wins.

Beyoncé — Dangerously in Love

• Best Contemporary R&B Album
• Best R&B Song for “Crazy In Love”
• Best Rap/Sung Collaboration for “Crazy In Love”
• Best Female R&B Vocal Performance for “Dangerously In Love 2”
• Best R&B Performance by a Duo or Group with Vocals for “The Closer I Get To You”

Beyoncé — B’Day

• Best Contemporary R&B Album

Beyoncé — I Am… Sasha Fierce

• Song of the Year for “Single Ladies (Put A Ring On It)”
• Best R&B Song for “Single Ladies (Put A Ring On It)”
• Best R&B Female Vocal for “Single Ladies (Put A Ring On It)”
• Best Pop Vocal Performance for “Halo”
• Best Contemporary R&B Album
• Best Traditional R&B Performance for “At Last”

Beyoncé — 4

• Best Traditional R&B Performance Award for “Love On Top”

Beyoncé — Beyoncé

• Best Surround Sound Album
• Best R&B Song for “Drunk in Love”
• Best R&B Performance for “Drunk in Love”

Beyoncé — Lemonade

• Best Urban Contemporary Album
• Best Music Video for “Formation”

Beyoncé — Renaissance

• Best Dance/Electronic Recording for “Break My Soul”
• Best Traditional R&B Performance for “Plastic Off The Sofa”

For the first time in nearly three years, Jay-Z And Beyoncé’s Roc Nation Brunch made its post-pandemic return this weekend with the help of some of the star-studded guests. The power couple called on some of music’s biggest stars to help them celebrate the upcoming 2023 Grammys. Clips surfaced online showing that attendees were brought into Jay and Bey’s world of luxury — complete with expensive gowns, a small orchestra, and a roofless foyer decorated with photos, including a portrait of Lauren London and Nipsey Hussle.

It’s been reported that the invite-only event took place at a private residence in Los Angeles.

Like in its past iterations, a bevy of celebrities, musicians, and other tastemakers attended the swanky affair. Of course, members from Roc Nation were in attendance to show love to Jay and Bey, including DJ Khaled, Rapsody, and Joey Bada$$.

One noticeable difference this year is that the power duo arrived separately. Jay-Z was spotted attending the fancy event with renowned stylist June Ambrose. Bey was spotted alongside her longtime bodyguard Julius de Boer and stopped to chat with Lil Kim before meeting up with her husband to schmooze around with their guests like Nigerian singer Tems.

Other attendees included Swiss Beatz, Lil Uzi Vert, Chloe and Halle Bailey, G Herbo, Jacquees, Janelle Monae, J.I.D., Kelly Rowland, Lil Baby, Mustard, Miguel Pusha T, SAINt JHN, Teyana Taylor, Vic Mensa, and more. Diddy, who’s usually a fixture at the popular event, was noticeably absent this year.

Some of the artists mentioned are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

The Dallas Mavericks made a stunning move on Sunday when they made the first big trade of the deadline, sending Spencer Dinwiddie, Dorian Finney-Smith, and picks to the Brooklyn Nets for Kyrie Irving, who issued a trade request on Friday.

Irving’s acquisition will make the Mavs fascinating to watch, as they go all-in on building around a two-headed backcourt monster in Irving and Luka Doncic, with plenty of questions about how they’ll make things work defensively — although, there may be more moves made by Dallas this week to balance out their roster a bit more. While the majority of the focus will be on Dallas and what this does for a Mavs team that has been treading water despite Doncic posting outrageous stats, this is also an intriguing deal for Brooklyn.

Considering Irving’s value varied wildly depending on who you asked, no one could quite figure out what he may end up being traded for. To get a pair of useful players along with a future first in return for him is no small feat, and the Nets at least give themselves a chance to remain competitive once Kevin Durant returns to the lineup — provided he doesn’t re-up his own trade request in the next few days.

The headliner of the Nets return is Spencer Dinwiddie, who returns to where his career took off in Brooklyn, but the way he learned about the deal is the same way all of us did: Shams Charania’s tweet.

With how quickly things move and how teams can’t make things official for some time, this happens a decent bit, but it’s still wild that players at the trade deadline are blindsided by Shams and Woj tweets just like the rest of us — the big difference being one of those tweets might tell them it’s time to start packing your closet. At least Spencer is moving back to an area he’s familiar with, but this certainly changes the stress level of a Sunday afternoon.

Republicans have been tearing into Joe Biden over the alleged Chinese spy balloon that spent the last week sailing over the U.S. Even after he had it (safely) shot down on Saturday, they still moaned, claiming nothing like this would have happened under his predecessor’s watch. Well, it did. Thrice. Donald Trump claimed that wasn’t true — and perhaps to him it isn’t, but only because the Pentagon may have never told him about it.

Mike Waltz, a GOP representative from Florida, took to Twitter Sunday, claiming he’d heard from the office of the Defense Secretary that “several Chinese balloon incidents have happened in the past few years – including over FLorida [sic].” Waltz also spoke to Trump’s national security officials, who told him “they were never informed of these intrusions by the Pentagon.”

If all this is true, that means the Pentagon simply never informed Trump of the spy balloons. No civilian ever spotted them either, so they never made news. No reason has been given for why Pentagon officials would keep this a secret from the then-president. But given what a loose cannon the guy can be — prone to random acts like making stuff up about the dearly departed Manhattan institution the 21 Club while ranting madly at generals — it’s not hard to see why.

(Via Raw Story)

The 65th Annual Grammy Awards could prove to be historical, with a number of firsts for the award show. The Album Of The Year category has its first Spanish-language album nomination in Bad Bunny’s Un Verano Sin Ti, while the BTS song “Yet To Come” is the first Korean-language song to be nominated for a Grammy (it’s up for Best Music Video).

Meanwhile, Beyoncé — the most-nominated artist at this year’s Grammys with nine nods — has matched her husband Jay-Z for most nominations ever, as well as the opportunity to become the most-awarded artist ever with just four wins.

Check out our predictions for who we think will win (and should win) in both the Big Four and Rap categories, as this list will be updated as winners are announced.

Album Of The Year

ABBA — Voyage
Adele — 30
Bad Bunny — Un Verano Sin Ti
Beyoncé — Renaissance
Brandi Carlile — In These Silent Days
Coldplay — Music Of The Spheres
Harry Styles — Harry’s House
Kendrick Lamar — Mr. Morale & The Big Steppers
Lizzo — Special
Mary J. Blige — Good Morning Gorgeous (Deluxe)

Best New Artist

Anitta
Domi & JD Beck
Latto
Måneskin
Molly Tuttle
Muni Long
Omar Apollo
Samara Joy
Tobe Nwigwe
Wet Leg

Record of the Year

ABBA — “Don’t Shut Me Down”
Adele — “Easy on Me”
Beyoncé — “Break My Soul”
Brandi Carlile Featuring Lucius — “You and Me on the Rock”
Doja Cat — “Woman”
Harry Styles — “As It Was”
Kendrick Lamar — “The Heart Part 5”
Lizzo — “About Damn Time”
Mary J. Blige — “Good Morning Gorgeous”
Steve Lacy — “Bad Habit”

Song of the Year

Adele — “Easy on Me”
Beyoncé — “Break My Soul”
Bonnie Raitt — “Just Like That”
DJ Khaled — “God Did” Feat. Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy
Gayle — “ABCDEFU”
Harry Styles — “As It Was”
Kendrick Lamar — “The Heart Part 5”
Lizzo — “About Damn Time”
Steve Lacy — “Bad Habit”
Taylor Swift — “All Too Well (10 Minute Version) (The Short Film)”

Best Pop Solo Performance

Adele — “Easy on Me”
Bad Bunny — “Moscow Mule”
Doja Cat — “Woman”
Harry Styles — “As It Was”
Lizzo — “About Damn Time”
Steve Lacy — “Bad Habit”

Best Pop Duo/Group Performance

ABBA — “Don’t Shut Me Down”
Camila Cabello Featuring Ed Sheeran — “Bam Bam”
Coldplay & BTS — “My Universe”
Post Malone & Doja Cat — “I Like You (A Happier Song)”
Sam Smith & Kim Petras — “Unholy”

Best Traditional Pop Vocal Album

Diana Ross — Thank You
Kelly Clarkson — When Christmas Comes Around…
Michael Bublé — Higher
Norah Jones — I Dream of Christmas (Extended)
Pentatonix — Evergreen

Best Pop Vocal Album

ABBA — Voyage
Adele — 30
Coldplay — Music of the Spheres
Harry Styles — Harry’s House
Lizzo — Special

Best Rap Performance

DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy — “God Did”
Doja Cat — “Vegas”
Gunna & Future Featuring Young Thug — “Pushin P”
Hitkidd & Glorilla — “F.N.F. (Let’s Go)”
Kendrick Lamar — “The Heart Part 5”

Best Melodic Rap Performance

DJ Khaled Featuring Future & SZA — “Beautiful”
Future Featuring Drake & Tems — “Wait for U”
Jack Harlow — “First Class”
Kendrick Lamar Featuring Blxst & Amanda Reifer — “Die Hard”
Latto — “Big Energy (Live)”

Best Rap Song

DJ Khaled — “God Did” Feat. Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy
Future Featuring Drake & Tems — “Wait for U”
Gunna & Future Featuring Young Thug — “Pushin P”
Jack Harlow Featuring Drake — “Churchill Downs”
Kendrick Lamar — “The Heart Part 5”

Best Rap Album

DJ Khaled — God Did
Future — I Never Liked You
Jack Harlow — Come Home The Kids Miss You
Kendrick Lamar — Mr. Morale & The Big Steppers
Pusha T — It’s Almost Dry

Best Dance/Electronic Recording

Beyoncé — “Break My Soul”
Bonobo — “Rosewood”
David Guetta & Bebe Rexha — “I’m Good (Blue)”
Diplo & Miguel — “Don’t Forget My Love”
Kaytranada Featuring H.E.R. — “Intimidated”
Rüfüs Du Sol — “On My Knees”

Best Dance/Electronic Music Album

Beyoncé — Renaissance
Bonobo — Fragments
Diplo — Diplo
Odesza — The Last Goodbye
Rüfüs Du Sol — Surrender

Best Instrumental Composition

Danilo Pérez Featuring The Global Messengers — “Fronteras (Borders) Suite: Al-Musafir Blues”
Geoffrey Keezer — “Refuge”
Miguel Zenón, José Antonio Zayas Cabán, Ryan Smith & Casey Rafn — “El País Invisible”
Tasha Warren & Dave Eggar — “African Tales”
Tasha Warren & Dave Eggar — “Snapshots”

Best Arrangement, Instrumental or A Cappella

Armand Hutton Featuring Terrell Hunt & Just 6 — “As Days Go By (An Arrangement of the Family Matters Theme Song)”
Danny Elfman — “Main Titles”
Kings Return — “How Deep Is Your Love”
Magnus Lindgren, John Beasley & The SWR Big Band Featuring Martin Auer — “Scrapple From the Apple”
Remy Le Boeuf — “Minnesota, WI”

Best Arrangement, Instruments and Vocals

Becca Stevens & Attacca Quartet — “2 + 2 = 5 (Arr. Nathan Schram)”
Cécile McLorin Salvant — “Optimistic Voices / No Love Dying”
Christine McVie — “Songbird (Orchestral Version)”
Jacob Collier Featuring Lizzy McAlpine & John Mayer — “Never Gonna Be Alone”
Louis Cole — “Let It Happen”

Songwriter of the Year, Non-Classical

Amy Allen
Laura Veltz
Nija Charles
The-Dream
Tobias Jesso Jr.

Best Latin Pop Album

Camilo — De Adentro Pa Afuera
Christina Aguilera — Aguilera
Fonseca — Viajante
Rubén Blades & Boca Livre — Pasieros
Sebastián Yatra — Dharma +

Best Música Urbana Album

Bad Bunny — Un Verano Sin Ti
Daddy Yankee — Legendaddy
Farruko — La 167
Maluma — The Love & Sex Tape
Rauw Alejandro — Trap Cake, Vol. 2

Best Latin Rock or Alternative Album

Cimafunk — El Alimento
Fito Paez — Los Años Salvajes
Gaby Moreno — Alegoría
Jorge Drexler — Tinta y Tiempo
Mon Laferte — 1940 Carmen
Rosalía — Motomami

Best Regional Mexican Music Album (Including Tejano)

Chiquis — Abeja Reina
Christian Nodal — EP #1 Forajido
Marco Antonio Solís — Qué Ganas de Verte (Deluxe)
Natalia Lafourcade — Un Canto por México — El Musical
Los Tigres del Norte — La Reunión (Deluxe)

Best Tropical Latin Album

Carlos Vives — Cumbiana II
Marc Anthony — Pa’lla Voy
La Santa Cecilia — Quiero Verte Feliz
Spanish Harlem Orchestra — Imágenes Latinas
Tito Nieves — Legendario

Best Compilation Soundtrack for Visual Media

Various Artists — Elvis
Various Artists — Encanto
Various Artists — Stranger Things: Soundtrack From the Netflix Series, Season 4
Lorne Balfe, Harold Faltermeyer, Lady Gaga & Hans Zimmer — Top Gun: Maverick
Various Artists — West Side Story

Best Score Soundtrack for Visual Media (Includes Film and Television)

Germaine Franco — Encanto
Hans Zimmer — No Time to Die
Jonny Greenwood — The Power of the Dog
Michael Giacchino — The Batman
Nicholas Britell — Succession: Season 3

Best Score Soundtrack for Video Games and Other Interactive Media

Austin Wintory — Aliens: Fireteam Elite
Bear McCreary — Call of Duty: Vanguard
Christopher Tin — Old World
Richard Jacques — Marvel’s Guardians of the Galaxy
Stephanie Economou — Assassin’s Creed Valhalla: Dawn of Ragnarök

Best Song Written for Visual Media

Beyoncé — “Be Alive”
Carolina Gaitán, La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto, Cast — “We Don’t Talk About Bruno”
Jessy Wilson Featuring Angélique Kidjo — “Keep Rising (The Woman King)”
Lady Gaga — “Hold My Hand”
Taylor Swift — “Carolina”
4*Town, Jordan Fisher, Finneas O’Connell, Josh Levi, Topher Ngo & Grayson Villanueva — “Nobody Like U”

Best Comedy Album

Dave Chappelle — “The Closer”
Jim Gaffigan — “Comedy Monster”
Louis C.K. — “Sorry”
Patton Oswalt — “We All Scream”
Randy Rainbow — “A Little Brains, a Little Talent”

Best R&B Performance

Beyoncé — “Virgo’s Groove”
Jazmine Sullivan — “Hurt Me So Good”
Lucky Daye — “Over”
Mary J. Blige Featuring Anderson .Paak — “Here With Me”
Muni Long — “Hrs & Hrs”

Best Traditional R&B Performance

Adam Blackstone Featuring Jazmine Sullivan — “’Round Midnight”
Babyface Featuring Ella Mai — “Keeps on Fallin’”
Beyoncé — “Plastic Off the Sofa”
Mary J. Blige — “Good Morning Gorgeous”
Snoh Aalegra — “Do 4 Love”

Best R&B Song

Beyoncé — “Cuff It”
Jazmine Sullivan — “Hurt Me So Good”
Mary J. Blige — “Good Morning Gorgeous”
Muni Long — “Hrs & Hrs”
PJ Morton — “Please Don’t Walk Away”

Best Progressive R&B Album

Cory Henry — Operation Funk
Moonchild — Starfuit
Steve Lacy — Gemini Rights
Tank and the Bangas — Red Balloon
Terrace Martin — Drones

Best R&B Album

Chris Brown — Breezy (Deluxe)
Lucky Daye — Candy Drip
Mary J. Blige — Good Morning Gorgeous (Deluxe)
PJ Morton — Watch the Sun
Robert Glasper — Black Radio III

Best Music Video

Adele — “Easy on Me”
BTS — “Yet to Come”
Doja Cat — “Woman”
Harry Styles — “As It Was”
Kendrick Lamar — “The Heart Part 5”
Taylor Swift — “All Too Well: The Short Film”

Best Music Film

Adele — Adele One Night Only
Billie Eilish — Billie Eilish Live at the O2
Justin Bieber — Our World
Neil Young & Crazy Horse — A Band a Brotherhood a Barn
Rosalía — Motomami (Rosalía TikTok Live Performance)
Various Artists — Jazz Fest: A New Orleans Story

Best Alternative Music Performance

Arctic Monkeys — “There’d Better Be a Mirrorball”
Big Thief — “Certainty”
Florence and the Machine — “King”
Wet Leg — “Chaise Longue”
Yeah Yeah Yeahs Featuring Perfume Genius — “Spitting Off the Edge of the World”

Best Alternative Music Album

Arcade Fire — We
Big Thief — Dragon New Warm Mountain I Believe in You
Björk — Fossora
Wet Leg — Wet Leg
Yeah Yeah Yeahs — Cool It Down

Best New Age, Ambient, or Chant Album

Cheryl B. Engelhardt — The Passenger
Madi Das, Dave Stringer & Bhakti Without Borders — Mantra Americana
Mystic Mirror — White Sun
Paul Avgerinos — Joy
Will Ackerman — Positano Songs

Best Children’s Music Album

Alphabet Rockers — The Movement
Divinity Roxx — Ready Set Go!
Justin Roberts — Space Cadet
Lucky Diaz and the Family Jam Band — Los Fabulosos
Wendy and DB — Into the Little Blue House

Best Recording Package

Fann — Telos
Soporus — Divers
Spiritualized — Everything Was Beautiful
Tamsui-Kavalan Chinese Orchestra — Beginningless Beginning
Underoath — Voyeurist

Best Boxed or Special Limited Edition Package

Black Pumas — Black Pumas (Collector’s Edition Box Set)
Danny Elfman — Big Mess
The Grateful Dead — In and Out of the Garden: Madison Square Garden ’81, ’82, ’83
They Might Be Giants — Book
Various Artists — Artists Inspired by Music: Interscope Reimagined

Best Album Notes

Andy Irvine & Paul Brady — Andy Irvine / Paul Brady
Astor Piazzolla — The American Clavé Recordings
Doc Watson — Life’s Work: A Retrospective
Harry Partch — Harry Partch, 1942
Wilco — Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)

Best Historical Album

Blondie — Against the Odds: 1974 — 1982
Doc Watson — Life’s Work: A Retrospective
Freestyle Fellowship — To Whom It May Concern…
Glenn Gould — The Goldberg Variations: The Complete Unreleased 1981 Studio Sessions
Wilco — Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition)

Best Improvised Jazz Solo

Ambrose Akinmusire — “Rounds (Live)”
Gerald Albright — “Keep Holding On”
John Beasley — “Cherokee/Koko”
Marcus Baylor — “Call of the Drum”
Melissa Aldana — “Falling”
Wayne Shorter & Leo Genovese — “Endangered Species”

Best Jazz Vocal Album

The Baylor Project — The Evening : Live at Apparatus
Carmen Lundy — Fade to Black
Cécile McLorin Salvant — Ghost Song
The Manhattan Transfer & The WDR Funkhausorchester — Fifty
Samara Joy — Linger Awhile

Best Jazz Instrumental Album

Joshua Redman, Brad Mehldau, Christian McBride & Brian Blade — LongGone
Peter Erskine Trio — Live in Italy
Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton & Matthew Stevens — New Standards, Vol. 1
Wayne Shorter, Terri Lyne Carrington, Leo Genovese & Esperanza Spalding — Live at the Detroit Jazz Festival
Yellowjackets — Parallel Motion

Best Large Jazz Ensemble Album

John Beasley, Magnus Lindgren & SWR Big Band — Bird Lives
Remy Le Boeuf’s Assembly of Shadows — Architecture of Storms
Ron Carter & The Jazzaar Festival Big Band Directed by Christian Jacob — Remembering Bob Freedman
Steve Gadd, Eddie Gomez, Ronnie Cuber & WDR Big Band Conducted by Michael Abene — Center Stage
Steven Feifke, Bijon Watson & Generation Gap Jazz Orchestra — Generation Gap Jazz Orchestra

Best Latin Jazz Album

Arturo O’Farrill & The Afro Latin Jazz Orchestra Featuring The Congra Patria Son Jarocho Collective — Fandango at the Wall in New York
Arturo Sandoval — Rhythm & Soul
Danilo Pérez Featuring The Global Messengers — Crisálida
Flora Purim — If You Will
Miguel Zenón — Música de las Américas

Best Reggae Album

Kabaka Pyramid — The Kalling
Koffee — Gifted
Protoje — Third Time’s the Charm
Sean Paul — Scorcha
Shaggy — Com Fly Wid Mi

Best Global Music Performance

Arooj Aftab & Anoushka Shankar — “Udhero Na”
Burna Boy — “Last Last”
Matt B & Eddy Kenzo — “Gimme Love”
Rocky Dawuni Featuring Blvk H3ro — “Neva Bow Down”
Wouter Kellerman, Zakes Bantwini & Nomcebo Zikode — “Bayethe”

Best Global Music Album

Angélique Kidjo & Ibrahim Maalouf — Queen of Sheba
Anoushka Shankar, Metropole Orkest & Jules Buckley Featuring Manu Delago — Between Us… (Live)
Berklee Indian Ensemble — Shuruaat
Burna Boy — Love, Damini
Masa Takumi — Sakura

Best American Roots Performance

Aaron Neville & The Dirty Dozen Brass Band — “Stompin’ Ground”
Aoife O’Donovan & Allison Russell — “Prodigal Daughter”
Bill Anderson Featuring Dolly Parton — “Someday It’ll All Make Sense (Bluegrass Version)”
Fantastic Negrito — “Oh Betty”
Madison Cunningham — “Life According to Raechel”

Best Americana Performance

Asleep at the Wheel Featuring Lyle Lovett — “There You Go Again”
Blind Boys of Alabama Featuring Black Violin — “The Message”
Bonnie Raitt — “Made Up Mind”
Brandi Carlile Featuring Lucius — “You and Me on the Rock”
Eric Alexandrakis — “Silver Moon [A Tribute to Michael Nesmith]”

Best American Roots Song

Anaïs Mitchell — “Bright Star”
Aoife O’Donovan & Allison Russell — “Prodigal Daughter”
Bonnie Raitt — “Just Like That”
Brandi Carlile Featuring Lucius — “You and Me on the Rock”
Robert Plant & Alison Krauss — “High and Lonesome”
Sheryl Crow — “Forever”

Best Americana Album

Bonnie Raitt — Just Like That…
Brandi Carlile — In These Silent Days
Dr. John — Things Happen That Way
Keb’ Mo’ — Good to Be…
Robert Plant & Alison Krauss — Raise the Roof

Best Bluegrass Album

The Del McCoury Band — Almost Proud
The Infamous Stringdusters — Toward the Fray
Molly Tuttle & Golden Highway — Crooked Tree
Peter Rowan — Calling You From My Mountain
Yonder Mountain String Band — Get Yourself Outside

Best Traditional Blues Album

Buddy Guy — The Blues Don’t Lie
Charlie Musselwhite — Mississippi Son
Gov’t Mule — Heavy Load Blues
John Mayall — The Sun Is Shining Down
Taj Mahal & Ry Cooder — Get on Board

Best Contemporary Blues Album

Ben Harper — Bloodline Maintenance
Edgar Winter — Brother Johnny
Eric Gales — Crown
North Mississippi Allstars — Set Sail
Shemekia Copeland — Done Come Too Far

Best Folk Album

Aoife O’Donovan — Age of Apathy
Janis Ian — The Light at the End of the Line
Judy Collins — Spellbound
Madison Cunningham — Revealer
Punch Brothers — Hell on Church Street

Best Regional Roots Music Album

Halau Hula Keali’i o Nalani — Halau Hula Keali’i o Nalani (Live at the Getty Center)
Natalie Ai Kamauu — Natalie Noelani
Nathan & The Zydeco Cha-Chas — Lucky Man
Ranky Tanky — Live at the 2022 New Orleans Jazz & Heritage Festival
Sean Ardoin & Kreole Rock and Soul Featuring The Golden Band From Tigerland — Full Circle

Best Orchestral Performance

Berlin Philharmonic & John Williams — “John Williams: The Berlin Concert”
Los Angeles Philharmonic & Gustavo Dudamel — “Dvořák: Symphonies Nos. 7-9”
New York Youth Symphony — “Works by Florence Price, Jessie Montgomery, Valerie Coleman”
Various Artists — “Sila: The Breath of the World”
Wild Up & Christopher Rountree — “Stay on It”

Best Opera Recording

Boston Modern Orchestra Project & Odyssey Opera Chorus — Anthony Davis: X: The Life and Times of Malcolm X
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus — Blanchard: Fire Shut Up in My Bones
The Metropolitan Opera Orchestra & The Metropolitan Opera Chorus — Eurydice

Best Choral Performance

The Crossing — “Born”
English Baroque Soloists & Monteverdi Choir — “J.S. Bach: St. John Passion, BWV 245”
The Metropolitan Opera Orchestra, The Metropolitan Opera Chorus, Yannick Nézet-Séguin, Ailyn Pérez, Michelle DeYoung, Matthew Polenzani & Eric Owens — “Verdi’s Requiem: The Met Remembers 9/11”

Best Chamber Music/Small Ensemble Performance

Attacca Quartet — “Caroline Shaw: Evergreen”
Dover Quartet — “Beethoven: Complete String Quartets, Vol. 2 – The Middle Quartets”
Neave Trio — “Musical Remembrances”
Publiquartet — “What Is American”
Third Coast Percussion — “Perspectives”

Best Classical Instrumental Solo

Daniil Trifonov — “Bach: The Art of Life”
Hilary Hahn — “Abels: Isolation Variation”
Mak Grgić — “A Night in Upper Town — The Music of Zoran Krajacic”
Mitsuko Uchida — “Beethoven: Diabelli Variations”
Time for Three, The Philadelphia Orchestra & Xian Zhang — “Letters for the Future”

Best Classical Solo Vocal Album

Il Pomo d’Oro — Eden
Nicholas Phan, Brooklyn Rider, The Knights & Eric Jacobsen — Stranger — Works for Tenor by Nico Muhly
Renée Fleming & Yannick Nézet-Séguin — Voice of Nature: The Anthropocene
Sasha Cooke & Kirill Kuzmin — How Do I Find You
Will Liverman, Paul Sánchez & J’Nai Bridges — Shawn E. Okpebholo: Lord, How Come Me Here?

Best Classical Compendium

Christopher Tin, Voces8, Royal Philharmonic Orchestra & Barnaby Smith — The Lost Birds
Kitt Wakeley — An Adoption Story
The Metropolitan Opera Orchestra & Yannick Nézet-Séguin — A Concert for Ukraine
Seunghee Lee, JP Jofre & London Symphony Orchestra — Aspire

Best Contemporary Classical Composition

Andris Nelsons & Gewandhausorchester — Gubaidulina: The Wrath of God
Carlos Simon, MK Zulu, Marco Pavé & Hub New Music — Simon: Requiem for the Enslaved
Ian Rosenbaum & Dover Quartet — Akiho: Ligneous Suite
Jack Quartet — Bermel: Intonations
Time for Three, The Philadelphia Orchestra & Xian Zhang — Puts: Contact

Best Country Solo Performance

Kelsea Ballerini — “Heartfirst”
Maren Morris — “Circles Around This Town”
Miranda Lambert — “In His Arms”
Willie Nelson — “Live Forever”
Zach Bryan — “Something in the Orange”

Best Country Duo/Group Performance

Brothers Osborne — “Midnight Rider’s Prayer”
Carly Pearce & Ashley McBryde — “Never Wanted to Be That Girl”
Ingrid Andress & Sam Hunt — “Wishful Drinking”
Luke Combs & Miranda Lambert — “Outrunnin’ Your Memory”
Reba McEntire & Dolly Parton — “Does He Love You (Revisited)”
Robert Plant & Alison Krauss — “Gonig Where the Lonely Go”

Best Country Song

Cody Johnson — ’Til You Can’t”
Luke Combs — “Doin’ This”
Maren Morris — “Circles Around This Town”
Miranda Lambert — “If I Was a Cowboy”
Taylor Swift — “I Bet You Think About Me (Taylor’s Version) (From the Vault)”
Willie Nelson — “I’ll Love You Till the Day I Die”

Best Country Album

Ashley McBryde — Ashley McBryde Presents: Lindeville
Luke Combs — Growin’ Up
Maren Morris — Humble Quest
Miranda Lambert — Palomino
Willie Nelson — A Beautiful Time

Best Rock Performance

Beck — “Old Man”
The Black Keys — “Wild Child”
Brandi Carlile — “Broken Horses”
Bryan Adams — “So Happy It Hurts”
Idles — “Crawl!”
Ozzy Osbourne Featuring Jeff Beck — “Patient Number 9”
Turnstile — “Holiday”

Best Metal Performance

Ghost — “Call Me Little Sunshine”
Megadeth — “We’ll Be Back”
Muse — “Kill or Be Killed”
Ozzy Osbourne Featuring Tony Iommi — “Degradation Rules”
Turnstile — “Blackout”

Best Rock Song

Brandi Carlile — “Broken Horses”
Ozzy Osbourne Featuring Jeff Beck — “Patient Number 9”
Red Hot Chili Peppers — “Black Summer”
Turnstile — “Blackout”
The War on Drugs — “Harmonia’s Dream”

Best Rock Album

The Black Keys — Dropout Boogie
Elvis Costello & The Imposters — The Boy Named If
Idles — Crawler
Machine Gun Kelly — Mainstream Sellout
Ozzy Osbourne — Patient Number 9
Spoon — Lucifer on the Sofa

Best Contemporary Instrumental Album

Brad Mehldau — Jacob’s Ladder
Domi & JD Beck — Not Tight
Grant Geissman — Blooz
Jeff Coffin — Between Dreaming and Joy
Snarky Puppy — Empire Central

Best Gospel Performance/Song

Doe — “When I Pray”
Erica Campbell — “Positive”
Maverick City Music & Kirk Franklin — “Kingdom”
PJ Morton Featuring Zacardi Cortez, Gene Moore, Samoht, Tim Rogers & Darrel Walls — “The Better Benediction”
Tye Tribbett — Get Up”

Best Contemporary Christian Music Performance/Song

Chris Tomlin — “Holy Forever”
Crowder & Dante Bowe Featuring Maverick City Music — “God Really Loves Us (Radio Version)”
Doe — “So Good”
For King & Country & Hillary Scott — “For God Is With Us”
Maverick City Music & Kirk Franklin — “Fear Is Not My Future”
Phil Wickham — “Hymn of Heaven (Radio Version)”

Best Gospel Album

Doe — Clarity
Maranda Curtis — Die to Live
Maverick City Music & Kirk Franklin — Kingdom Book One (Deluxe)
Ricky Dillard — Breakthrough: The Exodus (Live)
Tye Tribbett — All Things New

Best Contemporary Christian Music Album

Anne Wilson — My Jesus
Chris Tomlin — Always
Elevation Worship — Lion
Maverick City Music — Breathe
TobyMac — Life After Death

Best Roots Gospel Album

Gaither Vocal Band — Let’s Just Praise the Lord
Karen Peck & New River — 2:22
Keith & Kristyn Getty — Confessio — Irish American Roots
Tennessee State University — The Urban Hymnal
Willie Nelson — The Willie Nelson Family

Best Engineered Album, Non-Classical

Baynk — Adolescence
Father John Misty — Chloë and the Next 20th Century
Harry Styles — Harry’s House
Robert Glasper — Black Radio III
Wet Leg — Wet Leg

Producer of the Year, Non-Classical

Boi-1da
Dahi
Dan Auerbach
Dernst “D’Mile” Emile II
Jack Antonoff

Best Remixed Recording

Beyoncé — “Break My Soul (Terry Hunter Remix)”
Ellie Goulding — “Easy Lover (Four Tet Remix)”
The Knocks & Dragonette — “Slow Song (Paul Woolford Remix)”
Lizzo — “About Damn Time (Purple Disco Machine Remix)”
Wet Leg — “Too Late Now (Soulwax Remix)”

Best Immersive Audio Album

Anita Brevik, Nidarosdomens Jentekor & Trondheimsolistene — Tuvayhun — Beatitudes for a Wounded World
The Chainsmokers — Memories…Do Not Open
Christina Aguilera — Aguilera
Jane Ira Bloom — Picturing the Invisible: Focus 1
Stewart Copeland & Ricky Kej — Divine Tides

Best Engineered Album, Classical

Anita Brevik, Nidarosdomens Jentekor & Trondheimsolistene — Tuvayhun — Beatitudes for a Wounded World
Anne-Sophie Mutter, Boston Symphony Orchestra & John Williams — Williams: Violin Concerto No. 2 & Selected Film Themes
Edwin Outwater & Chicago Symphony Orchestra — Mason Bates: Philharmonia Fantastique: The Making of the Orchestra
Pittsburgh Symphony Orchestra & Manfred Honeck — Beethoven & Stucky: Orchestral Works
Third Coast Percussion — Perspectives

Producer of the Year, Classical

Christoph Franke
Elaine Martone
James Ginsburg
Jonathan Allen
Judith Sherman

Best Musical Theater Album

Original Broadway Cast — A Strange Loop
New Broadway Cast — Caroline, or Change
Into the Woods 2022 Broadway Cast — Into the Woods (2022 Broadway Cast Recording)
Original Broadway Cast — MJ the Musical
Mr. Saturday Night Original Cast — Mr. Saturday Night
Original Broadway Cast — Six: Live on Opening Night

Best Audio Book, Narration, and Storytelling Recording

Jamie Foxx — Act Like You Got Some Sense
Lin-Manuel Miranda — Aristotle and Dante Dive Into the Waters of the World
Mel Brooks — All About Me!: My Remarkable Life in Show Business
Questlove — Music Is History
Viola Davis — Finding Me

Best Spoken Word Poetry Album

Amanda Gorman — Call Us What We Carry: Poems
Amir Sulaiman — You Will Be Someone’s Ancestor. Act Accordingly
Ethelbert Miller — Black Men Are Precious
J. Ivy — The Poet Who Sat by the Door
Malcolm-Jamal Warner — Hiding in Plain View

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Kyrie Irving is leaving the Brooklyn Nets. According to Shams Charania and Adrian Wojnarowski, the Nets have decided to honor Irving’s trade request by sending him to the Dallas Mavericks in exchange for Spencer Dinwiddie, Dorian Finney-Smith, a first round pick, and second round picks.

The picks going Brooklyn’s way are a 2029 first rounder and 2027 and 2029 second round picks, while Markieff Morris is also part of the trade going to Dallas.

While many assumed the Lakers would be the frontrunners for Irving, Dallas had plenty of reason to want to add some firepower to their lineup to provide some help for Luka Doncic. They were apparently willing to meet the Nets demands by sending Dinwiddie back to Brooklyn, alongside another 3-and-D wing in Finney-Smith, allowing the Nets to do their best to keep Kevin Durant happy this year and try to compete, while also adding some picks for the future.

Irving requested a trade on the Friday before the trade deadline, with reports indicating that he was not happy with the way discussions regarding a contract extension went with the Nets. Per reports, Brooklyn would not offer Irving a guaranteed contract, while Irving was strongly against signing a deal that included stipulations. As a result, the belief was that Brooklyn either had to trade Irving, or he would leave the team after hitting unrestricted free agency during the summer of 2023.

Irving has been productive when he has played this season, averaging 27.1 points, 5.3 assists, and 5.1 rebounds in 37 minutes a night while hitting 48.6 percent of his attempts from the field and 37.4 percent of his threes. His campaign has been mired in controversy, however, and while he has largely managed to stay healthy, the Nets suspended Irving for eight games after he shared an antisemitic film to his Twitter account and refused to denounce antisemitism.

Jack Harlow’s aspirations to become a beloved industry baby is underway. As the “First Class” prepares for tonight’s Grammy Awards, where hopes to win big, Hulu just released the first look at its upcoming film White Men Can’t Jump remake starring the musician.

Despite appearing in several commercials and documentaries, this film marks Harlow’s acting debut. He has big shoes to fill stepping into the role of quirky street basketball player Billy Hoyle. While Harlow certainly has the charisma of the character nailed, he still needs to showcase another side playing off his co-star actor Sinqua Walls (Teen Wolf, Power, The Breaks), who plays his athletic partner in crime, Sidney Deane.

The original beloved 1992 film starred actors Woody Harrelson (who originally played Billy Hoyle) and Wesley Snipes (who originally played Sidney Deane) quickly became a cultural fixture. But, even though this is Harlow’s first significant role, director Charles Kidd II, professionally known as Calmatic, who has worked with Harlow in the past, isn’t worried.

In an interview with Esquire, Calmatic confidently said, “Man, listen, after this film, I don’t think Jack Harlow is going to be a rapper.”

Calmatic later clarified his statement to say, “I mean, I’m sure he is not going to give up rap, but he’s definitely going to be a Mark Wahlberg—where I think people are going to know him more for acting than his music,” adding, “And so I’m happy that he got his feet wet with White Men Can’t Jump so I can take a little responsibility for that. I’m excited for the world to see him and get the full scope of him as an artist.”

The original film, written and directed by Ron Shelton, came out in 1992. The film starred Woody Harrelson as basketball player Billy Hoyle, who teams up with Wesley Snipes’ Sidney Deane to make money by hustling people on the court. The first-look trailer immerses viewers into the world of recreational basketful and is filled with professional references.

Watch the full teaser clip above.

Jack Harlow is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

starring Sinqua Walls and Jack Harlow, streaming May 19 on Hulu.

The Beyhive is feverously counting down the days until their queen, Beyoncé’s Renaissance World Tour tickets, go on sale.

Ticketmaster has taken a few steps to ensure a smooth transaction process in the hopes of avoiding a repeat of Taylor Swift’s The Eras Tour debacle. Also, Ticketmaster has reportedly updated its resale policy to deter scalpers from spiking the cost of tickets. Although these measures could certainly help the average fan, Swedish pop singer Zara Larsson has her own safety net.

During a recent visit to Z100’s afternoon show, Maxwell and Crystal, Larsson spoke about how she admires Beyoncé and can’t wait to see her perform live when the Renaissance World Tour makes a stop in Stockholm.

“I’m so excited! I’m so excited! Premiere night [of the tour’s European wing]? In Stockholm? Stop,” Larsson tells co-host, Crystal Rosas.

Larsson then revealed that being an artist and superfan comes with its perks or, as she says, “Top two things about being an artist is that you meet people throughout your life that can secure you Beyoncé tickets. And it’s not number two.”

As the room laughed, Larsson doubled down, “It’s true! The fact that I’m signed to LiveNation as an artist I’m like, ‘hey, hey, hey,’ I know who to call,” later adding, “even if they make me pay for the tickets I know I can secure them which is the important part. I will be there!”

Now, if only we were all budding international pop stars.

Watch the full interview above.