Categories
News Trending Viral Worldwide

How Jamal Murray Can Get Back On Track After The Heat Slowed Him Down In Game 2

In the immediate aftermath of the Miami Heat’s 111-108, Game 2 victory over the Denver Nuggets, much of the discourse fixated on the idea that Miami successfully turned Nikola Jokic into a scorer, evidenced by his playoff-low four assists and the Heat’s win. Despite this narrative, Miami still directed considerable defensive attention his way and doubled him occasionally, on and off the ball.

At least from my vantage point, where the Heat really lasered in was against Jamal Murray, who tallied 26 points (11-for-22 shooting) and 10 assists during Denver’s Game 1 triumph. On Sunday, the star point guard had 18 points and 10 assists, but posted his third-lowest usage rate of the playoffs at 24.4 percent, a notable decline from 30.3 percent in Game 1.

Much of that usage downgrade stemmed from Miami’s defensive adjustments. It started Caleb Martin and assigned Gabe Vincent to Murray in Game 1, but swapped Kevin Love in place of Martin, moved Vincent onto Kentavious Caldwell-Pope, and stuck Jimmy Butler onto the Canadian marksman for Game 2.

Vincent is a good defender, but Murray leveraged his size and strength advantage into pull-ups and easily discernible passing windows — usually to Jokic — throughout Game 1. Putting Butler on Murray gave the Heat someone with the frame to dissuade his long-range looks and close down space from midrange, a dynamic Vincent couldn’t emulate. When Butler rested, other rangy, defensively inclined wings in Martin and Haywood Highsmith guarded Murray. All three of them picked up Murray before half-court on numerous possessions to complicate matters. The Heat also rarely crashed the offensive glass and promptly organized their half-court defense to avoid cross-matches for Murray, similar to their approach against Jaylen Brown last round.

Butler spent the most time on Murray. His blend of size, discipline, and body control corralled Murray on and off the ball. Slithering around screens, closing out off the catch, and pairing with Bam Adebayo in pick-and-rolls, Butler hounded his opponent. The free-flowing vibes of Game 1 were absent for Murray’s laborious Game 2. Butler may still be enduring a cold spell as a scorer, but his defense was tremendous on Sunday evening. (This also, for the record, applies to his playmaking.)

Slowing stars is about infringing on their comfort. Murray is comfortable against Vincent. He wasn’t against Butler and Martin in Game 2.

Murray is an adept off-the-bounce shooter beyond the arc, yet he typically loves to build out his scoring profile from the midrange. When he can saunter into and drain a few intermediate pull-ups, the likelihood that he gets scorching hot skyrockets. When he can’t, the offense becomes more of a Plan B grind. Miami’s solution to prevent one of those torrid nights was to send strong-side help around the elbows. Shrink his open real estate in the midrange. Don’t empower him to pound a couple dribbles and rise for a 15-footer.

When he piloted pick-and-rolls with Jokic, Adebayo was typically playing at or near the level of the screen and aimed to eliminate those pocket pass windows. Murray is a good passer, but his best, most routine quality in that regard is the systematic, inevitable nature of his deliveries to Jokic; he’s almost always either feeding the big fella or wiggling into an open shot himself. The Heat negated that and forced reads elsewhere as he operated downhill.

During zone defense reps, they maintained similar principles on Murray. They crowded his catches and intruded on his driving lanes to funnel offense somewhere besides seamless midrange touches for him.

Miami’s margin for error against him is small. If he and the Nuggets did fashion favorable matchups or spacing arrangements, Murray excelled. When the Heat didn’t drift up from the strong-side corner or he brought Vincent into the on-ball assignment, the offense hummed. Basically, when he encountered ample space, regardless of how it arose, he made Miami pay.

I expect Denver to respond. Michael Malone and co.’s adjustments have been shrewd all playoffs. The offense is multifaceted. Murray is multifaceted. The Heat are a switch-heavy team guarding an offense rich with shooting and creativity. More concerted efforts to remove Butler from the action via screens could or should be incorporated.

Something like this, where Michael Porter Jr. sets a quick pick and flows into a vacant corner, could prove quite useful. Because of his movement shooting and steadfast trigger, Miami probably can’t show and recover on that in time to influence him.

Obviously, the Heat are not going to switch Vincent onto Jokic much. Above, they presumably switched to dissuade a Murray pull-up triple, given the time and score. But Vincent at the point-of-attack and Butler glued to a preeminent floor-spacer, rather than vice versa, are circumstances the Nuggets will revel in, as they did for an easy score late in Game 2.

Adebayo’s intersection of length, mobility, and agility in ball-screens posed trouble for Murray. I wonder if Denver deploys Gordon, who’s predominantly being defended by Love, as a screen-and-roll valve more in Game 3. Not only would that thrust Love into tenuous defensive contexts, ball-screen coverage, and movement in space, it would take him away from his beneficial role as an interior helper, where he shined in Game 2.

Initiating pick-and-rolls higher up to give Murray more time to identify swing passes to accomplished corner shooters (Porter, Caldwell-Pope) as Miami continues bringing strong-side help could exploit that brazen tactic as well. Let Murray curl around screens well before someone like Butler or Vincent awaits him. Stretch out the distance helpers have to travel between their man and Murray commandeering the action.

Trying to better insulate him defensively with shows or pre-switches might be another beneficial gambit. The Heat ran him through a ton of pick-and-rolls to exploit his insufficient screen navigation. Whether it was communication, winding around screens or closing out, he was quite poor defensively and Miami targeted him, maybe as both a means of generating profitable offense and wearing him down for his own offensive ventures.

Jokic is the most unstoppable player in the NBA. There is no scheme to contain him. Murray, while an excellent complementary star, does present avenues for defenses to quiet him. The Heat showcased some of them in Game 2, which proved less about the game-plan on Jokic and far more about the game-plan on Murray. While the separators for Miami overwhelmingly resided in its bountiful offense and Denver’s wretched defense, its tweaks against Murray were relevant and impactful. If the conversation is going to revolve around the Heat’s defense, it should start and progress from there.

Categories
News Trending Viral Worldwide

How Jamal Murray Can Get Back On Track After The Heat Slowed Him Down In Game 2

In the immediate aftermath of the Miami Heat’s 111-108, Game 2 victory over the Denver Nuggets, much of the discourse fixated on the idea that Miami successfully turned Nikola Jokic into a scorer, evidenced by his playoff-low four assists and the Heat’s win. Despite this narrative, Miami still directed considerable defensive attention his way and doubled him occasionally, on and off the ball.

At least from my vantage point, where the Heat really lasered in was against Jamal Murray, who tallied 26 points (11-for-22 shooting) and 10 assists during Denver’s Game 1 triumph. On Sunday, the star point guard had 18 points and 10 assists, but posted his third-lowest usage rate of the playoffs at 24.4 percent, a notable decline from 30.3 percent in Game 1.

Much of that usage downgrade stemmed from Miami’s defensive adjustments. It started Caleb Martin and assigned Gabe Vincent to Murray in Game 1, but swapped Kevin Love in place of Martin, moved Vincent onto Kentavious Caldwell-Pope, and stuck Jimmy Butler onto the Canadian marksman for Game 2.

Vincent is a good defender, but Murray leveraged his size and strength advantage into pull-ups and easily discernible passing windows — usually to Jokic — throughout Game 1. Putting Butler on Murray gave the Heat someone with the frame to dissuade his long-range looks and close down space from midrange, a dynamic Vincent couldn’t emulate. When Butler rested, other rangy, defensively inclined wings in Martin and Haywood Highsmith guarded Murray. All three of them picked up Murray before half-court on numerous possessions to complicate matters. The Heat also rarely crashed the offensive glass and promptly organized their half-court defense to avoid cross-matches for Murray, similar to their approach against Jaylen Brown last round.

Butler spent the most time on Murray. His blend of size, discipline, and body control corralled Murray on and off the ball. Slithering around screens, closing out off the catch, and pairing with Bam Adebayo in pick-and-rolls, Butler hounded his opponent. The free-flowing vibes of Game 1 were absent for Murray’s laborious Game 2. Butler may still be enduring a cold spell as a scorer, but his defense was tremendous on Sunday evening. (This also, for the record, applies to his playmaking.)

Slowing stars is about infringing on their comfort. Murray is comfortable against Vincent. He wasn’t against Butler and Martin in Game 2.

Murray is an adept off-the-bounce shooter beyond the arc, yet he typically loves to build out his scoring profile from the midrange. When he can saunter into and drain a few intermediate pull-ups, the likelihood that he gets scorching hot skyrockets. When he can’t, the offense becomes more of a Plan B grind. Miami’s solution to prevent one of those torrid nights was to send strong-side help around the elbows. Shrink his open real estate in the midrange. Don’t empower him to pound a couple dribbles and rise for a 15-footer.

When he piloted pick-and-rolls with Jokic, Adebayo was typically playing at or near the level of the screen and aimed to eliminate those pocket pass windows. Murray is a good passer, but his best, most routine quality in that regard is the systematic, inevitable nature of his deliveries to Jokic; he’s almost always either feeding the big fella or wiggling into an open shot himself. The Heat negated that and forced reads elsewhere as he operated downhill.

During zone defense reps, they maintained similar principles on Murray. They crowded his catches and intruded on his driving lanes to funnel offense somewhere besides seamless midrange touches for him.

Miami’s margin for error against him is small. If he and the Nuggets did fashion favorable matchups or spacing arrangements, Murray excelled. When the Heat didn’t drift up from the strong-side corner or he brought Vincent into the on-ball assignment, the offense hummed. Basically, when he encountered ample space, regardless of how it arose, he made Miami pay.

I expect Denver to respond. Michael Malone and co.’s adjustments have been shrewd all playoffs. The offense is multifaceted. Murray is multifaceted. The Heat are a switch-heavy team guarding an offense rich with shooting and creativity. More concerted efforts to remove Butler from the action via screens could or should be incorporated.

Something like this, where Michael Porter Jr. sets a quick pick and flows into a vacant corner, could prove quite useful. Because of his movement shooting and steadfast trigger, Miami probably can’t show and recover on that in time to influence him.

Obviously, the Heat are not going to switch Vincent onto Jokic much. Above, they presumably switched to dissuade a Murray pull-up triple, given the time and score. But Vincent at the point-of-attack and Butler glued to a preeminent floor-spacer, rather than vice versa, are circumstances the Nuggets will revel in, as they did for an easy score late in Game 2.

Adebayo’s intersection of length, mobility, and agility in ball-screens posed trouble for Murray. I wonder if Denver deploys Gordon, who’s predominantly being defended by Love, as a screen-and-roll valve more in Game 3. Not only would that thrust Love into tenuous defensive contexts, ball-screen coverage, and movement in space, it would take him away from his beneficial role as an interior helper, where he shined in Game 2.

Initiating pick-and-rolls higher up to give Murray more time to identify swing passes to accomplished corner shooters (Porter, Caldwell-Pope) as Miami continues bringing strong-side help could exploit that brazen tactic as well. Let Murray curl around screens well before someone like Butler or Vincent awaits him. Stretch out the distance helpers have to travel between their man and Murray commandeering the action.

Trying to better insulate him defensively with shows or pre-switches might be another beneficial gambit. The Heat ran him through a ton of pick-and-rolls to exploit his insufficient screen navigation. Whether it was communication, winding around screens or closing out, he was quite poor defensively and Miami targeted him, maybe as both a means of generating profitable offense and wearing him down for his own offensive ventures.

Jokic is the most unstoppable player in the NBA. There is no scheme to contain him. Murray, while an excellent complementary star, does present avenues for defenses to quiet him. The Heat showcased some of them in Game 2, which proved less about the game-plan on Jokic and far more about the game-plan on Murray. While the separators for Miami overwhelmingly resided in its bountiful offense and Denver’s wretched defense, its tweaks against Murray were relevant and impactful. If the conversation is going to revolve around the Heat’s defense, it should start and progress from there.

Categories
News Trending Viral Worldwide

King Gizzard & The Lizard Wizard Unleash The Intense New Single ‘Dragon’ With A Trippy Video

Last month, King Gizzard & The Lizard Wizard announced their 24th (!) studio album, insanely titled PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation. The group unleashed the lead single “Gila Monster,” and now they’re back with the track “Dragon.”

The song comes with a trippy music video done by Jason Galea. “Over the last two months I dusted off my music video computer to slay the 10 minute ‘Dragon,’” Galea said. “I wanted to explore a harsh distorted visual palette using my live visual setup mixed with PS1 cutscene inspired animation and studio footage I filmed of the band. The animation was created using Cinema 4D and processed through After Effects and a Tachyons circuit bent video unit.”

Drummer Michael Cavanagh added, “Ahh my sweet baby Dragon is here fresh out of hell’s womb, summoned by the humans at the end of their pitiful road. It’s hard, fast and here to disrupt the natural order and annihilate everything in its path, so turn it up Sammy!”

They’re in the midst of residencies in North America at the moment.

Watch the video for “Dragon” above.

PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation is out 6/16 on KGLW. Find more information here.

Categories
News Trending Viral Worldwide

King Gizzard & The Lizard Wizard Unleash The Intense New Single ‘Dragon’ With A Trippy Video

Last month, King Gizzard & The Lizard Wizard announced their 24th (!) studio album, insanely titled PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation. The group unleashed the lead single “Gila Monster,” and now they’re back with the track “Dragon.”

The song comes with a trippy music video done by Jason Galea. “Over the last two months I dusted off my music video computer to slay the 10 minute ‘Dragon,’” Galea said. “I wanted to explore a harsh distorted visual palette using my live visual setup mixed with PS1 cutscene inspired animation and studio footage I filmed of the band. The animation was created using Cinema 4D and processed through After Effects and a Tachyons circuit bent video unit.”

Drummer Michael Cavanagh added, “Ahh my sweet baby Dragon is here fresh out of hell’s womb, summoned by the humans at the end of their pitiful road. It’s hard, fast and here to disrupt the natural order and annihilate everything in its path, so turn it up Sammy!”

They’re in the midst of residencies in North America at the moment.

Watch the video for “Dragon” above.

PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation is out 6/16 on KGLW. Find more information here.

Categories
News Trending Viral Worldwide

Tucker Carlson Debuted His New Twitter Show, Teeming With Conspiracy Theories About Ukraine, BLM Protests, 9/11, Aliens, And — Why Not! — The Assassination Of JFK

Tucker Carlson was fired by Fox News in late April, but props where’s it’s due: It took him less than a month-and-a-half to bow his first new show at his new home. (This probably violates his old contract, but that will surely be settled over a lengthy legal battle.) As threatened, the network’s former top star took his toys to Twitter, and on Tuesday he dropped the first episode of his new, social media-only program (or whatever you call it). From the looks of it, his viewers will have to settle for a shorter, less polished version of in old show, in a new, homier location that makes him seem less like an authority and more like a rando vomiting conspiracy theories from his basement.

The maiden episode barely had time for an introduction — just a simple “Hey, Tucker Carlson here” — before its host launched into an extended riff on Ukraine and the mysterious destruction of the Kakhova dam along the Ukraine-Russia border. Reporters on the ground are trying to untangle who’s really at fault, with both sides blaming the other.

Meanwhile Carlson — on the ground in Maine and recording from what looks like a spare room — of course blamed Ukrainian president Volodymr Zelensky. It was classic Tucker. He sarcastically called Zelensky “too decent for terrorism” before segueing into a meeting last month between him and Lindsey Graham, airing the same deceptively edited video played by hs fans on Russian State TV, albeit minus the part where someone calls for his assassination.

The episode ran 10 minutes, but it covered a lot of ground. At one point he does a kind of conspiracy theory bingo, name-dropping Jeffrey Epstein, BLM protests, 9/11, aliens, and — why not! — the assassination of JFK. He also repeatedly slammed trans people, natch.

And yet Tucker was noticeably low-energy, almost tired, as though weighed down by too many years of connecting dots that have no connection at all. Perhaps he’s just rusty after a several weeks off-air. Maybe he missed his old, better-looking set. (At one point you can hear someone off-screen, presumably a family member, loudly close a door.)

Even his usual refrain about being persecuted for just being curious seemed phoned-in:

If you’re wondering why our country seems dysfunctional, this is a big part of the reason. Nobody knows what’s happening. A small group of people control access to all relevant information, and the rest of us don’t know. We’re allowed to yap all we want about racism, but go ahead and talk about something that really matters, and see what happens. If you keep it up, they’ll make you be quiet. Trust us. That’s how they maintain control.

He concluded by praising his new digs — while signaling that it might not work out in the end. “As of today we’ve come to Twitter, which we hope will be the shortwave radio under the blanket. We’re told there’s no gate-keepers here,” he said. “If that turns out to be false we’ll leave. But in the meantime we’re grateful to be here.”

Watch, if you must, the debut episode of what appears to be called Tucker on Twitter in the tweet embedded above. May his base of older folks who’ve never cut their cable cords and don’t really use social media enjoy it.

Categories
News Trending Viral Worldwide

Tucker Carlson Debuted His New Twitter Show, Teeming With Conspiracy Theories About Ukraine, BLM Protests, 9/11, Aliens, And — Why Not! — The Assassination Of JFK

Tucker Carlson was fired by Fox News in late April, but props where’s it’s due: It took him less than a month-and-a-half to bow his first new show at his new home. (This probably violates his old contract, but that will surely be settled over a lengthy legal battle.) As threatened, the network’s former top star took his toys to Twitter, and on Tuesday he dropped the first episode of his new, social media-only program (or whatever you call it). From the looks of it, his viewers will have to settle for a shorter, less polished version of in old show, in a new, homier location that makes him seem less like an authority and more like a rando vomiting conspiracy theories from his basement.

The maiden episode barely had time for an introduction — just a simple “Hey, Tucker Carlson here” — before its host launched into an extended riff on Ukraine and the mysterious destruction of the Kakhova dam along the Ukraine-Russia border. Reporters on the ground are trying to untangle who’s really at fault, with both sides blaming the other.

Meanwhile Carlson — on the ground in Maine and recording from what looks like a spare room — of course blamed Ukrainian president Volodymr Zelensky. It was classic Tucker. He sarcastically called Zelensky “too decent for terrorism” before segueing into a meeting last month between him and Lindsey Graham, airing the same deceptively edited video played by hs fans on Russian State TV, albeit minus the part where someone calls for his assassination.

The episode ran 10 minutes, but it covered a lot of ground. At one point he does a kind of conspiracy theory bingo, name-dropping Jeffrey Epstein, BLM protests, 9/11, aliens, and — why not! — the assassination of JFK. He also repeatedly slammed trans people, natch.

And yet Tucker was noticeably low-energy, almost tired, as though weighed down by too many years of connecting dots that have no connection at all. Perhaps he’s just rusty after a several weeks off-air. Maybe he missed his old, better-looking set. (At one point you can hear someone off-screen, presumably a family member, loudly close a door.)

Even his usual refrain about being persecuted for just being curious seemed phoned-in:

If you’re wondering why our country seems dysfunctional, this is a big part of the reason. Nobody knows what’s happening. A small group of people control access to all relevant information, and the rest of us don’t know. We’re allowed to yap all we want about racism, but go ahead and talk about something that really matters, and see what happens. If you keep it up, they’ll make you be quiet. Trust us. That’s how they maintain control.

He concluded by praising his new digs — while signaling that it might not work out in the end. “As of today we’ve come to Twitter, which we hope will be the shortwave radio under the blanket. We’re told there’s no gate-keepers here,” he said. “If that turns out to be false we’ll leave. But in the meantime we’re grateful to be here.”

Watch, if you must, the debut episode of what appears to be called Tucker on Twitter in the tweet embedded above. May his base of older folks who’ve never cut their cable cords and don’t really use social media enjoy it.

Categories
News Trending Viral Worldwide

L’Rain Shares The Cosmic New Song ‘New Year’s UnResolution’ And Unveils Tour Dates

L’Rain, the sprawling project of Taja Cheek, will soon be hitting the road on the highly anticipated Re:Set concert series, alongside LCD Soundsystem, Jamie XX, and Big Freedia.

She was back Tuesday, June 6, with a new song. It’s her first material since 2021’s Fatigue. Cleverly titled “New Year’s UnResolution,” the track explores glimmering, hypnotic sonic territory, and its lyrical content meanders through the murk of a complicated relationship.

About “New Year’s UnResolution,” she said:

“The words of this song were written at different periods of time to give a sense of what it’s like to think through the trajectory of a relationship at different points of my life — right after a break up, and many moons later. I wonder: what is it like to feel like you’ve forgotten a part of yourself?; how does time pass differently at different moments in your life? (like molasses, like water, like air); how do you set new terms of engagement with someone you’ve interacted with in a very specific way for a long time?; how do you deal with the turmoil of stepping into a distant unknown after a period of fierce intimacy?”

Listen to “New Year’s UnResolution” above. Find her tour dates below.

06/14 — Kingston, NY @ Tubby’s
06/16 — Queens, NY @ Forest Hills Stadium *
06/17 — Boston, NY @ The Stage at Suffolk Downs *
06/18 — Colombia, MD @ Merriweather Post Pavilion *
06/20 — Charlottesville, VA @ The Southern
06/21 — Carrboro, VA @ Cat’s Cradle
06/23 — Nashville, TN @ The Great Lawn in Centennial Park *
06/24 — Columbus, OH @ Kemba Live! Festival Site *
06/25 — Chicago, IL @ Riis Park *

* – Re:Set Concert Series w/ LCD Soundsystem, Jamie xx, IDLES

Categories
News Trending Viral Worldwide

L’Rain Shares The Cosmic New Song ‘New Year’s UnResolution’ And Unveils Tour Dates

L’Rain, the sprawling project of Taja Cheek, will soon be hitting the road on the highly anticipated Re:Set concert series, alongside LCD Soundsystem, Jamie XX, and Big Freedia.

She was back Tuesday, June 6, with a new song. It’s her first material since 2021’s Fatigue. Cleverly titled “New Year’s UnResolution,” the track explores glimmering, hypnotic sonic territory, and its lyrical content meanders through the murk of a complicated relationship.

About “New Year’s UnResolution,” she said:

“The words of this song were written at different periods of time to give a sense of what it’s like to think through the trajectory of a relationship at different points of my life — right after a break up, and many moons later. I wonder: what is it like to feel like you’ve forgotten a part of yourself?; how does time pass differently at different moments in your life? (like molasses, like water, like air); how do you set new terms of engagement with someone you’ve interacted with in a very specific way for a long time?; how do you deal with the turmoil of stepping into a distant unknown after a period of fierce intimacy?”

Listen to “New Year’s UnResolution” above. Find her tour dates below.

06/14 — Kingston, NY @ Tubby’s
06/16 — Queens, NY @ Forest Hills Stadium *
06/17 — Boston, NY @ The Stage at Suffolk Downs *
06/18 — Colombia, MD @ Merriweather Post Pavilion *
06/20 — Charlottesville, VA @ The Southern
06/21 — Carrboro, VA @ Cat’s Cradle
06/23 — Nashville, TN @ The Great Lawn in Centennial Park *
06/24 — Columbus, OH @ Kemba Live! Festival Site *
06/25 — Chicago, IL @ Riis Park *

* – Re:Set Concert Series w/ LCD Soundsystem, Jamie xx, IDLES

Categories
News Trending Viral Worldwide

New Suns Coach Frank Vogel Believes Deandre Ayton ‘Can Be One Of The Best Centers In The League’

The Deandre Ayton experience has been a roller coaster for the Phoenix Suns. The center was taken first overall in the 2018 NBA Draft and flashed his potential as a large, nimble big man with a deft scoring touch early on. Ayton played a pivotal role in the Suns’ run to the Finals in 2021 as a big who could switch onto guards and punish smaller teams with his scoring touch and rebounding.

However, Ayton’s phenomenal playoff run did materialize into a max extension offer heading into the final year of his rookie deal. The contract situation hovered over the Suns all season, and the year ended with Ayton getting benched during an embarrassing Game 7 loss at home in the Western Conference Semis against the Dallas Mavericks.

The Suns would eventually match an offer that Ayton received as a restricted free agent, but the Game 7 loss appeared to create significant friction between Ayton and head coach Monty Williams. At training camp, Ayton told reporters that he and Williams did not speak to one another the entire summer. And while Ayton put up 18 points and 10 rebounds a night this last season, his relationship with Williams was a consistent storyline for Phoenix throughout the year.

Williams was fired and replaced by Frank Vogel, and on Tuesday, the Suns’ new coach made clear that striking up a relationship with Ayton — whose name has been on the trade block since, essentially, the start of the offseason — is a priority.

Vogel has reputation for coaching up talented big man. In Indiana, he transformed Roy Hibbert into one of the league’s best rim protectors. In Los Angeles, Anthony Davis played some of his best basketball under Vogel en route to a championship in 2020. Ayton has the physical tools to be one of the league’s top bigs, but for one reason or another, he has never consistently played with the physicality and focus required to become elite. If Vogel wants to succeed in Phoenix, he will have to figure out how to get Ayton to do just that.

Categories
News Trending Viral Worldwide

Gen-Z Is Drinking Less At Concerts And Venues Are Feeling The Hangover

Millennials have been blamed for killing more than their fair share of legacy industries, but it’s the Zoomers’ turn to take the blame. According to a 2020 study reported by Billboard, gen-Z is drinking so much less at concerts that live venue owners are worried the hangover from the 2020 shutdown is going to keep giving them headaches, three years later.

According to Texas State University psychology professor Ty Schepis, who co-authored the 2020 study, alcohol consumption “has been declining in adolescents and in young adults for the past decade and a half, maybe even two decades.” Additionally, “the amount that people [in this cohort] drink when they do drink tends to be lower than it was in older generations. This is most obvious in Gen Z, but this is a continuation of a trend.”

The result has been a big drop in alcohol sales at clubs like Tucson’s Club Congress, whose owner David Slutes is quoted in Billboard‘s report. According to him, shows aimed at Gen Z brought in as much as 25% less than shows targeting older generations — which is wild when you consider some of the antics that have gone down at shows in the past year. Promoter Dayna Frank reported similar findings, saying, “One of the big trends we’re seeing is that Gen Z doesn’t drink as much. They’re either eating edibles before they come or there’s more of a sober, mental health [focus]… Most of the ticket price goes on to the band, so really what [venues] subsist on is beverages. That’s not going to be a sustainable revenue stream.”

Meanwhile, other owners or promoters cited by Billboard reported that alcohol sales, in general, have been down, regardless of age, and seemingly owing as much to the shows’ genres as anything else. Meanwhile, there may be a simpler explanation: Concertgoers, on the whole, have much less disposable income as prices for just about everything elseincluding (especially) tickets — go up and wages remain stagnant. There’s no doubt it’s a problem that doesn’t have an obvious or immediate situation. But it’s one that venues will need to solve if they want to remain solvent.