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A French Man Was Sentenced To 8 Months In Prison After Stealing 10 Copies Of Taylor Swift’s ‘Speak Now (Taylor’s Version)’ And Selling Them Online

A warehouse worker at the French branch of the MPO vinyl pressing company was sentenced today to eight months in prison for trying to illegally sell a few copies of Taylor Swift‘s upcoming reissue of Speak Now before its official release. According to French newspaper Ouest-France and a news report shared by Charts In France, the 43-year-old temporary worker was caught trying to sell 10 copies of the yet-to-be-released record online after absconding with them from the warehouse.

His translated account says he was unpacking pallets and several records fell out of a box. Recognizing the name-brand sales potential of Taylor Swift and facing apparently substantial debt, he took 10 copies home, putting out a classified ad selling them at 25 euros each. After the first two were sold, he raised his price to 50(!) euros. However, he was turned in by an MPO France human resources manager and reportedly tried to escape via his home’s rooftop when police arrived to arrest him.

According to Charts In France, the man is a repeat offender, having been convicted 24 times for theft, fraud, drug trafficking, and other offenses, leading to the eight-month sentence. He’ll also have to pay back the vinyl manufacturing company, with a future hearing to determine just how much he now owes. MPO says there “are jobs and millions of euros at stake,” should Universal pull its contract as a result of a leak. Two copies of the album remain at large and authorities are asking whoever has them to come forward or risk prosecution.

Taylor’s Version of her 2010 album Speak Now, which allegedly features collaborations with both Hayley Williams of Paramore and Fall Out Boy, is due on July 7, 2023.

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Netflix’s ‘They Cloned Tyrone’: Everything To Know Including The Release Date, Trailer, And More

“A hustler, a pimp, and a pro walk into a conspiracy theory.”

That’s the one-sentence synopsis of Netflix’s next star-studded comedy, They Cloned Tyrone — a movie starring everyone from Jamie Foxx, John Boyega, and Teyonah Parris to *checks notes* … Keifer Sutherland?

Oh hell, we’ll go with it if it’s even half as weird and wild as the film’s trailer, which dropped early Tuesday morning. From first-time director Juel Taylor, this sci-fi-tinged action-comedy looks full of 70s-era funk, pop culture references, and Foxx belting out Mary J. Blige ballads while rocking merlot leather and fur. So much fur.

Here’s everything we know about the movie.

When Will They Cloned Tyrone Be Released

Netflix has the conspiracy caper slated for a July 21st release date after pushing back its premiere from its original 2022 drop.

At one point, the film was rumored to be landing on the streamer in December 2022, but that obviously didn’t pan out. And good thing too, because this feels like the kind of summer binge-watch sci-fi geeks will love.

What’s They Cloned Tyrone About?

The film’s synopsis marks it as a “pulpy, sci-fi mystery” that features Boyega, Parris, and Foxx investigating a “nefarious conspiracy lurking directly beneath their hood.” Boyega plays Fontaine, a local drug dealer killed in a drive-by shooting. Parris plays Yo-Yo, a sex worker, and Foxx is Slick Charles, her eccentric pimp. The two witness Fontaine’s death which makes his visit to Slick Charles’s motel hangout the next day all the more confusing. What follows is a hilarious romp as the trio tries to uncover a sinister plot to trap and experiment on people in their neighborhood.

For any aspiring filmmakers — or fans who don’t mind having twist endings spoiled — the full script for the film can be read here. The story was originally featured on The Blacklist in 2019 — a platform where filmmakers share scripts in the hopes that a studio will pick them up. Though Taylor is a first-time director, he did pen Creed II and the Lebron James biopic, Shooting Stars, so he’s got the chops.

Is There A Trailer For They Cloned Tyrone?

A teaser for the film was released in September of 2022 but Netflix’s has finally followed that up with a full-length trailer that gives us a bit more to go on in terms of the look and feel of the movie. The two-minute and some-change clip introduces Boyega, Parris, and Foxx who quickly team up to get to the bottom of all the “freaky shit” happening in their city. And they do so while Rockwell’s “Somebody’s Watching Me” plays eerily in the background.

Catch the full trailer below:

Via (What’s On Netflix)

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Kesha Landed A Major Victory In Court For Her Defamation Battle Against Dr. Luke

In her lengthy legal battle with Dr. Luke (real name Lukasz Sebastian Gottwald), Kesha has had some uphill moments. In 2020, she was ordered to pay the producer $400K after a ruling decided Kesha defamed Luke when she sent a text to Lady Gaga saying he had raped Katy Perry. Then, in 2022, it was ruled that her lawyer had also defamed Dr. Luke with Lady Gaga rape allegations. Now, though, Kesha has come away with a W.

Billboard reports that today (June 13), New York’s Court Of Appeal ruled that Luke is a “public figure.” This means that he will need to prove that Kesha acted with “actual malice” when she claimed that he drugged and raped her at a 2005 party. Billboard notes, “To show that Kesha acted with ‘actual malice,’ Dr. Luke will now need to prove at trial next month that she either knew her accusation was false or that she acted with a reckless disregard for the truth.”

“Actual malice” has historically been tough to prove, which should make things more difficult for Luke when the defamation trial finally starts (after eight years of litigation) on July 19.

In its ruling, the appeals court wrote, “By 2014, when Gottwald initiated this defamation action, he was, by his own account, a celebrity — an acclaimed music producer who had achieved enormous success in a high-profile career. He purposefully sought media attention for himself, his businesses, and for the artists he represented, including Sebert, to advance those business interests.”

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Donald Trump, Facing A Federal Indictment And Unable To Find A New Criminal Attorney To Defend Him, Just Sent A Real Estate Lawyer On TV To Make His Case

As Donald Trump arrived at his arraignment hearing in Miami on Tuesday, the former president had failed to find a local attorney to represent him. Trump faces a damning indictment from the federal government over his alleged mishandling of classified documents, and thanks for his noted history of stiffing lawyers and using them as political attack dogs, he was unable to find any takers to challenge the government’s case.

However, Trump did manage to convince one of his attorneys, Alina Habba, to plead his case on TV. It should be noted that Habba is not defending Trump against the federal charges in court because she’s a real estate lawyer. That distinction was not lost on MSNBC who promptly cut away from Habba as anchor Chris Jansing informed viewers at home that Habba basically doesn’t know what she’s talking about because this isn’t even her field.

Via Mediaite:

“She is someone who seems to be serving as a kind of spokesperson for this team, which as we said at the beginning of these hours, that Donald Trump is frankly having some trouble filling, and she herself doesn’t really have any background in criminal law. She’s done real estate law, she’s done family law, a number of other things, and has worked for Donald Trump, but this is not her area of expertise.”

Despite cutting away from Habba, former prosecutor Andrew Weissmann did concede to Jansing that Habba made a valid point about “selective prosecution,” but only from a public debate aspect.

“If you’re trying to understand what this country is now going through, the issue of whether there is selective prosecution, not in the legal sense, but, is somebody being targeted because one party doesn’t like the other party is something that you don’t want to see happen here,” Weissman said. “So, what you want to know is, is there really proof and are there other people similarly situated being prosecuted?”

(Via Mediaite)

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You Would Think Fox News Would Be Able To Tell The Difference Between Melania Trump And Someone Who Isn’t Melania Trump, But Nope

Cable news anchor can’t be an easy gig. You need to have hours of talking points for minutes of actual news, not to mention all the “unbelievably stupid” debates (it’s the closest M&M objectifier Tucker Carlson came to being correct about something). But one of the easier parts of the job is being able to tell difference between Melania Trump, the former president’s wife, and not Melania Trump. Even Kerry from Succession can tell them apart. And yet!

Earlier today, as Donald Trump became the first former or current U.S. president to be charged with federal crimes (congrats!), Fox News reported that his wife joined him at a courthouse in Miami. “We have some video that we want to play out here, Melania Trump entering the courthouse just a short time ago,” anchor John Roberts said. “There she is. Just out of the vehicle and now going toward the courthouse.” The thing is: it wasn’t Melania.

A few minutes later, however, Roberts told viewers that it was actually Trump assistant Margo Martin that the network had spotted exiting a vehicle. “We thought that was Melania Trump who was arriving, apparently it was not Melania, apologies for that,” Roberts noted, adding: “But a day like today, with so many comings and goings, it’s easy from a distance to mistake two people.”

To be fair (and/or balanced), this isn’t the first time that another woman in the Trump orbit has been mistaken for Melania. There’s even a “Melania Trump replacement conspiracy theory” page on Wikipedia, because of course there is. Remember when conspiracy theories were fun? We have to go back.

Here’s fake Melania:

(Via the Daily Beast)

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How Nikola Jokic Helped The Denver Nuggets Win A Title With His Defense

Just about 14 months ago, the Denver Nuggets’ season was ended because they couldn’t get stops. The Golden State Warriors, eventual 2021-22 champions, dissected their overmatched defense in a clinical first-round dispatching. Denver lost in five games and posted a dismal 123.4 defensive rating — the worst among 16 playoff squads.

On Tuesday night, the Nuggets ended the season on their own terms because they generated stop after stop and nabbed the franchise’s first title. Along the way, they went 16-4 and posted a 111.0 defensive rating, the fourth-best mark among 16 playoff squads.

That dichotomy can be attributed to offseason moves and the return of Jamal Murray and Michael Porter Jr., both of whom were absent for Denver’s five-game playoff cameo in 2022. Whereas the likes of Monte Morris, Will Barton, Bones Hyland, and Austin Rivers manned the backcourt for the Nuggets against the Warriors, Murray, Kentavious Caldwell-Pope, Bruce Brown and Christian Braun assumed those duties this year. Those proved to be major upgrades defensively, offering more size, mobility, dexterity and screen navigation on the perimeter.

The revamped guard rotation allowed Nikola Jokic to go from the linchpin of the defense — a role for which he is ill-suited — to a key cog of a good defense (though, he was the linchpin of the Finals). It lifted some of the burden off his shoulders and broadened his margin of error, which was razor thin last postseason.

Much of the blame for Denver’s defensive ineptitude in the Golden State series centered on Jokic and his limitations. Yet he was regularly having to account for ball-handlers and screeners as his guards were stuck trying to play catch up and never rejoined the action. None of Morris, Barton, or Hyland provided concise screen navigation or strength at the point of attack. Caldwell-Pope, Braun, and Brown did. Folks forget a play like this because the Nuggets were demolished, but they happened throughout the series. Jokic was given an impossible job doomed for failure. This year, it became much more reasonable and ended with success of the highest order.

The analysis was results-based, not process-based, just like there’s now a swelling tide to crown Jokic a staunchly stellar defender after this past series, when he excelled and Denver won handily. Rather, he is in the midpoint of those extremes, a good defender finally surrounded by complementary personnel who rose to the occasion in a favorable matchup for a dominant five-game showing.

After Damian Lillard, Chris Paul, Devin Booker, and Stephen Curry decimated Denver’s defense in consecutive playoff appearances, the prevailing narrative emerged that potent off-the-dribble threats were the path to counter Jokic and magnify his defensive shortcomings. The Nuggets faced various pull-up creators en route to a ring, headlined by Kevin Durant, Devin Booker, and Anthony Edwards. The result was an .800 win percentage and feisty, overwhelming defense.

Early in this last series, the Nuggets danced between playing drop and keeping Jokic at the level, given Miami’s brigade of shooters and dribble handoff threats. Because of Jokic’s cumbersome lateral quickness and vertical explosion, they’ve often stationed him at the level to try and deploy his size and dexterity as an impediment for ball-handlers. Yet as the Finals progressed, he increasingly adhered to deep drop coverage. Denver grew content to gauge the Heat’s pull-up shooting and didn’t want to create 4-on-3 chances for Adebayo. Those instincts aged well.

Miami entered the series with an effective field goal percentage of 45.2 off the bounce in the playoffs. Against Denver, it tumbled to 37.7. That’s not how the Heat offense thrived amid their Finals run. Jokic and the Nuggets dared them to win that way. They couldn’t. The big fella was disciplined and active in drop coverage. He engaged ball-handlers long enough for his teammates to recover and prevented Adebayo from finding many free lanes all the way to the rim. He knew when to commit to drivers and when to stay home on Adebayo’s dives.

The Heat ran many pick-and-rolls at him. It didn’t matter. It was some of the stingiest drop coverage I’ve seen him employ throughout his NBA career. If Miami did find pocket pass windows to Adebayo, they hardly occurred when Adebayo had an angle past Jokic. Instead, he had to settle for midrange jumpers. Pocket passes with a runway were squashed out because of Jokic’s positioning and timing. He and the Nuggets wrapped up these Finals sporting a 106.2 defensive rating, cobbling together plenty of possessions just like this.

Almost entirely veering away from slotting Jokic at the level was a vital tweak for Denver. Adebayo’s playmaking chances evaporated. He tallied nine dimes the first two games and just seven over the final three. Rarely did Miami’s offense jolt the Nuggets into a scramble. Jokic’s aptitude in drop, paired with effective point-of-attack options, allowed them to play 2-on-2. Their brazen, seemingly automatic pre-rotations from a low man were less frequent. The Heat were left trying to boogie off the bounce, despite lacking the juice to do so.

With Jimmy Butler passive as a downhill scorer (likely due somewhat to the sprained ankle he suffered in the second round), nobody aside from Caleb Martin could vigorously attack the rim for the Heat. That boded well for the Serbian wunderkind, who acted as a consistent deterrent and influencer around the basket. He short-circuited drives. He lurked around the paint. He rotated and recovered. He held his ground against contact.

The Heat shot 17.2 percent worse than their average when he was the primary defender on field goals within 6 feet. They also walked into this matchup with a 29.5 percent rim frequency through three rounds, but only 23.4 percent of their shots came at the hoop in the Finals. Jokic ensured their interior endeavors would be both hellish and less popular experiences.

Some of the reason Denver can play defensive stalwarts like Aaron Gordon, Braun, Brown, and Caldwell-Pope without worry of any floor-spacing or offensive quandaries is because of Jokic. Gordon punished smaller defenders inside and as a cutter, opportunities that often stemmed from attention Jokic commanded or the cross-matches he fashioned as a rebounder and subsequent transition engine. Braun’s cutting was amplified by Jokic’s immediate processing speed and extensive passing web. Brown could commandeer ball-screens because teams would sell out on Jokic’s rolls to the rim. Caldwell-Pope ran dribble handoffs into quick pull-ups because Jokic freed him with hulking screens.

His mastery allows virtually any lineup to succeed offensively. All four of those players can fill different roles and matchups defensively, and they did on their path to a championship. Jokic’s offensive shapeshifting means more wiggle room for defensive shapeshifters. His defensive responsibilities are clarified as a byproduct of his offensive dominion.

None of the offensive exploits should overshadow Jokic’s defensive congruence across an array of schemes this postseason. He navigated drop. He stuck at the level of the screen. He flirted with some switching. He hung in the corner on non-shooters to be a low man. He and the Nuggets oscillated between his responsibilities resting on the backline and the frontline, a testament to the versatility of he and his teammates.

Defense is a task of details. Success is not replicable solely because of effort. There are angles and subtle events that cannot be guaranteed every trip down. Slight changes in offensive positioning and spacing may arise. A steadfast, buzzing motor certainly never hurt, though, and Jokic flew around the court in the Finals. All the while, however, he didn’t let that impose on his feel for the game and astute positioning. He scurried out to shooters while avoiding reckless contests. He spiked rebounds off the glass to himself and away from swirling limbs. He tipped rebounds out of Adebayo’s clutches. Simply put, the dude played really freaking hard defensively.

For years, the Warriors and their grandiose shooting warped the idea of what viable, title-caliber defense could resemble. Drop coverage was a dinosaur exiled by Golden State’s meteor. Switching and rangy, small-ball lineups were the future.

Yet, here we are, a day removed from a team earning a championship, partly because of its tremendous defense. For at least five of those games, the bedrock of that unit was a 7-footer short on mobility or hops who adhered to drop coverage and smothered the opposition while doing so. Let it be a reminder: the winning formula in this league contains no absolutes, only historic greats doing so however their greatness dictates. Nikola Jokic is the latest example.

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Tory Lanez’s Sentencing Hearing Was Rescheduled Because His Attorneys Were Too Busy Trying To Get A New Trial

Tory Lanez’s sentencing for shooting Megan Thee Stallion has been delayed by the request of his defense attorneys, according to freelance journalist Meghann Cuniff. After prosecutors recommended 13 years in prison, citing Tory’s plans to antagonize Megan in the lead-up to the trial, including trying to crash her 2021 Rolling Loud Miami set with DaBaby, Judge David Herriford granted a continuance in order to allow time for Tory’s attorneys to argue for a shorter sentence.

Tory was found guilty in December 2022 of shooting Meg in the summer of 2020 after a disagreement. Although Tory maintained his innocence in the intervening three years, he also failed to present a reasonable alternative explanation for the bullet fragments in Megan’s feet — and his defense’s star witness ended up confirming that it was Tory who held the gun all along. But the impetus behind prosecutors’ insistence on such a harsh sentence stemmed more from Tory’s actions after the shooting.

During the trial, Meg admitted that she wished Tory had actually killed her because of the harassment she received in the years leading up to the trial. During that time, social media users expressed doubt in her account of the events leading to her being shot (and indeed, that she was even shot in the first place, despite medical professionals confirming the bullet fragments left in her feet after surgery), and even called her an outright liar — all goaded by Tory, who claimed in his music and online that he was being framed.

Tory’s attempts to dodge accountability have included requesting a new trial (denied), trying to have the judge disqualified, and hiring Suge Knight’s old lawyer to file an appeal. A new sentencing date has been scheduled for August 7.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Marjorie Taylor Greene Actually Said ‘I Don’t Want My Staff Educated’ In Response To An Offer By The Head Of The CDC To Educate Her Staff

Representative Marjorie Taylor Greene is one of many GOP members of Congress with an apparent room-temperature IQ, but instead of hiding that fact, she continues to proudly put her dipshittery on display anytime a mic is shoved in her face.

For proof, you can enjoy this short clip of Greene — a woman who has blamed wildfires on Jewish space lasers and who thinks solar panels stop working when the sun sets — insisting that she wants her staff to remain as uneducated as she is. The confession came after Dr. Rochelle Wolensky, the director of the Centers for Disease Control and a person who’s presumably spent years studying how viruses and vaccines work, was forced to dumb things down for Greene and her pals. Wolensky was trying to explain that the number of “adverse effects” tied to a certain vaccine doesn’t necessarily mean that every reported incident was actually caused by getting jabbed. She attempted to use an example of a car wreck happening after a person got a vaccine as something that would be reported as an “adverse effect” but really had no connection to getting vaccinated — which is why her office investigates every claim.

But Greene, whose elevator has never really reached the top floor, just wasn’t getting it, so Wolensky offered to educate her staff on the procedure for investigating reports. That offer gave us this gem of a pull quote from Greene: “I don’t want my staff educated!”

No, we’d think not, especially since even sharing one brain cell amongst them would mean Greene’s staffers were geniuses compared to her.

You can enjoy the absurdity of the full interaction below:

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The Recording Academy Added Three New Categories Under The Pop, Jazz, And African Music Fields For 2024

Next year’s Grammy Awards will have a variety of new categories, addressing some of the criticisms that prior ceremonies missed out on crucial opportunities to honor works in genres that are often overlooked by the mainstream tastes of the Recording Academy at large. The Recording Academy added three new categories, including best African music performance, best alternative jazz album, and best pop dance recording, according to Billboard.

Since voters can only vote in three genre-specific fields (in addition to the general categories), the producer of the year, non-classical and songwriter of the year, non-classical categories are being moved to the general field where best new artist and album, record, and song of the year already reside. This turns the Big Four into the Big Six, I guess.

In a statement, Recording Academy CEO Harvey Mason Jr. said:

“The Recording Academy is proud to announce these latest category changes to our awards process. These changes reflect our commitment to actively listen and respond to the feedback from our music community, accurately represent a diverse range of relevant musical genres, and stay aligned with the ever-evolving musical landscape. By introducing these three new categories, we are able to acknowledge and appreciate a broader array of artists – and relocating the producer of the year and songwriter of the year categories to the general field ensures that all our voters can participate in recognizing excellence in these fields. We are excited to honor and celebrate the creators and recordings in these categories, while also exposing a wider range of music to fans worldwide.”

The new awards bring the total number of categories up to 94, the most the Grammys have had since 2010’s peak of 109. Billboard has a complete breakdown of the new categories, which will help honor artists in genres like Afrobeats, Amapiano, and High Life, while reducing friction when artists like Beyoncé work in genres like dance so they aren’t competing with full-time EDM artists.

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SZA Is Outraged By All The Online Harassment Lizzo Faces And Wonders Why People Don’t Stand Up For Her More

A couple weeks ago, Lizzo saw a rude comment about her body on Twitter and justifiably launched into a tweetstorm, writing in part, “Y’all don’t know how close I be to giving up on everyone and quitting and enjoying my money and my man on a F*CKING FARM…”

SZA was apparently an onlooker of this saga and today, she got heated as she shared her perspective.

In a tweet from earlier today, she started, “I be wondering where all the virtue signaling ,well spoken sh*t talking , internet warriors are when someone genuine needs defending . Where the f*ck do y’all be at for lizzo ? Do y’all actually know how to support others or only tear them down [thinking emoji].”

Somebody responded, “So people don’t go to war for Lizzo in this app?” SZA replied, “NOT EF*CKINGNUFF . For as much free love, encouragement and positivity she embodies n shares on every app daily ? The ratios’s don’t add up .” She continued in another tweet, “I also dgaf who don’t agree . It’s been on my mind for a minute .. makes me upset. jus want everyone to practice kindness and shutting tf up more often cause G*DDAMN ITS UGLY OUTSIDE ALREADY . Why add ?”

Lizzo is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.