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Stephen Curry’s Leg Injury Will Reportedly Force Him To Miss ‘Multiple Weeks’

Stephen Curry left in the third quarter of the Warriors’ win over the Mavericks on Sunday night after suffering an apparent knee injury in a collision with McKinley Wright IV while defending a drive.

Wright’s knee hit the side of Curry’s knee, and the All-Star starter limped off the floor and to the locker room. An X-ray at the arena came back negative, but Sunday brought an MRI to determine the severity of the injury and provide a timetable for how long Curry figures to be out. Unfortunately for those hoping it would just be a brief absence, word broke from Shams Charania on Sunday afternoon that Curry’s leg injury would keep him out for “multiple weeks,” while a firm diagnosis on the specifics of the injury Curry is dealing with were not part of the report.

This would certainly seem to suggest Curry will be out through the All-Star break, which would mean he will miss the next five games — against the Thunder, Blazers, Lakers, Wizards, and Clippers — with a return after All-Star giving him just under three weeks from the injury to recover before the Warriors tip-off their second half against the Lakers. At 27-26, the Warriors are already perilously close to being on the outside of the play-in picture, as they sit in seventh currently but are just one game ahead of Portland in 11th. This immediate stretch against OKC, Portland, and L.A., three teams they’re ahead of right now, will be particularly important to navigate with Curry out.

From a league-wide perspective, Curry’s absence for multiple weeks also means Adam Silver will have to select a replacement for Curry from the list of West snubs, with Anthony Edwards and De’Aaron Fox figuring to be the two most likely selections — with the possibility of both making it as Zion Williamson’s All-Star status remains in question.

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With ‘Knock At The Cabin,’ M. Night Shyamalan Has Put An End To ‘Avatar 2”s Long Box Office Reign

Before it came out, people were worried Avatar: The Way of Water wouldn’t make all the money. Even its maker wasn’t so sure about it. Then it started making all the money. But now all good things have to come to an end: After seven weekends at the top of the box office charts, the belated sequel has been felled and by another film from a hitmaking filmmaker.

As per Deadline, Knock at the Cabin, the latest from M. Night Shyamalan, opened to $14.2 million. By contrast, Avatar 2 “only” added another $10.8 million to its sizable haul, which now stands at $636.4 million domestic and a whopping $2.17 billion worldwide. That puts it just shy of the $2.18 billion made by another Cameron mega-blockbuster, Titanic, although that’s about to get a splashy reissue for Valentine’s Day, meaning the two films by the same guy can duke it out some more.

Knock at the Cabin wasn’t the only film to outgross Avatar in its eighth weekend. 80 for Brady, in which Jane Fonda, Sally Field, Rita Moreno, and Lily Tomlin play fans of footballer Tom Brady, opened to $12.5 million.

Still, seven weekends at the top is pretty good. Indeed, it’s the exact number of weekends the original Avatar held the top spot some 13 years ago. And it’s still raking in the bucks.

(Via Deadline)

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Trump Is Big Mad That The Pentagon Revealed Multiple Chinese Spy Balloons Flew Over The U.S. Under His Watch

On Saturday, President Joe Biden had the mysterious, marauding Chinese balloon — which may or may not have been spying on Americans — shot down. The incident inspired lots of far right attacks on the sitting commander-in-chief, who they claimed was weak. Trump would have never let this kind of thing happen, they said. Then the Pentagon revealed he did. Thrice. So the former president did what he always does when news makes him and his cronies look bad: He simply denied it.

“The Chinese Balloon situation is a disgrace, just like the Afghanistan horror show, and everything else surrounding the grossly incompetent Biden Administration,” Trump railed on his rinky-dink Twitter clone. “They are only good at cheating in elections, and disinformation — and now they are putting out that a Balloon was put up by China during the Trump Administration, in order to take the ‘heat’ off the slow moving Biden fools. China had too much respect for ‘TRUMP’ for this to have happened, and it NEVER did. JUST FAKE DISINFORMATION!”

Elsewhere in Republican Land, Marco Rubio went on ABC’s This Week to rant about Biden’s balloon weakness — only to seemingly learn on the air that the same thing happened to Trump on multiple occasions. His face was priceless.

Over the last week, a lot of Republicans lost their marbles over the balloon. Some even offered reckless advice on how to destroy it. Not everyone thought it was the end of the world. SNL used it as fodder for its latest Cold Open sketch.

(Via Mediaite)

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Colin Jost Can’t Believe George Santos Possibly Lied About Producing ‘Spider-Man: Turn Off The Dark’ Either

What’s the weirder George Santos lie? That he’s Jewish. (He’s not.) That his mother died in 9/11. (She wasn’t even in New York at the time.) What about that he produced Spider-Man: Turn Off the Dark? That’s the claim made recently, and if you’re scratching your head over why anyone, even the guy who lied about being a volleyball champ, would purport that he was involved in one of the biggest flops in Broadway history, so is Weekend Update co-anchor Colin Jost.

On the most recent SNL, Jost and Michael Che took some time to pounce on the latest round of news about the freshman GOP representative. Che took on the fact that Santos recused himself from the committee positions “to avoid distraction,” joking, “He added, ‘The last thing I want is attention,’ then he sashayed away in a feather boa,” over an image of heSantos as a drag queen (which he claims he only did briefly).

Jost, however, zeroed in on the alleged Broadway producer’s credit, which the team behind the infamous show denied was real. Jost said, “Though he did end up working with the Green Goblin,” prompting an image of Marjorie Taylor Greene in a green dress.

Jost also took on the Chinese balloon, which may or may not have been surveilling Americans and was shot down by the Air Force earlier in the day. He joked that it was “history’s most complicated gender reveal party.” He added, “Bad news for China: It’s a girl.”

As for Che, he addressed Florida’s AP African American history class, which had to be revised under orders from anti-woke crusader/governor Ron DeSantis, removing Black authors officials deemed “problematic.” Che cracked, “Instead they’ve been replaced with authors they call ‘one of the good ones.’”

You can watch the latest Weekend Update in the videos above and below.

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Brea Beal Breaks Down How She Became The Best Defender In College Basketball

The undefeated, top-ranked South Carolina Gamecocks are seeking to repeat as national champions. Spearheaded by the stingiest defense in college basketball by a country mile, Carolina enters Sunday’s rematch of the national title game against UConn looking to make a statement. Their defense is historically good: According to Her Hoop Stats, the Gamecocks are on track to set the second-best defensive efficiency registered by a team since the database first started (2009-10), allowing only 67.1 points per 100 possessions.

Carolina is deep, routinely running 11 players out during a game at minimum. They’re big and long across the board at every position. More importantly, they’re disciplined — while they are aggressive on that end of the floor, they can only get away with that due to how smart and communicative they are as a unit.

Brea Beal, a 6’1 senior wing and four-year starter, is central to Dawn Staley’s defense, even when the opposition tries their best to remove her from the equation. Recently named to the Naismith Women’s Defensive Player of the Year Award watch list alongside teammate Aliyah Boston, Beal has repeatedly made her case as the most impactful defender in the nation.

“You’ve got to watch games,” Beal tells Dime on how she’s able to take over games on defense. “Not just the opponent you’re about to play, you’ve gotta watch tons of games. You’ve got to see basketball, how it works, how people, teams play. You need to watch it and then understand what you’re watching, what you’re looking for.”

Every game, Beal is tasked with guarding the opposing team’s most dynamic offensive wing or guard. She has the strength and lateral quickness to contain drivers of all varieties. She’s adept at using her length and chest to ward off ball-handlers and bump them out of their comfort zone.

Watching Beal size up her assignment is akin to watching the opening rounds of a title fight. Beal paws, prods, and gauges what this particular matchup will entail to find the sweet spot of where she can cause the most discomfort as the game progresses. If she’s going up against someone smaller, for instance, she’s getting a grasp of her opponent’s speed. If they’re faster, she explains, “that gives me the idea that I need to give them more space so I’m not getting blown past.”

“I trust in myself,” she says, “and know that I can play defense and not get beat.”

Her on-ball exploits pop off the screen, particularly considering how stifling she can be in the most eye-catching actions, but the work she puts in before the stop is made sets her apart. Few players at any size or position can blow up screens and navigate through traffic off of the ball quite like Beal. The purpose of a ball screen is to create space for a ball-handler or shooter, or to cause a defense to overcommit and open up either the screener on the roll or an outlet shooter after help commits to tag the roll.

In response, Beal squeezes the space that screening actions can create.

“For me being a bigger guard, I have to get low and create my space (against a screener), because if I create my space, a post can’t just come and do whatever they want,” she says. “It comes back to realizing that if you’re not seeing the screen or the whole play, you can mess up the entire defense. So it ties back into watching film: Which way can someone get over a screen the best?”

As Beal mentioned with creating her own space, think of her attacking a screening action like a vacuum seal.

Watch how Beal sinks her shoulder and body into the oncoming screener while also keeping an arm out, warding off the guard. This makes a screen rejection more difficult, which matters considering this is an empty corner. There is no help until the rim if the guard drives baseline. By staying low and eating up as much space as possible, Beal constricts the space, contains the drive herself, and the defense is largely unaffected.

Notice again how Beal dips her shoulder and shimmies around the screen.

Boston shows and recovers to her assignment, the screener, as Beal catches and halts the drive with her length and composure, again preventing defensive shift.

She’s fully weaponized her mind and approach to film to create controlled havoc for offenses. Beal has her assignment’s shooting motion figured out so she can time up their shots. If she senses hesitancy, she’ll take advantage. Beal doesn’t half-step, she fully commits. If there is an opening to be aggressive, she seizes the opportunity and blows up plays with good positioning and swift hands.

Watch in the first clip how Beal has her eyes on the ball-handler the entire play. The moment they bobble their dribble and look at the ball, she pounces and forces a turnover. These are the plays that go outside scheme, and it’s these moments that make her so great as a defender.

Beal’s awareness stands out in-game. She has an innate sense and understanding of where her teammates and opponents are, mapping out all the players on the floor with her head ever-moving to remain aware of her shifting surroundings. More and more teams have attempted early actions this season to keep Beal off the ball. Instead, because of how good Beal is, they’ve just created another problem for themselves.

“I feel that’s the easiest position for me to be in,” she says. “If I’m on the strong side, a little jab or hand in there could mess up the whole play. If she bobbles the ball and my teammate picks it up, we’re going the other way.”

Note how the moment UConn’s Evina Westbrook looks down and hits a push dribble to get a step on Victaria Saxton, Beal comes flying in to knock the ball off Westbrook’s knee for a turnover.

“When you’re off the ball, you can see everything, you can point out things, you can direct or push people to where they need to be and you can be there for help if people need it,” Beal says.

Beal feels she’s grown as a communicator over the past year as well. She didn’t used to be vocal, but laughs at how she’s now “yelling and screaming” on the court. Carolina starts every practice off with film, which sets the tone for focus and discipline. Beal’s taken it upon herself to bring along the underclassmen and show them the ropes within the defensive system, like the upperclassmen who did the same for her.

She relishes the opportunities to match-up with great players. Her match-ups with Atlanta Dream All-Star Rhyne Howard during her time at Kentucky were appointment viewing last season. The two are friends, and Beal has the goal of playing alongside or against Howard in the WNBA after her senior season, although she is focused on the present.

Beal has an all-around game. She’s grown as a shooter in her time at Carolina, is one of the better passers and playmakers on the team, and has blossomed into a leader while starting for a squad that has made two straight Final Fours with an opportunity to reach a third this March in Dallas.

She isn’t advocating for herself to win the Defensive Player of the Year award, she’d rather do it with her play. She wants to win and compete. She’s quick to point out that she’s just one of five defenders on the best defense in the nation. Beal is sure of herself but isn’t cocky. She gives off the air of someone who has put countless hours of work into her craft and has found confidence within the hours of toiling, watching, learning.

“It took me a few years to get back to the calm Brea,” she says, reminiscing on starting for the Gamecocks as a freshman.

There were real nerves at first, understandably, with playing big minutes for arguably the top program in the country fresh out of high school. Significant games, tournament runs, and top-25 matchups refined Beal’s calm demeanor into one that can’t be rattled.

“When you’re calm and you just play relaxed,” she says, “that’s when good things happen.”

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Bowen Yang Made For A Hilariously Surly Chinese Spy Balloon In The ‘SNL’ Cold Open

Last week saw the biggest balloon story since “Balloon Boy.” A mysterious object was spotted hovering over parts of the U.S. It was quickly deduced that it came from China. What was it doing here? China claimed it was a civilian-operated meteorological device. Some thought it was a surveillance device. Whatever it was, it was shot down by the the Air Force Saturday over the Atlantic — just in time to inspire the latest SNL Cold Open.

Bowen Yang — who has a history of playing vessels floating in oceans — played the balloon, seen deflated and floating in the ocean, mad as hell. “I entertain you people for four days, and then get shot by Biden! I can’t believe I’m Joe’s Osama,” Yang’s balloon railed.

When asked what he was doing looming over Montana, where he was first noticed by the public, he replied, “I love the show Yellowstone, so I was just there. It’s like Succession but outside. So what?”

It’s still unknown if it was a surveillance device, making the term “Chinese spy balloon” more an allegation. Yang’s version, at least, was definitely snooping. But, he argued, what’s the big deal?

“Everyone’s being surveilled constantly, but it’s always, shoot the balloon and never unplug Alexa,” Yang’s balloon said. “If you care so much about your data, what do you all keep your bank passwords in the Notes app? You mail your literal DNA to a company to find out if you’re like 10 percent French, but je suis just a balloon.”

You can watch the sketch in the video above.

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What’s Popular On Streaming Now

Every single week, our TV and film experts will list the most important ten streaming selections for you to pop into your queues. We’re not strictly operating upon reviews or accrued streaming clicks (although yes, we’ve scoured the streaming site charts) but, instead, upon those selections that are really worth noticing amid the churning sea of content. There’s a lot out there, after all, and your time is valuable.

TIE: 10. That ’90s Show (Netflix series)

Nearly every member of the O.G. series dropped by for a visit, and Red and Kitty are of course still the grown-ups of the coolest basement in existence. This revival, while not quite as appealing as That ’70s Show, still managed to be enjoyable enough that Netflix swiftly greenlit a second season. Who knows whether we’ll see more Jackie and Kelso, but one can only hope, and every guest star seemed to enjoy being back on the scene. The audience isn’t a rabid one as with Cobra Kai, but there are much worse nostalgia grabs with which to spent your time than this one.

TIE: 10. Everything Everywhere All at Once (A24 film streaming on Hulu)

Michelle Yeoh is delivering all of the awards speeches and pointing out how she’s able to kick butt in the process) this season, and for good reason. This A24 movie also happens to feature plenty of hot dog fingers and bagels while dancing through a refreshing take on the otherwise overdone multiverse concept. This sci-fi story with heart will win you over, and Yeoh may be a lock on the Best Actress Oscar, too.

9. Poker Face (Peacock series)

Natasha Lyonne and Rian Johnson are a dream team in this not-Columbo-but-still-Columbo mystery of the week show. The co-stars (Adrian Brody, Benjamin Bratt, Dascha Polanco, Lil Rel Howery, Chloe Sevigny, and more) are all giving the most, and no one is doing cameos these days like Johnson (as with Glass Onion). Lyonne, however, is in command here as Charlie, who has a different kind of swagger Lyonne’s Russian Doll character, but both series prove that not only did Lyonne make a Hollywood comeback with OITNB, but she’s in charge and here to stay.

8. Black Panther: Wakanda Forever (Marvel movie streaming on Disney+)

This sequel was guaranteed to be a resonant and emotional affair, and as our own Mike Ryan wrote in his review, it’s truly a miracle that the franchise continued to soar to the same heights without the late Chadwick Boseman. Naturally, there’s no replacing Boseman, but there is a new Black Panther. This film also has boasts one of the MCU’s greatest antagonists, who’s not straight-up villain and actually gives us a point of view that’s, at times reasonable. These films have come a long way since tossing Ultron into a movie and calling the “bad guy” aspect good.

7. Pamela, A Love Story (Documentary streaming on Netflix)

The impetus for this project happens to be Hulu’s Pam & Tommy, the idea of which disgusted Pamela so much that she still refers to the production as being full of “a**holes.” This documentary allows Pam to spread her truth (including a much more in-depth version of events) and show us her essence beyond having her public image dominated by a stolen home video. That was a traumatic experience and one that caused a domino effect upon her professional and personal lives. Pamela is doing great now, however, after having fought her way out of five bad marriages. She’s got a lot of adoration for the world, though, and her fans adore her back.

6. The Walking Dead (AMC series on AMC+ and Netflix)

Before Daryl Dixon mysteriously washed up on a French beach, he kicked ass for eleven seasons of this series proper. Refresh yourself on this series before Fear The Walking Dead comes to an end, and at least three spinoffs will arrive in the next year. Before all is said and done, we’ll also see spinoffs revolving around Negan and Maggie as well as Rick Grimes and Michonne. Those Walkers don’t quit, and neither does this franchise.

5. The Menu (Searchlight Pictures/20th Century Studios film streaming on HBO Max)

Viewers cannot get enough of temperamental chefs or those who behave even more badly. In this case, Ralph Fiennes is much more sinister than the kitchen bad boys portrayed by Jeremy Allen White (The Bear) and Lucas Bravo (Emily In Paris). The same goes for every project inhabited by Anya Taylor-Joy, who helps to deliver the perfect cheeseburger to the audience after a shocking satire full of gruesome happenings. “Foodie horror” never hit the spot like this.

4. The Drew Barrymore Show (CBS Media Ventures show streaming on Paramount+)

No one knows why it took so long for Drew Barrymore to host her own talk show, but these days, it’s hard to imagine not being a daytime talk-show standout for the ages. She’s optimistic in an endearing way, but sometimes, she intentionally goes off the rails, and at other times, she’s trying to control the chaos as much as possible. David Letterman even stopped by to visit his old flasher-friend, and it’s impossible not to enjoy this show if you start watching, so consider yourself warned.

3. Skinamarink (Shudder original movie streaming on Shudder)

This horror movie arrived following a disconcerting trailer and then went on to gross 60 times its budget. This is an extreme example of low budget/high return, but it remains typical that horror movies can exist on shoestring budgets and then go on to take the box office by surprise storm. Also, people love having the bejesus scared out of them (what on earth is going on in this house?), and this movie promises to fit that bill.

2. M3GAN (Universal Pictures film streaming on Amazon Prime)

Speaking of high-dollar-recouping horror, this homicidal pile of hair and dance moves will make her return in a sequel. One day, protagonists might decide to use their common sense and not unleash AI upon the world. This movie is not that time. However, audiences are all the better for it while watching Allison Williams continue to scream-queen her way in horror films that are much better than anyone ever reasonably expected them to be. Also, James Wan and Jason Blumhouse rarely swing and miss, but we could use a Chucky crossover.

1. The Last Of Us (HBO series streaming on HBO Max)

Craig Mazin does it again, which refers to a lot of impressive things about this show. His ability to increase his audience over time, however, feels unparalleled after this show and Chernobyl. Importantly, you do not have to play the video game to understand or enjoy this show. Also, this story does the undead very differently than The Walking Dead franchise, but the good news is that there’s room in TV hearts for both of them. Everything here is down to a fungus that will make you want to hide inside with your love as much as possible… and watch the latest epic HBO show.

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Watch Out, Chris Pratt. ‘SNL’ Carved Up An Apocalyptic, Faux-HBO ‘Mario Kart’ Starring Pedro Pascal

Pedro Pascal ain’t doing so bad lately with plenty of irons in the fire. The Mandalorian shall soon return for Season 3 on Disney+, and The Last Of Us is already a juggernaut for HBO. The latter has proven to be a rarely successful video-game-to-TV adaptation, and SNL decided to try and do the same for another video game: Mario Kart.

In other words, Chris Pratt’s “it’s a me” voice has got some competition, and here’s something even better: this sketch can finally put a fork in the bad aftertaste that still lingers after Elon Musk brought us a live-action Wario while hosting in 2021.

This SNL spoof harbors no illusions of this also being a successful video game adaptation (hence the bad faux-reviews), but it does feed into the tendency for showbiz to keep trying to crank out what’s proven to already work. So, we’ve got a gritty Mario who’s attempting to also deal with a fungus that happens to be this production’s version of Goombas. He’s attempting to smuggle Princess Peach (Chloe Fineman) down Rainbow Road (what’s left of it), and of course, he’s pulling out firearms and not at all enjoying this ride.

Some joy can be found here in Bowen Yang’s Yoshi, who quickly announces himself as bisexual, and Kenan Thompson as Bowser. Yet one cannot forget that Mario is kind-of hating this task, as evidenced by his dreary “let’s a-go” exclamation. It’s a tough gig.

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Coldplay Was Transcendent Performing ‘Human Heart’ And ‘Fix You’ On ‘Saturday Night Live’

In their second performance of the night on the Saturday Night Live stage, Coldplay delivered an A Cappella version of “Human Heart.” The song features Jacob Collier, who was present during the performance of the song, which comes from the band’s 2021 album, Music Of The Spheres.

Much like the previous performance, Coldplay was surrounded by colorful lights on the stage, and in the hands of the Jason Max Ferdinand Singers, who, once again, accompanied the band onstage. In the middle of “Human Heart,” as lead vocalist Chris Martin and the choir performed without instrumentation, the beat began to pick up. Martin then began to sing one of Coldplay’s signature hits, “Fix You.”

The song was originally released in 2005, on their album, X&Ybut has remained a fan favorite for nearly two decades. As “Fix You” progressed, Martin and the chorus began to sing louder and louder, displaying the wide range of emotions the song is known to evoke.

Whether the band plays old hits or new hits, we’ve seen that Coldplay’s music transcends time. Though, it appears the band may be gearing up for a new era soon. In an interview with Canadian publication City News, Martin revealed that they are almost finished with the follow-up to Music Of The Spheres.

“We’re finishing an album called Moon Music,” Martin said, “which is the second Music Of The Spheres volume, but that won’t come out for a little bit. We might start playing some songs at some point this year.”

In the meantime, you can heck out the performance of “Human Heart” and “Fix You” above.

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Coldplay Delivered A Colorful Performance Of ‘The Astronaut’ On ‘Saturday Night Live’

2023 is looking like a busy year for Coldplay. Right now, the band is gearing up for the next leg of their Music Of The Spheres, which will kick off in March in Sao Paulo, Brazil. In the meantime, the iconic UK band took to the Saturday Night Live bands, to perform some fan favorites.

In their first performance of the night, Coldplay performed “The Astronaut,” their collaboration with BTS’ Jin. During the performance, the band’s lead vocalist Chris Martin was joined by performers dressed in alien masks and colorful helmets, carrying vibrant light-up orbs. As the performance progressed, the Jason Max Ferdinand Singers joined the band onstage, adding equally colorful harmonies. Actress Natasha Ofili offered interpretation for deaf and hard-of-hearing viewers.

Jin himself was not in attendance, as BTS is currently serving in the Korean military for their mandatory enlistment. Last October, Jin performed “The Astronaut” in Chile with Coldplay. During this performance, Martin recalled how the song came together. His account was captured in a fan-shared video.

“About six months ago, one of [BTS’] members called me up,” said Martin, “and he said, ‘I have to leave the band in December [to join] the army in Korea because that’s the rules there. And he said, ‘I need a song that says goodbye to everybody for a little while, and tells them that I love them… And so I said, ‘Okay, we’ll do a song together.’ And instead of being worried about it, I feel so excited about it, so grateful for this relationship that we have with BTS. And then this song arrived, and I was like, ‘This is one of our best songs – let’s give it to this gentleman.’”

You can check out the SNL performance of “The Astronaut” above.